Notice and Recordkeeping for Use of Sound Recordings Under Statutory License, 79727-79734 [E8-30976]
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Federal Register / Vol. 73, No. 250 / Tuesday, December 30, 2008 / Proposed Rules
responsibilities among the various
levels of Government; therefore,
consultation with State and local
officials is not required.
LIBRARY OF CONGRESS
Copyright Royalty Board
37 CFR Part 370
List of Subjects in 32 CFR Part 199
[Docket No. RM 2008–7]
Claims, Dental health, Health care,
Health insurance, Individuals with
disabilities, Military personnel.
Notice and Recordkeeping for Use of
Sound Recordings Under Statutory
License
Accordingly, 32 CFR part 199 is
proposed to be amended as follows:
Copyright Royalty Board,
Library of Congress.
ACTION: Notice of proposed rulemaking.
AGENCY:
PART 199—CIVILIAN HEALTH AND
MEDICAL PROGRAM OF THE
UNIFORMED SERVICES (CHAMPUS)
1. The authority citation for part 199
continues to read as follows:
Authority: 5 U.S.C. 301; 10 U.S.C. chapter
55.
2. Section 199.6 is amended by
revising paragraphs (b)(4)(xii)(A)(2)(i)
and (b)(4)(xii)(E)(7) to read as follows:
§ 199.6
TRICARE—authorized providers.
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(b) * * *
(4) * * *
(xii) * * *
(A) * * *
(2) Eligibility. (i) Every free-standing
psychiatric partial hospitalization
program must be certified pursuant to
TRICARE certification standards. Such
standards shall incorporate the basic
standards set forth in paragraphs
(b)(4)(xii)(A) through (D) of this section,
and shall include such additional
elaborative criteria and standards as the
Director, TRICARE Management
Activity, determines are necessary to
implement the basic standards. Each
psychiatric partial hospitalization
program must be either a distinct part of
an otherwise authorized institutional
provider or a free-standing program.
Approval of a hospital by TRICARE is
sufficient for its partial hospitalization
program to be an authorized TRICARE
provider. Such hospital-based partial
hospitalization programs are not
required to be separately certified
pursuant to TRICARE certification
standards.
*
*
*
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*
(E) * * *
(7) Free-standing partial
hospitalization programs shall certify
that:
*
*
*
*
*
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Dated: December 22, 2008.
Patricia L. Toppings,
OSD Federal Register Liaison Officer,
Department of Defense.
[FR Doc. E8–31054 Filed 12–29–08; 8:45 am]
BILLING CODE 5001–06–P
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SUMMARY: The Copyright Royalty
Judges, on behalf of the Copyright
Royalty Board, are proposing to revise
its interim regulations for filing notice
of use and the delivery of records of use
of sound recordings under two statutory
licenses of the Copyright Act.
DATES: Comments are due no later than
January 29, 2009.
ADDRESSES: Comments may be sent
electronically to crb@loc.gov. In the
alternative, send an original, five copies,
and an electronic copy on a CD either
by mail or hand delivery. Please do not
use multiple means of transmission.
Comments may not be delivered by an
overnight delivery service other than the
U.S. Postal Service Express Mail. If by
mail (including overnight delivery),
comments must be addressed to:
Copyright Royalty Board, P.O. Box
70977, Washington, DC 20024–0977. If
hand delivered by a private party,
comments must be brought to the
Copyright Office Public Information
Office, Library of Congress, James
Madison Memorial Building, Room LM–
401, 101 Independence Avenue, SE.,
Washington, DC 20559–6000. If
delivered by a commercial courier,
comments must be delivered between
8:30 a.m. and 4 p.m. to the
Congressional Courier Acceptance Site
located at 2nd and D Street, NE.,
Washington, DC, and the envelope must
be addressed to: Copyright Royalty
Board, Library of Congress, James
Madison Memorial Building, LM–403,
101 Independence Avenue, SE.,
Washington, DC 20559–6000.
FOR FURTHER INFORMATION CONTACT:
Richard Strasser, Senior Attorney, or
Gina Giuffreda, Attorney Advisor, by
telephone at (202) 707–7658 or e-mail at
crb@loc.gov.
SUPPLEMENTARY INFORMATION: On
October 6, 2006, the Copyright Royalty
Judges (‘‘Judges’’), on behalf of the
Copyright Royalty Board (‘‘Board’’),
issued interim regulations published in
the Federal Register for the delivery and
format of reports of use of sound
recordings for the statutory licenses set
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forth in sections 112 and 114 of the
Copyright Act, title 17 of the United
States Code. 71 FR 59010. As part of the
Judges’ continuing oversight of
regulations governing notice of use and
the delivery of records of use of sound
recordings under these two statutory
licenses, we herewith propose such
final regulations.
I. Overview
Digital audio services transmit
performances of copyrighted sound
recordings of music to the users of those
services. In order to transmit these
performances, however, a digital audio
service must license the copyrights to
each musical work, as well as the sound
recording of the musical work.1 With
respect to the copyright in the sound
recording, the digital audio service may
seek to obtain a licensing agreement
directly with the copyright owner or, if
it is an eligible service,2 may choose to
license use of the sound recording
through statutory licenses set forth in
the Copyright Act. There are two such
licenses that enable an eligible digital
audio service to perform a copyrighted
sound recording for its listeners: section
114 and section 112 of the Copyright
Act. Section 114 permits an eligible
digital audio service to perform
copyrighted sound recordings to its
listeners, provided that the terms and
conditions set forth in section 114,
including the payment of a royalty fee,
are met. Section 112 permits an eligible
digital audio service to make the digital
copies of a sound recording that are
necessary to transmit a sound recording
to listeners, provided again that the
terms and conditions set forth in section
112, including the payment of a royalty
fee, are met.
The royalty fees collected under the
two statutory licenses are paid to a
central source known as a Collective.
See 37 CFR 370. Before the Collective,3
or other agents designated to receive
royalties from the Collective, can make
a royalty payment to an individual
1 Recorded music typically involves two separate
copyrights. There is a copyright for the song itself—
the lyrics and the music—and there is a separate
copyright for the sound recording of the music. The
copyright to the musical work typically belongs to
the songwriter and/or his or her music publisher,
and the copyright to the sound recording is
typically owned by the record company that
recorded it.
2 These services include preexisting subscription
services, preexisting satellite digital audio radio
services, business establishment services,
nonsubscription services and new subscription
services.
3 SoundExchange, Inc., originally created by the
Recording Industry Association of America, Inc. on
behalf of its member companies, is currently the
Collective for receiving both section 112 and 114
royalties.
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copyright owner, they must know the
use the eligible digital audio service has
made of the sound recording. To obtain
this information, both section 112 and
section 114 direct the Judges to
prescribe regulations that identify the
use of copyrighted sound recordings, as
well as provide copyright owners with
notice that a particular eligible digital
audio service is making use of the
section 112 and/or 114 license. See 17
U.S.C. 112(e)(4) and 114(f)(4)(A).
Interim regulations setting forth the
filing requirements for notice of use, the
types of information that constitute a
record of use of a particular sound
recording, the format of the record of
use data and the acceptable means of
delivering such use data to the
Collective, have already been adopted.
71 FR 59010 (October 6, 2006).
However, the Judges, as part of their
continuing oversight of these
regulations, have identified certain
portions of the regulations that are
obsolete as well as other portions that
are duplicative. Obsolete provisions are
proposed to be eliminated. Definitions
previously duplicated in the various
sections of these regulations are
proposed to be gathered into a new
single definition section applicable
throughout this Part unless otherwise
indicated within a specific section.
Effectively, the Judges propose only
one substantial change—to expand the
reporting period to implement census
reporting. In addition, as indicated
herein below, the Judges also welcome
comments on technological
developments that may imply the need
for further adjustment of the rules either
in terms of the method of reporting
specific data elements or with respect to
the delivery mechanism employed for
reporting.
As with the interim regulations
adopted in 2006, the final regulations
proposed in this document represent
baseline requirements. In other words,
digital audio services are free to
negotiate other formats and technical
standards for data maintenance and
delivery and may use those in lieu of
regulations adopted by the Judges, upon
agreement with the Collective. We have
no intention of codifying these
negotiated variances in the future unless
and until they come into such
standardized use as to supersede the
existing regulations.
II. General Definitions
As the regulations governing reports
of use covering different services have
evolved over time and resulted in
somewhat different reporting
requirements for the different services,
several separate sections of the interim
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regulations are devoted to one or more
of the various services. Yet at the same
time, certain basic definitions share a
common meaning across these various
sections. The Judges have identified
nine common terms that are currently
defined in different definition
subsections within the current interim
regulations. These terms include: (1)
Notice of Use, (2) Service, (3)
Preexisting Subscription Service, (4)
New Subscription Service, (5)
Nonsubscription Transmission Service,
(6) Preexisting Satellite Digital Audio
Radio Service, (7) Business
Establishment Service, (8) Collective
and (9) Report of Use. In the interest of
administrative efficiency, the Judges
propose a new § 370.1, General
Definitions, to provide definitions for
these nine terms that will apply
generally throughout Part 370, unless
otherwise specifically indicated. To that
end, duplicative definitions of these
nine common terms that currently
appear in other sections of this Part are
proposed to be removed. In addition to
the efficiency gains this proposed
change would bring for users of these
regulations, it is anticipated that the
identification of such common
terminology will also encourage their
usage among services and collectives in
their negotiations and, thus, facilitate
the negotiation process over rates and
terms.
III. Obsolete Provisions
On November 30, 2004, the President
signed into law the Copyright Royalty
and Distribution Reform Act of 2004
(‘‘Reform Act’’), Public Law 108–419,
118 Stat. 2341. The Reform Act, among
other things, transferred the authority
for prescribing notice and recordkeeping
regulations for sections 112 and 114
from the Librarian of Congress
(‘‘Librarian’’) and the Copyright Office
to the Judges. The Reform Act went into
effect on May 31, 2005, just after the
Copyright Office published a Notice of
Proposed Rulemaking on April 27, 2005
proposing regulations for the format and
delivery of reports of use. 70 FR 21704.
As notice and recordkeeping rulemaking
authority passed to the Judges under the
Reform Act, the subsequent interim
regulation was issued under their
authority. However, the interim
regulation on notice of use and
recordkeeping retained a rule identical
to the one adopted by the Copyright
Office addressing reports of use under
the section 112 and 114 licenses for the
period October 28, 1998 through March
31, 2004. Similarly, the interim
regulation retained requirements for
reporting certain category transmission
codes for certain services relevant to
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noncommercial and small commercial
webcasters reporting for 2003 and 2004
pursuant to the Small Webcaster
Settlement Act of 2002, Public Law
107–321, 116 Stat. 2780.
In adopting the current interim
regulation on October 6, 2006, the
Judges indicated that even though
jurisdiction for adopting notice and
recordkeeping rules as of that date lay
solely with the Judges, it was not their
intention in the interim regulation to
revisit the rules the Librarian and
Copyright Office adopted, and further,
that the Judges would replicate the
notice and recordkeeping provisions
then located in Part 270 of the Copyright
Office’s regulations in the interest of
placing all regulations related to notice
and recordkeeping under the section
112 and 114 licenses within the same
part number in the CFR.4 However, the
Judges indicated they would monitor
the operation of those regulations and
request public comment in the future as
to the need for amendment or
improvement prior to adopting final
regulations.
