Noncommercial Educational Broadcasting Statutory License, 19138-19144 [E7-7067]
Download as PDF
cprice-sewell on PRODPC61 with PROPOSALS
19138
Federal Register / Vol. 72, No. 73 / Tuesday, April 17, 2007 / Proposed Rules
Personnel and Readiness and The Under
Secretary of Defense (Comptroller).
(ii) Considers whether
Servicemembers Civil Relief Act 50
U.S.C. Appendix, sections 501–591 has
been complied with pursuant to 5
U.S.C. 5520a(k) prior to establishing an
involuntary allotment against the pay of
a member of the Military Services.
(iii) Publishes, prints, stocks,
redistributes, and revises DoD forms
necessary to process involuntary
allotments.
(c) The Heads of the DoD Components
shall urge military personnel to meet
their just financial obligations, since
failure to do so damages their credit
reputation and affects the public image
of all DoD personnel. See DoD Directive
5500.7.3
(d) The Secretaries of the Military
Departments shall:
(1) Establish, as necessary, procedures
to administer and process involuntary
allotments from the pay of members of
the Military Services. This includes
designating those commanders, or other
officials who may act in the absence of
the commander, who shall be
responsible for determining whether a
member’s absence from a judicial
proceeding was caused by exigencies of
military duty, and establishing appeal
procedures regarding such
determinations.
(2) Require commanders to counsel
members to pay their just debts,
including complying, as appropriate,
with court orders and judgments for the
payments of alimony or child support.
(3) Emphasize prompt command
action to assist with the processing of
involuntary allotment applications.
(e) The Chief, Office of Personnel and
Training, for the Coast Guard shall:
(1) Establish, as necessary, procedures
supplemental to those promulgated by
the Under Secretary of Defense for
Personnel and Readiness to administer
and process involuntary allotment from
the pay of members of the Military
Services; this includes the authority to
promulgate forms necessary for the
efficient administration and processing
of involuntary allotments.
(2) Ensure that the Commanding
Officer, Coast Guard Pay and Personal
Center:
(i) Implements procedures established
by the Under Secretary of Defense for
Personnel and Readiness and Chief,
Office of Personnel and Training.
(ii) Considers whether the
Servicemembers Civil Relief Act, as
amended (50 U.S.C. Appendix, sections
501–591) has been complied with
pursuant to 5 U.S.C. 5520a(k) prior to
3 See
footnote 1 to § 112.4(a)(1).
VerDate Aug<31>2005
14:58 Apr 16, 2007
Jkt 211001
establishing an involuntary allotment
against the pay of a member of the
Military Services.
(iii) Acts as the Coast Guard manager
for forms necessary to process
involuntary allotments.
Dated: April 11, 2007.
C.R. Choate,
Alternate OSD Federal Register Liaison
Officer, Department of Defense.
[FR Doc. E7–7292 Filed 4–16–07; 8:45 am]
BILLING CODE 5001–06–P
LIBRARY OF CONGRESS
Copyright Royalty Board
37 CFR Part 381
[Docket No. 2006–2 CRB NCBRA]
Noncommercial Educational
Broadcasting Statutory License
Copyright Royalty Board,
Library of Congress.
ACTION: Notice of proposed rulemaking.
AGENCY:
SUMMARY: The Copyright Royalty Judges
are publishing for comment certain
royalty rates, proposed by the parties in
the proceeding to determine the rates
and terms for the noncommercial
educational broadcasting statutory
license contained in the Copyright Act.
DATES: Comments and objections, if any,
are due on or before May 17, 2007.
