Notice of Intent To Audit, 7875-7876 [2017-01320]
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Federal Register / Vol. 82, No. 13 / Monday, January 23, 2017 / Notices
separately address each numbered
subject for which a response is
submitted.
challenges and problems faced by
authors who want to protect the
attribution and integrity of their works?
General Questions Regarding
Availability of Moral Rights in the
United States
1. Please comment on the means by
which the United States protects the
moral rights of authors, specifically the
rights of integrity and attribution.
Should additional moral rights
protection be considered? If so, what
specific changes should be considered
by Congress?
Other Issues
Title 17
2. How effective has section 106A
(VARA) been in promoting and
protecting the moral rights of authors of
visual works? What, if any, legislative
solutions to improve VARA might be
advisable?
3. How have section 1202’s provisions
on copyright management information
been used to support authors’ moral
rights? Should Congress consider
updates to section 1202 to strengthen
moral rights protections? If so, in what
ways?
4. Would stronger protections for
either the right of attribution or the right
of integrity implicate the First
Amendment? If so, how should they be
reconciled?
5. If a more explicit provision on
moral rights were to be added to the
Copyright Act, what exceptions or
limitations should be considered? What
limitations on remedies should be
considered?
mstockstill on DSK3G9T082PROD with NOTICES
Other Federal and State Laws
6. How has the Dastar decision
affected moral rights protections in the
United States? Should Congress
consider legislation to address the
impact of the Dastar decision on moral
rights protection? If so, how?
7. What impact has contract law and
collective bargaining had on an author’s
ability to enforce his or her moral
rights? How does the issue of waiver of
moral rights affect transactions and
other commercial, as well as noncommercial, dealings?
Insights From Other Countries’
Implementation of Moral Rights
Obligations
8. How have foreign countries
protected the moral rights of authors,
including the rights of attribution and
integrity? How well would such an
approach to protecting moral rights
work in the U.S. context?
Technological Developments
9. How does, or could, technology be
used to address, facilitate, or resolve
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10. Are there any voluntary initiatives
that could be developed and taken by
interested parties in the private sector to
improve authors’ means to secure and
enforce their rights of attribution and
integrity? If so, how could the
government facilitate these initiatives?
11. Please identify any pertinent
issues not referenced above that the
Copyright Office should consider in
conducting its study
Dated: January 13, 2017.
Karyn Temple Claggett,
Acting Register of Copyrights and Director
of the U.S. Copyright Office.
[FR Doc. 2017–01294 Filed 1–19–17; 8:45 am]
BILLING CODE 1410–30–P
LIBRARY OF CONGRESS
Copyright Royalty Board
[Docket Nos. 17–0008–CRB–AU and 17–
0009–CRB–AU]
Notice of Intent To Audit
Copyright Royalty Board,
Library of Congress.
ACTION: Public notice.
AGENCY:
The Copyright Royalty Judges
announce receipt of two notices of
intent to audit the 2013, 2014, and 2015
statements of account submitted by
broadcasters Cox Radio (Docket No. 17–
CRB–0009–AU) and Hubbard
Broadcasting (Docket No. 17–CRB–
0008–AU) concerning royalty payments
each made pursuant to two statutory
licenses.
SUMMARY:
FOR FURTHER INFORMATION CONTACT:
Anita Brown, Program Specialist, by
telephone at (202) 707–7658 or by email
at crb@loc.gov.
SUMMARY INFORMATION: The Copyright
Act, title 17 of the United States Code,
grants to copyright owners of sound
recordings the exclusive right to
publicly perform sound recordings by
means of certain digital audio
transmissions, subject to limitations.
Specifically, the right is limited by the
statutory license in section 114 which
allows nonexempt noninteractive digital
subscription services, eligible
nonsubscription services, and
preexisting satellite digital audio radio
services to perform publicly sound
recordings by means of digital audio
transmissions. 17 U.S.C. 114(f). In
addition, a statutory license in section
112 allows a service to make necessary
PO 00000
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7875
ephemeral reproductions to facilitate
the digital transmission of the sound
recording. 17 U.S.C. 112(e).
Licensees may operate under these
licenses provided they pay the royalty
fees and comply with the terms set by
the Copyright Royalty Judges. The rates
and terms for the section 112 and 114
licenses are set forth in 37 CFR parts
380 and 382–84.