Because the prior Copyright Office
final rule addressing reports of use
under the section 112 and 114 licenses
for the period October 28, 1998 through
March 31, 2004 has been superseded for
subsequent periods by the current
interim regulation, the Judges propose
the deletion of all references to this
prior period reporting requirement.
Similarly, inasmuch as the requirements
for reporting certain category
transmission codes for certain services
(i.e., noncommercial and small
commercial webcasters reporting for
2003 and 2004 pursuant to the
provisions of the Small Webcaster
Settlement Act of 2002) have expired by
their terms, the Judges propose the
deletion of the requirement for reporting
such category transmission codes
information.
IV. Reports of Use Content and
Reporting Period; Census Reporting
Currently, services must provide the
total number of performances of each
sound recording during the relevant
reporting period. However, the relevant
reporting period is limited to two
periods of seven consecutive days for
each calendar quarter of the year. This
results in an estimate of the use of a
sound recording rather than a report of
actual use. The failure to report the full
actual number of performances of a
sound recording is at odds with the
purpose of the recordkeeping
4 It should be noted, however, that the Copyright
Office has not repealed its similar Part 270
regulations.
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requirement to the extent that, as a
result, many sound recordings are
under-compensated or not compensated
at all from the section 114 and 112
royalties. On the other hand, where it is
not possible to technologically obtain
the necessary listenership data, some
reasonable alternative means of
estimating total actual performances
should be available to the reporting
services.
When the Copyright Office adopted
interim regulations in 2004 during an
earlier phase of the recordkeeping
rulemaking process (prior to transfer of
recordkeeping rulemaking authority to
the Judges), the Copyright Office
determined it was advisable to phase in
the new reporting process by requiring
periodic reporting of sound recording
performances rather than year-round
census reporting. However, in doing so,
the Copyright Office announced that:
‘‘Once final regulations are
implemented, year-round census
reporting is likely to be the standard
measure rather than the periodic
reporting that will now be permitted on
an interim basis.’’ 69 FR 11526 (March
11, 2004). Given that ample time has
passed since the adoption of the new
reporting requirements to facilitate
familiarity with the methods of
acquiring and keeping the necessary
data for compliance, the Judges propose
to adopt year-round census reporting at
this time. For nonsubscription services,
such census reporting requires full
reporting of the actual total
performances of the sound recording for
each calendar quarter of the year.5 To
the extent that technological
impediments to measuring actual
listenership continue to hamper actual
listenership measurement with respect
to each sound recording for preexisting
satellite digital audio radio services,
new subscription services or business
establishment services, the alternative of
census reporting by means of a
construct utilizing aggregate tuning
hours 6 is maintained for such services.7
5 In other words, the proposed rule eliminates the
aggregate tuning hours approach to reporting
previously available to nonsubscription services. It
should be noted that the aggregate tuning hours
payment alternative to the per performance rate
available to certain webcasters was phased out as
of the end of the 2007 calendar year. Digital
Performance Right in Sound Recordings and
Ephemeral Recordings, Final rule, 72 FR 24096 n.33
(May 1, 2007).
6 This alternative requires an estimate of census
reporting by means of reporting the following data
for each calendar quarter: Aggregate tuning hours,
channel or program name and play frequency.
7 It should be noted that in the recent preexisting
satellite digital audio radio service (‘‘SDARS’’)
ratemaking proceeding, the collective
(SoundExchange) requested that the recordkeeping
regulations be amended to require census reporting
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V. Requests for Further Information
The organization and format in which
recordkeeping data is to be maintained
for delivery to collectives has been the
subject of considerable disagreement
between copyright owners and users
over the years. While we have no desire
to revisit the same disagreements that
the parties have previously commented
on at length, we are interested in
determining if further improvements to
the reporting regulations can be made in
light of recent technological
developments, newly available software
or substantially reduced costs for certain
delivery mechanism alternatives. In
particular, we are interested in answers
to several specific factual questions.
A. Spreadsheets and Other
Commercially Available Software for
Completing Reports of Use
Although the NPRM only addresses
commercially available spreadsheets as
a means of creating records of use, the
Board is interested in knowing what, if
any, software has become commercially
available since the promulgation of the
interim regulation that could be used to
compile records of use.
Questions:
What, if any, commercially available
software has become available since the
promulgation of the interim regulation
in 2006 that could be used to compile
records of use? Would such software
produce records of use that are format
compatible with SoundExchange’s data
processing system? What are the costs
associated with such software?
B. Report Delivery
SoundExchange supports four
methods of delivery for electronic data
files: File Transfer Protocol (‘‘FTP’’);
electronic mail attachment; CD–ROM
delivery; and floppy diskette delivery.
Each of these delivery methods has
specific requirements (examples: CD–
ROM delivery must compress the
reporting data to fit onto a single CD–
ROM per reporting period; FTP delivery
requires securing username and
password; floppy diskettes must
measure 3.5 inches in diameter).
SoundExchange has previously opposed
allowing delivery of records of use to a
Web site, citing unspecified cost and
and the services did not object to census reporting
in general so long as the current reporting
exceptions in § 370.3(b)(8)(i)–(iii) were retained.
Determination of Rates and Terms for Preexisting
Subscription Services and Satellite Digital Audio
Radio Services, Final rule and Order, 73 FR 4101
(January 24, 2008). The Judges’ proposed
recordkeeping rule retains those exceptions. See
proposed § 370.4(b)(3)(i)–(iii).
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security concerns. See 70 FR 21704,
21707 (April 27, 2005).
Questions:
Have technological developments or
software improvements reduced the
average estimated costs of creating and
maintaining a Web site for receipt of
records of use since the interim
regulation was promulgated in 2006?
Have data security methods improved
since the promulgation of the interim
regulation such that maintaining a Web
site for receipt of records of use is now
subject only to the same general level of
risks as other methods of electronic
delivery? What are the current security
concerns and how may they be
addressed? Is there now commercially
available software that could facilitate
the electronic delivery of reports of use
to a Web site and, if so, would the
benefits of such software justify its
costs? Is it more efficient for the
Collective to develop a system to report
and deliver the records of use and make
that system available to the Services?
In addition to the particular technical
questions presented above, interested
persons are also encouraged to supply
their views on the following questions
of a more general nature.
Questions:
What further improvements to the
reporting regulations can be made in
light of recent technological
developments, newly available software
or substantially reduced costs for certain
delivery mechanism alternatives since
the promulgation of the interim
regulation? To what extent are such
improvements currently being utilized
in negotiated agreements between
services and SoundExchange?
List of Subjects in 37 CFR Part 370
Copyright, Sound recordings.
Proposed Regulations
For the reasons set forth in the
preamble, the Copyright Royalty Judges
propose to revise 37 CFR Part 370 to
read as follows:
PART 370—NOTICE AND
RECORDKEEPING REQUIREMENTS
FOR STATUTORY LICENSES
Sec.
370.1 General definitions.
370.2 Notice of use of sound recordings
under statutory license.
370.3 Reports of use of sound recordings
under statutory license for preexisting
subscription services.
370.4 Reports of use of sound recordings
under statutory license for
nonsubscription transmission services,
preexisting satellite digital audio radio
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services, new subscription services and
business establishment services.
370.5 Designated collection and
distribution organizations for reports of
use of sound recordings under statutory
license.
Authority: 17 U.S.C. 112(e)(4), 114(f)(4)(A).
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§ 370.1
General definitions.
For purposes of this part, the
following definitions apply:
(a) A Notice of Use of Sound
Recordings Under Statutory License is a
written notice to sound recording
copyright owners of the use of their
works under section 112(e) or 114(d)(2)
of title 17, United States Code, or both,
and is required under this part to be
filed by a Service in the Copyright
Office.
(b) A Service is an entity engaged in
either the digital transmission of sound
recordings pursuant to section 114(d)(2)
of title 17 of the United States Code or
making ephemeral phonorecords of
sound recordings pursuant to section
112(e) of title 17 of the United States
Code or both. The definition of a Service
includes an entity that transmits an AM/
FM broadcast signal over a digital
communications network such as the
Internet, regardless of whether the
transmission is made by the broadcaster
that originates the AM/FM signal or by
a third party, provided that such
transmission meets the applicable
requirements of the statutory license set
forth in 17 U.S.C. 114(d)(2). A Service
may be further characterized as either a
preexisting subscription service,
preexisting satellite digital audio radio
service, nonsubscription transmission
service, new subscription service,
business establishment service or a
combination of those.
(c) A Preexisting Subscription Service
is defined in 17 U.S.C. 114(j)(11).
(d) A New Subscription Service is
defined in 17 U.S.C. 114(j)(8).
(e) A Nonsubscription Transmission
Service is a service that makes
noninteractive nonsubscription digital
audio transmissions that are not exempt
under section 114(d)(1) of title 17 of the
United States Code and are made as part
of a service that provides audio
programming consisting, in whole or in
part, of performances of sound
recordings, including transmissions of
broadcast transmissions, if the primary
purpose of the service is to provide to
the public such audio or other
entertainment programming, and the
primary purpose of the service is not to
sell, advertise, or promote particular
products or services other than sound
recordings, live concerts, or other
music-related events.
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(f) A Preexisting Satellite Digital
Audio Radio Service is defined in 17
U.S.C. 114(j)(10).
(g) A Business Establishment Service
is a service that makes ephemeral
phonorecords of sound recordings
pursuant to section 112(e) of title 17 of
the United States Code and is exempt
under section 114(d)(1)(C)(iv) of title 17
of the United States Code.
(h) A Collective is a collection and
distribution organization that is
designated under one or both of the
statutory licenses by determination of
the Copyright Royalty Judges.
(i) A Report of Use is a report required
to be provided by a Service that is
transmitting sound recordings pursuant
to the statutory license set forth in
section 114(d)(2) of title 17 of the
United States Code or making
ephemeral phonorecords of sound
recordings pursuant to the statutory
license set forth in section 112(e) of title
17 of the United States Code, or both.
§ 370.2 Notice of use of sound recordings
under statutory license.
(a) General. This section prescribes
rules under which copyright owners
shall receive notice of use of their sound
recordings when used under either
section 112(e) or 114(d)(2) of title 17,
United States Code, or both.
(b) Forms and content. A Notice of
Use of Sound Recordings Under
Statutory License shall be prepared on
a form that may be obtained from the
Copyright Office Web site or from the
Licensing Division, and shall include
the following information:
(1) The full legal name of the Service
that is either commencing digital
transmissions of sound recordings or
making ephemeral phonorecords of
sound recordings under statutory
license or doing both.
(2) The full address, including a
specific number and street name or rural
route, of the place of business of the
Service. A post office box or similar
designation will not be sufficient except
where it is the only address that can be
used in that geographic location.
(3) The telephone number and
facsimile number of the Service.
(4) Information on how to gain access
to the online Web site or homepage of
the Service, or where information may
be posted under this section concerning
the use of sound recordings under
statutory license.
