Digital Performance Right in Sound Recordings and Ephemeral Recordings, 15958-15963 [2015-06896]
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15958
Federal Register / Vol. 80, No. 58 / Thursday, March 26, 2015 / Proposed Rules
• 405 KAR 8:010. General provisions
for permits: This regulation has been
amended to provide that permittees
shall submit a minor revision
application for the purpose of providing
a full-cost reclamation bonding estimate
to the cabinet. This was done to provide
the Division of Mine Permits 30 working
days after the notice of administrative
completeness to review full-cost
bonding revisions. The original
provisions allowed for 15 working days.
The full text of the program
amendment is available for you to read
at the locations listed above under
ADDRESSES or at www.regulations.gov.
III. Public Comment Procedures
Under the provisions of 30 CFR
732.17(h), we are seeking your
comments on whether the amendment
satisfies the applicable program
approval criteria of 30 CFR 732.15. If we
approve the amendment, it will become
part of the State program. As mentioned
earlier, if you submitted comments on
the first submission during the public
comment period (79 FR 11796) you do
not need to resubmit them, we will be
considering these comments in our
analysis of the total submission.
Electric or Written Comments
If you submit written or electronic
comments on the proposed rule during
the 30-day comment period, they should
be specific, confined to issues pertinent
to the proposed regulations, and explain
the reason for any recommended
change(s). We appreciate any and all
comments, but those most useful and
likely to influence decisions on the final
regulations will be those that either
involve personal experience or include
citations to and analyses of SMCRA, its
legislative history, its implementing
regulations, case law, other pertinent
State or Federal laws or regulations,
technical literature, or other relevant
publications.
We cannot ensure that comments
received after the close of the comment
period (see DATES) or sent to an address
other than those listed (see ADDRESSES)
will be included in the docket for this
rulemaking and considered.
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Public Availability of Comments
Before including your address, phone
number, email address, or other
personal identifying information in your
comment, you should be aware that
your entire comment including your
personal identifying information, may
be made publicly available at any time.
While you can ask us in your comment
to withhold your personal identifying
information from public review, we
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cannot guarantee that we will be able to
do so.
Public Hearing
If you wish to speak at a public
hearing, contact the person listed under
FOR FURTHER INFORMATION CONTACT by
4:00 p.m., EST), on April 10, 2015. If
you are disabled and need reasonable
accommodation to attend a public
hearing, contact the person listed under
FOR FURTHER INFORMATION CONTACT. We
will arrange the location and time of the
hearing with those persons requesting
the hearing. If no one requests an
opportunity to speak, we will not hold
a hearing.
To assist the transcriber and ensure an
accurate record, we request, if possible,
that each person who speaks at the
public hearing provide us with a written
copy of his or her comments. The public
hearing will continue on the specified
date until everyone scheduled to speak
has been given an opportunity to be
heard. If you are in the audience and
have not been scheduled to speak and
wish to do so, you will be allowed to
speak after those who have been
scheduled. We will end the hearing after
everyone scheduled to speak and others
present in the audience who wish to
speak, have been heard.
Public Meeting
If there is only limited interest in
having an opportunity to speak, we may
hold a public meeting rather than a
public hearing. If you wish to meet with
us to discuss the amendment, please
request a meeting by contacting the
person listed under FOR FURTHER
INFORMATION CONTACT. All such meetings
are open to the public and, if possible,
we will post notices of meetings at the
locations listed under ADDRESSES. We
will make a written summary of each
meeting a part of the administrative
record.
IV. Procedural Determinations
Executive Order 12866—Regulatory
Planning and Review
This rule is exempt from review by
the Office of Management and Budget
(OMB) under Executive Order 12866.
Other Laws and Executive Orders
Affecting Rulemaking
When a State submits a program
amendment to OSMRE for review, our
regulations at 30 CFR 732.17(h) require
us to publish a notice in the Federal
Register indicating receipt of the
proposed amendment, its text or a
summary of its terms, and an
opportunity for public comment. We
conclude our review of the proposed
amendment after the close of the public
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comment period and determine whether
the amendment should be approved,
approved in part, or not approved. At
that time, we will also make the
determinations and certifications
required by the various laws and
executive orders governing the
rulemaking process and include them in
the final rule.
List of Subjects in 30 CFR Part 917
Intergovernmental relations, Surface
mining, Underground mining.
Dated: December 29, 2014.
David G. Hartos,
Deputy Regional Director, Appalachian
Region.
[FR Doc. 2015–06962 Filed 3–25–15; 8:45 am]
BILLING CODE 4310–05–P
LIBRARY OF CONGRESS
Copyright Royalty Board
37 CFR Part 380
[Docket No. 2014–CRB–0001–WR (2016–
2020) (Web IV)]
Digital Performance Right in Sound
Recordings and Ephemeral
Recordings
Copyright Royalty Board,
Library of Congress.
ACTION: Proposed rule.
AGENCY:
The Copyright Royalty Judges
are publishing for comment proposed
regulations governing the rates and
terms for the digital performances of
sound recordings by certain public radio
stations and for the making of
ephemeral recordings necessary to
facilitate those transmissions for the
period commencing January 1, 2016,
and ending on December 31, 2020.
DATES: Comments and objections, if any,
are due no later than April 16, 2015.
ADDRESSES: The proposed rule is posted
on the agency’s Web site (www.loc.gov/
crb). Submit electronic comments
online at https://www.regulations.gov or
via email to crb@loc.gov. Those who
choose not to submit comments
electronically should see How to Submit
Comments in the SUPPLEMENTARY
INFORMATION section below for physical
addresses and further instructions.
FOR FURTHER INFORMATION CONTACT:
Kimberly Whittle, Attorney Advisor, by
telephone at (202) 707–7658, or by
email at crb@loc.gov.
SUPPLEMENTARY INFORMATION:
SUMMARY:
Background
On February 24, 2015, the Copyright
Royalty Judges (Judges) received a joint
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Federal Register / Vol. 80, No. 58 / Thursday, March 26, 2015 / Proposed Rules
motion from SoundExchange, Inc.,
National Public Radio, Inc., and the
Corporation for Public Broadcasting to
adopt a partial settlement of their
interests and those of American Public
Media, Public Radio International,
Public Radio Exchange, and other
unnamed public radio stations (together,
the Settling Parties) regarding Web IV
rates and terms for 2016–2020.1 Joint
Motion to Adopt Partial Settlement,
Docket No. 2014–CRB–0001–WR (2016–
2020). Their interests concern the rule
setting minimum copyright royalty fees
and terms that the Judges will establish
for compulsory copyright licenses for
certain internet transmissions of sound
recordings by public radio stations for
the period from January 1, 2016,
through December 31, 2020.
SoundExchange, Inc. represents sound
recording copyright owners and
performers. The Settling Parties are
users of the copyrighted material
including public radio stations. The
Judges hereby publish the proposed
settlement and request comments from
the public.
Section 114 of the Copyright Act, title
17 of the United States Code, provides
a statutory license that allows for the
public performance of sound recordings
by means of a digital audio transmission
by, among others, eligible
nonsubscription transmission services.
17 U.S.C. 114(f). For purposes of the
section 114 license, an ‘‘eligible
nonsubscription transmission’’ is a
noninteractive digital audio
transmission that does not require a
subscription for receiving the
transmission. The transmission must
also be made as part of a service that
provides audio programming consisting
in whole or in part of performances of
sound recordings the purpose of which
is to provide audio or other
entertainment programming, but not to
sell, advertise, or promote particular
goods or services. See 17 U.S.C.
114(j)(6).
Services using the section 114 license
may need to make one or more
temporary or ‘‘ephemeral’’ copies of a
sound recording in order to facilitate the
transmission of that recording. The
section 112 statutory license allows for
the making of the necessary ephemeral
reproductions. 17 U.S.C. 112(e).
Chapter 8 of the Copyright Act
requires the Judges to conduct
proceedings every five years to
determine the rates and terms for the
sections 114 and 112 statutory licenses.
1 Web IV is short for Webcasting IV. This
proceeding is the fourth since Congress enacted the
compulsory sound recording performance license
for webcasting.
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17 U.S.C. 801(b)(1), 804(b)(3)(A). The
current proceeding commenced in
January 2014 for rates and terms that
will become effective on January 1,
2016, and end on December 31, 2020.