As part of the terms set for these
licenses, the Judges designated
SoundExchange, Inc., as the Collective,
i.e., the organization charged with
collecting the royalty payments and
statements of account submitted by
eligible nonsubscription services such
as broadcasters and with distributing
the royalties to copyright owners and
performers entitled to receive them. See
37 CFR 380.33(b)(1).
As the designated Collective,
SoundExchange may, once during a
calendar year, conduct an audit of a
licensee for any or all of the prior three
years in order to verify royalty
payments. SoundExchange must first
file with the Judges a notice of intent to
audit a licensee and deliver the notice
to the licensee. See 37 CFR 380.35.
On December 22, 2016,
SoundExchange filed with the Judges
notices of intent to audit licensee
broadcasters Cox Radio, Inc., and
Hubbard Broadcasting, Inc., for 2013–
15. The Judges must publish notice in
the Federal Register within 30 days of
receipt of a notice announcing the
Collective’s intent to conduct an audit.
See 37 CFR 380.35(c). Today’s notice
fulfills this requirement with respect to
SoundExchange’s December 22, 2016
notices of intent to audit.
Dated: January 13, 2017.
Suzanne M. Barnett,
Chief Copyright Royalty Judge.
[FR Doc. 2017–01319 Filed 1–19–17; 8:45 am]
BILLING CODE 1410–72–P
LIBRARY OF CONGRESS
Copyright Royalty Board
[Docket No. 17–0004–CRB–AU, 17–0007–
CRB–AU, and 17–0010–CRB–AU]
Notice of Intent To Audit
Copyright Royalty Board,
Library of Congress.
ACTION: Public notice.
AGENCY:
The Copyright Royalty Judges
announce receipt of three notices of
intent to audit the 2013, 2014, and 2015
statements of account submitted by
commercial webcasters Radionomy
(Docket No. 17–CRB–0004–AU), IMVU,
Inc. (Docket No. 17–CRB–0007–AU),
SUMMARY:
E:\FR\FM\23JAN1.SGM
23JAN1
mstockstill on DSK3G9T082PROD with NOTICES
7876
Federal Register / Vol. 82, No. 13 / Monday, January 23, 2017 / Notices
and Slacker, Inc. (Docket No. 17–CRB–
0010–AU), concerning the royalty
payments each made pursuant to two
statutory licenses.
FOR FURTHER INFORMATION CONTACT:
Anita Brown, Program Specialist, by
telephone at (202) 707–7658 or by email
at crb@loc.gov.
SUMMARY INFORMATION: The Copyright
Act, title 17 of the United States Code,
grants to sound recordings copyright
owners the exclusive right to publicly
perform sound recordings by means of
certain digital audio transmissions,
subject to limitations. Specifically, the
right is limited by the statutory license
in section 114 which allows nonexempt
noninteractive digital subscription
services, eligible nonsubscription
services, and preexisting satellite digital
audio radio services to perform publicly
sound recordings by means of digital
audio transmissions. 17 U.S.C. 114(f). In
addition, a statutory license in section
112 allows a service to make necessary
ephemeral reproductions to facilitate
the digital transmission of the sound
recording. 17 U.S.C. 112(e).
Licensees may operate under these
licenses provided they pay the royalty
fees and comply with the terms set by
the Copyright Royalty Judges. The rates
and terms for the section 112 and 114
licenses are set forth in 37 CFR parts
380 and 382–84.
As part of the terms set for these
licenses, the Judges designated
SoundExchange, Inc., as the Collective,
i.e., the organization charged with
collecting the royalty payments and
statements of account submitted by
eligible nonexempt noninteractive
digital subscription services such as
Commercial Webcasters and with
distributing the royalties to the
copyright owners and performers
entitled to receive them under the
section 112 and 114 licenses. See 37
CFR 380.4(d).
As the Collective, SoundExchange
may, only once a year, conduct an audit
of a licensee for any or all of the prior
three calendar years in order to verify
royalty payments. SoundExchange must
first file with the Judges a notice of
intent to audit a licensee and deliver the
notice to the licensee. See 37 CFR 380.6.
