Determination of Royalty Rates and Terms for Ephemeral Recording and Digital Performance of Sound Recordings (Web V), 57833-57836 [2019-23486]
Download as PDF
Federal Register / Vol. 84, No. 209 / Tuesday, October 29, 2019 / Proposed Rules
comments may also be inspected during
regular business days between the hours
of 9 a.m. and 4:30 p.m. at the Trade and
Commercial Regulations Branch,
Regulations and Rulings, Office of
Trade, U.S. Customs and Border
Protection, 90 K Street NE, 10th Floor,
Washington, DC. Arrangements to
inspect submitted comments should be
made in advance by calling Mr. Joseph
Clark at (202) 325–0118.
Alex
Bamiagis, Intellectual Property Branch,
Regulations and Rulings, Office of
Trade, U.S. Customs and Border
Protection, (202) 325–0415.
FOR FURTHER INFORMATION CONTACT:
SUPPLEMENTARY INFORMATION:
Public Participation
Interested persons are invited to
participate in this rulemaking by
submitting written data, views, or
arguments on all aspects of the
proposed rule. CBP also invites
comments that relate to the economic,
environmental, or federalism effects that
might result from this proposed rule. If
appropriate to a specific comment, the
commenter should reference the specific
portion of the proposed rule, explain the
reason for any recommended change,
and include data, information, or
authority that support such
recommended change.
Background
On August 27, 2019, U.S. Customs
and Border Protection (CBP) published
a document in the Federal Register (84
FR 44790), that proposes to amend the
CBP regulations pertaining to disclosure
of information regarding merchandise
bearing suspected counterfeit
trademarks that was voluntarily
abandoned. The document solicited
public comments on the proposed rule
and requested that commenters submit
their comments on or before October 28,
2019.
Extension of Comment Period
In response to the proposed rule
published in the Federal Register, CBP
has received correspondence from the
public requesting an extension of the
comment period. CBP has decided to
grant the extension. Accordingly, the
comment period for the proposed rule is
extended to November 15, 2019.
Dated: October 23, 2019.
Alice A. Kipel,
Executive Director, Regulations and Rulings,
Office of Trade, U.S. Customs and Border
Protection.
[FR Doc. 2019–23542 Filed 10–25–19; 8:45 am]
BILLING CODE 9111–14–P
VerDate Sep<11>2014
20:38 Oct 28, 2019
Jkt 250001
DEPARTMENT OF THE INTERIOR
National Park Service
[NPS–NCR–28616; PPNCNAMAS0,
PPMPSPD1Z.YM0000]
RIN 1024–AE45
Demonstrations and Special Events on
the National Mall and Memorial Parks;
Withdrawal
National Park Service; Interior.
Proposed rule; withdrawal.
AGENCY:
The National Park Service
withdraws the proposed rule that would
revise special regulations related to
demonstrations and special events at
certain national park units in the
National Capital Region. The National
Park Service no longer intends to
prepare a final rule and has terminated
the rulemaking process.
DATES: The August 15, 2018 proposed
rule (83 FR 40460) is withdrawn as of
October 29, 2019.
FOR FURTHER INFORMATION CONTACT:
Brian D. Joyner, Chief of Staff, National
Park Service, National Mall and
Memorial Parks, (202) 245–4468,
NAMA_Superintendent@nps.gov.
SUMMARY:
Rob Wallace,
Assistant Secretary for Fish and Wildlife and
Parks.
[FR Doc. 2019–23408 Filed 10–28–19; 8:45 am]
BILLING CODE 4312–52–P
LIBRARY OF CONGRESS
Copyright Royalty Board
37 CFR Part 380
[Docket No. 19–CRB–0005–WR (2021–2025)
(Web V)]
Determination of Royalty Rates and
Terms for Ephemeral Recording and
Digital Performance of Sound
Recordings (Web V)
Copyright Royalty Board,
Library of Congress.
ACTION: Proposed rule related to public
broadcasters (radio).
AGENCY:
The Copyright Royalty Judges
are publishing for comment proposed
regulations governing the rates and
terms for the digital performances of
sound recordings by certain public radio
stations and for the making of
ephemeral recordings necessary to
facilitate those transmissions for the
period commencing January 1, 2021,
and ending on December 31, 2025.
SUMMARY:
PO 00000
Frm 00005
Fmt 4702
Comments and objections, if any,
are due no later than November 19,
2019.
DATES:
You may submit comments
and proposals, identified by docket
number 19–CRB–0005–WR (2021–
2025), by any of the following methods:
CRB’s electronic filing application:
Submit comments and proposals online
in eCRB at https://app.crb.gov/.
U.S. mail: Copyright Royalty Board,
P.O. Box 70977, Washington, DC 20024–
0977; or
Overnight service (only USPS Express
Mail is acceptable): Copyright Royalty
Board, P.O. Box 70977, Washington, DC
20024–0977; or
Commercial courier: Address package
to: Copyright Royalty Board, Library of
Congress, James Madison Memorial
Building, LM–403, 101 Independence
Avenue SE, Washington, DC 20559–
6000. Deliver to: Congressional Courier
Acceptance Site, 2nd Street NE and D
Street NE, Washington, DC; or
Hand delivery: Library of Congress,
James Madison Memorial Building, LM–
401, 101 Independence Avenue SE,
Washington, DC 20559–6000.
Instructions: Parties unable to use
eCRB must submit an original, two
paper copies, and an electronic version
on a CD. All submissions must include
a reference to the Copyright Royalty
Board name and docket number (19–
CRB–0005–WR (2021–2025)), as well as
the Federal Register citation for this
proposed rule. All submissions will be
posted without change to eCRB at
https://app.crb.gov/ including any
personal information provided.