(5) Identification of each license
under which the Service intends to
operate, including identification of each
of the following categories under which
the Service will be making digital
transmissions of sound recordings:
preexisting subscription service,
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preexisting satellite digital audio radio
service, nonsubscription transmission
service, new subscription service or
business establishment service.
(6) The date or expected date of the
initial digital transmission of a sound
recording to be made under the section
114 statutory license and/or the date or
the expected date of the initial use of
the section 112(e) license for the
purpose of making ephemeral
phonorecords of the sound recordings.
(7) Identification of any amendments
required by paragraph (e) of this section.
(c) Signature. The Notice shall
include the signature of the appropriate
officer or representative of the Service
that is either transmitting the sound
recordings or making ephemeral
phonorecords of sound recordings
under statutory license or doing both.
The signature shall be accompanied by
the printed or typewritten name and the
title of the person signing the Notice
and by the date of the signature.
(d) Filing notices; fees. The original
and three copies shall be filed with the
Licensing Division of the Copyright
Office and shall be accompanied by the
filing fee set forth in § 201.3(c) of this
title. Notices shall be placed in the
public records of the Licensing Division.
The Notice and filing fee shall be sent
to the Licensing Division at either the
address listed on the form obtained from
the Copyright Office or to: Library of
Congress, Copyright Office, Licensing
Division, 101 Independence Avenue,
SE., Washington, DC 20557–6400. A
Service that, on or after July 1, 2004,
shall make digital transmissions and/or
ephemeral phonorecords of sound
recordings under statutory license shall
file a Notice of Use of Sound Recordings
under Statutory License with the
Licensing Division of the Copyright
Office prior to the making of the first
ephemeral phonorecord of the sound
recording and prior to the first digital
transmission of the sound recording.
(e) Amendment. A Service shall file a
new Notice of Use of Sound Recordings
under Statutory License within 45 days
after any of the information contained in
the Notice on file has changed, and shall
indicate in the space provided by the
Copyright Office that the Notice is an
amended filing. The Licensing Division
shall retain copies of all prior Notices
filed by the Service.
§ 370.3 Reports of use of sound
recordings under statutory license for
preexisting subscription services.
(a) General. This section prescribes
the rules for the maintenance and
delivery of reports of use for sound
recordings under section 112(e) or
section 114(d)(2) of title 17 of the
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United States Code, or both, by
preexisting subscription services.
(b) Delivery. Reports of Use shall be
delivered to Collectives that are
identified in the records of the
Licensing Division of the Copyright
Office as having been designated by
determination of the Copyright Royalty
Judges. Reports of Use shall be delivered
on or before the forty-fifth day after the
close of each month.
(c) Posting. In the event that no
Collective is designated under the
statutory license, or if all designated
Collectives have terminated collection
and distribution operations, a
preexisting subscription service
transmitting sound recordings under
statutory license shall post and make
available online its Reports of Use.
Preexisting subscription services shall
post their Reports of Use online on or
before the forty-fifth day after the close
of each month, and continue to make
them available thereafter to all sound
recording copyright owners for a period
of 90 days. Preexisting subscription
services may require use of passwords
for access to posted Reports of Use, but
must make passwords available in a
timely manner and free of charge or
other restrictions. Preexisting
subscription services may predicate
provision of a password upon:
(1) Information relating to identity,
location and status as a sound recording
copyright owner; and
(2) A ‘‘click-wrap’’ agreement not to
use information in the Report of Use for
purposes other than royalty collection,
royalty distribution, and determining
compliance with statutory license
requirements, without the express
consent of the preexisting subscription
service providing the Report of Use.
(d) Content. A ‘‘Report of Use of
Sound Recordings under Statutory
License’’ shall be identified as such by
prominent caption or heading, and shall
include a preexisting subscription
service’s ‘‘Intended Playlists’’ for each
channel and each day of the reported
month. The ‘‘Intended Playlists’’ shall
include a consecutive listing of every
recording scheduled to be transmitted,
and shall contain the following
information in the following order:
(1) The name of the preexisting
subscription service or entity;
(2) The channel;
(3) The sound recording title;
(4) The featured recording artist,
group, or orchestra;
(5) The retail album title (or, in the
case of compilation albums created for
commercial purposes, the name of the
retail album identified by the
preexisting subscription service for
purchase of the sound recording);
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(6) The marketing label of the
commercially available album or other
product on which the sound recording
is found;
(7) The catalog number;
(8) The International Standard
Recording Code (ISRC) embedded in the
sound recording, where available and
feasible;
(9) Where available, the copyright
owner information provided in the
copyright notice on the retail album or
other product (e.g., following the
symbol (P), that is the letter P in a circle)
or, in the case of compilation albums
created for commercial purposes, in the
copyright notice for the individual
sound recording;
(10) The date of transmission; and
(11) The time of transmission.
(e) Signature. Reports of Use shall
include a signed statement by the
appropriate officer or representative of
the preexisting subscription service
attesting, under penalty of perjury, that
the information contained in the Report
is believed to be accurate and is
maintained by the preexisting
subscription service in its ordinary
course of business. The signature shall
be accompanied by the printed or
typewritten name and title of the person
signing the Report, and by the date of
signature.
(f) Format. Reports of Use should be
provided on a standard machinereadable medium, such as diskette,
optical disc, or magneto-optical disc,
and should conform as closely as
possible to the following specifications:
(1) ASCII delimited format, using pipe
characters as delimiter, with no headers
or footers;
(2) Carats should surround strings;
(3) No carats should surround dates
and numbers;
(4) Dates should be indicated by: MM/
DD/YYYY;
(5) Times should be based on a 24hour clock: HH:MM:SS;
(6) A carriage return should be at the
end of each line; and
(7) All data for one record should be
on a single line.
(g) Confidentiality. Copyright owners,
their agents and Collectives shall not
disseminate information in the Reports
of Use to any persons not entitled to it,
nor utilize the information for purposes
other than royalty collection and
distribution, and determining
compliance with statutory license
requirements, without express consent
of the preexisting subscription service
providing the Report of Use.
(h) Documentation. All compulsory
licensees shall, for a period of at least
three years from the date of service or
posting of the Report of Use, keep and
retain a copy of the Report of Use.
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§ 370.4 Reports of use of sound
recordings under statutory license for
nonsubscription transmission services,
preexisting satellite digital audio radio
services, new subscription services and
business establishment services.
(a) General. This section prescribes
rules for the maintenance and delivery
of reports of use of sound recordings
under section 112(e) or section 114(d)(2)
of title 17 of the United States Code, or
both, by nonsubscription transmission
services, preexisting satellite digital
audio radio services, new subscription
services, and business establishment
services.
(b) Definitions. (1) Aggregate Tuning
Hours are the total hours of
programming that a nonsubscription
transmission service, preexisting
satellite digital audio radio service, new
subscription service or business
establishment service has transmitted
during the reporting period identified in
paragraph (d)(3) of this section to all
listeners within the United States over
the relevant channels or stations, and
from any archived programs, that
provide audio programming consisting,
in whole or in part, of eligible
nonsubscription service, preexisting
satellite digital audio radio service, new
subscription service or business
establishment service transmissions,
less the actual running time of any
sound recordings for which the service
has obtained direct licenses apart from
17 U.S.C. 114(d)(2) or which do not
require a license under United States
copyright law. For example, if a
nonsubscription transmission service
transmitted one hour of programming to
10 simultaneous listeners, the
nonsubscription transmission service’s
Aggregate Tuning Hours would equal
10. If 3 minutes of that hour consisted
of transmission of a directly licensed
recording, the nonsubscription
transmission service’s Aggregate Tuning
Hours would equal 9 hours and 30
minutes. If one listener listened to the
transmission of a nonsubscription
transmission service for 10 hours (and
none of the recordings transmitted
during that time was directly licensed),
the nonsubscription transmission
service’s Aggregate Tuning Hours would
equal 10.
(2) An AM/FM Webcast is a
transmission made by an entity that
transmits an AM/FM broadcast signal
over a digital communications network
such as the Internet, regardless of
whether the transmission is made by the
broadcaster that originates the AM/FM
signal or by a third party, provided that
such transmission meets the applicable
requirements of the statutory license set
forth in 17 U.S.C. 114(d)(2).
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(3) A performance is each instance in
which any portion of a sound recording
is publicly performed to a Listener by
means of a digital audio transmission or
retransmission (e.g., the delivery of any
portion of a single track from a compact
disc to one Listener) but excluding the
following:
(i) A performance of a sound
recording that does not require a license
(e.g., the sound recording is not
copyrighted);
(ii) A performance of a sound
recording for which the service has
previously obtained a license from the
Copyright Owner of such sound
recording; and
(iii) An incidental performance that
both:
(A) Makes no more than incidental
use of sound recordings including, but
not limited to, brief musical transitions
in and out of commercials or program
segments, brief performances during
news, talk and sports programming,
brief background performances during
disk jockey announcements, brief
performances during commercials of
sixty seconds or less in duration, or
brief performances during sporting or
other public events and
(B) Other than ambient music that is
background at a public event, does not
contain an entire sound recording and
does not feature a particular sound
recording of more than thirty seconds
(as in the case of a sound recording used
as a theme song).
(4) Play frequency is the number of
times a sound recording is publicly
performed by a Service during the
relevant period, without respect to the
number of listeners receiving the sound
recording. If a particular sound
recording is transmitted to listeners on
a particular channel or program only
once during the reporting period, then
the play frequency is one. If the sound
recording is transmitted 10 times during
the reporting period, then the play
frequency is 10.
(c) Delivery. Reports of Use shall be
delivered to Collectives that are
identified in the records of the
Licensing Division of the Copyright
Office as having been designated by
determination of the Copyright Royalty
Judges. Reports of Use shall be delivered
on or before the forty-fifth day after the
close of each month.
(d) Report of Use. (1) Separate reports
not required. A nonsubscription
transmission service, preexisting
satellite digital audio radio service or a
new subscription service that transmits
sound recordings pursuant to the
statutory license set forth in section
114(d)(2) of title 17 of the United States
Code and makes ephemeral
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phonorecords of sound recordings
pursuant to the statutory license set
forth in section 112(e) of title 17 of the
United States Code need not maintain a
separate Report of Use for each statutory
license during the relevant reporting
periods.