On December 22, 2016,
SoundExchange filed with the Judges
notices of intent to audit Radionomy,
IMVU, Inc., and Slacker, Inc., for the
years 2013, 2014, and 2015. The Judges
must publish notice in the Federal
Register within 30 days of receipt of a
notice announcing the Collective’s
intent to conduct an audit. See 37 CFR
380.6(c). Today’s notice fulfills this
requirement with respect to
VerDate Sep<11>2014
19:02 Jan 19, 2017
Jkt 241001
SoundExchange’s December 22, 2016,
notices of intent to audit.
Dated: January 13, 2017.
Suzanne M. Barnett,
Chief Copyright Royalty Judge.
[FR Doc. 2017–01320 Filed 1–19–17; 8:45 am]
BILLING CODE 1410–72–P
LIBRARY OF CONGRESS
Copyright Royalty Board
[Docket No. 17–0006–CRB–AU]
Notice of Intent To Audit
Copyright Royalty Board,
Library of Congress.
ACTION: Public notice.
AGENCY:
The Copyright
Royalty Judges announce receipt of a
notice of intent to audit the 2013, 2014,
and 2015 statements of account of Sirius
XM Radio, Inc., concerning royalty
payments its Commercial Webcaster
service, Preexisting Satellite Digital
Audio Radio Service, New Subscription
Service, and Business Establishment
Service made pursuant to two statutory
licenses.
FOR FURTHER INFORMATION CONTACT:
Anita Brown, Program Specialist, by
telephone at (202) 707–7658 or by email
at crb@loc.gov.
SUMMARY INFORMATION: The Copyright
Act, title 17 of the United States Code,
grants to copyright owners of sound
recordings the exclusive right to
publicly perform sound recordings by
means of certain digital audio
transmissions, subject to limitations.
Specifically, the right is limited by the
statutory license in section 114 which
allows nonexempt noninteractive digital
subscription services, eligible
nonsubscription services, and
preexisting satellite digital audio radio
services to perform publicly sound
recordings by means of digital audio
transmissions. 17 U.S.C. 114(f).
In addition, a statutory license in
section 112 allows a service to make
necessary ephemeral reproductions to
facilitate the digital transmission of the
sound recording, including
transmissions to business
establishments.1 17 U.S.C. 112(e).
Licensees may operate under these
licenses provided they pay the royalty
fees and comply with the terms set by
the Copyright Royalty Judges. The rates
and terms for the section 112 and 114
licenses are set forth in 37 CFR parts
380 and 382–84.
SUMMARY INFORMATION:
1 Subject
to the limitations set forth in section
114(d)(1)(C)(iv).
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Fmt 4703
Sfmt 4703
As part of the terms set for these
licenses, the Judges designated
SoundExchange, Inc. as the Collective,
i.e., the organization charged with
collecting the royalty payments and
statements of account submitted by
licensees, including those that operate
commercial webcaster services,
preexisting satellite digital audio radio
services, new subscription services, and
those that make ephemeral copies for
transmission to business establishments.
The Collective is also charged with
distributing the royalties to the
copyright owners and performers
entitled to receive them under the
section 112 and 114 licenses. See 37
CFR 380.4(d), 382.13(b)(1), 383.4(a),
384.4(b)(1).
As the Collective,t, SoundExchange
may, once during a calendar year,
conduct an audit of a licensee for any
or all of the prior three years in order
to verify royalty payments.
SoundExchange must first file with the
Judges a notice of intent to audit a
licensee and deliver the notice to the
licensee. See 37 CFR 380.6, 382.15,
383.4(a), and 384.6.
On December 22, 2016,
SoundExchange filed with the Judges a
notice of intent to audit Sirius XM
Radio, Inc.’s Commercial Webcaster
service, Preexisting Satellite Digital
Audio Radio Service, New Subscription
Service, and Business Establishment
Service for the years 2013, 2014, and
2015. The Judges must publish notice in
the Federal Register within 30 days of
receipt of a notice announcing the
Collective’s intent to conduct an audit.
See 37 CFR 380.6(c), 382.15(c), 383.4(a),
and 384.6(c). Today’s notice fulfills this
requirement with respect to
SoundExchange’s December 22, 2016,
notice of intent to audit.