Docket: For access to the docket to
read submitted background documents
or comments, go to eCRB, the Copyright
Royalty Board’s electronic filing and
case management system, at https://
app.crb.gov/ and search for docket
number 19–CRB–0005–WR (2021–
2025).
ADDRESSES:
36 CFR Part 7
ACTION:
57833
Sfmt 4702
FOR FURTHER INFORMATION CONTACT:
Anita Blaine, Program Specialist, by
telephone at (202) 707–0078 or email at
crb@loc.gov.
SUPPLEMENTARY INFORMATION: On
September 23, 2019, the Copyright
Royalty Judges (Judges) received a joint
motion from SoundExchange, Inc.
(‘‘SoundExchange’’), National Public
Radio, Inc. (‘‘NPR’’), and the
Corporation for Public Broadcasting
(‘‘CPB’’) (together, the ‘‘Settling
Parties’’) to adopt a partial settlement of
their interests related to Web V royalty
rates and terms for 2021–2025 1 for
1 Web V is short for Webcasting V. This
proceeding is the fifth since Congress enacted the
E:\FR\FM\29OCP1.SGM
Continued
29OCP1
57834
Federal Register / Vol. 84, No. 209 / Tuesday, October 29, 2019 / Proposed Rules
certain internet transmissions by public
broadcasters, NPR, American Public
Media, Public Radio International,
Public Radio Exchange, and certain
other unnamed public radio stations.
Joint Motion to Adopt Partial
Settlement, Docket No. 19–CRB–0005–
WR (2021–2025). Their interests
concern the rule setting minimum
copyright royalty fees and terms that the
Judges will establish for compulsory
copyright licenses for certain internet
transmissions of sound recordings by
public radio stations for the period from
January 1, 2021, through December 31,
2025. SoundExchange, Inc. represents
the interests of sound recording
copyright owners and performers. The
public broadcaster parties are users of
the copyrighted material, and CPB
provides significant funding for those
parties. CPB is the entity that will pay
the royalties pursuant to the settlement.
The Judges hereby publish the agreed
proposal and request comments from
the public.
Section 114 of the Copyright Act, title
17 of the United States Code, provides
a statutory license that allows for the
public performance of sound recordings
by means of a digital audio transmission
by, among others, eligible
nonsubscription transmission services.
17 U.S.C. 114(f). For purposes of the
section 114 license, an ‘‘eligible
nonsubscription transmission’’ is a
noninteractive digital audio
transmission that does not require a
subscription for receiving the
transmission. The transmission must
also be made as part of a service that
provides audio programming consisting
in whole or in part of performances of
sound recordings the purpose of which
is to provide audio or other
entertainment programming, but not to
sell, advertise, or promote particular
goods or services. See 17 U.S.C.
114(j)(6).
Services using the section 114 license
may need to make one or more
temporary or ‘‘ephemeral’’ copies of a
sound recording to facilitate the
transmission of that recording. The
section 112 statutory license allows for
the making of the necessary ephemeral
reproductions. 17 U.S.C. 112(e).
Chapter 8 of the Copyright Act
requires the Judges to conduct
proceedings every five years to
determine the rates and terms for the
sections 114 and 112 statutory licenses.
17 U.S.C. 801(b)(1), 804(b)(3)(A). The
current proceeding commenced in
January 2019 for rates and terms that
will become effective on January 1,
compulsory sound recording performance license
for webcasting.
VerDate Sep<11>2014
20:38 Oct 28, 2019
Jkt 250001
2021, and end on December 31, 2025.
Pursuant to section 804(b)(3)(A), the
Judges published in the Federal
Register a notice commencing the
proceeding and requesting that
interested parties submit their petitions
to participate. 84 FR 359 (Jan. 24, 2019).
NPR 2 and SoundExchange each
submitted petitions to participate, as did
other parties.
On September 23, 2019, the Settling
Parties submitted to the Judges a joint
motion to adopt a partial settlement of
their interests in the proceeding. The
parties requested that the Judges
‘‘endeavor to determine before the
deadline for the filing of written rebuttal
statements in this Proceeding (January
10, 2020) whether they will adopt the
settlement.’’ Joint Motion at 1.
Statutory Timing of Adoption of Rates
and Terms
Section 801(b)(7)(A) of the Copyright
Act authorizes the Judges to adopt
royalty rates and terms negotiated by
‘‘some or all of the participants in a
proceeding at any time during the
proceeding’’ provided they are
submitted to the Judges for approval.
The Judges must provide ‘‘an
opportunity to comment on the
agreement’’ to participants and nonparticipants in the rate proceeding who
‘‘would be bound by the terms, rates, or
other determination set by any
agreement. . . .’’ 17 U.S.C.
801(b)(7)(A)(i). Participants in the
proceeding may also ‘‘object to [the
agreement’s] adoption as a basis for
statutory terms and rates.’’ Id.
The Judges ‘‘may decline to adopt the
agreement as a basis for statutory terms
and rates for participants that are not
parties to the agreement,’’ only ‘‘if any
participant [in the proceeding] objects to
the agreement and the [Judges]
conclude, based on the record before
them if one exists, that the agreement
does not provide a reasonable basis for
setting statutory terms or rates.’’ 17
U.S.C. 801(b)(7)(A)(ii).
Proposed Adjustments to Rates and
Terms
The Settlement continues the
structure of previous settlements
between the parties, while increasing
the payment to be made by CPB. Joint
Motion at 2. Because the Settlement
applies to only a closed group of
licensees, and has only a single payor
(CPB), the Settlement is being submitted
to the Judges for adoption as a statutory
rate and terms only so that it will be
2 NPR is participating on behalf of itself, its
member and affiliated stations, and all public radio
stations and entities eligible to receive funding from
CPB. NPR Petition to Participate at 1 (Feb. 4, 2019).