(2) Content. For a nonsubscription
transmission service, preexisting
satellite digital audio radio service, new
subscription service or business
establishment service that transmits
sound recordings pursuant to the
statutory license set forth in section
114(d)(2) of title 17 of the United States
Code, or the statutory license set forth
in section 112(e) of title 17 of the United
States Code, or both, each Report of Use
shall contain the following information,
in the following order, for each sound
recording transmitted during the
reporting periods identified in
paragraph (d)(3) of this section:
(i) The name of the nonsubscription
transmission service, preexisting
satellite digital audio radio service, new
subscription service or business
establishment service making the
transmissions, including the name of
the entity filing the Report of Use, if
different;
(ii) The category transmission code for
the category of transmission operated by
the nonsubscription transmission
service, preexisting satellite digital
audio radio service, new subscription
service or business establishment
service:
(A) For eligible nonsubscription
transmissions other than broadcast
simulcasts and transmissions of nonmusic programming;
(B) For eligible nonsubscription
transmissions of broadcast simulcast
programming not reasonably classified
as news, talk, sports or business
programming;
(C) For eligible nonsubscription
transmissions of non-music
programming reasonably classified as
news, talk, sports or business
programming;
(D) For transmissions other than
broadcast simulcasts and transmissions
of non-music programming made by an
eligible new subscription service;
(E) For transmissions of broadcast
simulcast programming not reasonably
classified as news, talk, sports or
business programming made by an
eligible new subscription service;
(F) For transmissions of non-music
programming reasonably classified as
news, talk, sports or business
programming made by an eligible new
subscription service; and
(G) For eligible transmissions by a
business establishment service making
ephemeral recordings;
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(iii) The featured artist;
(iv) The sound recording title;
(v) The International Standard
Recording Code (ISRC) or, alternatively
to the ISRC, the:
(A) Album title; and
(B) Marketing label;
(vi) For a nonsubcription transmission
service: the actual total performances of
the sound recording during the
reporting period.
(vii) For a preexisting satellite digital
audio radio service, a new subscription
service or a business establishment
service: the actual total performances of
the sound recording during the
reporting period or, alternatively, the:
(A) Aggregate Tuning Hours;
(B) Channel or program name; and
(C) Play frequency.
(3) Reporting period. A Report of Use
shall be prepared for each calendar
quarter of the year.
(4) Signature. Reports of Use shall
include a signed statement by the
appropriate officer or representative of
the service attesting, under penalty of
perjury, that the information contained
in the Report is believed to be accurate
and is maintained by the service in its
ordinary course of business. The
signature shall be accompanied by the
printed or typewritten name and the
title of the person signing the Report,
and by the date of the signature.
(5) Confidentiality. Copyright owners,
their agents and Collectives shall not
disseminate information in the Reports
of Use to any persons not entitled to it,
nor utilize the information for purposes
other than royalty collection and
distribution, without consent of the
service providing the Report of Use.
(6) Documentation. A Service shall,
for a period of at least three years from
the date of service or posting of a Report
of Use, keep and retain a copy of the
Report of Use.
(e) Format and delivery. (1) Electronic
format only. Reports of use must be
maintained and delivered in electronic
format only, as prescribed in paragraphs
(e)(2) through (8) of this section. A hard
copy report of use is not permissible.
(2) ASCII text file delivery; facilitation
by provision of spreadsheet templates.
All report of use data files must be
delivered in ASCII format. However, to
facilitate such delivery, SoundExchange
shall post and maintain on its Internet
Web site a template for creating a report
of use using Microsoft’s Excel
spreadsheet and Corel’s Quattro Pro
spreadsheet and instruction on how to
convert such spreadsheets to ASCII text
files that conform to the format
specifications set forth below. Further,
technical support and cost associated
with the use of spreadsheets is the
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responsibility of the service submitting
the report of use.
(3) Delivery mechanism. The data
contained in a report of use may be
delivered by File Transfer Protocol
(FTP), e-mail, CD–ROM, or floppy
diskette according to the following
specifications:
(i) A service delivering a report of use
via FTP must obtain a username,
password and delivery instructions from
SoundExchange. SoundExchange shall
maintain on a publicly available portion
of its Web site instructions for applying
for a username, password and delivery
instructions. SoundExchange shall have
15 days from date of request to respond
with a username, password and delivery
instructions.
(ii) A service delivering a report of use
via e-mail shall append the report as an
attachment to the e-mail. The main body
of the e-mail shall identify:
(A) The full name and address of the
service;
(B) The contact person’s name,
telephone number and e-mail address;
(C) The start and end date of the
reporting period;
(D) The number of rows in the data
file. If the report of use is a file using
headers, counting of the rows should
begin with row 15. If the report of use
is a file without headers, counting of the
rows should begin with row 1; and
(E) The name of the file attached.
(iii) A service delivering a report of
use via CD–ROM must compress the
reporting data to fit onto a single CD–
ROM per reporting period. Each CD–
ROM shall be submitted with a cover
letter identifying:
(A) The full name and address of the
service;
(B) The contact person’s name,
telephone number and e-mail address;
(C) The start and end date of the
reporting period;
(D) The number of rows in the data
file. If the report of use is a file using
headers, counting of the rows should
begin with row 15. If the report of use
is a file without headers, counting of the
rows should begin with row 1; and
(E) The name of the file attached.
(iv) A service delivering a report of
use via floppy diskette must compress
the reporting data to fit onto a single
floppy diskette per reporting period.
Each floppy diskette must measure 3.5
inches in diameter and be formatted
using MS/DOS. Each floppy diskette
shall be submitted with a cover letter
identifying:
(A) The full name and address of the
service;
(B) The contact person’s name,
telephone number and e-mail address;
(C) The start and end date of the
reporting period;
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16:15 Dec 29, 2008
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(D) The number of rows in the data
file. If the report of use is a file using
headers, counting of the rows should
begin with row 15. If the report of use
is a file without headers, the counting
of the rows should begin with row 1;
and
(E) The name of the file attached.
(4) Delivery address. Reports of use
shall be delivered to SoundExchange at
the following address: SoundExchange,
Inc., 1121 14th Street, NW., Suite 700,
Washington, DC 20005; (Phone) (202)
640–5858; (Facsimile) (202) 640–5859;
(E-mail) info@soundexchange.com.
SoundExchange shall forward electronic
copies of these reports of use to all other
collectives defined in this section.
(5) File naming. Each data file
contained in a report of use must be
given a name by the service followed by
the start and end date of the reporting
period. The start and end date must be
separated by a dash and in the format
of day, month and year (YYYYMMDD).
Each file name must end with the file
type extension of ‘‘.txt’’. (Example:
AcmeMusicCo20050101–20050331.txt).
(6) File type and compression. (i) All
data files must be in ASCII format.
(ii) A report of use must be
compressed in one of the following
zipped formats:
(A) .zip—generated using utilities
such as WinZip and/or UNIX zip
command;
(B) .Z—generated using UNIX
compress command; or
(C) .gz—generated using UNIX gzip
command.
(iii) Zipped files shall be named in the
same fashion as described in paragraph
(e)(5) of this section, except that such
zipped files shall use the applicable file
extension compression name described
in this paragraph (e)(6).
(7) Files with headers. (i) If a service
elects to submit files with headers, the
following elements, in order, must
occupy the first 14 rows of a report of
use:
(A) Name of service;
(B) Name of contact person;
(C) Street address of the service;
(D) City, state and zip code of the
service;
(E) Telephone number of the contact
person;
(F) E-mail address of the contact
person;
(G) Start of the reporting period
(YYYYMMDD);
(H) End of the reporting period
(YYYYMMDD);
(I) Report generation date
(YYYYMMDD);
(J) Number of rows in data file,
beginning with 15th row;
(K) Text indicator character;
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79733
(L) Field delimiter character;
(M) Blank line; and
(N) Report headers (Featured Artist,
Sound Recording Title, etc.).
(ii) Each of the rows described in
paragraphs (e)(7)(i)(A) through (F) of
this section must not exceed 255
alphanumeric characters. Each of the
rows described in paragraphs (e)(7)(i)(G)
through (I) of this section should not
exceed eight alphanumeric characters.
(iii) Data text fields, as required by
paragraph (d) of this section, begin on
row 15 of a report of use with headers.
A carriage return must be at the end of
each row thereafter. Abbreviations
within data fields are not permitted.
(iv) The text indicator character must
be unique and must never be found in
the report’s data content.
(v) The field delimiter character must
be unique and must never be found in
the report’s data content. Delimiters
must be used even when certain
elements are not being reported; in such
case, the service must denote the blank
data field with a delimiter in the order
in which it would have appeared.
(8) Files without headers. If a service
elects to submit files without headers,
the following format requirements must
be met:
(i) ASCII delimited format, using pipe
(|) characters as delimiters, with no
headers or footers;
(ii) Carats (∧) should surround strings;
(iii) No carats (∧) should surround
dates and numbers;
(iv) A carriage return must be at the
end of each line;
(v) All data for one record must be on
a single line; and
(vi) Abbreviations within data fields
are not permitted.
§ 370.5 Designated collection and
distribution organizations for reports of use
of sound recordings under statutory
license.
(a) General. This section prescribes
rules under which reports of use shall
be collected and distributed under
section 114(f) of title 17 of the United
States Code, and under which reports of
such use shall be kept and made
available.
(b) Notice of Designation as Collective
under Statutory License. A Collective
shall file with the Licensing Division of
the Copyright Office and post and make
available online a ‘‘Notice of
Designation as Collective under
Statutory License,’’ which shall be
identified as such by prominent caption
or heading, and shall contain the
following information:
(1) The Collective name, address,
telephone number and facsimile
number;
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(2) A statement that the Collective has
been designated for collection and
distribution of performance royalties
under statutory license for digital
transmission of sound recordings; and
(3) Information on how to gain access
to the online Web site or home page of
the Collective, where information may
be posted under this part concerning the
use of sound recordings under statutory
license. The address of the Licensing
Division is: Library of Congress,
Copyright Office, Licensing Division,
101 Independence Avenue, SE.,
Washington, DC 20557–6400.
(c) Annual Report. The Collective will
post and make available online, for the
duration of one year, an Annual Report
on how the Collective operates, how
royalties are collected and distributed,
and what the Collective spent that fiscal
year on administrative expenses.
(d) Inspection of Reports of Use by
copyright owners. The Collective shall
make copies of the Reports of Use for
the preceding three years available for
inspection by any sound recording
copyright owner, without charge, during
normal office hours upon reasonable
notice. The Collective shall predicate
inspection of Reports of Use upon
information relating to identity, location
and status as a sound recording
copyright owner, and the copyright
owner’s written agreement not to utilize
the information for purposes other than
royalty collection and distribution, and
determining compliance with statutory
license requirements, without express
consent of the Service providing the
Report of Use. The Collective shall
render its best efforts to locate copyright
owners in order to make available
reports of use, and such efforts shall
include searches in Copyright Office
public records and published directories
of sound recording copyright owners.
(e) Confidentiality. Copyright owners,
their agents, and Collectives shall not
disseminate information in the Reports
of Use to any persons not entitled to it,
nor utilize the information for purposes
other than royalty collection and
distribution, and determining
compliance with statutory license
requirements, without express consent
of the Service providing the Report of
Use.
(f) Termination and dissolution. If a
Collective terminates its collection and
distribution operations prior to the close
of its term of designation, the Collective
shall notify the Licensing Division of
the Copyright Office, the Copyright
Royalty Board and all Services
transmitting sound recordings under
statutory license, by certified or
registered mail. The dissolving
Collective shall provide each such
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Jkt 217001
Service with information identifying the
copyright owners it has served.
Dated: December 23, 2008.
Stanley C. Wisniewski,
Copyright Royalty Judge.
[FR Doc. E8–30976 Filed 12–29–08; 8:45 am]
BILLING CODE 1410–72–P
POSTAL SERVICE
39 CFR Parts 233, 261, 262, 263, 264,
265, and 266
Freedom of Information Act
Postal ServiceTM.
ACTION: Proposed rule.