Dated: January 13, 2017.
Suzanne M. Barnett,
Chief Copyright Royalty Judge.
[FR Doc. 2017–01321 Filed 1–19–17; 8:45 am]
BILLING CODE 1410–72–P
LIBRARY OF CONGRESS
Copyright Royalty Board
[Consolidated Docket No. 14–CRB–0010–
CD (2010–13)]
Distribution of 2010–13 Cable Royalty
Funds
Copyright Royalty Board,
Library of Congress.
ACTION: Notice requesting comments.
AGENCY:
The Copyright Royalty Judges
announce settlement of controversies
and requests for partial distribution of
SUMMARY:
E:\FR\FM\23JAN1.SGM
23JAN1
Agencies
[Federal Register Volume 82, Number 13 (Monday, January 23, 2017)]
[Notices]
[Pages 7875-7876]
From the Federal Register Online via the Government Publishing Office [www.gpo.gov]
[FR Doc No: 2017-01320]
-----------------------------------------------------------------------
LIBRARY OF CONGRESS
Copyright Royalty Board
[Docket No. 17-0004-CRB-AU, 17-0007-CRB-AU, and 17-0010-CRB-AU]
Notice of Intent To Audit
AGENCY: Copyright Royalty Board, Library of Congress.
ACTION: Public notice.
-----------------------------------------------------------------------
SUMMARY: The Copyright Royalty Judges announce receipt of three notices
of intent to audit the 2013, 2014, and 2015 statements of account
submitted by commercial webcasters Radionomy (Docket No. 17-CRB-0004-
AU), IMVU, Inc. (Docket No. 17-CRB-0007-AU),
[[Page 7876]]
and Slacker, Inc. (Docket No. 17-CRB-0010-AU), concerning the royalty
payments each made pursuant to two statutory licenses.
FOR FURTHER INFORMATION CONTACT: Anita Brown, Program Specialist, by
telephone at (202) 707-7658 or by email at crb@loc.gov.
SUMMARY INFORMATION: The Copyright Act, title 17 of the United States
Code, grants to sound recordings copyright owners the exclusive right
to publicly perform sound recordings by means of certain digital audio
transmissions, subject to limitations. Specifically, the right is
limited by the statutory license in section 114 which allows nonexempt
noninteractive digital subscription services, eligible nonsubscription
services, and preexisting satellite digital audio radio services to
perform publicly sound recordings by means of digital audio
transmissions. 17 U.S.C. 114(f). In addition, a statutory license in
section 112 allows a service to make necessary ephemeral reproductions
to facilitate the digital transmission of the sound recording. 17
U.S.C. 112(e).
Licensees may operate under these licenses provided they pay the
royalty fees and comply with the terms set by the Copyright Royalty
Judges. The rates and terms for the section 112 and 114 licenses are
set forth in 37 CFR parts 380 and 382-84.
As part of the terms set for these licenses, the Judges designated
SoundExchange, Inc., as the Collective, i.e., the organization charged
with collecting the royalty payments and statements of account
submitted by eligible nonexempt noninteractive digital subscription
services such as Commercial Webcasters and with distributing the
royalties to the copyright owners and performers entitled to receive
them under the section 112 and 114 licenses. See 37 CFR 380.4(d).
As the Collective, SoundExchange may, only once a year, conduct an
audit of a licensee for any or all of the prior three calendar years in
order to verify royalty payments. SoundExchange must first file with
the Judges a notice of intent to audit a licensee and deliver the
notice to the licensee. See 37 CFR 380.6.
On December 22, 2016, SoundExchange filed with the Judges notices
of intent to audit Radionomy, IMVU, Inc., and Slacker, Inc., for the
years 2013, 2014, and 2015. The Judges must publish notice in the
Federal Register within 30 days of receipt of a notice announcing the
Collective's intent to conduct an audit. See 37 CFR 380.6(c). Today's
notice fulfills this requirement with respect to SoundExchange's
December 22, 2016, notices of intent to audit.
Dated: January 13, 2017.
Suzanne M. Barnett,
Chief Copyright Royalty Judge.
[FR Doc. 2017-01320 Filed 1-19-17; 8:45 am]
BILLING CODE 1410-72-P