PO 00000
Frm 00006
Fmt 4702
Sfmt 4702
binding on all artists and copyright
owners, including those that are not
members of SoundExchange. Joint
Motion at 2–3. The parties have agreed
to continue their prior reporting
arrangements but have not included the
details of those arrangements in the
Settlement, which, they believe, is
consistent with guidance that the Judges
have provided. Joint Motion at 3 and
n.1. The parties have styled their
proposed regulations as a replacement
subpart D to appear in the Judges’
regulations at 37 CFR part 380 and have
set forth in proposed new subpart D
only regulatory provisions specific to
Public Broadcasters, on the assumption
that the generally applicable provisions
in subpart A will apply to Public
Broadcasters to the extent consistent
with subpart D. Joint Motion at 6,
Attachment A.
The public may comment and object
to any or all of the proposed regulations
contained in this document. Such
comments and objections must be
submitted no later than November 19,
2019.
List of Subjects in 37 CFR Part 380
Copyright, Sound recordings,
Webcasters.
For the reasons set forth in the
preamble, the Copyright Royalty Judges
propose to amend 37 CFR part 380 as
follows:
PART 380—RATES AND TERMS FOR
TRANSMISSIONS BY ELIGIBLE
NONSUBSCRIPTION SERVICES AND
NEW SUBSCRIPTION SERVICES AND
FOR THE MAKING OF EPHEMERAL
REPRODUCTIONS TO FACILITATE
THOSE TRANSMISSIONS
1. The authority citation for part 380
continues to read as follows:
■
Authority: 17 U.S.C. 112(e), 114(f),
804(b)(3).
■
2. Revise subpart D to read as follows:
Subpart D—Public Broadcasters
Sec.
380.30 Definitions.
380.31 Royalty fees for the public
performance of sound recordings and for
ephemeral recordings.
380.32 Terms for making payment of
royalty fees and statements of account.
§ 380.30
Definitions.
For purposes of this subpart, the
following definitions apply:
Authorized website is any website
operated by or on behalf of any Public
Broadcaster that is accessed by website
Users through a Uniform Resource
Locator (‘‘URL’’) owned by such Public
Broadcaster and through which website
E:\FR\FM\29OCP1.SGM
29OCP1
Federal Register / Vol. 84, No. 209 / Tuesday, October 29, 2019 / Proposed Rules
Performances are made by such Public
Broadcaster.
CPB is the Corporation for Public
Broadcasting.
Music ATH is aggregate tuning hours
of website Performances of sound
recordings of musical works.
NPR is National Public Radio, Inc.
Originating Public Radio Station is a
noncommercial terrestrial radio
broadcast station that—
(1) Is licensed as such by the Federal
Communications Commission;
(2) Originates programming and is not
solely a repeater station;
(3) Is a member or affiliate of NPR,
American Public Media, Public Radio
International, or Public Radio Exchange,
a member of the National Federation of
Community Broadcasters, or another
public radio station that is qualified to
receive funding from CPB pursuant to
its criteria;
(4) Qualifies as a ‘‘noncommercial
webcaster’’ under 17 U.S.C.
114(f)(4)(E)(i); and
(5) Either—
(i) Offers website Performances only
as part of the mission that entitles it to
be exempt from taxation under section
501 of the Internal Revenue Code of
1986 (26 U.S.C. 501); or
(ii) In the case of a governmental
entity (including a Native American
Tribal governmental entity), is operated
exclusively for public purposes.
Person is a natural person, a
corporation, a limited liability company,
a partnership, a trust, a joint venture,
any governmental authority or any other
entity or organization.
Public Broadcasters are NPR,
American Public Media, Public Radio
International, and Public Radio
Exchange, and up to 530 Originating
Public Radio Stations as named by CPB.
CPB shall notify SoundExchange
annually of the eligible Originating
Public Radio Stations to be considered
Public Broadcasters per this definition
(subject to the numerical limitations set
forth in this definition). The number of
Originating Public Radio Stations
treated per this definition as Public
Broadcasters shall not exceed 530 for a
given year without SoundExchange’s
express written approval, except that
CPB shall have the option to increase
the number of Originating Public Radio
Stations that may be considered Public
Broadcasters as provided in § 380.31(c).
Side Channel is any internet-only
program available on an Authorized
website or an archived program on such
Authorized website that, in either case,
conforms to all applicable requirements
under 17 U.S.C. 114.
Term is the period January 1, 2021,
through December 31, 2025.
VerDate Sep<11>2014
20:38 Oct 28, 2019
Jkt 250001
Website is a site located on the World
Wide Web that can be located by a
website User through a principal URL.
Website Performances are all public
performances by means of digital audio
transmissions of sound recordings,
including the transmission of any
portion of any sound recording, made
through an Authorized website in
accordance with all requirements of 17
U.S.C. 114, from servers used by a
Public Broadcaster (provided that the
Public Broadcaster controls the content
of all materials transmitted by the
server), or by a contractor authorized
pursuant to § 380.31(f), that consist of
either the retransmission of a Public
Broadcaster’s over-the-air terrestrial
radio programming or the digital
transmission of nonsubscription Side
Channels that are programmed and
controlled by the Public Broadcaster;
provided, however, that a Public
Broadcaster may limit access to an
Authorized website, or a portion
thereof, or any content made available
thereon or functionality thereof, solely
to website Users who are contributing
members of a Public Broadcaster. This
term does not include digital audio
transmissions made by any other means.
Website Users are all those who access
or receive website Performances or who
access any Authorized website.
§ 380.31 Royalty fees for the public
performance of sound recordings and for
ephemeral recordings.