Pursuant to section 804(b)(3)(A), the
Judges published in the Federal
Register a notice commencing the
proceeding and requesting that
interested parties submit their petitions
to participate. 79 FR 412 (January 3,
2014). The following parties submitted
Petitions to Participate: 8tracks, Inc.;
AccuRadio, LLC; Amazon.com, Inc.;
Apple Inc; Beats Music, LLC; Clear
Channel; CMN, Inc.; College
Broadcasters, Inc. (CBI);
CustomChannels.net, LLC; Digital
Media Association (DiMA); Digitally
Imported, Inc.; Educational Media
Foundation; Feed Media, Inc.; Geo
Music Group; Harvard Radio
Broadcasting Inc. (WHRB); idobi
Network; Intercollegiate Broadcasting
System, Inc. (IBS); Music Reports, Inc.;
National Association of Broadcasters
(NAB); National Music Publishers
Association (NMPA); National Public
Radio (NPR); National Religious
Broadcasters Noncommercial Music
License Committee (NRBNMLC);
Pandora Media Inc.; Rhapsody
International, Inc.; Sirius XM Radio Inc.;
SomaFM.com LLC; SoundExchange,
Inc. (SX); Spotify USA Inc.; and Triton.2
The Judges set the timetable for the
three-month negotiation period for
February 21, 2014, through May 22,
2014. See 17 U.S.C. 803(b)(3). The
Judges set December 22, 2014, as the
deadline by which participants were to
submit amended written direct
statements. On February 24, 2015,
SoundExchange and the Settling Parties
submitted to the Judges a joint motion
to adopt a partial settlement of their
interests in the proceeding. The parties
requested that the Judges make their
decision on the motion expeditiously, as
the hearings in this rate proceeding are
scheduled to commence on April 27,
2015.
Statutory Timing of Adoption of Rates
and Terms
Section 801(b)(7)(A) allows for the
adoption of rates and terms negotiated
by ‘‘some or all of the participants in a
proceeding at any time during the
proceeding’’ provided the parties submit
the negotiated rates and terms to the
2 The following ten parties have withdrawn their
Petitions to Participate: 8tracks, Inc.; Amazon.com,
Inc.; CMN, Inc.; CustomChannels.net, LLC; Digitally
Imported, Inc.; Feed Media, Inc.; idobi Network;
Rhapsody International, Inc.; SomaFM.com LLC;
and Spotify USA Inc. Three parties, Music Reports,
Inc., NMPA, and Triton Digital, Inc., have been
dismissed from the proceeding.
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Judges for approval. That provision
directs the Judges to provide those who
would be bound by the negotiated rates
and terms an opportunity to comment
on the agreement. Unless a participant
in a proceeding objects and the Judges
conclude that the agreement does not
provide a reasonable basis for setting
statutory rates or terms, the Judges
adopt the negotiated rates and terms. 17
U.S.C. 801(b)(7)(A).
If the Judges adopt the proposed rates
and terms pursuant to this provision for
the 2016–2020 rate period, the adopted
rates and terms shall be binding on all
copyright owners of sound recordings,
NPR, American Public Media, Public
Radio International, and Public Radio
Exchange, and up to 530 public radio
stations to be named by CPB that
perform sound recordings during the
license period 2016–2020.
Proposed Adjustments to Rates and
Terms
In the proposed settlement,
SoundExchange and the Settling Parties
request that the Judges adopt the rates
and terms for public radio as a new
‘‘Subpart D’’ to part 380, 37 CFR. Under
the proposal, the parties would continue
the rate structure in place for public
radio, while increasing the fee amount.
Joint Motion to Adopt Partial Settlement
at 3. The proposal also contemplates
retention of largely unchanged
recordkeeping and reporting terms, by
which affected entities take advantage of
a consolidated report of usage prepared
by and submitted through the
Corporation for Public Broadcasting. Id.
The public may comment and object
to any or all of the proposed regulations
contained in this notice. Such
comments and objections must be
submitted no later than April 16, 2015.
How To Submit Comments
Interested members of the public must
submit comments to only one of the
following addresses. If not commenting
by email or online, commenters must
submit an original of their comments,
five paper copies, and an electronic
version on a CD.
Email: crb@loc.gov; or
Online: https://www.regulations.gov; or
U.S. mail: Copyright Royalty Board,
P.O. Box 70977, Washington, DC 20024–
0977; or
Overnight service (only USPS Express
Mail is acceptable): Copyright Royalty
Board, P.O. Box 70977, Washington, DC
20024–0977; or
Commercial courier: Address package
to: Copyright Royalty Board, Library of
Congress, James Madison Memorial
Building, LM–403, 101 Independence
Avenue SE., Washington, DC 20559–
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6000. Deliver to: Congressional Courier
Acceptance Site, 2nd Street NE. and D
Street NE., Washington, DC; or
Hand delivery: Library of Congress,
James Madison Memorial Building, LM–
401, 101 Independence Avenue SE.,
Washington, DC 20559–6000.
List of Subjects in 37 CFR Part 380
Copyright, Sound recordings,
Webcasters.
Proposed Regulations
For the reasons set forth in the
preamble, the Copyright Royalty Judges
propose to amend 37 CFR part 380 as
follows:
PART 380—RATES AND TERMS FOR
CERTAIN ELIGIBLE
NONSUBSCRIPTION TRANSMISSIONS,
NEW SUBSCRIPTION SERVICES AND
THE MAKING OF EPHEMERAL
REPRODUCTIONS
1. The authority citation for part 380
continues to read as follows:
■
Authority: 17 U.S.C. 112(e), 114(f),
804(b)(3).
2. Add Subpart D to part 380 to read
as follows:
■ 3.
■
Subpart D—Certain Transmissions by
Public Broadcasting Entities
Sec.
380.30 General.
380.31 Definitions.
380.32 Royalty fees for the public
performance of sound recordings and for
ephemeral recordings.
380.33 Terms for making payment of
royalty fees and statements of account.
380.34 Confidential Information.
380.35 Verification of royalty payments.
380.36 Verification of royalty distributions.
380.37 Unclaimed funds.
Subpart D—Certain Transmissions by
Public Broadcasting Entities
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§ 380.30
General.
(a) Scope. This subpart establishes
rates and terms of royalty payments for
the public performance of sound
recordings in certain digital
transmissions, through Authorized Web
sites, by means of Web site
Performances, by certain Covered
Entities as set forth in this subpart in
accordance with the provisions of 17
U.S.C. 114, and the making of
ephemeral recordings by Covered
Entities in accordance with the
provisions of 17 U.S.C. 112(e) solely as
necessary to encode Sound Recordings
in different formats and at different bit
rates as necessary to facilitate Web site
Performances, during the period January
1, 2016, through December 31, 2020.
The provisions of this subpart shall
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apply to the Covered Entities in lieu of
other rates and terms applicable under
17 U.S.C. 112(e) and 114.
(b) Legal compliance. Licensees
relying upon the statutory licenses set
forth in 17 U.S.C. 112(e) and 114 shall
comply with the requirements of those
sections, the rates and terms of this
subpart, and any other applicable
regulations.
(c) Relationship to voluntary
agreements. Notwithstanding the
royalty rates and terms established in
this subpart, the rates and terms of any
license agreements entered into by
Copyright Owners and Licensees shall
apply in lieu of the rates and terms of
this subpart to transmission within the
scope of such agreements.
§ 380.31
Definitions.
For purposes of this subpart, the
following definitions shall apply:
Aggregate Tuning Hours (ATH) means
the total hours of programming that
Covered Entities have transmitted
during the relevant period to all
listeners within the United States from
all Covered Entities that provide audio
programming consisting, in whole or in
part, of Web site Performances, less the
actual running time of any sound
recordings for which the Covered Entity
has obtained direct licenses apart from
this Agreement. By way of example, if
a Covered Entity transmitted one hour
of programming to ten (10)
simultaneous listeners, the Covered
Entity’s Aggregate Tuning Hours would
equal ten (10). If three (3) minutes of
that hour consisted of transmission of a
directly licensed recording, the Covered
Entity’s Aggregate Tuning Hours would
equal nine (9) hours and thirty (30)
minutes. As an additional example, if
one listener listened to a Covered Entity
for ten (10) hours (and none of the
recordings transmitted during that time
was directly licensed), the Covered
Entity’s Aggregate Tuning Hours would
equal 10.
Authorized Web site is any Web site
operated by or on behalf of any Covered
Entity that is accessed by Web site Users
through a Uniform Resource Locator
(‘‘URL’’) owned by such Covered Entity
and through which Web site
Performances are made by such Covered
Entity.
CPB is the Corporation for Public
Broadcasting.
Collective is the collection and
distribution organization that is
designated by the Copyright Royalty
Judges. For the 2016–2020 license
period, the Collective is
SoundExchange, Inc.
Copyright Owners are Sound
Recording copyright owners who are
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entitled to royalty payments made
under this subpart pursuant to the
statutory licenses under 17 U.S.C. 112(e)
and 114(f).