ADDRESSES: An original, five paper
copies, and one electronic copy in
Portable Document Format (PDF) on
compact disk (an optical data storage
medium such as a CD–ROM, CD–R or
CD–RW) or floppy diskette of a
comment or objection must be delivered
to the Copyright Royalty Board in one
of the following ways: If hand delivered
by a private party, the comment or
objection should be brought to the
Copyright Office Public Information
Office in the James Madison Memorial
Building, Room LM–401, 101
Independence Avenue, SE., Monday
through Friday, between 8:30 a.m. and
5 p.m., and the envelope must be
addressed as follows: Copyright Royalty
Board, Library of Congress, James
Madison Memorial Building, 101
Independence Avenue, SE.,
Washington, DC 20559–6000. If
delivered by a commercial courier
(excluding overnight delivery services
such as Federal Express, United Parcel
Service and similar overnight delivery
services), the comment or objection
must be delivered to the Congressional
Courier Acceptance Site (CCAS) located
at 2nd and D Street, NE., Monday
through Friday, between 8:30 a.m. and
PO 00000
Frm 00013
Fmt 4702
Sfmt 4702
4 p.m., and the envelope must be
addressed as follows: Copyright Royalty
Board, Library of Congress, James
Madison Memorial Building, 101
Independence Avenue, SE.,
Washington, DC 20559–6000. If a
comment or objection is sent by mail
(including overnight delivery using
United States Postal Service Express
Mail), the envelope must be addressed
to: Copyright Royalty Board, P.O. Box
70977, Southwest Station, Washington,
DC 20024–0977. Comments and
objections may not be delivered by
means of overnight delivery services
such as Federal Express, United Parcel
Service, etc., due to delays in processing
receipt of such deliveries.
FOR FURTHER INFORMATION CONTACT: Gina
Giuffreda, Attorney-Advisor. Telephone
(202) 707–7658. Telefax (202) 252–3423.
SUPPLEMENTARY INFORMATION:
Background
Section 118 of the Copyright Act, title
17 of the United States Code, establishes
a statutory license for the use of certain
copyrighted works in connection with
noncommercial television and radio
broadcasting. The terms and rates for
this statutory license have been adjusted
periodically by the Librarian of
Congress and appear in 37 CFR Part 253.
However, the Copyright Royalty and
Distribution Reform Act of 2004, Pub. L.
No. 108–419, transferred jurisdiction
over these rates and terms to the
Copyright Royalty Judges. 17 U.S.C.
801(b)(1). This is a window year for the
establishment of new rates and terms for
the 2008–2012 license period.
On January 9, 2006, pursuant to 17
U.S.C. 803(b)(1)(A)(i)(V), the Copyright
Royalty Judges published a notice in the
Federal Register announcing
commencement of proceedings under 17
U.S.C. 118 and requesting interested
parties to submit their petitions to
participate. 71 FR 1453 (January 9,
2006). Petitions to participate were
received from: the American Council on
Education (‘‘ACE’’); the National Music
Publishers Association, Inc. (‘‘NMPA’’);
the Harry Fox Agency (‘‘HFA’’); the
National Religious Broadcasters
Noncommercial Music License
Committee (‘‘NRBNMLC’’); Royalty
Logic, Inc.; the American Society of
Composers, Authors and Publishers
(‘‘ASCAP’’); Broadcast Music, Inc.
(‘‘BMI’’); SESAC, Inc.; National Public
Radio (‘‘NPR’’); the Corporation for
Public Broadcasting (‘‘CPB’’); the Public
Broadcasting Service (‘‘PBS’’); and the
Church Music Publishers Association,
Inc. The Judges set the timetable for the
three-month negotiation period, see 17
U.S.C. 803(b)(3), and directed the
E:\FR\FM\17APP1.SGM
17APP1
Federal Register / Vol. 72, No. 73 / Tuesday, April 17, 2007 / Proposed Rules
participants to submit their written
direct statements no later than January
30, 2007. Instead of written direct
statements, the parties submitted
notification of settlements and proposed
rates and terms for the Copyright
Royalty Judges to adopt.
There are two ways that copyright
owners and public broadcasting
entities 1 may negotiate rates and terms
under the section 118 statutory license.
First, copyright owners may negotiate
rates and terms with specific public
broadcasting entities for the use of all of
the copyright owners’ works covered by
the license. Section 118(b)(2) provides
that such license agreements ‘‘shall be
given effect in lieu of any determination
by the * * * Copyright Royalty Judges,’’
provided that copies of the agreements
are submitted to the Copyright Royalty
Board ‘‘within 30 days of execution.’’ 17
U.S.C. 118(b)(2). The Copyright Royalty
Judges received notification of several
agreements in this category for which no
further action is required.