(a) Royalty rates. The total license fee
for all website Performances by Public
Broadcasters during each year of the
Term, up to the total Music ATH set
forth in paragraphs (a)(1) through (5) of
this section for the relevant calendar
year, and Ephemeral Recordings made
by Public Broadcasters solely to
facilitate such website Performances,
shall be $800,000 (the ‘‘License Fee’’),
unless additional payments are required
as described in paragraph (c) of this
section. The total Music ATH limits are:
(1) 2021: 360,000,000;
(2) 2022: 370,000,000;
(3) 2023: 380,000,000;
(4) 2024: 390,000,000; and
(5) 2025: 400,000,000.
(b) Calculation of License Fee. It is
understood that the License Fee
includes:
(1) An annual minimum fee for each
Public Broadcaster for each year during
the Term;
(2) Additional usage fees for certain
Public Broadcasters; and
(3) A discount that reflects the
administrative convenience to the
Collective (for purposes of this subpart,
the term ‘‘Collective’’ refers to
SoundExchange, Inc.) of receiving
PO 00000
Frm 00007
Fmt 4702
Sfmt 4702
57835
annual lump sum payments that cover
a large number of separate entities, as
well as the protection from bad debt that
arises from being paid in advance.
(c) Increase in Public Broadcasters. If
the total number of Originating Public
Radio Stations that wish to make
website Performances in any calendar
year exceeds the number of such
Originating Public Radio Stations
considered Public Broadcasters in the
relevant year, and the excess Originating
Public Radio Stations do not wish to
pay royalties for such website
Performances apart from this subpart,
CPB may elect by written notice to the
Collective to increase the number of
Originating Public Radio Stations
considered Public Broadcasters in the
relevant year effective as of the date of
the notice. To the extent of any such
elections, CPB shall make an additional
payment to the Collective for each
calendar year or part thereof it elects to
have an additional Originating Public
Radio Station considered a Public
Broadcaster, in the amount of the
annual minimum fee applicable to
Noncommercial Webcasters under
subpart B of this part for each additional
Originating Public Radio Station per
year. Such payment shall accompany
the notice electing to have an additional
Originating Public Radio Station
considered a Public Broadcaster.
(d) Allocation between ephemeral
recordings and performance royalty
fees. The Collective must credit 5% of
all royalty payments as payment for
Ephemeral Recordings and credit the
remaining 95% to section 114 royalties.
All Ephemeral Recordings that a
Licensee makes which are necessary
and commercially reasonable for making
noninteractive digital transmissions are
included in the 5%.
(e) Effect of non-performance by any
Public Broadcaster. In the event that any
Public Broadcaster violates any of the
material provisions of 17 U.S.C. 112(e)
or 114 or this subpart that it is required
to perform, the remedies of the
Collective shall be specific to that
Public Broadcaster only, and shall
include, without limitation, termination
of that Public Broadcaster’s right to be
treated as a Public Broadcaster per this
paragraph (e) upon written notice to
CPB. The Collective and Copyright
Owners also shall have whatever rights
may be available to them against that
Public Broadcaster under applicable
law. The Collective’s remedies for such
a breach or failure by an individual
Public Broadcaster shall not include
termination of the rights of other Public
Broadcasters to be treated as Public
Broadcasters per this paragraph (e),
except that if CPB fails to pay the
E:\FR\FM\29OCP1.SGM
29OCP1
57836
Federal Register / Vol. 84, No. 209 / Tuesday, October 29, 2019 / Proposed Rules
License Fee or otherwise fails to
perform any of the material provisions
of this subpart, or such a breach or
failure by a Public Broadcaster results
from CPB’s inducement, and CPB does
not cure such breach or failure within
30 days after receiving notice thereof
from the Collective, then the Collective
may terminate the right of all Public
Broadcasters to be treated as Public
Broadcasters per this paragraph (e) upon
written notice to CPB. In such a case, a
prorated portion of the License Fee for
the remainder of the Term (to the extent
paid by CPB) shall, after deduction of
any damages payable to the Collective
by virtue of the breach or failure, be
credited to statutory royalty obligations
of Public Broadcasters to the Collective
for the Term as specified by CPB.
(f) Use of contractors. The right to rely
on this subpart is limited to Public
Broadcasters, except that a Public
Broadcaster may employ the services of
a third Person to provide the technical
services and equipment necessary to
deliver website Performances on behalf
of such Public Broadcaster, but only
through an Authorized website. Any
agreement between a Public Broadcaster
and any third Person for such services
shall:
(1) Obligate such third Person to
provide all such services in accordance
with all applicable provisions of the
statutory licenses and this subpart;
(2) Specify that such third Person
shall have no right to make website
Performances or any other performances
or Ephemeral Recordings on its own
behalf or on behalf of any Person or
entity other than a Public Broadcaster
through the Public Broadcaster’s
Authorized website by virtue of its
services for the Public Broadcaster,
including in the case of Ephemeral
Recordings, pre-encoding or otherwise
establishing a library of sound
recordings that it offers to a Public
Broadcaster or others for purposes of
making performances, but instead must
obtain all necessary licenses from the
Collective, the copyright owner or
another duly authorized Person, as the
case may be;
(3) Specify that such third Person
shall have no right to grant any
sublicenses under the statutory licenses;
and
(4) Provide that the Collective is an
intended third-party beneficiary of all
such obligations with the right to
enforce a breach thereof against such
third Person.
§ 380.32 Terms for making payment of
royalty fees and statements of account.
(a) Payment to the Collective. CPB
shall pay the License Fee to the
VerDate Sep<11>2014
20:38 Oct 28, 2019
Jkt 250001
Collective in five equal installments of
$800,000 each, which shall be due
December 31, 2020, and annually
thereafter through December 31, 2024.
(b) Reporting. CPB and Public
Broadcasters shall submit reports of use
and other information concerning
website Performances as agreed upon
with the Collective.