AGENCY:
SUMMARY: The Postal Service proposes
to amend its regulations relating to
records and information management.
The proposed revisions contain, in part,
new provisions to comply with
Executive Order (EO) 13,392, entitled
‘‘Improving Agency Disclosure of
Information.’’
DATES: Comments must be received by
January 29, 2009.
ADDRESS: Comments may be mailed or
delivered to the Manager, Records
Office, U. S. Postal Service, 475 L’Enfant
Plaza, SW., Room 5821, Washington, DC
20260. Copies of all written comments
will be available at this address for
public inspection and photocopying
between 8 a.m. and 4 p.m., Monday
through Friday.
FOR FURTHER INFORMATION CONTACT: Jane
Eyre, Manager, Records Office, 202–
268–2608.
SUPPLEMENTARY INFORMATION: The Postal
Service is proposing to remove § 233.3
(h)(4) from Title 39 Code of Federal
Regulations. The current regulation
provides an 8-year retention period for
files and records pertaining to mail
covers. The Postal Service proposes to
remove § 233.3(h)(4) because the
retention periods for files and records
are already in the records retention
schedule for the Postal Service.
Furthermore, USPS System of Records
700.100—Mail Cover Program Records,
contains procedures for record storage,
retrieval, safeguards, and disposal of
mail cover records and information.
Records and Information Management
(Parts 261–264)
The Postal Service proposes to revise
parts 261–264 concerning Postal Service
records and information management
for administrative purposes, to clarify
existing text, and to update and add
definitions.
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Release of Information (Part 265)
The Postal Service proposes to revise
part 265, release of information, for
administrative purposes, to clarify
existing text, and to comply with
provisions of EO 13,392. The EO
requires, in part, that the Postal Service
name a chief Freedom of Information
Act officer, establish one or more
requester service center(s), and name
public liaisons. The Postal Service also
made changes to update computer
search fees incurred in processing
records requests. We amended the
computer search fees to reflect changes
in the actual direct cost of retrieval,
including computer search time and
personnel costs. Computer search fees
are subject to periodic revision, and
have not been updated since September
2003. The new computer search fees are
based on current industry standards and
Postal Service salary schedules.
Privacy Information (Part 266)
The Postal Service proposes to revise
part 266, privacy of information, for
administrative purposes, to clarify
existing text, and to update definitions.
List of Subjects
39 CFR Part 233
Administrative practice and
procedure, Banks, Banking, Credit,
Crime, Infants and children, Law
enforcement, Penalties, Privacy,
Seizures and forfeitures.
39 CFR Part 261
Archives and records.
39 CFR Parts 262 and 263
Archives and records.
39 CFR Part 264
Archives and records, Security
measures.
39 CFR Part 265
Administrative practice and
procedure, Courts, Freedom of
information, Government employees.
39 CFR Part 266
Privacy.
For the reasons stated in the
preamble, the Postal Service proposes to
amend 39 CFR chapter I as follows:
PART 233—INSPECTION SERVICE
AUTHORITY
1. The authority citation for part 233
continues to read:
Authority: 39 U.S.C. 101, 102, 202, 204,
401, 402, 403, 404, 406, 410, 411, 1003,
3005(e)(1); 12 U.S.C. 3401–3422; 18 U.S.C.
981, 1956, 1957, 2254, 3061; 21 U.S.C. 881;
Omnibus Budget Reconciliation Act of 1996,
sec. 662 (Pub. L. No. 104–208).
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Agencies
[Federal Register Volume 73, Number 250 (Tuesday, December 30, 2008)]
[Proposed Rules]
[Pages 79727-79734]
From the Federal Register Online via the Government Printing Office [www.gpo.gov]
[FR Doc No: E8-30976]
=======================================================================
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LIBRARY OF CONGRESS
Copyright Royalty Board
37 CFR Part 370
[Docket No. RM 2008-7]
Notice and Recordkeeping for Use of Sound Recordings Under
Statutory License
AGENCY: Copyright Royalty Board, Library of Congress.
ACTION: Notice of proposed rulemaking.
-----------------------------------------------------------------------
SUMMARY: The Copyright Royalty Judges, on behalf of the Copyright
Royalty Board, are proposing to revise its interim regulations for
filing notice of use and the delivery of records of use of sound
recordings under two statutory licenses of the Copyright Act.
DATES: Comments are due no later than January 29, 2009.
ADDRESSES: Comments may be sent electronically to crb@loc.gov. In the
alternative, send an original, five copies, and an electronic copy on a
CD either by mail or hand delivery. Please do not use multiple means of
transmission. Comments may not be delivered by an overnight delivery
service other than the U.S. Postal Service Express Mail. If by mail
(including overnight delivery), comments must be addressed to:
Copyright Royalty Board, P.O. Box 70977, Washington, DC 20024-0977. If
hand delivered by a private party, comments must be brought to the
Copyright Office Public Information Office, Library of Congress, James
Madison Memorial Building, Room LM-401, 101 Independence Avenue, SE.,
Washington, DC 20559-6000. If delivered by a commercial courier,
comments must be delivered between 8:30 a.m. and 4 p.m. to the
Congressional Courier Acceptance Site located at 2nd and D Street, NE.,
Washington, DC, and the envelope must be addressed to: Copyright
Royalty Board, Library of Congress, James Madison Memorial Building,
LM-403, 101 Independence Avenue, SE., Washington, DC 20559-6000.
FOR FURTHER INFORMATION CONTACT: Richard Strasser, Senior Attorney, or
Gina Giuffreda, Attorney Advisor, by telephone at (202) 707-7658 or e-
mail at crb@loc.gov.
SUPPLEMENTARY INFORMATION: On October 6, 2006, the Copyright Royalty
Judges (``Judges''), on behalf of the Copyright Royalty Board
(``Board''), issued interim regulations published in the Federal
Register for the delivery and format of reports of use of sound
recordings for the statutory licenses set forth in sections 112 and 114
of the Copyright Act, title 17 of the United States Code. 71 FR 59010.
As part of the Judges' continuing oversight of regulations governing
notice of use and the delivery of records of use of sound recordings
under these two statutory licenses, we herewith propose such final
regulations.
I. Overview
Digital audio services transmit performances of copyrighted sound
recordings of music to the users of those services. In order to
transmit these performances, however, a digital audio service must
license the copyrights to each musical work, as well as the sound
recording of the musical work.\1\ With respect to the copyright in the
sound recording, the digital audio service may seek to obtain a
licensing agreement directly with the copyright owner or, if it is an
eligible service,\2\ may choose to license use of the sound recording
through statutory licenses set forth in the Copyright Act. There are
two such licenses that enable an eligible digital audio service to
perform a copyrighted sound recording for its listeners: section 114
and section 112 of the Copyright Act. Section 114 permits an eligible
digital audio service to perform copyrighted sound recordings to its
listeners, provided that the terms and conditions set forth in section
114, including the payment of a royalty fee, are met. Section 112
permits an eligible digital audio service to make the digital copies of
a sound recording that are necessary to transmit a sound recording to
listeners, provided again that the terms and conditions set forth in
section 112, including the payment of a royalty fee, are met.
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\1\ Recorded music typically involves two separate copyrights.
There is a copyright for the song itself--the lyrics and the music--
and there is a separate copyright for the sound recording of the
music. The copyright to the musical work typically belongs to the
songwriter and/or his or her music publisher, and the copyright to
the sound recording is typically owned by the record company that
recorded it.
\2\ These services include preexisting subscription services,
preexisting satellite digital audio radio services, business
establishment services, nonsubscription services and new
subscription services.
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The royalty fees collected under the two statutory licenses are
paid to a central source known as a Collective. See 37 CFR 370. Before
the Collective,\3\ or other agents designated to receive royalties from
the Collective, can make a royalty payment to an individual
[[Page 79728]]
copyright owner, they must know the use the eligible digital audio
service has made of the sound recording. To obtain this information,
both section 112 and section 114 direct the Judges to prescribe
regulations that identify the use of copyrighted sound recordings, as
well as provide copyright owners with notice that a particular eligible
digital audio service is making use of the section 112 and/or 114
license. See 17 U.S.C. 112(e)(4) and 114(f)(4)(A).
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\3\ SoundExchange, Inc., originally created by the Recording
Industry Association of America, Inc. on behalf of its member
companies, is currently the Collective for receiving both section
112 and 114 royalties.
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Interim regulations setting forth the filing requirements for
notice of use, the types of information that constitute a record of use
of a particular sound recording, the format of the record of use data
and the acceptable means of delivering such use data to the Collective,
have already been adopted. 71 FR 59010 (October 6, 2006). However, the
Judges, as part of their continuing oversight of these regulations,
have identified certain portions of the regulations that are obsolete
as well as other portions that are duplicative. Obsolete provisions are
proposed to be eliminated. Definitions previously duplicated in the
various sections of these regulations are proposed to be gathered into
a new single definition section applicable throughout this Part unless
otherwise indicated within a specific section.
Effectively, the Judges propose only one substantial change--to
expand the reporting period to implement census reporting. In addition,
as indicated herein below, the Judges also welcome comments on
technological developments that may imply the need for further
adjustment of the rules either in terms of the method of reporting
specific data elements or with respect to the delivery mechanism
employed for reporting.
As with the interim regulations adopted in 2006, the final
regulations proposed in this document represent baseline requirements.
In other words, digital audio services are free to negotiate other
formats and technical standards for data maintenance and delivery and
may use those in lieu of regulations adopted by the Judges, upon
agreement with the Collective. We have no intention of codifying these
negotiated variances in the future unless and until they come into such
standardized use as to supersede the existing regulations.
II. General Definitions
As the regulations governing reports of use covering different
services have evolved over time and resulted in somewhat different
reporting requirements for the different services, several separate
sections of the interim regulations are devoted to one or more of the
various services. Yet at the same time, certain basic definitions share
a common meaning across these various sections. The Judges have
identified nine common terms that are currently defined in different
definition subsections within the current interim regulations. These
terms include: (1) Notice of Use, (2) Service, (3) Preexisting
Subscription Service, (4) New Subscription Service, (5) Nonsubscription
Transmission Service, (6) Preexisting Satellite Digital Audio Radio
Service, (7) Business Establishment Service, (8) Collective and (9)
Report of Use. In the interest of administrative efficiency, the Judges
propose a new Sec. 370.1, General Definitions, to provide definitions
for these nine terms that will apply generally throughout Part 370,
unless otherwise specifically indicated. To that end, duplicative
definitions of these nine common terms that currently appear in other
sections of this Part are proposed to be removed. In addition to the
efficiency gains this proposed change would bring for users of these
regulations, it is anticipated that the identification of such common
terminology will also encourage their usage among services and
collectives in their negotiations and, thus, facilitate the negotiation
process over rates and terms.
III. Obsolete Provisions
On November 30, 2004, the President signed into law the Copyright
Royalty and Distribution Reform Act of 2004 (``Reform Act''), Public
Law 108-419, 118 Stat. 2341. The Reform Act, among other things,
transferred the authority for prescribing notice and recordkeeping
regulations for sections 112 and 114 from the Librarian of Congress
(``Librarian'') and the Copyright Office to the Judges. The Reform Act
went into effect on May 31, 2005, just after the Copyright Office
published a Notice of Proposed Rulemaking on April 27, 2005 proposing
regulations for the format and delivery of reports of use. 70 FR 21704.