Covered Entities are NPR, American
Public Media, Public Radio
International, and Public Radio
Exchange, and up to 530 Originating
Public Radio Stations as named by CPB.
CPB shall notify SoundExchange
annually of the eligible Originating
Public Radio Stations to be considered
Covered Entities hereunder (subject to
the numerical limitations set forth
herein). The number of Originating
Public Radio Stations treated hereunder
as Covered Entities shall not exceed 530
for a given year without
SoundExchange’s express written
approval, except that CPB shall have the
option to increase the number of
Originating Public Radio Stations that
may be considered Covered Entities as
provided in § 380.32(c).
Ephemeral Phonorecords are
Phonorecords of all or any portion of
any Sound Recordings; provided that:
(1) Such Phonorecords are limited
solely to those necessary to encode
Sound Recordings in different formats
and at different bit rates as necessary to
facilitate Web site Performances covered
by this subpart;
(2) Such Phonorecords are made in
strict conformity with the provisions set
forth in 17 U.S.C. 112(e)(1)(A) through
(D), and
(3) The Covered Entities comply with
17 U.S.C. 112(a) and (e) and all of the
terms and conditions of this Agreement.
Music ATH is ATH of Web site
Performances of Sound Recordings of
musical works.
NPR is National Public Radio, Inc.
Originating Public Radio Station is a
noncommercial terrestrial radio
broadcast station that:
(1) Is licensed as such by the Federal
Communications Commission;
(2) Originates programming and is not
solely a repeater station;
(3) Is a member or affiliate of NPR,
American Public Media, Public Radio
International, or Public Radio Exchange,
a member of the National Federation of
Community Broadcasters, or another
public radio station that is qualified to
receive funding from CPB pursuant to
its criteria;
(4) Qualifies as a ‘‘noncommercial
webcaster’’ under 17 U.S.C.
114(f)(5)(E)(i); and
(5) Either:
(i) Offers Web site Performances only
as part of the mission that entitles it to
be exempt from taxation under section
501 of the Internal Revenue Code of
1986 (26 U.S.C. 501); or
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(ii) In the case of a governmental
entity (including a Native American
Tribal governmental entity), is operated
exclusively for public purposes.
Performers means the independent
administrators identified in 17 U.S.C.
114(g)(2)(B) and (C) and the individuals
and entities identified in 17 U.S.C.
114(g)(2)(D).
Person is a natural person, a
corporation, a limited liability company,
a partnership, a trust, a joint venture,
any governmental authority or any other
entity or organization.
Phonorecords have the meaning set
forth in 17 U.S.C. 101.
Qualified Auditor is a Certified Public
Accountant, or a person, who by virtue
of education or experience, is
appropriately qualified to perform an
audit to verify royalty payments related
to performances of sound recordings.
Side Channel is any Internet-only
program available on an Authorized
Web site or an archived program on
such Authorized Web site that, in either
case, conforms to all applicable
requirements under 17 U.S.C. 114.
Sound Recording has the meaning set
forth in 17 U.S.C. 101.
Term is the period January 1, 2016,
through December 31, 2020.
Web site is a site located on the World
Wide Web that can be located by a Web
site User through a principal URL.
Web site Performances (1) Are all
public performances by means of digital
audio transmissions of Sound
Recordings, including the transmission
of any portion of any Sound Recording,
made through an Authorized Web site
in accordance with all requirements of
17 U.S.C. 114, from servers used by a
Covered Entity (provided that the
Covered Entity controls the content of
all materials transmitted by the server),
or by a contractor authorized pursuant
to Section 380.32(f), that consist of
either:
(i) The retransmission of a Covered
Entity’s over-the-air terrestrial radio
programming; or
(ii) The digital transmission of
nonsubscription Side Channels that are
programmed and controlled by the
Covered Entity.
(2) This term does not include digital
audio transmissions made by any other
means.
Web site Users are all those who
access or receive Web site Performances
or who access any Authorized Web site.
§ 380.32 Royalty fees for the public
performance of sound recordings and for
ephemeral recordings.
(a) Royalty rates. The total license fee
for all Web site Performances by
Covered Entities during the Term, up to
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a total Music ATH of 285,132,065 per
calendar year, and Ephemeral
Phonorecords made by Covered Entities
solely to facilitate such Web site
Performances, during the Term shall be
$2,800,000 (the ‘‘License Fee’’), unless
additional payments are required as
described in paragraph (c) of this
section.
(b) Calculation of License Fee. It is
understood that the License Fee
includes:
(1) An annual minimum fee of $500
for each Covered Entity for each year
during the Term;
(2) Additional usage fees for certain
Covered Entities; and
(3) A discount that reflects the
administrative convenience to the
Collective of receiving annual lump sum
payments that cover a large number of
separate entities, as well as the
protection from bad debt that arises
from being paid in advance.
(c) Increase in Covered Entities. If the
total number of Originating Public
Radio Stations that wish to make Web
site Performances in any calendar year
exceeds the number of such Originating
Public Radio Stations considered
Covered Entities in the relevant year,
and the excess Originating Public Radio
Stations do not wish to pay royalties for
such Web site Performances apart from
this subpart, CPB may elect by written
notice to the Collective to increase the
number of Originating Public Radio
Stations considered Covered Entities in
the relevant year effective as of the date
of the notice. To the extent of any such
elections, CPB shall make an additional
payment to the Collective for each
calendar year or part thereof it elects to
have an additional Originating Public
Radio Station considered a Covered
Entity, in the amount of $500 per
Originating Public Radio Station per
year. Such payment shall accompany
the notice electing to have an additional
Originating Public Radio Station
considered a Covered Entity.
(d) Ephemeral recordings. The royalty
payable under 17 U.S.C. 112(e) for the
making of all ephemeral recordings used
by Covered Entities solely to facilitate
Web site Performances for which
royalties are paid pursuant to this
subpart shall be included within, and
constitute 5% of, the total royalties
payable under 17 U.S.C. 112(e) and 114.
(e) Effect of non-performance by any
Covered Entity. In the event that any
Covered Entity violates any of the
material provisions of 17 U.S.C. 112(e)
or 114 or this subpart that it is required
to perform, the remedies of the
Collective shall be specific to that
Covered Entity only, and shall include,
without limitation, termination of that
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Covered Entity’s right to be treated as a
Covered Entity hereunder upon written
notice to CPB. The Collective and
Copyright Owners also shall have
whatever rights may be available to
them against that Covered Entity under
applicable law. The Collective’s
remedies for such a breach or failure by
an individual Covered Entity shall not
include termination of the rights of
other Covered Entities to be treated as
Covered Entities hereunder, except that
if CPB fails to pay the License Fee or
otherwise fails to perform any of the
material provisions of this subpart, or
such a breach or failure by a Covered
Entity results from CPB’s inducement,
and CPB does not cure such breach or
failure within 30 days after receiving
notice thereof from the Collective, then
the Collective may terminate the right of
all Covered Entities to be treated as
Covered Entities hereunder upon
written notice to CPB. In such a case, a
prorated portion of the License Fee for
the remainder Term (to the extent paid
by CPB) shall, after deduction of any
damages payable to the Collective by
virtue of the breach or failure, be
credited to statutory royalty obligations
of Covered Entities to the Collective for
the Term as specified by CPB.
(f) Use of contractors. The right to rely
on this subpart is limited to Covered
Entities, except that a Covered Entity
may employ the services of a third
person to provide the technical services
and equipment necessary to deliver Web
site Performances on behalf of such
Covered Entity, but only through an
Authorized Web site. Any agreement
between a Covered Entity and any third
person for such services shall:
(1) Obligate such third person to
provide all such services in accordance
with all applicable provisions of the
statutory licenses and this subpart,
(2) Specify that such third person
shall have no right to make Web site
Performances or any other performances
or Phonorecords on its own behalf or on
behalf of any person or entity other than
a Covered Entity through the Covered
Entity’s Authorized Web site by virtue
of its services for the Covered Entity,
including in the case of Phonorecords,
pre-encoding or otherwise establishing a
library of Sound Recordings that it
offers to a Covered Entity or others for
purposes of making performances, but
instead must obtain all necessary
licenses from the Collective, the
copyright owner or another duly
authorized person, as the case may be;
(3) Specify that such third person
shall have no right to grant any
sublicenses under the statutory licenses;
and
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(4) Provide that the Collective is an
intended third-party beneficiary of all
such obligations with the right to
enforce a breach thereof against such
third person.
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§ 380.33 Terms for making payment of
royalty fees and statements of account.
(a) Payment to the Collective. CPB
shall pay the License Fee to the
Collective in five equal installments of
$560,000 each, which shall be due
December 31, 2015 and annually
thereafter through December 31, 2019.