Second, copyright owners and public
broadcasting entities may negotiate rates
and terms for categories of copyrighted
works and uses, that would be binding
on all owners and entities, and submit
them to the Copyright Royalty Judges for
approval. Section 801(b)(7)(A) provides
that in such event:
cprice-sewell on PRODPC61 with PROPOSALS
(i) the Copyright Royalty Judges shall
provide to those that would be bound by the
terms, rates, or other determination set by
any agreement in a proceeding to determine
royalty rates an opportunity to comment on
the agreement and shall provide to
participants in the proceeding under section
803(b)(2) that would be bound by the terms,
rates, or other determination set by the
agreement to comment on the agreement and
object to its adoption as a basis for statutory
terms and rates; and
(ii) the Copyright Royalty Judges may
decline to adopt the agreement as a basis for
statutory terms and rates for participants that
are not parties to the agreement, if any
participant described in clause (i) objects to
the agreement and the Copyright Royalty
Judges conclude, based on the record before
them if one exists, that the agreement does
not provide a reasonable basis for setting
statutory terms or rates.
17 U.S.C. 801(b)(7)(A). The Copyright
Royalty Judges received seven proposals
within this category: (1) A joint proposal
of BMI and the NRBNMLC; (2) a joint
proposal of ASCAP and ACE; (3) a joint
proposal of SESAC and ACE; (4) a joint
proposal of HFA, NMPA and the
NRBNMLC; (5) a joint proposal of
1 A ‘‘public broadcasting entity’’ is defined as a
‘‘noncommercial educational broadcast station as
defined in section 397 of title 47 and any nonprofit
institution or organization engaged in the activities
described in paragraph (2) of subsection (c)’’ of
section 118.
VerDate Aug<31>2005
14:58 Apr 16, 2007
Jkt 211001
SESAC and the NRBNMLC; (6) a joint
proposal of ASCAP and the NRBNMLC;
and (7) a joint proposal of BMI and ACE.
After reviewing the proposals, the
Copyright Royalty Judges determined
that they were insufficient on their
face.2 By Order dated February 22, 2007,
the Judges directed the parties to amend
their proposals. On March 15, 2007,
ACE, ASCAP, BMI, HFA, NMPA, NPR,
NRBNMLC, PBS and SESAC submitted
a joint proposal for section 118 rates and
terms. It is this proposal that the Judges
are publishing today for comment.3
As part of this notice of proposed
rulemaking (‘‘NPRM’’), the Copyright
Royalty Judges are modifying three
aspects of the joint proposal. First, the
proposed regulations for terms
governing the recording of nondramatic
performances and displays of musical
works and the terms for the use of
published pictorial, graphic and
sculptural works require the deposit
with the Copyright Office of cue sheets
(for musical works) and standard lists
(for pictorial, graphic and sculptural
works) in hard copy format. We are
changing these provisions to require
submission of cue sheets and standard
lists in electronic disk format only (due
to space limitations) and requiring that
they be submitted to the offices of the
Copyright Royalty Board rather than the
Copyright Office.
Second, the joint proposal requires
public broadcasting entities to make
information concerning fees deposited
in trust funds for unknown copyright
owners available upon request to the
Copyright Office. We are changing the
provision to make the information
available to the Copyright Royalty
Judges instead of the Copyright Office.
Third, the parties have included a
provision in their proposal governing
the rates and terms applicable to certain
public broadcasting entities that states
that such rates and terms are
experimental, without precedential
effect, and may not be introduced or
relied upon in any governmental,
administrative or judicial proceeding.
The Copyright Royalty Judges decline to
include such a provision within our
2 The
reason for the insufficiency was the parties’
incorrect assumption that the Copyright Royalty
Judges would be amending part 253 of title 37 of
the Code of Federal Regulations-the Copyright
Office’s rules-rather than our own rules. As a result,
the parties only proposed amendments rather than
a complete text of regulations.