As notice and recordkeeping rulemaking authority passed to the Judges
under the Reform Act, the subsequent interim regulation was issued
under their authority. However, the interim regulation on notice of use
and recordkeeping retained a rule identical to the one adopted by the
Copyright Office addressing reports of use under the section 112 and
114 licenses for the period October 28, 1998 through March 31, 2004.
Similarly, the interim regulation retained requirements for reporting
certain category transmission codes for certain services relevant to
noncommercial and small commercial webcasters reporting for 2003 and
2004 pursuant to the Small Webcaster Settlement Act of 2002, Public Law
107-321, 116 Stat. 2780.
In adopting the current interim regulation on October 6, 2006, the
Judges indicated that even though jurisdiction for adopting notice and
recordkeeping rules as of that date lay solely with the Judges, it was
not their intention in the interim regulation to revisit the rules the
Librarian and Copyright Office adopted, and further, that the Judges
would replicate the notice and recordkeeping provisions then located in
Part 270 of the Copyright Office's regulations in the interest of
placing all regulations related to notice and recordkeeping under the
section 112 and 114 licenses within the same part number in the CFR.\4\
However, the Judges indicated they would monitor the operation of those
regulations and request public comment in the future as to the need for
amendment or improvement prior to adopting final regulations.
---------------------------------------------------------------------------
\4\ It should be noted, however, that the Copyright Office has
not repealed its similar Part 270 regulations.
---------------------------------------------------------------------------
Because the prior Copyright Office final rule addressing reports of
use under the section 112 and 114 licenses for the period October 28,
1998 through March 31, 2004 has been superseded for subsequent periods
by the current interim regulation, the Judges propose the deletion of
all references to this prior period reporting requirement. Similarly,
inasmuch as the requirements for reporting certain category
transmission codes for certain services (i.e., noncommercial and small
commercial webcasters reporting for 2003 and 2004 pursuant to the
provisions of the Small Webcaster Settlement Act of 2002) have expired
by their terms, the Judges propose the deletion of the requirement for
reporting such category transmission codes information.
IV. Reports of Use Content and Reporting Period; Census Reporting
Currently, services must provide the total number of performances
of each sound recording during the relevant reporting period. However,
the relevant reporting period is limited to two periods of seven
consecutive days for each calendar quarter of the year. This results in
an estimate of the use of a sound recording rather than a report of
actual use. The failure to report the full actual number of
performances of a sound recording is at odds with the purpose of the
recordkeeping
[[Page 79729]]
requirement to the extent that, as a result, many sound recordings are
under-compensated or not compensated at all from the section 114 and
112 royalties. On the other hand, where it is not possible to
technologically obtain the necessary listenership data, some reasonable
alternative means of estimating total actual performances should be
available to the reporting services.
When the Copyright Office adopted interim regulations in 2004
during an earlier phase of the recordkeeping rulemaking process (prior
to transfer of recordkeeping rulemaking authority to the Judges), the
Copyright Office determined it was advisable to phase in the new
reporting process by requiring periodic reporting of sound recording
performances rather than year-round census reporting. However, in doing
so, the Copyright Office announced that: ``Once final regulations are
implemented, year-round census reporting is likely to be the standard
measure rather than the periodic reporting that will now be permitted
on an interim basis.'' 69 FR 11526 (March 11, 2004). Given that ample
time has passed since the adoption of the new reporting requirements to
facilitate familiarity with the methods of acquiring and keeping the
necessary data for compliance, the Judges propose to adopt year-round
census reporting at this time. For nonsubscription services, such
census reporting requires full reporting of the actual total
performances of the sound recording for each calendar quarter of the
year.\5\ To the extent that technological impediments to measuring
actual listenership continue to hamper actual listenership measurement
with respect to each sound recording for preexisting satellite digital
audio radio services, new subscription services or business
establishment services, the alternative of census reporting by means of
a construct utilizing aggregate tuning hours \6\ is maintained for such
services.\7\
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\5\ In other words, the proposed rule eliminates the aggregate
tuning hours approach to reporting previously available to
nonsubscription services. It should be noted that the aggregate
tuning hours payment alternative to the per performance rate
available to certain webcasters was phased out as of the end of the
2007 calendar year. Digital Performance Right in Sound Recordings
and Ephemeral Recordings, Final rule, 72 FR 24096 n.33 (May 1,
2007).
\6\ This alternative requires an estimate of census reporting by
means of reporting the following data for each calendar quarter:
Aggregate tuning hours, channel or program name and play frequency.
\7\ It should be noted that in the recent preexisting satellite
digital audio radio service (``SDARS'') ratemaking proceeding, the
collective (SoundExchange) requested that the recordkeeping
regulations be amended to require census reporting and the services
did not object to census reporting in general so long as the current
reporting exceptions in Sec. 370.3(b)(8)(i)-(iii) were retained.
Determination of Rates and Terms for Preexisting Subscription
Services and Satellite Digital Audio Radio Services, Final rule and
Order, 73 FR 4101 (January 24, 2008). The Judges' proposed
recordkeeping rule retains those exceptions. See proposed Sec.
370.4(b)(3)(i)-(iii).
---------------------------------------------------------------------------
V. Requests for Further Information
The organization and format in which recordkeeping data is to be
maintained for delivery to collectives has been the subject of
considerable disagreement between copyright owners and users over the
years. While we have no desire to revisit the same disagreements that
the parties have previously commented on at length, we are interested
in determining if further improvements to the reporting regulations can
be made in light of recent technological developments, newly available
software or substantially reduced costs for certain delivery mechanism
alternatives. In particular, we are interested in answers to several
specific factual questions.
A. Spreadsheets and Other Commercially Available Software for
Completing Reports of Use
Although the NPRM only addresses commercially available
spreadsheets as a means of creating records of use, the Board is
interested in knowing what, if any, software has become commercially
available since the promulgation of the interim regulation that could
be used to compile records of use.
Questions:
What, if any, commercially available software has become available
since the promulgation of the interim regulation in 2006 that could be
used to compile records of use? Would such software produce records of
use that are format compatible with SoundExchange's data processing
system? What are the costs associated with such software?
B. Report Delivery
SoundExchange supports four methods of delivery for electronic data
files: File Transfer Protocol (``FTP''); electronic mail attachment;
CD-ROM delivery; and floppy diskette delivery. Each of these delivery
methods has specific requirements (examples: CD-ROM delivery must
compress the reporting data to fit onto a single CD-ROM per reporting
period; FTP delivery requires securing username and password; floppy
diskettes must measure 3.5 inches in diameter). SoundExchange has
previously opposed allowing delivery of records of use to a Web site,
citing unspecified cost and security concerns. See 70 FR 21704, 21707
(April 27, 2005).
Questions:
Have technological developments or software improvements reduced
the average estimated costs of creating and maintaining a Web site for
receipt of records of use since the interim regulation was promulgated
in 2006? Have data security methods improved since the promulgation of
the interim regulation such that maintaining a Web site for receipt of
records of use is now subject only to the same general level of risks
as other methods of electronic delivery? What are the current security
concerns and how may they be addressed? Is there now commercially
available software that could facilitate the electronic delivery of
reports of use to a Web site and, if so, would the benefits of such
software justify its costs? Is it more efficient for the Collective to
develop a system to report and deliver the records of use and make that
system available to the Services?
In addition to the particular technical questions presented above,
interested persons are also encouraged to supply their views on the
following questions of a more general nature.
Questions:
What further improvements to the reporting regulations can be made
in light of recent technological developments, newly available software
or substantially reduced costs for certain delivery mechanism
alternatives since the promulgation of the interim regulation? To what
extent are such improvements currently being utilized in negotiated
agreements between services and SoundExchange?
List of Subjects in 37 CFR Part 370
Copyright, Sound recordings.
Proposed Regulations
For the reasons set forth in the preamble, the Copyright Royalty
Judges propose to revise 37 CFR Part 370 to read as follows:
PART 370--NOTICE AND RECORDKEEPING REQUIREMENTS FOR STATUTORY
LICENSES
Sec.
370.1 General definitions.
370.2 Notice of use of sound recordings under statutory license.
370.3 Reports of use of sound recordings under statutory license for
preexisting subscription services.
370.4 Reports of use of sound recordings under statutory license for
nonsubscription transmission services, preexisting satellite digital
audio radio
[[Page 79730]]
services, new subscription services and business establishment
services.
370.5 Designated collection and distribution organizations for
reports of use of sound recordings under statutory license.
Authority: 17 U.S.C. 112(e)(4), 114(f)(4)(A).
Sec. 370.1 General definitions.
For purposes of this part, the following definitions apply:
(a) A Notice of Use of Sound Recordings Under Statutory License is
a written notice to sound recording copyright owners of the use of
their works under section 112(e) or 114(d)(2) of title 17, United
States Code, or both, and is required under this part to be filed by a
Service in the Copyright Office.
(b) A Service is an entity engaged in either the digital
transmission of sound recordings pursuant to section 114(d)(2) of title
17 of the United States Code or making ephemeral phonorecords of sound
recordings pursuant to section 112(e) of title 17 of the United States
Code or both. The definition of a Service includes an entity that
transmits an AM/FM broadcast signal over a digital communications
network such as the Internet, regardless of whether the transmission is
made by the broadcaster that originates the AM/FM signal or by a third
party, provided that such transmission meets the applicable
requirements of the statutory license set forth in 17 U.S.C. 114(d)(2).
A Service may be further characterized as either a preexisting
subscription service, preexisting satellite digital audio radio
service, nonsubscription transmission service, new subscription
service, business establishment service or a combination of those.
(c) A Preexisting Subscription Service is defined in 17 U.S.C.
114(j)(11).
(d) A New Subscription Service is defined in 17 U.S.C. 114(j)(8).
(e) A Nonsubscription Transmission Service is a service that makes
noninteractive nonsubscription digital audio transmissions that are not
exempt under section 114(d)(1) of title 17 of the United States Code
and are made as part of a service that provides audio programming
consisting, in whole or in part, of performances of sound recordings,
including transmissions of broadcast transmissions, if the primary
purpose of the service is to provide to the public such audio or other
entertainment programming, and the primary purpose of the service is
not to sell, advertise, or promote particular products or services
other than sound recordings, live concerts, or other music-related
events.
(f) A Preexisting Satellite Digital Audio Radio Service is defined
in 17 U.S.C. 114(j)(10).
(g) A Business Establishment Service is a service that makes
ephemeral phonorecords of sound recordings pursuant to section 112(e)
of title 17 of the United States Code and is exempt under section
114(d)(1)(C)(iv) of title 17 of the United States Code.
(h) A Collective is a collection and distribution organization that
is designated under one or both of the statutory licenses by
determination of the Copyright Royalty Judges.
(i) A Report of Use is a report required to be provided by a
Service that is transmitting sound recordings pursuant to the statutory
license set forth in section 114(d)(2) of title 17 of the United States
Code or making ephemeral phonorecords of sound recordings pursuant to
the statutory license set forth in section 112(e) of title 17 of the
United States Code, or both.