(b) Designation of the Collective. (1)
Until such time as a new designation is
made, SoundExchange, Inc., is
designated as the Collective to receive
statements of account and royalty
payments for Covered Entities under
this subpart and to distribute such
royalty payments to each Copyright
Owner and Performer, or their
designated agents, entitled to receive
royalties under 17 U.S.C. 112(e) or
114(g).
(2) If SoundExchange, Inc. should
dissolve or cease to be governed by a
board consisting of equal numbers of
representatives of Copyright Owners
and Performers, then it shall be replaced
by a successor Collective upon the
fulfillment of the requirements set forth
in paragraph (b)(2)(i) of this section.
(i) By a majority vote of the nine
Copyright Owner representatives and
the nine Performer representatives on
the SoundExchange board as of the last
day preceding the condition precedent
in this paragraph (b)(2) of this section,
such representatives shall file a petition
with the Copyright Royalty Judges
designating a successor to collect and
distribute royalty payments to Copyright
Owners and Performers entitled to
receive royalties under 17 U.S.C. 112(e)
or 114(g) that have themselves
authorized the Collective.
(ii) The Copyright Royalty Judges
shall publish in the Federal Register
within 30 days of receipt of a petition
filed under paragraph (b)(2)(i) of this
section an order designating the
Collective named in such petition.
(c) Reporting. CPB and Covered
Entities shall submit reports of use and
other information concerning Web site
Performances as agreed upon with the
Collective.
(d) Late payments and statements of
account. A Licensee shall pay a late fee
of 1.5% per month, or the highest lawful
rate, whichever is lower, for any
payment and/or statement of account
received by the Collective after the due
date. Late fees shall accrue from the due
date until payment and the related
statement of account are received by the
Collective.
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19:13 Mar 25, 2015
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(e) Distribution of royalties. (1) The
Collective shall promptly distribute
royalties received from CPB to
Copyright Owners and Performers, or
their designated agents, who are entitled
to such royalties. The Collective shall
only be responsible for making
distributions to those Copyright
Owners, Performers, or their designated
agents who provide the Collective with
such information as is necessary to
identify the correct recipient. The
Collective shall distribute royalties on a
basis that values all Web site
Performances by Covered Entities
equally based upon the reporting
information provided by CPB/NPR.
(2) If the Collective is unable to locate
a Copyright Owner or Performer entitled
to a distribution of royalties under
paragraph (e)(1) of the section within 3
years from the date of payment by a
Licensee, such royalties shall be
handled in accordance with § 380.37.
(f) Retention of records. Books and
records of CPB and Covered Entities and
of the Collective relating to payments of
and distributions of royalties shall be
kept for a period of not less than the
prior 3 calendar years.
§ 380.34
Confidential Information.
(a) Definition. For purposes of this
subpart, ‘‘Confidential Information’’
shall include the statements of account
and any information contained therein,
including the amount of royalty
payments, and any information
pertaining to the statements of account
reasonably designated as confidential by
the Licensee submitting the statement.
(b) Exclusion. Confidential
Information shall not include
information or documents that at the
time of delivery to the Collective are
public knowledge, or documents or
information that become publicly
known through no fault of the Collective
or are known by the Collective when
disclosed by CPB/NPR. The party
claiming the benefit of this provision
shall have the burden of proving that
the disclosed information was public
knowledge.
(c) Use of Confidential Information. In
no event shall the Collective use any
Confidential Information for any
purpose other than royalty collection
and distribution and activities related
directly thereto and enforcement of the
terms of the statutory licenses.
(d) Disclosure of Confidential
Information. Access to Confidential
Information shall be limited to:
(1) Those employees, agents,
attorneys, consultants and independent
contractors of the Collective, subject to
an appropriate confidentiality
agreement, who are engaged in the
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Frm 00048
Fmt 4702
Sfmt 4702
collection and distribution of royalty
payments hereunder and activities
related thereto, for the purpose of
performing such duties during the
ordinary course of their work and who
require access to the Confidential
Information;
(2) An independent and Qualified
Auditor, subject to an appropriate
confidentiality agreement, who is
authorized to act on behalf of the
Collective with respect to verification of
a Licensee’s statement of account
pursuant to § 380.35 or on behalf of a
Copyright Owner or Performer with
respect to the verification of royalty
distributions pursuant to § 380.36,
(3) Copyright Owners and Performers,
including their designated agents,
whose works have been used under the
statutory licenses set forth in 17 U.S.C.
112(e) and 114 by the Licensee whose
Confidential Information is being
supplied, subject to an appropriate
confidentiality agreement, and
including those employees, agents,
attorneys, consultants and independent
contractors of such Copyright Owners
and Performers and their designated
agents, subject to an appropriate
confidentiality agreement, for the
purpose of performing their duties
during the ordinary course of their work
and who require access to the
Confidential Information; and
(4) In connection with future
proceedings under 17 U.S.C. 112(e) and
114 before the Copyright Royalty Judges,
and under an appropriate protective
order, attorneys, consultants and other
authorized agents of the parties to the
proceedings or the courts, subject to the
provisions of any relevant agreements
restricting the activities of CPB, Covered
Entities or the Collective in such
proceedings.
(e) Safeguarding of Confidential
Information. The Collective and any
person identified in paragraph (d) of
this section shall implement procedures
to safeguard against unauthorized access
to or dissemination of any Confidential
Information using a reasonable standard
of care, but no less than the same degree
of security used to protect Confidential
Information or similarly sensitive
information belonging to the Collective
or person.
§ 380.35
Verification of royalty payments.
(a) General. This section prescribes
procedures by which the Collective may
verify the royalty payments made by
CPB.
(b) Frequency of verification. The
Collective may conduct a single audit of
any Covered Entities, upon reasonable
notice and during reasonable business
hours, during any given calendar year,
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for any or all of the prior 3 calendar
years, but no calendar year shall be
subject to audit more than once.
(c) Notice of intent to audit. The
Collective must file with the Copyright
Royalty Judges a notice of intent to audit
CPB and Covered Entities, which shall,
within 30 days of the filing of the
notice, publish in the Federal Register
a notice announcing such filing. The
notification of intent to audit shall be
served at the same time on CPB. Any
such audit shall be conducted by an
independent and Qualified Auditor
identified in the notice, and shall be
binding on all parties.
(d) Acquisition and retention of
report. CPB and Covered Entities shall
use commercially reasonable efforts to
obtain or to provide access to any
relevant books and records maintained
by third parties for the purpose of the
audit. The Collective shall retain the
report of the verification for a period of
not less than 3 years.
(e) Consultation. Before rendering a
written report to the Collective, except
where the auditor has a reasonable basis
to suspect fraud and disclosure would,
in the reasonable opinion of the auditor,
prejudice the investigation of such
suspected fraud, the auditor shall
review the tentative written findings of
the audit with the appropriate agent or
employee of CPB in order to remedy any
factual errors and clarify any issues
relating to the audit; provided that an
appropriate agent or employee of CPB
reasonably cooperates with the auditor
to remedy promptly any factual errors or
clarify any issues raised by the audit.
(f) Costs of the verification procedure.
The Collective shall pay the cost of the
verification procedure, unless it is
finally determined that there was an
underpayment of 10% or more, in
which case CPB shall, in addition to
paying the amount of any
underpayment, bear the reasonable costs
of the verification procedure.
mstockstill on DSK4VPTVN1PROD with PROPOSALS
§ 380.36 Verification of royalty
distributions.
(a) General. This section prescribes
procedures by which any Copyright
Owner or Performer may verify the
royalty distributions made by the
Collective; provided, however, that
nothing contained in this section shall
apply to situations where a Copyright
Owner or Performer and the Collective
have agreed as to proper verification
methods.
(b) Frequency of verification. A
Copyright Owner or Performer may
conduct a single audit of the Collective
upon reasonable notice and during
reasonable business hours, during any
given calendar year, for any or all of the
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20:24 Mar 25, 2015
Jkt 235001
prior 3 calendar years, but no calendar
year shall be subject to audit more than
once.
(c) Notice of intent to audit. A
Copyright Owner or Performer must file
with the Copyright Royalty Judges a
notice of intent to audit the Collective,
which shall, within 30 days of the filing
of the notice, publish in the Federal
Register a notice announcing such
filing. The notification of intent to audit
shall be served at the same time on the
Collective. Any audit shall be
conducted by an independent and
Qualified Auditor identified in the
notice, and shall be binding on all
Copyright Owners and Performers.
(d) Acquisition and retention of
report. The Collective shall use
commercially reasonable efforts to
obtain or to provide access to any
relevant books and records maintained
by third parties for the purpose of the
audit. The Copyright Owner or
Performer requesting the verification
procedure shall retain the report of the
verification for a period of not less than
3 years.