(c) Terms in general. Subject to the
provisions of this subpart, terms
governing late fees, distribution of
royalties by the Collective, unclaimed
funds, record retention requirements,
treatment of Licensees’ confidential
information, audit of royalty payments
and distributions, and any definitions
for applicable terms not defined in this
subpart shall be those set forth in
subpart A of this part.
Dated: October 23, 2019.
Jesse M. Feder,
Chief Copyright Royalty Judge.
[FR Doc. 2019–23486 Filed 10–28–19; 8:45 am]
BILLING CODE 1410–72–P
ENVIRONMENTAL PROTECTION
AGENCY
40 CFR Part 52
[EPA–R10–OAR–2019–0568, FRL–10001–
57–Region 10]
Air Plan Approval; Washington;
Update to the Adoption by Reference,
Energy Facility Site Evaluation Council
Environmental Protection
Agency (EPA).
ACTION: Proposed rule.
AGENCY:
The Environmental Protection
Agency (EPA) is proposing to revise the
Washington State Implementation Plan
(SIP) to approve updates to the Energy
Facility Site Evaluation Council
(EFSEC) air quality regulations. The
EFSEC regulations apply to major
energy facilities in the State of
Washington and establish permitting
requirements and emissions standards
for such facilities. The EFSEC
regulations primarily adopt by reference
the Washington Department of Ecology
(Ecology) general air quality regulations
for program implementation. We are
proposing to approve EFSEC’s updated
adoption by reference to include certain
changes to Ecology’s general air quality
regulations since EFSEC’s last adoption
by reference, consistent with prior
approvals.
DATES: Comments must be received on
or before November 29, 2019.
ADDRESSES: Submit your comments,
identified by Docket ID No. EPA–R10–
OAR–2018–0568 at https://
SUMMARY:
PO 00000
Frm 00008
Fmt 4702
Sfmt 4702
www.regulations.gov. Follow the online
instructions for submitting comments.
Once submitted, comments cannot be
edited or removed from Regulations.gov.
The EPA may publish any comment
received to its public docket. Do not
submit electronically any information
you consider to be Confidential
Business Information (CBI) or other
information whose disclosure is
restricted by statute. Multimedia
submissions (audio, video, etc.) must be
accompanied by a written comment.
The written comment is considered the
official comment and should include
discussion of all points you wish to
make. The EPA will generally not
consider comments or comment
contents located outside of the primary
submission (i.e., on the web, cloud, or
other file sharing system). For
additional submission methods, the full
EPA public comment policy,
information about CBI or multimedia
submissions, and general guidance on
making effective comments, please visit
https://www.epa.gov/dockets/
commenting-epa-dockets.
FOR FURTHER INFORMATION CONTACT: Jeff
Hunt at (206) 553–0256, or hunt.jeff@
epa.gov.
SUPPLEMENTARY INFORMATION:
Throughout this document whenever
‘‘we,’’ ‘‘us,’’ or ‘‘our’’ is used, it is
intended to refer to the EPA.
I. Background
By statute, EFSEC has jurisdiction for
managing the air program with respect
to major energy facilities in the State of
Washington. See Chapter 80.50 of the
Revised Code of Washington (RCW).
The EFSEC air quality regulations are
contained in Chapter 463–78
Washington Administrative Code
(WAC) General and Operating Permit
Regulations for Air Pollution Sources.
These EFSEC regulations rely primarily
on the adoption by reference of the
corresponding Ecology general air
quality regulations contained in Chapter
173–400 WAC General Regulations for
Air Pollution Sources, with certain
exceptions discussed below.
As discussed in our prior approval of
the EFSEC regulations on May 30, 2017
(82 FR 24531), EFSEC’s adoption by
reference of Chapter 173–400 WAC is
modified in several ways. First,
references in Chapter 173–400 WAC
regarding appeals are modified to reflect
EFSEC’s independent appeals process in
WAC 463–78–140. Second, the cross
references to fees under Chapter 173–
455 WAC are modified to reflect
EFSEC’s independent fee structure set
out in Chapter 80.50 RCW. Third, while
EFSEC generally adopts most of the
E:\FR\FM\29OCP1.SGM
29OCP1
Agencies
[Federal Register Volume 84, Number 209 (Tuesday, October 29, 2019)]
[Proposed Rules]
[Pages 57833-57836]
From the Federal Register Online via the Government Publishing Office [www.gpo.gov]
[FR Doc No: 2019-23486]
=======================================================================
-----------------------------------------------------------------------
LIBRARY OF CONGRESS
Copyright Royalty Board
37 CFR Part 380
[Docket No. 19-CRB-0005-WR (2021-2025) (Web V)]
Determination of Royalty Rates and Terms for Ephemeral Recording
and Digital Performance of Sound Recordings (Web V)
AGENCY: Copyright Royalty Board, Library of Congress.
ACTION: Proposed rule related to public broadcasters (radio).
-----------------------------------------------------------------------
SUMMARY: The Copyright Royalty Judges are publishing for comment
proposed regulations governing the rates and terms for the digital
performances of sound recordings by certain public radio stations and
for the making of ephemeral recordings necessary to facilitate those
transmissions for the period commencing January 1, 2021, and ending on
December 31, 2025.
DATES: Comments and objections, if any, are due no later than November
19, 2019.
ADDRESSES: You may submit comments and proposals, identified by docket
number 19-CRB-0005-WR (2021-2025), by any of the following methods:
CRB's electronic filing application: Submit comments and proposals
online in eCRB at https://app.crb.gov/.