Sec. 370.2 Notice of use of sound recordings under statutory license.
(a) General. This section prescribes rules under which copyright
owners shall receive notice of use of their sound recordings when used
under either section 112(e) or 114(d)(2) of title 17, United States
Code, or both.
(b) Forms and content. A Notice of Use of Sound Recordings Under
Statutory License shall be prepared on a form that may be obtained from
the Copyright Office Web site or from the Licensing Division, and shall
include the following information:
(1) The full legal name of the Service that is either commencing
digital transmissions of sound recordings or making ephemeral
phonorecords of sound recordings under statutory license or doing both.
(2) The full address, including a specific number and street name
or rural route, of the place of business of the Service. A post office
box or similar designation will not be sufficient except where it is
the only address that can be used in that geographic location.
(3) The telephone number and facsimile number of the Service.
(4) Information on how to gain access to the online Web site or
homepage of the Service, or where information may be posted under this
section concerning the use of sound recordings under statutory license.
(5) Identification of each license under which the Service intends
to operate, including identification of each of the following
categories under which the Service will be making digital transmissions
of sound recordings: preexisting subscription service, preexisting
satellite digital audio radio service, nonsubscription transmission
service, new subscription service or business establishment service.
(6) The date or expected date of the initial digital transmission
of a sound recording to be made under the section 114 statutory license
and/or the date or the expected date of the initial use of the section
112(e) license for the purpose of making ephemeral phonorecords of the
sound recordings.
(7) Identification of any amendments required by paragraph (e) of
this section.
(c) Signature. The Notice shall include the signature of the
appropriate officer or representative of the Service that is either
transmitting the sound recordings or making ephemeral phonorecords of
sound recordings under statutory license or doing both. The signature
shall be accompanied by the printed or typewritten name and the title
of the person signing the Notice and by the date of the signature.
(d) Filing notices; fees. The original and three copies shall be
filed with the Licensing Division of the Copyright Office and shall be
accompanied by the filing fee set forth in Sec. 201.3(c) of this
title. Notices shall be placed in the public records of the Licensing
Division. The Notice and filing fee shall be sent to the Licensing
Division at either the address listed on the form obtained from the
Copyright Office or to: Library of Congress, Copyright Office,
Licensing Division, 101 Independence Avenue, SE., Washington, DC 20557-
6400. A Service that, on or after July 1, 2004, shall make digital
transmissions and/or ephemeral phonorecords of sound recordings under
statutory license shall file a Notice of Use of Sound Recordings under
Statutory License with the Licensing Division of the Copyright Office
prior to the making of the first ephemeral phonorecord of the sound
recording and prior to the first digital transmission of the sound
recording.
(e) Amendment. A Service shall file a new Notice of Use of Sound
Recordings under Statutory License within 45 days after any of the
information contained in the Notice on file has changed, and shall
indicate in the space provided by the Copyright Office that the Notice
is an amended filing. The Licensing Division shall retain copies of all
prior Notices filed by the Service.
Sec. 370.3 Reports of use of sound recordings under statutory license
for preexisting subscription services.
(a) General. This section prescribes the rules for the maintenance
and delivery of reports of use for sound recordings under section
112(e) or section 114(d)(2) of title 17 of the
[[Page 79731]]
United States Code, or both, by preexisting subscription services.
(b) Delivery. Reports of Use shall be delivered to Collectives that
are identified in the records of the Licensing Division of the
Copyright Office as having been designated by determination of the
Copyright Royalty Judges. Reports of Use shall be delivered on or
before the forty-fifth day after the close of each month.
(c) Posting. In the event that no Collective is designated under
the statutory license, or if all designated Collectives have terminated
collection and distribution operations, a preexisting subscription
service transmitting sound recordings under statutory license shall
post and make available online its Reports of Use. Preexisting
subscription services shall post their Reports of Use online on or
before the forty-fifth day after the close of each month, and continue
to make them available thereafter to all sound recording copyright
owners for a period of 90 days. Preexisting subscription services may
require use of passwords for access to posted Reports of Use, but must
make passwords available in a timely manner and free of charge or other
restrictions. Preexisting subscription services may predicate provision
of a password upon:
(1) Information relating to identity, location and status as a
sound recording copyright owner; and
(2) A ``click-wrap'' agreement not to use information in the Report
of Use for purposes other than royalty collection, royalty
distribution, and determining compliance with statutory license
requirements, without the express consent of the preexisting
subscription service providing the Report of Use.
(d) Content. A ``Report of Use of Sound Recordings under Statutory
License'' shall be identified as such by prominent caption or heading,
and shall include a preexisting subscription service's ``Intended
Playlists'' for each channel and each day of the reported month. The
``Intended Playlists'' shall include a consecutive listing of every
recording scheduled to be transmitted, and shall contain the following
information in the following order:
(1) The name of the preexisting subscription service or entity;
(2) The channel;
(3) The sound recording title;
(4) The featured recording artist, group, or orchestra;
(5) The retail album title (or, in the case of compilation albums
created for commercial purposes, the name of the retail album
identified by the preexisting subscription service for purchase of the
sound recording);
(6) The marketing label of the commercially available album or
other product on which the sound recording is found;
(7) The catalog number;
(8) The International Standard Recording Code (ISRC) embedded in
the sound recording, where available and feasible;
(9) Where available, the copyright owner information provided in
the copyright notice on the retail album or other product (e.g.,
following the symbol (P), that is the letter P in a circle) or, in the
case of compilation albums created for commercial purposes, in the
copyright notice for the individual sound recording;
(10) The date of transmission; and
(11) The time of transmission.
(e) Signature. Reports of Use shall include a signed statement by
the appropriate officer or representative of the preexisting
subscription service attesting, under penalty of perjury, that the
information contained in the Report is believed to be accurate and is
maintained by the preexisting subscription service in its ordinary
course of business. The signature shall be accompanied by the printed
or typewritten name and title of the person signing the Report, and by
the date of signature.
(f) Format. Reports of Use should be provided on a standard
machine-readable medium, such as diskette, optical disc, or magneto-
optical disc, and should conform as closely as possible to the
following specifications:
(1) ASCII delimited format, using pipe characters as delimiter,
with no headers or footers;
(2) Carats should surround strings;
(3) No carats should surround dates and numbers;
(4) Dates should be indicated by: MM/DD/YYYY;
(5) Times should be based on a 24-hour clock: HH:MM:SS;
(6) A carriage return should be at the end of each line; and
(7) All data for one record should be on a single line.
(g) Confidentiality. Copyright owners, their agents and Collectives
shall not disseminate information in the Reports of Use to any persons
not entitled to it, nor utilize the information for purposes other than
royalty collection and distribution, and determining compliance with
statutory license requirements, without express consent of the
preexisting subscription service providing the Report of Use.
(h) Documentation. All compulsory licensees shall, for a period of
at least three years from the date of service or posting of the Report
of Use, keep and retain a copy of the Report of Use.
Sec. 370.4 Reports of use of sound recordings under statutory license
for nonsubscription transmission services, preexisting satellite
digital audio radio services, new subscription services and business
establishment services.
(a) General. This section prescribes rules for the maintenance and
delivery of reports of use of sound recordings under section 112(e) or
section 114(d)(2) of title 17 of the United States Code, or both, by
nonsubscription transmission services, preexisting satellite digital
audio radio services, new subscription services, and business
establishment services.
(b) Definitions. (1) Aggregate Tuning Hours are the total hours of
programming that a nonsubscription transmission service, preexisting
satellite digital audio radio service, new subscription service or
business establishment service has transmitted during the reporting
period identified in paragraph (d)(3) of this section to all listeners
within the United States over the relevant channels or stations, and
from any archived programs, that provide audio programming consisting,
in whole or in part, of eligible nonsubscription service, preexisting
satellite digital audio radio service, new subscription service or
business establishment service transmissions, less the actual running
time of any sound recordings for which the service has obtained direct
licenses apart from 17 U.S.C. 114(d)(2) or which do not require a
license under United States copyright law. For example, if a
nonsubscription transmission service transmitted one hour of
programming to 10 simultaneous listeners, the nonsubscription
transmission service's Aggregate Tuning Hours would equal 10. If 3
minutes of that hour consisted of transmission of a directly licensed
recording, the nonsubscription transmission service's Aggregate Tuning
Hours would equal 9 hours and 30 minutes. If one listener listened to
the transmission of a nonsubscription transmission service for 10 hours
(and none of the recordings transmitted during that time was directly
licensed), the nonsubscription transmission service's Aggregate Tuning
Hours would equal 10.
(2) An AM/FM Webcast is a transmission made by an entity that
transmits an AM/FM broadcast signal over a digital communications
network such as the Internet, regardless of whether the transmission is
made by the broadcaster that originates the AM/FM signal or by a third
party, provided that such transmission meets the applicable
requirements of the statutory license set forth in 17 U.S.C. 114(d)(2).
[[Page 79732]]
(3) A performance is each instance in which any portion of a sound
recording is publicly performed to a Listener by means of a digital
audio transmission or retransmission (e.g., the delivery of any portion
of a single track from a compact disc to one Listener) but excluding
the following:
(i) A performance of a sound recording that does not require a
license (e.g., the sound recording is not copyrighted);
(ii) A performance of a sound recording for which the service has
previously obtained a license from the Copyright Owner of such sound
recording; and
(iii) An incidental performance that both:
(A) Makes no more than incidental use of sound recordings
including, but not limited to, brief musical transitions in and out of
commercials or program segments, brief performances during news, talk
and sports programming, brief background performances during disk
jockey announcements, brief performances during commercials of sixty
seconds or less in duration, or brief performances during sporting or
other public events and
(B) Other than ambient music that is background at a public event,
does not contain an entire sound recording and does not feature a
particular sound recording of more than thirty seconds (as in the case
of a sound recording used as a theme song).
(4) Play frequency is the number of times a sound recording is
publicly performed by a Service during the relevant period, without
respect to the number of listeners receiving the sound recording. If a
particular sound recording is transmitted to listeners on a particular
channel or program only once during the reporting period, then the play
frequency is one. If the sound recording is transmitted 10 times during
the reporting period, then the play frequency is 10.
(c) Delivery. Reports of Use shall be delivered to Collectives that
are identified in the records of the Licensing Division of the
Copyright Office as having been designated by determination of the
Copyright Royalty Judges. Reports of Use shall be delivered on or
before the forty-fifth day after the close of each month.
(d) Report of Use. (1) Separate reports not required. A
nonsubscription transmission service, preexisting satellite digital
audio radio service or a new subscription service that transmits sound
recordings pursuant to the statutory license set forth in section
114(d)(2) of title 17 of the United States Code and makes ephemeral
phonorecords of sound recordings pursuant to the statutory license set
forth in section 112(e) of title 17 of the United States Code need not
maintain a separate Report of Use for each statutory license during the
relevant reporting periods.