(e) Consultation. Before rendering a
written report to a Copyright Owner or
Performer, except where the auditor has
a reasonable basis to suspect fraud and
disclosure would, in the reasonable
opinion of the auditor, prejudice the
investigation of such suspected fraud,
the auditor shall review the tentative
written findings of the audit with the
appropriate agent or employee of the
Collective in order to remedy any
factual errors and clarify any issues
relating to the audit; Provided that the
appropriate agent or employee of the
Collective reasonably cooperates with
the auditor to remedy promptly any
factual errors or clarify any issues raised
by the audit.
(f) Costs of the verification procedure.
The Copyright Owner or Performer
requesting the verification procedure
shall pay the cost of the procedure,
unless it is finally determined that there
was an underpayment of 10% or more,
in which case the Collective shall, in
addition to paying the amount of any
underpayment, bear the reasonable costs
of the verification procedure.
§ 380.37
Unclaimed funds.
If the Collective is unable to identify
or locate a Copyright Owner or
Performer who is entitled to receive a
royalty distribution under this subpart,
the Collective shall retain the required
payment in a segregated trust account
for a period of 3 years from the date of
distribution. No claim to such
distribution shall be valid after the
expiration of the 3-year period. After
expiration of this period, the Collective
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Fmt 4702
Sfmt 4702
15963
may apply the unclaimed funds to offset
any costs deductible under 17 U.S.C.
114(g)(3). The foregoing shall apply
notwithstanding the common law or
statutes of any State.
Dated: March 20, 2015.
Jesse M. Feder,
Copyright Royalty Judge.
[FR Doc. 2015–06896 Filed 3–25–15; 8:45 am]
BILLING CODE 1410–72–P
ENVIRONMENTAL PROTECTION
AGENCY
40 CFR Part 52
[EPA–R06–OAR–2014–0270; FRL–9925–12–
Region 6]
Approval and Promulgation of Air
Quality Implementation Plans; State of
New Mexico; Infrastructure SIP
Requirements for the 2008 Ozone and
2010 Nitrogen Dioxide National
Ambient Air Quality Standards;
Interstate Transport of Fine Particulate
Matter Air Pollution Affecting Visibility
Environmental Protection
Agency (EPA).
ACTION: Proposed rule.
AGENCY:
The Environmental Protection
Agency (EPA) is proposing to approve
elements of a State Implementation Plan
(SIP) submission from the State of New
Mexico addressing the applicable
requirements of Clean Air Act (CAA)
section 110 for the 2008 National
Ambient Air Quality Standards
(NAAQS) for Ozone (O3) and the 2010
NAAQS for Nitrogen Dioxide (NO2),
both of which require that each state
adopt and submit a SIP to support
implementation, maintenance, and
enforcement of each new or revised
NAAQS promulgated by EPA. These
SIPs are commonly referred to as
‘‘infrastructure’’ SIPs. The infrastructure
requirements are designed to ensure that
the structural components of each
state’s air quality management program
are adequate to meet the state’s
responsibilities under the CAA. EPA is
also proposing to find that the State of
New Mexico meets the 2006 fine
particulate matter (PM2.5) NAAQS
requirement pertaining to interstate
transport of air pollution and visibility
protection.
DATES: Written comments must be
received on or before April 27, 2015.
ADDRESSES: Submit your comments,
identified by Docket ID Number EPA–
R06–OAR–2014–0270, by one of the
following methods:
• www.regulations.gov. Follow the
online instructions.
SUMMARY:
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[Federal Register Volume 80, Number 58 (Thursday, March 26, 2015)]
[Proposed Rules]
[Pages 15958-15963]
From the Federal Register Online via the Government Printing Office [www.gpo.gov]
[FR Doc No: 2015-06896]
=======================================================================
-----------------------------------------------------------------------
LIBRARY OF CONGRESS
Copyright Royalty Board
37 CFR Part 380
[Docket No. 2014-CRB-0001-WR (2016-2020) (Web IV)]
Digital Performance Right in Sound Recordings and Ephemeral
Recordings
AGENCY: Copyright Royalty Board, Library of Congress.
ACTION: Proposed rule.
-----------------------------------------------------------------------
SUMMARY: The Copyright Royalty Judges are publishing for comment
proposed regulations governing the rates and terms for the digital
performances of sound recordings by certain public radio stations and
for the making of ephemeral recordings necessary to facilitate those
transmissions for the period commencing January 1, 2016, and ending on
December 31, 2020.
DATES: Comments and objections, if any, are due no later than April 16,
2015.
ADDRESSES: The proposed rule is posted on the agency's Web site
(www.loc.gov/crb). Submit electronic comments online at https://www.regulations.gov or via email to crb@loc.gov. Those who choose not
to submit comments electronically should see How to Submit Comments in
the Supplementary Information section below for physical addresses and
further instructions.
FOR FURTHER INFORMATION CONTACT: Kimberly Whittle, Attorney Advisor, by
telephone at (202) 707-7658, or by email at crb@loc.gov.
SUPPLEMENTARY INFORMATION:
Background
On February 24, 2015, the Copyright Royalty Judges (Judges)
received a joint
[[Page 15959]]
motion from SoundExchange, Inc., National Public Radio, Inc., and the
Corporation for Public Broadcasting to adopt a partial settlement of
their interests and those of American Public Media, Public Radio
International, Public Radio Exchange, and other unnamed public radio
stations (together, the Settling Parties) regarding Web IV rates and
terms for 2016-2020.\1\ Joint Motion to Adopt Partial Settlement,
Docket No. 2014-CRB-0001-WR (2016-2020). Their interests concern the
rule setting minimum copyright royalty fees and terms that the Judges
will establish for compulsory copyright licenses for certain internet
transmissions of sound recordings by public radio stations for the
period from January 1, 2016, through December 31, 2020. SoundExchange,
Inc. represents sound recording copyright owners and performers. The
Settling Parties are users of the copyrighted material including public
radio stations. The Judges hereby publish the proposed settlement and
request comments from the public.
---------------------------------------------------------------------------
\1\ Web IV is short for Webcasting IV. This proceeding is the
fourth since Congress enacted the compulsory sound recording
performance license for webcasting.
---------------------------------------------------------------------------
Section 114 of the Copyright Act, title 17 of the United States
Code, provides a statutory license that allows for the public
performance of sound recordings by means of a digital audio
transmission by, among others, eligible nonsubscription transmission
services. 17 U.S.C. 114(f). For purposes of the section 114 license, an
``eligible nonsubscription transmission'' is a noninteractive digital
audio transmission that does not require a subscription for receiving
the transmission. The transmission must also be made as part of a
service that provides audio programming consisting in whole or in part
of performances of sound recordings the purpose of which is to provide
audio or other entertainment programming, but not to sell, advertise,
or promote particular goods or services. See 17 U.S.C. 114(j)(6).
Services using the section 114 license may need to make one or more
temporary or ``ephemeral'' copies of a sound recording in order to
facilitate the transmission of that recording. The section 112
statutory license allows for the making of the necessary ephemeral
reproductions. 17 U.S.C. 112(e).
Chapter 8 of the Copyright Act requires the Judges to conduct
proceedings every five years to determine the rates and terms for the
sections 114 and 112 statutory licenses. 17 U.S.C. 801(b)(1),
804(b)(3)(A). The current proceeding commenced in January 2014 for
rates and terms that will become effective on January 1, 2016, and end
on December 31, 2020. Pursuant to section 804(b)(3)(A), the Judges
published in the Federal Register a notice commencing the proceeding
and requesting that interested parties submit their petitions to
participate. 79 FR 412 (January 3, 2014). The following parties
submitted Petitions to Participate: 8tracks, Inc.; AccuRadio, LLC;
Amazon.com, Inc.; Apple Inc; Beats Music, LLC; Clear Channel; CMN,
Inc.; College Broadcasters, Inc. (CBI); CustomChannels.net, LLC;
Digital Media Association (DiMA); Digitally Imported, Inc.; Educational
Media Foundation; Feed Media, Inc.; Geo Music Group; Harvard Radio
Broadcasting Inc. (WHRB); idobi Network; Intercollegiate Broadcasting
System, Inc. (IBS); Music Reports, Inc.; National Association of
Broadcasters (NAB); National Music Publishers Association (NMPA);
National Public Radio (NPR); National Religious Broadcasters
Noncommercial Music License Committee (NRBNMLC); Pandora Media Inc.;
Rhapsody International, Inc.; Sirius XM Radio Inc.; SomaFM.com LLC;
SoundExchange, Inc. (SX); Spotify USA Inc.; and Triton.\2\
---------------------------------------------------------------------------
\2\ The following ten parties have withdrawn their Petitions to
Participate: 8tracks, Inc.; Amazon.com, Inc.; CMN, Inc.;
CustomChannels.net, LLC; Digitally Imported, Inc.; Feed Media, Inc.;
idobi Network; Rhapsody International, Inc.; SomaFM.com LLC; and
Spotify USA Inc. Three parties, Music Reports, Inc., NMPA, and
Triton Digital, Inc., have been dismissed from the proceeding.