U.S. mail: Copyright Royalty Board, P.O. Box 70977, Washington, DC
20024-0977; or
Overnight service (only USPS Express Mail is acceptable): Copyright
Royalty Board, P.O. Box 70977, Washington, DC 20024-0977; or
Commercial courier: Address package to: Copyright Royalty Board,
Library of Congress, James Madison Memorial Building, LM-403, 101
Independence Avenue SE, Washington, DC 20559-6000. Deliver to:
Congressional Courier Acceptance Site, 2nd Street NE and D Street NE,
Washington, DC; or
Hand delivery: Library of Congress, James Madison Memorial
Building, LM-401, 101 Independence Avenue SE, Washington, DC 20559-
6000.
Instructions: Parties unable to use eCRB must submit an original,
two paper copies, and an electronic version on a CD. All submissions
must include a reference to the Copyright Royalty Board name and docket
number (19-CRB-0005-WR (2021-2025)), as well as the Federal Register
citation for this proposed rule. All submissions will be posted without
change to eCRB at https://app.crb.gov/ including any personal
information provided.
Docket: For access to the docket to read submitted background
documents or comments, go to eCRB, the Copyright Royalty Board's
electronic filing and case management system, at https://app.crb.gov/
and search for docket number 19-CRB-0005-WR (2021-2025).
FOR FURTHER INFORMATION CONTACT: Anita Blaine, Program Specialist, by
telephone at (202) 707-0078 or email at [email protected].
SUPPLEMENTARY INFORMATION: On September 23, 2019, the Copyright Royalty
Judges (Judges) received a joint motion from SoundExchange, Inc.
(``SoundExchange''), National Public Radio, Inc. (``NPR''), and the
Corporation for Public Broadcasting (``CPB'') (together, the ``Settling
Parties'') to adopt a partial settlement of their interests related to
Web V royalty rates and terms for 2021-2025 \1\ for
[[Page 57834]]
certain internet transmissions by public broadcasters, NPR, American
Public Media, Public Radio International, Public Radio Exchange, and
certain other unnamed public radio stations. Joint Motion to Adopt
Partial Settlement, Docket No. 19-CRB-0005-WR (2021-2025). Their
interests concern the rule setting minimum copyright royalty fees and
terms that the Judges will establish for compulsory copyright licenses
for certain internet transmissions of sound recordings by public radio
stations for the period from January 1, 2021, through December 31,
2025. SoundExchange, Inc. represents the interests of sound recording
copyright owners and performers. The public broadcaster parties are
users of the copyrighted material, and CPB provides significant funding
for those parties. CPB is the entity that will pay the royalties
pursuant to the settlement. The Judges hereby publish the agreed
proposal and request comments from the public.
---------------------------------------------------------------------------
\1\ Web V is short for Webcasting V. This proceeding is the
fifth since Congress enacted the compulsory sound recording
performance license for webcasting.
---------------------------------------------------------------------------
Section 114 of the Copyright Act, title 17 of the United States
Code, provides a statutory license that allows for the public
performance of sound recordings by means of a digital audio
transmission by, among others, eligible nonsubscription transmission
services. 17 U.S.C. 114(f). For purposes of the section 114 license, an
``eligible nonsubscription transmission'' is a noninteractive digital
audio transmission that does not require a subscription for receiving
the transmission. The transmission must also be made as part of a
service that provides audio programming consisting in whole or in part
of performances of sound recordings the purpose of which is to provide
audio or other entertainment programming, but not to sell, advertise,
or promote particular goods or services. See 17 U.S.C. 114(j)(6).
Services using the section 114 license may need to make one or more
temporary or ``ephemeral'' copies of a sound recording to facilitate
the transmission of that recording. The section 112 statutory license
allows for the making of the necessary ephemeral reproductions. 17
U.S.C. 112(e).
Chapter 8 of the Copyright Act requires the Judges to conduct
proceedings every five years to determine the rates and terms for the
sections 114 and 112 statutory licenses. 17 U.S.C. 801(b)(1),
804(b)(3)(A). The current proceeding commenced in January 2019 for
rates and terms that will become effective on January 1, 2021, and end
on December 31, 2025. Pursuant to section 804(b)(3)(A), the Judges
published in the Federal Register a notice commencing the proceeding
and requesting that interested parties submit their petitions to
participate. 84 FR 359 (Jan. 24, 2019). NPR \2\ and SoundExchange each
submitted petitions to participate, as did other parties.
---------------------------------------------------------------------------
\2\ NPR is participating on behalf of itself, its member and
affiliated stations, and all public radio stations and entities
eligible to receive funding from CPB. NPR Petition to Participate at
1 (Feb. 4, 2019).
---------------------------------------------------------------------------
On September 23, 2019, the Settling Parties submitted to the Judges
a joint motion to adopt a partial settlement of their interests in the
proceeding. The parties requested that the Judges ``endeavor to
determine before the deadline for the filing of written rebuttal
statements in this Proceeding (January 10, 2020) whether they will
adopt the settlement.'' Joint Motion at 1.
Statutory Timing of Adoption of Rates and Terms
Section 801(b)(7)(A) of the Copyright Act authorizes the Judges to
adopt royalty rates and terms negotiated by ``some or all of the
participants in a proceeding at any time during the proceeding''
provided they are submitted to the Judges for approval. The Judges must
provide ``an opportunity to comment on the agreement'' to participants
and non-participants in the rate proceeding who ``would be bound by the
terms, rates, or other determination set by any agreement. . . .'' 17
U.S.C. 801(b)(7)(A)(i). Participants in the proceeding may also
``object to [the agreement's] adoption as a basis for statutory terms
and rates.'' Id.
The Judges ``may decline to adopt the agreement as a basis for
statutory terms and rates for participants that are not parties to the
agreement,'' only ``if any participant [in the proceeding] objects to
the agreement and the [Judges] conclude, based on the record before
them if one exists, that the agreement does not provide a reasonable
basis for setting statutory terms or rates.'' 17 U.S.C.