(2) Content. For a nonsubscription transmission service,
preexisting satellite digital audio radio service, new subscription
service or business establishment service that transmits sound
recordings pursuant to the statutory license set forth in section
114(d)(2) of title 17 of the United States Code, or the statutory
license set forth in section 112(e) of title 17 of the United States
Code, or both, each Report of Use shall contain the following
information, in the following order, for each sound recording
transmitted during the reporting periods identified in paragraph (d)(3)
of this section:
(i) The name of the nonsubscription transmission service,
preexisting satellite digital audio radio service, new subscription
service or business establishment service making the transmissions,
including the name of the entity filing the Report of Use, if
different;
(ii) The category transmission code for the category of
transmission operated by the nonsubscription transmission service,
preexisting satellite digital audio radio service, new subscription
service or business establishment service:
(A) For eligible nonsubscription transmissions other than broadcast
simulcasts and transmissions of non-music programming;
(B) For eligible nonsubscription transmissions of broadcast
simulcast programming not reasonably classified as news, talk, sports
or business programming;
(C) For eligible nonsubscription transmissions of non-music
programming reasonably classified as news, talk, sports or business
programming;
(D) For transmissions other than broadcast simulcasts and
transmissions of non-music programming made by an eligible new
subscription service;
(E) For transmissions of broadcast simulcast programming not
reasonably classified as news, talk, sports or business programming
made by an eligible new subscription service;
(F) For transmissions of non-music programming reasonably
classified as news, talk, sports or business programming made by an
eligible new subscription service; and
(G) For eligible transmissions by a business establishment service
making ephemeral recordings;
(iii) The featured artist;
(iv) The sound recording title;
(v) The International Standard Recording Code (ISRC) or,
alternatively to the ISRC, the:
(A) Album title; and
(B) Marketing label;
(vi) For a nonsubcription transmission service: the actual total
performances of the sound recording during the reporting period.
(vii) For a preexisting satellite digital audio radio service, a
new subscription service or a business establishment service: the
actual total performances of the sound recording during the reporting
period or, alternatively, the:
(A) Aggregate Tuning Hours;
(B) Channel or program name; and
(C) Play frequency.
(3) Reporting period. A Report of Use shall be prepared for each
calendar quarter of the year.
(4) Signature. Reports of Use shall include a signed statement by
the appropriate officer or representative of the service attesting,
under penalty of perjury, that the information contained in the Report
is believed to be accurate and is maintained by the service in its
ordinary course of business. The signature shall be accompanied by the
printed or typewritten name and the title of the person signing the
Report, and by the date of the signature.
(5) Confidentiality. Copyright owners, their agents and Collectives
shall not disseminate information in the Reports of Use to any persons
not entitled to it, nor utilize the information for purposes other than
royalty collection and distribution, without consent of the service
providing the Report of Use.
(6) Documentation. A Service shall, for a period of at least three
years from the date of service or posting of a Report of Use, keep and
retain a copy of the Report of Use.
(e) Format and delivery. (1) Electronic format only. Reports of use
must be maintained and delivered in electronic format only, as
prescribed in paragraphs (e)(2) through (8) of this section. A hard
copy report of use is not permissible.
(2) ASCII text file delivery; facilitation by provision of
spreadsheet templates. All report of use data files must be delivered
in ASCII format. However, to facilitate such delivery, SoundExchange
shall post and maintain on its Internet Web site a template for
creating a report of use using Microsoft's Excel spreadsheet and
Corel's Quattro Pro spreadsheet and instruction on how to convert such
spreadsheets to ASCII text files that conform to the format
specifications set forth below. Further, technical support and cost
associated with the use of spreadsheets is the
[[Page 79733]]
responsibility of the service submitting the report of use.
(3) Delivery mechanism. The data contained in a report of use may
be delivered by File Transfer Protocol (FTP), e-mail, CD-ROM, or floppy
diskette according to the following specifications:
(i) A service delivering a report of use via FTP must obtain a
username, password and delivery instructions from SoundExchange.
SoundExchange shall maintain on a publicly available portion of its Web
site instructions for applying for a username, password and delivery
instructions. SoundExchange shall have 15 days from date of request to
respond with a username, password and delivery instructions.
(ii) A service delivering a report of use via e-mail shall append
the report as an attachment to the e-mail. The main body of the e-mail
shall identify:
(A) The full name and address of the service;
(B) The contact person's name, telephone number and e-mail address;
(C) The start and end date of the reporting period;
(D) The number of rows in the data file. If the report of use is a
file using headers, counting of the rows should begin with row 15. If
the report of use is a file without headers, counting of the rows
should begin with row 1; and
(E) The name of the file attached.
(iii) A service delivering a report of use via CD-ROM must compress
the reporting data to fit onto a single CD-ROM per reporting period.
Each CD-ROM shall be submitted with a cover letter identifying:
(A) The full name and address of the service;
(B) The contact person's name, telephone number and e-mail address;
(C) The start and end date of the reporting period;
(D) The number of rows in the data file. If the report of use is a
file using headers, counting of the rows should begin with row 15. If
the report of use is a file without headers, counting of the rows
should begin with row 1; and
(E) The name of the file attached.
(iv) A service delivering a report of use via floppy diskette must
compress the reporting data to fit onto a single floppy diskette per
reporting period. Each floppy diskette must measure 3.5 inches in
diameter and be formatted using MS/DOS. Each floppy diskette shall be
submitted with a cover letter identifying:
(A) The full name and address of the service;
(B) The contact person's name, telephone number and e-mail address;
(C) The start and end date of the reporting period;
(D) The number of rows in the data file. If the report of use is a
file using headers, counting of the rows should begin with row 15. If
the report of use is a file without headers, the counting of the rows
should begin with row 1; and
(E) The name of the file attached.
(4) Delivery address. Reports of use shall be delivered to
SoundExchange at the following address: SoundExchange, Inc., 1121 14th
Street, NW., Suite 700, Washington, DC 20005; (Phone) (202) 640-5858;
(Facsimile) (202) 640-5859; (E-mail) info@soundexchange.com.
SoundExchange shall forward electronic copies of these reports of use
to all other collectives defined in this section.
(5) File naming. Each data file contained in a report of use must
be given a name by the service followed by the start and end date of
the reporting period. The start and end date must be separated by a
dash and in the format of day, month and year (YYYYMMDD). Each file
name must end with the file type extension of ``.txt''. (Example:
AcmeMusicCo20050101-20050331.txt).
(6) File type and compression. (i) All data files must be in ASCII
format.
(ii) A report of use must be compressed in one of the following
zipped formats:
(A) .zip--generated using utilities such as WinZip and/or UNIX zip
command;
(B) .Z--generated using UNIX compress command; or
(C) .gz--generated using UNIX gzip command.
(iii) Zipped files shall be named in the same fashion as described
in paragraph (e)(5) of this section, except that such zipped files
shall use the applicable file extension compression name described in
this paragraph (e)(6).
(7) Files with headers. (i) If a service elects to submit files
with headers, the following elements, in order, must occupy the first
14 rows of a report of use:
(A) Name of service;
(B) Name of contact person;
(C) Street address of the service;
(D) City, state and zip code of the service;
(E) Telephone number of the contact person;
(F) E-mail address of the contact person;
(G) Start of the reporting period (YYYYMMDD);
(H) End of the reporting period (YYYYMMDD);
(I) Report generation date (YYYYMMDD);
(J) Number of rows in data file, beginning with 15th row;
(K) Text indicator character;
(L) Field delimiter character;
(M) Blank line; and
(N) Report headers (Featured Artist, Sound Recording Title, etc.).
(ii) Each of the rows described in paragraphs (e)(7)(i)(A) through
(F) of this section must not exceed 255 alphanumeric characters. Each
of the rows described in paragraphs (e)(7)(i)(G) through (I) of this
section should not exceed eight alphanumeric characters.
(iii) Data text fields, as required by paragraph (d) of this
section, begin on row 15 of a report of use with headers. A carriage
return must be at the end of each row thereafter. Abbreviations within
data fields are not permitted.
(iv) The text indicator character must be unique and must never be
found in the report's data content.
(v) The field delimiter character must be unique and must never be
found in the report's data content. Delimiters must be used even when
certain elements are not being reported; in such case, the service must
denote the blank data field with a delimiter in the order in which it
would have appeared.
(8) Files without headers. If a service elects to submit files
without headers, the following format requirements must be met:
(i) ASCII delimited format, using pipe ([verbar]) characters as
delimiters, with no headers or footers;
(ii) Carats ([caret]) should surround strings;
(iii) No carats ([caret]) should surround dates and numbers;
(iv) A carriage return must be at the end of each line;
(v) All data for one record must be on a single line; and
(vi) Abbreviations within data fields are not permitted.
Sec. 370.5 Designated collection and distribution organizations for
reports of use of sound recordings under statutory license.
(a) General. This section prescribes rules under which reports of
use shall be collected and distributed under section 114(f) of title 17
of the United States Code, and under which reports of such use shall be
kept and made available.
(b) Notice of Designation as Collective under Statutory License. A
Collective shall file with the Licensing Division of the Copyright
Office and post and make available online a ``Notice of Designation as
Collective under Statutory License,'' which shall be identified as such
by prominent caption or heading, and shall contain the following
information:
(1) The Collective name, address, telephone number and facsimile
number;
[[Page 79734]]
(2) A statement that the Collective has been designated for
collection and distribution of performance royalties under statutory
license for digital transmission of sound recordings; and
(3) Information on how to gain access to the online Web site or
home page of the Collective, where information may be posted under this
part concerning the use of sound recordings under statutory license.
The address of the Licensing Division is: Library of Congress,
Copyright Office, Licensing Division, 101 Independence Avenue, SE.,
Washington, DC 20557-6400.
(c) Annual Report. The Collective will post and make available
online, for the duration of one year, an Annual Report on how the
Collective operates, how royalties are collected and distributed, and
what the Collective spent that fiscal year on administrative expenses.
(d) Inspection of Reports of Use by copyright owners. The
Collective shall make copies of the Reports of Use for the preceding
three years available for inspection by any sound recording copyright
owner, without charge, during normal office hours upon reasonable
notice. The Collective shall predicate inspection of Reports of Use
upon information relating to identity, location and status as a sound
recording copyright owner, and the copyright owner's written agreement
not to utilize the information for purposes other than royalty
collection and distribution, and determining compliance with statutory
license requirements, without express consent of the Service providing
the Report of Use. The Collective shall render its best efforts to
locate copyright owners in order to make available reports of use, and
such efforts shall include searches in Copyright Office public records
and published directories of sound recording copyright owners.
(e) Confidentiality. Copyright owners, their agents, and
Collectives shall not disseminate information in the Reports of Use to
any persons not entitled to it, nor utilize the information for
purposes other than royalty collection and distribution, and
determining compliance with statutory license requirements, without
express consent of the Service providing the Report of Use.
(f) Termination and dissolution. If a Collective terminates its
collection and distribution operations prior to the close of its term
of designation, the Collective shall notify the Licensing Division of
the Copyright Office, the Copyright Royalty Board and all Services
transmitting sound recordings under statutory license, by certified or
registered mail. The dissolving Collective shall provide each such
Service with information identifying the copyright owners it has
served.
Dated: December 23, 2008.
Stanley C. Wisniewski,
Copyright Royalty Judge.
[FR Doc. E8-30976 Filed 12-29-08; 8:45 am]
BILLING CODE 1410-72-P