---------------------------------------------------------------------------
The Judges set the timetable for the three-month negotiation period
for February 21, 2014, through May 22, 2014. See 17 U.S.C. 803(b)(3).
The Judges set December 22, 2014, as the deadline by which participants
were to submit amended written direct statements. On February 24, 2015,
SoundExchange and the Settling Parties submitted to the Judges a joint
motion to adopt a partial settlement of their interests in the
proceeding. The parties requested that the Judges make their decision
on the motion expeditiously, as the hearings in this rate proceeding
are scheduled to commence on April 27, 2015.
Statutory Timing of Adoption of Rates and Terms
Section 801(b)(7)(A) allows for the adoption of rates and terms
negotiated by ``some or all of the participants in a proceeding at any
time during the proceeding'' provided the parties submit the negotiated
rates and terms to the Judges for approval. That provision directs the
Judges to provide those who would be bound by the negotiated rates and
terms an opportunity to comment on the agreement. Unless a participant
in a proceeding objects and the Judges conclude that the agreement does
not provide a reasonable basis for setting statutory rates or terms,
the Judges adopt the negotiated rates and terms. 17 U.S.C.
801(b)(7)(A).
If the Judges adopt the proposed rates and terms pursuant to this
provision for the 2016-2020 rate period, the adopted rates and terms
shall be binding on all copyright owners of sound recordings, NPR,
American Public Media, Public Radio International, and Public Radio
Exchange, and up to 530 public radio stations to be named by CPB that
perform sound recordings during the license period 2016-2020.
Proposed Adjustments to Rates and Terms
In the proposed settlement, SoundExchange and the Settling Parties
request that the Judges adopt the rates and terms for public radio as a
new ``Subpart D'' to part 380, 37 CFR. Under the proposal, the parties
would continue the rate structure in place for public radio, while
increasing the fee amount. Joint Motion to Adopt Partial Settlement at
3. The proposal also contemplates retention of largely unchanged
recordkeeping and reporting terms, by which affected entities take
advantage of a consolidated report of usage prepared by and submitted
through the Corporation for Public Broadcasting. Id.
The public may comment and object to any or all of the proposed
regulations contained in this notice. Such comments and objections must
be submitted no later than April 16, 2015.
How To Submit Comments
Interested members of the public must submit comments to only one
of the following addresses. If not commenting by email or online,
commenters must submit an original of their comments, five paper
copies, and an electronic version on a CD.
Email: crb@loc.gov; or
Online: https://www.regulations.gov; or
U.S. mail: Copyright Royalty Board, P.O. Box 70977, Washington, DC
20024-0977; or
Overnight service (only USPS Express Mail is acceptable): Copyright
Royalty Board, P.O. Box 70977, Washington, DC 20024-0977; or
Commercial courier: Address package to: Copyright Royalty Board,
Library of Congress, James Madison Memorial Building, LM-403, 101
Independence Avenue SE., Washington, DC 20559-
[[Page 15960]]
6000. Deliver to: Congressional Courier Acceptance Site, 2nd Street NE.
and D Street NE., Washington, DC; or
Hand delivery: Library of Congress, James Madison Memorial
Building, LM-401, 101 Independence Avenue SE., Washington, DC 20559-
6000.
List of Subjects in 37 CFR Part 380
Copyright, Sound recordings, Webcasters.
Proposed Regulations
For the reasons set forth in the preamble, the Copyright Royalty
Judges propose to amend 37 CFR part 380 as follows:
PART 380--RATES AND TERMS FOR CERTAIN ELIGIBLE NONSUBSCRIPTION
TRANSMISSIONS, NEW SUBSCRIPTION SERVICES AND THE MAKING OF
EPHEMERAL REPRODUCTIONS
0
1. The authority citation for part 380 continues to read as follows:
Authority: 17 U.S.C. 112(e), 114(f), 804(b)(3).
0
2. Add Subpart D to part 380 to read as follows:
0
3.
Subpart D--Certain Transmissions by Public Broadcasting Entities
Sec.
380.30 General.
380.31 Definitions.
380.32 Royalty fees for the public performance of sound recordings
and for ephemeral recordings.
380.33 Terms for making payment of royalty fees and statements of
account.
380.34 Confidential Information.
380.35 Verification of royalty payments.
380.36 Verification of royalty distributions.
380.37 Unclaimed funds.
Subpart D--Certain Transmissions by Public Broadcasting Entities
Sec. 380.30 General.
(a) Scope. This subpart establishes rates and terms of royalty
payments for the public performance of sound recordings in certain
digital transmissions, through Authorized Web sites, by means of Web
site Performances, by certain Covered Entities as set forth in this
subpart in accordance with the provisions of 17 U.S.C. 114, and the
making of ephemeral recordings by Covered Entities in accordance with
the provisions of 17 U.S.C. 112(e) solely as necessary to encode Sound
Recordings in different formats and at different bit rates as necessary
to facilitate Web site Performances, during the period January 1, 2016,
through December 31, 2020. The provisions of this subpart shall apply
to the Covered Entities in lieu of other rates and terms applicable
under 17 U.S.C. 112(e) and 114.
(b) Legal compliance. Licensees relying upon the statutory licenses
set forth in 17 U.S.C. 112(e) and 114 shall comply with the
requirements of those sections, the rates and terms of this subpart,
and any other applicable regulations.
(c) Relationship to voluntary agreements. Notwithstanding the
royalty rates and terms established in this subpart, the rates and
terms of any license agreements entered into by Copyright Owners and
Licensees shall apply in lieu of the rates and terms of this subpart to
transmission within the scope of such agreements.
Sec. 380.31 Definitions.
For purposes of this subpart, the following definitions shall
apply:
Aggregate Tuning Hours (ATH) means the total hours of programming
that Covered Entities have transmitted during the relevant period to
all listeners within the United States from all Covered Entities that
provide audio programming consisting, in whole or in part, of Web site
Performances, less the actual running time of any sound recordings for
which the Covered Entity has obtained direct licenses apart from this
Agreement. By way of example, if a Covered Entity transmitted one hour
of programming to ten (10) simultaneous listeners, the Covered Entity's
Aggregate Tuning Hours would equal ten (10). If three (3) minutes of
that hour consisted of transmission of a directly licensed recording,
the Covered Entity's Aggregate Tuning Hours would equal nine (9) hours
and thirty (30) minutes. As an additional example, if one listener
listened to a Covered Entity for ten (10) hours (and none of the
recordings transmitted during that time was directly licensed), the
Covered Entity's Aggregate Tuning Hours would equal 10.
Authorized Web site is any Web site operated by or on behalf of any
Covered Entity that is accessed by Web site Users through a Uniform
Resource Locator (``URL'') owned by such Covered Entity and through
which Web site Performances are made by such Covered Entity.
CPB is the Corporation for Public Broadcasting.
Collective is the collection and distribution organization that is
designated by the Copyright Royalty Judges. For the 2016-2020 license
period, the Collective is SoundExchange, Inc.
Copyright Owners are Sound Recording copyright owners who are
entitled to royalty payments made under this subpart pursuant to the
statutory licenses under 17 U.S.C. 112(e) and 114(f).
Covered Entities are NPR, American Public Media, Public Radio
International, and Public Radio Exchange, and up to 530 Originating
Public Radio Stations as named by CPB. CPB shall notify SoundExchange
annually of the eligible Originating Public Radio Stations to be
considered Covered Entities hereunder (subject to the numerical
limitations set forth herein). The number of Originating Public Radio
Stations treated hereunder as Covered Entities shall not exceed 530 for
a given year without SoundExchange's express written approval, except
that CPB shall have the option to increase the number of Originating
Public Radio Stations that may be considered Covered Entities as
provided in Sec. 380.32(c).
Ephemeral Phonorecords are Phonorecords of all or any portion of
any Sound Recordings; provided that:
(1) Such Phonorecords are limited solely to those necessary to
encode Sound Recordings in different formats and at different bit rates
as necessary to facilitate Web site Performances covered by this
subpart;
(2) Such Phonorecords are made in strict conformity with the
provisions set forth in 17 U.S.C. 112(e)(1)(A) through (D), and
(3) The Covered Entities comply with 17 U.S.C. 112(a) and (e) and
all of the terms and conditions of this Agreement.