801(b)(7)(A)(ii).
Proposed Adjustments to Rates and Terms
The Settlement continues the structure of previous settlements
between the parties, while increasing the payment to be made by CPB.
Joint Motion at 2. Because the Settlement applies to only a closed
group of licensees, and has only a single payor (CPB), the Settlement
is being submitted to the Judges for adoption as a statutory rate and
terms only so that it will be binding on all artists and copyright
owners, including those that are not members of SoundExchange. Joint
Motion at 2-3. The parties have agreed to continue their prior
reporting arrangements but have not included the details of those
arrangements in the Settlement, which, they believe, is consistent with
guidance that the Judges have provided. Joint Motion at 3 and n.1. The
parties have styled their proposed regulations as a replacement subpart
D to appear in the Judges' regulations at 37 CFR part 380 and have set
forth in proposed new subpart D only regulatory provisions specific to
Public Broadcasters, on the assumption that the generally applicable
provisions in subpart A will apply to Public Broadcasters to the extent
consistent with subpart D. Joint Motion at 6, Attachment A.
The public may comment and object to any or all of the proposed
regulations contained in this document. Such comments and objections
must be submitted no later than November 19, 2019.
List of Subjects in 37 CFR Part 380
Copyright, Sound recordings, Webcasters.
For the reasons set forth in the preamble, the Copyright Royalty
Judges propose to amend 37 CFR part 380 as follows:
PART 380--RATES AND TERMS FOR TRANSMISSIONS BY ELIGIBLE
NONSUBSCRIPTION SERVICES AND NEW SUBSCRIPTION SERVICES AND FOR THE
MAKING OF EPHEMERAL REPRODUCTIONS TO FACILITATE THOSE TRANSMISSIONS
0
1. The authority citation for part 380 continues to read as follows:
Authority: 17 U.S.C. 112(e), 114(f), 804(b)(3).
0
2. Revise subpart D to read as follows:
Subpart D--Public Broadcasters
Sec.
380.30 Definitions.
380.31 Royalty fees for the public performance of sound recordings
and for ephemeral recordings.
380.32 Terms for making payment of royalty fees and statements of
account.
Sec. 380.30 Definitions.
For purposes of this subpart, the following definitions apply:
Authorized website is any website operated by or on behalf of any
Public Broadcaster that is accessed by website Users through a Uniform
Resource Locator (``URL'') owned by such Public Broadcaster and through
which website
[[Page 57835]]
Performances are made by such Public Broadcaster.
CPB is the Corporation for Public Broadcasting.
Music ATH is aggregate tuning hours of website Performances of
sound recordings of musical works.
NPR is National Public Radio, Inc.
Originating Public Radio Station is a noncommercial terrestrial
radio broadcast station that--
(1) Is licensed as such by the Federal Communications Commission;
(2) Originates programming and is not solely a repeater station;
(3) Is a member or affiliate of NPR, American Public Media, Public
Radio International, or Public Radio Exchange, a member of the National
Federation of Community Broadcasters, or another public radio station
that is qualified to receive funding from CPB pursuant to its criteria;
(4) Qualifies as a ``noncommercial webcaster'' under 17 U.S.C.
114(f)(4)(E)(i); and
(5) Either--
(i) Offers website Performances only as part of the mission that
entitles it to be exempt from taxation under section 501 of the
Internal Revenue Code of 1986 (26 U.S.C. 501); or
(ii) In the case of a governmental entity (including a Native
American Tribal governmental entity), is operated exclusively for
public purposes.
Person is a natural person, a corporation, a limited liability
company, a partnership, a trust, a joint venture, any governmental
authority or any other entity or organization.
Public Broadcasters are NPR, American Public Media, Public Radio
International, and Public Radio Exchange, and up to 530 Originating
Public Radio Stations as named by CPB. CPB shall notify SoundExchange
annually of the eligible Originating Public Radio Stations to be
considered Public Broadcasters per this definition (subject to the
numerical limitations set forth in this definition). The number of
Originating Public Radio Stations treated per this definition as Public
Broadcasters shall not exceed 530 for a given year without
SoundExchange's express written approval, except that CPB shall have
the option to increase the number of Originating Public Radio Stations
that may be considered Public Broadcasters as provided in Sec.
380.31(c).
Side Channel is any internet-only program available on an
Authorized website or an archived program on such Authorized website
that, in either case, conforms to all applicable requirements under 17
U.S.C. 114.
Term is the period January 1, 2021, through December 31, 2025.
Website is a site located on the World Wide Web that can be located
by a website User through a principal URL.
Website Performances are all public performances by means of
digital audio transmissions of sound recordings, including the
transmission of any portion of any sound recording, made through an
Authorized website in accordance with all requirements of 17 U.S.C.
114, from servers used by a Public Broadcaster (provided that the
Public Broadcaster controls the content of all materials transmitted by
the server), or by a contractor authorized pursuant to Sec. 380.31(f),
that consist of either the retransmission of a Public Broadcaster's
over-the-air terrestrial radio programming or the digital transmission
of nonsubscription Side Channels that are programmed and controlled by
the Public Broadcaster; provided, however, that a Public Broadcaster
may limit access to an Authorized website, or a portion thereof, or any
content made available thereon or functionality thereof, solely to
website Users who are contributing members of a Public Broadcaster.
This term does not include digital audio transmissions made by any
other means.
Website Users are all those who access or receive website
Performances or who access any Authorized website.
Sec. 380.31 Royalty fees for the public performance of sound
recordings and for ephemeral recordings.