Music ATH is ATH of Web site Performances of Sound Recordings of
musical works.
NPR is National Public Radio, Inc.
Originating Public Radio Station is a noncommercial terrestrial
radio broadcast station that:
(1) Is licensed as such by the Federal Communications Commission;
(2) Originates programming and is not solely a repeater station;
(3) Is a member or affiliate of NPR, American Public Media, Public
Radio International, or Public Radio Exchange, a member of the National
Federation of Community Broadcasters, or another public radio station
that is qualified to receive funding from CPB pursuant to its criteria;
(4) Qualifies as a ``noncommercial webcaster'' under 17 U.S.C.
114(f)(5)(E)(i); and
(5) Either:
(i) Offers Web site Performances only as part of the mission that
entitles it to be exempt from taxation under section 501 of the
Internal Revenue Code of 1986 (26 U.S.C. 501); or
[[Page 15961]]
(ii) In the case of a governmental entity (including a Native
American Tribal governmental entity), is operated exclusively for
public purposes.
Performers means the independent administrators identified in 17
U.S.C. 114(g)(2)(B) and (C) and the individuals and entities identified
in 17 U.S.C. 114(g)(2)(D).
Person is a natural person, a corporation, a limited liability
company, a partnership, a trust, a joint venture, any governmental
authority or any other entity or organization.
Phonorecords have the meaning set forth in 17 U.S.C. 101.
Qualified Auditor is a Certified Public Accountant, or a person,
who by virtue of education or experience, is appropriately qualified to
perform an audit to verify royalty payments related to performances of
sound recordings.
Side Channel is any Internet-only program available on an
Authorized Web site or an archived program on such Authorized Web site
that, in either case, conforms to all applicable requirements under 17
U.S.C. 114.
Sound Recording has the meaning set forth in 17 U.S.C. 101.
Term is the period January 1, 2016, through December 31, 2020.
Web site is a site located on the World Wide Web that can be
located by a Web site User through a principal URL.
Web site Performances (1) Are all public performances by means of
digital audio transmissions of Sound Recordings, including the
transmission of any portion of any Sound Recording, made through an
Authorized Web site in accordance with all requirements of 17 U.S.C.
114, from servers used by a Covered Entity (provided that the Covered
Entity controls the content of all materials transmitted by the
server), or by a contractor authorized pursuant to Section 380.32(f),
that consist of either:
(i) The retransmission of a Covered Entity's over-the-air
terrestrial radio programming; or
(ii) The digital transmission of nonsubscription Side Channels that
are programmed and controlled by the Covered Entity.
(2) This term does not include digital audio transmissions made by
any other means.
Web site Users are all those who access or receive Web site
Performances or who access any Authorized Web site.
Sec. 380.32 Royalty fees for the public performance of sound
recordings and for ephemeral recordings.
(a) Royalty rates. The total license fee for all Web site
Performances by Covered Entities during the Term, up to a total Music
ATH of 285,132,065 per calendar year, and Ephemeral Phonorecords made
by Covered Entities solely to facilitate such Web site Performances,
during the Term shall be $2,800,000 (the ``License Fee''), unless
additional payments are required as described in paragraph (c) of this
section.
(b) Calculation of License Fee. It is understood that the License
Fee includes:
(1) An annual minimum fee of $500 for each Covered Entity for each
year during the Term;
(2) Additional usage fees for certain Covered Entities; and
(3) A discount that reflects the administrative convenience to the
Collective of receiving annual lump sum payments that cover a large
number of separate entities, as well as the protection from bad debt
that arises from being paid in advance.
(c) Increase in Covered Entities. If the total number of
Originating Public Radio Stations that wish to make Web site
Performances in any calendar year exceeds the number of such
Originating Public Radio Stations considered Covered Entities in the
relevant year, and the excess Originating Public Radio Stations do not
wish to pay royalties for such Web site Performances apart from this
subpart, CPB may elect by written notice to the Collective to increase
the number of Originating Public Radio Stations considered Covered
Entities in the relevant year effective as of the date of the notice.
To the extent of any such elections, CPB shall make an additional
payment to the Collective for each calendar year or part thereof it
elects to have an additional Originating Public Radio Station
considered a Covered Entity, in the amount of $500 per Originating
Public Radio Station per year. Such payment shall accompany the notice
electing to have an additional Originating Public Radio Station
considered a Covered Entity.
(d) Ephemeral recordings. The royalty payable under 17 U.S.C.
112(e) for the making of all ephemeral recordings used by Covered
Entities solely to facilitate Web site Performances for which royalties
are paid pursuant to this subpart shall be included within, and
constitute 5% of, the total royalties payable under 17 U.S.C. 112(e)
and 114.
(e) Effect of non-performance by any Covered Entity. In the event
that any Covered Entity violates any of the material provisions of 17
U.S.C. 112(e) or 114 or this subpart that it is required to perform,
the remedies of the Collective shall be specific to that Covered Entity
only, and shall include, without limitation, termination of that
Covered Entity's right to be treated as a Covered Entity hereunder upon
written notice to CPB. The Collective and Copyright Owners also shall
have whatever rights may be available to them against that Covered
Entity under applicable law. The Collective's remedies for such a
breach or failure by an individual Covered Entity shall not include
termination of the rights of other Covered Entities to be treated as
Covered Entities hereunder, except that if CPB fails to pay the License
Fee or otherwise fails to perform any of the material provisions of
this subpart, or such a breach or failure by a Covered Entity results
from CPB's inducement, and CPB does not cure such breach or failure
within 30 days after receiving notice thereof from the Collective, then
the Collective may terminate the right of all Covered Entities to be
treated as Covered Entities hereunder upon written notice to CPB. In
such a case, a prorated portion of the License Fee for the remainder
Term (to the extent paid by CPB) shall, after deduction of any damages
payable to the Collective by virtue of the breach or failure, be
credited to statutory royalty obligations of Covered Entities to the
Collective for the Term as specified by CPB.
(f) Use of contractors. The right to rely on this subpart is
limited to Covered Entities, except that a Covered Entity may employ
the services of a third person to provide the technical services and
equipment necessary to deliver Web site Performances on behalf of such
Covered Entity, but only through an Authorized Web site. Any agreement
between a Covered Entity and any third person for such services shall:
(1) Obligate such third person to provide all such services in
accordance with all applicable provisions of the statutory licenses and
this subpart,
(2) Specify that such third person shall have no right to make Web
site Performances or any other performances or Phonorecords on its own
behalf or on behalf of any person or entity other than a Covered Entity
through the Covered Entity's Authorized Web site by virtue of its
services for the Covered Entity, including in the case of Phonorecords,
pre-encoding or otherwise establishing a library of Sound Recordings
that it offers to a Covered Entity or others for purposes of making
performances, but instead must obtain all necessary licenses from the
Collective, the copyright owner or another duly authorized person, as
the case may be;
(3) Specify that such third person shall have no right to grant any
sublicenses under the statutory licenses; and
[[Page 15962]]
(4) Provide that the Collective is an intended third-party
beneficiary of all such obligations with the right to enforce a breach
thereof against such third person.
Sec. 380.33 Terms for making payment of royalty fees and statements
of account.
(a) Payment to the Collective. CPB shall pay the License Fee to the
Collective in five equal installments of $560,000 each, which shall be
due December 31, 2015 and annually thereafter through December 31,
2019.
(b) Designation of the Collective. (1) Until such time as a new
designation is made, SoundExchange, Inc., is designated as the
Collective to receive statements of account and royalty payments for
Covered Entities under this subpart and to distribute such royalty
payments to each Copyright Owner and Performer, or their designated
agents, entitled to receive royalties under 17 U.S.C. 112(e) or 114(g).
(2) If SoundExchange, Inc. should dissolve or cease to be governed
by a board consisting of equal numbers of representatives of Copyright
Owners and Performers, then it shall be replaced by a successor
Collective upon the fulfillment of the requirements set forth in
paragraph (b)(2)(i) of this section.
(i) By a majority vote of the nine Copyright Owner representatives
and the nine Performer representatives on the SoundExchange board as of
the last day preceding the condition precedent in this paragraph (b)(2)
of this section, such representatives shall file a petition with the
Copyright Royalty Judges designating a successor to collect and
distribute royalty payments to Copyright Owners and Performers entitled
to receive royalties under 17 U.S.C. 112(e) or 114(g) that have
themselves authorized the Collective.
(ii) The Copyright Royalty Judges shall publish in the Federal
Register within 30 days of receipt of a petition filed under paragraph
(b)(2)(i) of this section an order designating the Collective named in
such petition.
(c) Reporting. CPB and Covered Entities shall submit reports of use
and other information concerning Web site Performances as agreed upon
with the Collective.
(d) Late payments and statements of account. A Licensee shall pay a
late fee of 1.5% per month, or the highest lawful rate, whichever is
lower, for any payment and/or statement of account received by the
Collective after the due date. Late fees shall accrue from the due date
until payment and the related statement of account are received by the
Collective.
(e) Distribution of royalties. (1) The Collective shall promptly
distribute royalties received from CPB to Copyright Owners and
Performers, or their designated agents, who are entitled to such
royalties. The Collective shall only be responsible for making
distributions to those Copyright Owners, Performers, or their
designated agents who provide the Collective with such information as
is necessary to identify the correct recipient. The Collective shall
distribute royalties on a basis that values all Web site Performances
by Covered Entities equally based upon the reporting information
provided by CPB/NPR.
(2) If the Collective is unable to locate a Copyright Owner or
Performer entitled to a distribution of royalties under paragraph
(e)(1) of the section within 3 years from the date of payment by a
Licensee, such royalties shall be handled in accordance with Sec.
380.37.
(f) Retention of records. Books and records of CPB and Covered
Entities and of the Collective relating to payments of and
distributions of royalties shall be kept for a period of not less than
the prior 3 calendar years.
Sec. 380.34 Confidential Information.
(a) Definition. For purposes of this subpart, ``Confidential
Information'' shall include the statements of account and any
information contained therein, including the amount of royalty
payments, and any information pertaining to the statements of account
reasonably designated as confidential by the Licensee submitting the
statement.
(b) Exclusion. Confidential Information shall not include
information or documents that at the time of delivery to the Collective
are public knowledge, or documents or information that become publicly
known through no fault of the Collective or are known by the Collective
when disclosed by CPB/NPR. The party claiming the benefit of this
provision shall have the burden of proving that the disclosed
information was public knowledge.
(c) Use of Confidential Information. In no event shall the
Collective use any Confidential Information for any purpose other than
royalty collection and distribution and activities related directly
thereto and enforcement of the terms of the statutory licenses.
(d) Disclosure of Confidential Information. Access to Confidential
Information shall be limited to:
(1) Those employees, agents, attorneys, consultants and independent
contractors of the Collective, subject to an appropriate
confidentiality agreement, who are engaged in the collection and
distribution of royalty payments hereunder and activities related
thereto, for the purpose of performing such duties during the ordinary
course of their work and who require access to the Confidential
Information;
(2) An independent and Qualified Auditor, subject to an appropriate
confidentiality agreement, who is authorized to act on behalf of the
Collective with respect to verification of a Licensee's statement of
account pursuant to Sec. 380.35 or on behalf of a Copyright Owner or
Performer with respect to the verification of royalty distributions
pursuant to Sec. 380.36,
(3) Copyright Owners and Performers, including their designated
agents, whose works have been used under the statutory licenses set
forth in 17 U.S.C. 112(e) and 114 by the Licensee whose Confidential
Information is being supplied, subject to an appropriate
confidentiality agreement, and including those employees, agents,
attorneys, consultants and independent contractors of such Copyright
Owners and Performers and their designated agents, subject to an
appropriate confidentiality agreement, for the purpose of performing
their duties during the ordinary course of their work and who require
access to the Confidential Information; and
(4) In connection with future proceedings under 17 U.S.C. 112(e)
and 114 before the Copyright Royalty Judges, and under an appropriate
protective order, attorneys, consultants and other authorized agents of
the parties to the proceedings or the courts, subject to the provisions
of any relevant agreements restricting the activities of CPB, Covered
Entities or the Collective in such proceedings.
(e) Safeguarding of Confidential Information. The Collective and
any person identified in paragraph (d) of this section shall implement
procedures to safeguard against unauthorized access to or dissemination
of any Confidential Information using a reasonable standard of care,
but no less than the same degree of security used to protect
Confidential Information or similarly sensitive information belonging
to the Collective or person.
Sec. 380.35 Verification of royalty payments.
(a) General. This section prescribes procedures by which the
Collective may verify the royalty payments made by CPB.
(b) Frequency of verification. The Collective may conduct a single
audit of any Covered Entities, upon reasonable notice and during
reasonable business hours, during any given calendar year,
[[Page 15963]]
for any or all of the prior 3 calendar years, but no calendar year
shall be subject to audit more than once.
(c) Notice of intent to audit. The Collective must file with the
Copyright Royalty Judges a notice of intent to audit CPB and Covered
Entities, which shall, within 30 days of the filing of the notice,
publish in the Federal Register a notice announcing such filing. The
notification of intent to audit shall be served at the same time on
CPB. Any such audit shall be conducted by an independent and Qualified
Auditor identified in the notice, and shall be binding on all parties.
(d) Acquisition and retention of report. CPB and Covered Entities
shall use commercially reasonable efforts to obtain or to provide
access to any relevant books and records maintained by third parties
for the purpose of the audit. The Collective shall retain the report of
the verification for a period of not less than 3 years.
(e) Consultation. Before rendering a written report to the
Collective, except where the auditor has a reasonable basis to suspect
fraud and disclosure would, in the reasonable opinion of the auditor,
prejudice the investigation of such suspected fraud, the auditor shall
review the tentative written findings of the audit with the appropriate
agent or employee of CPB in order to remedy any factual errors and
clarify any issues relating to the audit; provided that an appropriate
agent or employee of CPB reasonably cooperates with the auditor to
remedy promptly any factual errors or clarify any issues raised by the
audit.
(f) Costs of the verification procedure. The Collective shall pay
the cost of the verification procedure, unless it is finally determined
that there was an underpayment of 10% or more, in which case CPB shall,
in addition to paying the amount of any underpayment, bear the
reasonable costs of the verification procedure.
Sec. 380.36 Verification of royalty distributions.
(a) General. This section prescribes procedures by which any
Copyright Owner or Performer may verify the royalty distributions made
by the Collective; provided, however, that nothing contained in this
section shall apply to situations where a Copyright Owner or Performer
and the Collective have agreed as to proper verification methods.
(b) Frequency of verification. A Copyright Owner or Performer may
conduct a single audit of the Collective upon reasonable notice and
during reasonable business hours, during any given calendar year, for
any or all of the prior 3 calendar years, but no calendar year shall be
subject to audit more than once.
(c) Notice of intent to audit. A Copyright Owner or Performer must
file with the Copyright Royalty Judges a notice of intent to audit the
Collective, which shall, within 30 days of the filing of the notice,
publish in the Federal Register a notice announcing such filing. The
notification of intent to audit shall be served at the same time on the
Collective. Any audit shall be conducted by an independent and
Qualified Auditor identified in the notice, and shall be binding on all
Copyright Owners and Performers.
(d) Acquisition and retention of report. The Collective shall use
commercially reasonable efforts to obtain or to provide access to any
relevant books and records maintained by third parties for the purpose
of the audit. The Copyright Owner or Performer requesting the
verification procedure shall retain the report of the verification for
a period of not less than 3 years.
(e) Consultation. Before rendering a written report to a Copyright
Owner or Performer, except where the auditor has a reasonable basis to
suspect fraud and disclosure would, in the reasonable opinion of the
auditor, prejudice the investigation of such suspected fraud, the
auditor shall review the tentative written findings of the audit with
the appropriate agent or employee of the Collective in order to remedy
any factual errors and clarify any issues relating to the audit;
Provided that the appropriate agent or employee of the Collective
reasonably cooperates with the auditor to remedy promptly any factual
errors or clarify any issues raised by the audit.
(f) Costs of the verification procedure. The Copyright Owner or
Performer requesting the verification procedure shall pay the cost of
the procedure, unless it is finally determined that there was an
underpayment of 10% or more, in which case the Collective shall, in
addition to paying the amount of any underpayment, bear the reasonable
costs of the verification procedure.
Sec. 380.37 Unclaimed funds.
If the Collective is unable to identify or locate a Copyright Owner
or Performer who is entitled to receive a royalty distribution under
this subpart, the Collective shall retain the required payment in a
segregated trust account for a period of 3 years from the date of
distribution. No claim to such distribution shall be valid after the
expiration of the 3-year period. After expiration of this period, the
Collective may apply the unclaimed funds to offset any costs deductible
under 17 U.S.C. 114(g)(3). The foregoing shall apply notwithstanding
the common law or statutes of any State.
Dated: March 20, 2015.
Jesse M. Feder,
Copyright Royalty Judge.
[FR Doc. 2015-06896 Filed 3-25-15; 8:45 am]
BILLING CODE 1410-72-P