(a) Royalty rates. The total license fee for all website
Performances by Public Broadcasters during each year of the Term, up to
the total Music ATH set forth in paragraphs (a)(1) through (5) of this
section for the relevant calendar year, and Ephemeral Recordings made
by Public Broadcasters solely to facilitate such website Performances,
shall be $800,000 (the ``License Fee''), unless additional payments are
required as described in paragraph (c) of this section. The total Music
ATH limits are:
(1) 2021: 360,000,000;
(2) 2022: 370,000,000;
(3) 2023: 380,000,000;
(4) 2024: 390,000,000; and
(5) 2025: 400,000,000.
(b) Calculation of License Fee. It is understood that the License
Fee includes:
(1) An annual minimum fee for each Public Broadcaster for each year
during the Term;
(2) Additional usage fees for certain Public Broadcasters; and
(3) A discount that reflects the administrative convenience to the
Collective (for purposes of this subpart, the term ``Collective''
refers to SoundExchange, Inc.) of receiving annual lump sum payments
that cover a large number of separate entities, as well as the
protection from bad debt that arises from being paid in advance.
(c) Increase in Public Broadcasters. If the total number of
Originating Public Radio Stations that wish to make website
Performances in any calendar year exceeds the number of such
Originating Public Radio Stations considered Public Broadcasters in the
relevant year, and the excess Originating Public Radio Stations do not
wish to pay royalties for such website Performances apart from this
subpart, CPB may elect by written notice to the Collective to increase
the number of Originating Public Radio Stations considered Public
Broadcasters in the relevant year effective as of the date of the
notice. To the extent of any such elections, CPB shall make an
additional payment to the Collective for each calendar year or part
thereof it elects to have an additional Originating Public Radio
Station considered a Public Broadcaster, in the amount of the annual
minimum fee applicable to Noncommercial Webcasters under subpart B of
this part for each additional Originating Public Radio Station per
year. Such payment shall accompany the notice electing to have an
additional Originating Public Radio Station considered a Public
Broadcaster.
(d) Allocation between ephemeral recordings and performance royalty
fees. The Collective must credit 5% of all royalty payments as payment
for Ephemeral Recordings and credit the remaining 95% to section 114
royalties. All Ephemeral Recordings that a Licensee makes which are
necessary and commercially reasonable for making noninteractive digital
transmissions are included in the 5%.
(e) Effect of non-performance by any Public Broadcaster. In the
event that any Public Broadcaster violates any of the material
provisions of 17 U.S.C. 112(e) or 114 or this subpart that it is
required to perform, the remedies of the Collective shall be specific
to that Public Broadcaster only, and shall include, without limitation,
termination of that Public Broadcaster's right to be treated as a
Public Broadcaster per this paragraph (e) upon written notice to CPB.
The Collective and Copyright Owners also shall have whatever rights may
be available to them against that Public Broadcaster under applicable
law. The Collective's remedies for such a breach or failure by an
individual Public Broadcaster shall not include termination of the
rights of other Public Broadcasters to be treated as Public
Broadcasters per this paragraph (e), except that if CPB fails to pay
the
[[Page 57836]]
License Fee or otherwise fails to perform any of the material
provisions of this subpart, or such a breach or failure by a Public
Broadcaster results from CPB's inducement, and CPB does not cure such
breach or failure within 30 days after receiving notice thereof from
the Collective, then the Collective may terminate the right of all
Public Broadcasters to be treated as Public Broadcasters per this
paragraph (e) upon written notice to CPB. In such a case, a prorated
portion of the License Fee for the remainder of the Term (to the extent
paid by CPB) shall, after deduction of any damages payable to the
Collective by virtue of the breach or failure, be credited to statutory
royalty obligations of Public Broadcasters to the Collective for the
Term as specified by CPB.
(f) Use of contractors. The right to rely on this subpart is
limited to Public Broadcasters, except that a Public Broadcaster may
employ the services of a third Person to provide the technical services
and equipment necessary to deliver website Performances on behalf of
such Public Broadcaster, but only through an Authorized website. Any
agreement between a Public Broadcaster and any third Person for such
services shall:
(1) Obligate such third Person to provide all such services in
accordance with all applicable provisions of the statutory licenses and
this subpart;
(2) Specify that such third Person shall have no right to make
website Performances or any other performances or Ephemeral Recordings
on its own behalf or on behalf of any Person or entity other than a
Public Broadcaster through the Public Broadcaster's Authorized website
by virtue of its services for the Public Broadcaster, including in the
case of Ephemeral Recordings, pre-encoding or otherwise establishing a
library of sound recordings that it offers to a Public Broadcaster or
others for purposes of making performances, but instead must obtain all
necessary licenses from the Collective, the copyright owner or another
duly authorized Person, as the case may be;
(3) Specify that such third Person shall have no right to grant any
sublicenses under the statutory licenses; and
(4) Provide that the Collective is an intended third-party
beneficiary of all such obligations with the right to enforce a breach
thereof against such third Person.
Sec. 380.32 Terms for making payment of royalty fees and statements
of account.
(a) Payment to the Collective. CPB shall pay the License Fee to the
Collective in five equal installments of $800,000 each, which shall be
due December 31, 2020, and annually thereafter through December 31,
2024.
(b) Reporting. CPB and Public Broadcasters shall submit reports of
use and other information concerning website Performances as agreed
upon with the Collective.
(c) Terms in general. Subject to the provisions of this subpart,
terms governing late fees, distribution of royalties by the Collective,
unclaimed funds, record retention requirements, treatment of Licensees'
confidential information, audit of royalty payments and distributions,
and any definitions for applicable terms not defined in this subpart
shall be those set forth in subpart A of this part.
Dated: October 23, 2019.
Jesse M. Feder,
Chief Copyright Royalty Judge.
[FR Doc. 2019-23486 Filed 10-28-19; 8:45 am]
BILLING CODE 1410-72-P