3 Part 381, which we propose today, will be part
of a new Subchapter E which will contain the rates
and terms for the various statutory licenses. This
new subchapter will be established upon the
publication of the final determination of the rates
and terms for the section 112 and 114 statutory
licenses, Docket No. 2005–1 CRB DTRA, and will
contain Part 380.
PO 00000
Frm 00014
Fmt 4702
Sfmt 4702
19139
regulations. Our task, as set forth in
section 118 and chapter 8 of the
Copyright Act, is to adopt rates and
terms for the noncommercial
broadcasting license. It is not our task to
offer evaluations, limitations or
characterizations of the rates and terms,
or make statements about their use or
value in proceedings other than this
one.
As discussed above, the public may
comment and object to any or all of the
proposed regulations contained in this
NPRM. Those who do comment and
object, however, must be prepared to
participate in further proceedings in this
docket to establish rates and terms for
the section 118 license.
List of Subjects in 37 CFR Part 381
Copyright, Music, Radio, Television,
Rates.
Proposed Regulations
For the reasons set forth in the
preamble, the Copyright Royalty Judges
propose to add Part 381 to Chapter III
of title 37 of the Code of Federal
Regulations to read as follows:
PART 381—USE OF CERTAIN
COPYRIGHTED WORKS IN
CONNECTION WITH
NONCOMMERCIAL EDUCATIONAL
BROADCASTING
Sec.
381.1 General.
381.2 Definition of public broadcasting
entity.
381.3 [Reserved]
381.4 Performance of musical compositions
by PBS, NPR and other public
broadcasting entities engaged in the
activities set forth in 17 U.S.C. 118(c).
381.5 Performance of musical compositions
by public broadcasting entities licensed
to colleges and universities.
381.6 Performance of musical compositions
by other public broadcasting entities.
381.7 Recording rights, rates and terms.
381.8 Terms and rates of royalty payments
for the use of published pictorial,
graphic and sculptural works.
381.9 Unknown copyright owners.
381.10 Cost of living adjustment.
381.11 Notice of restrictions on use of
reproductions of transmission programs.
Authority: 17 U.S.C. 118, 801(b)(1) and
803.
§ 381.1
General.
This part establishes terms and rates
of royalty payments for certain activities
using published nondramatic musical
works and published pictorial, graphic
and sculptural works during a period
beginning on January 1, 2008, and
ending on December 31, 2012. Upon
compliance with 17 U.S.C. 118, and the
terms and rates of this part, a public
broadcasting entity may engage in the
E:\FR\FM\17APP1.SGM
17APP1
19140
Federal Register / Vol. 72, No. 73 / Tuesday, April 17, 2007 / Proposed Rules
(10) In the event the work is first
performed in a program of a station of
PBS or NPR, and such program is
§ 381.2 Definition of public broadcasting
subsequently distributed by PBS or
entity.
NPR, an additional royalty payment
As used in this part, the term public
shall be made equal to the difference
broadcasting entity means a
between the rate specified in this
noncommercial educational broadcast
section for a program of a station of PBS
station as defined in section 397 of title
or NPR, respectively, and the rate
47 and any nonprofit institution
specified in this section for a PBS or
organization engaged in the activities
NPR program, respectively.
described in 17 U.S.C. 118(c).
(b) Payment of royalty rate. The
required royalty rate shall be paid to
§ 381.3 [Reserved]
each known copyright owner not later
§ 381.4 Performance of musical
than July 31 of each calendar year for
compositions by PBS, NPR and other public uses during the first six months of that
broadcasting entities engaged in the
calendar year, and not later than January
activities set forth in 17 U.S.C. 118(c).
31 for uses during the last six months
The following schedule of rates and
of the preceding calendar year.
terms shall apply to the performance by
(c) Records of use. PBS and NPR shall,
PBS, NPR and other public broadcasting upon the request of a copyright owner
entities engaged in activities set forth in of a published musical work who
17 U.S.C. 118(c) of copyrighted
believes a musical composition of such
published nondramatic musical
owner has been performed under the
compositions, except for public
terms of this schedule, permit such
broadcasting entities covered by
copyright owner a reasonable
§§ 381.5 and 381.6, and except for
opportunity to examine their standard
compositions which are the subject of
cue sheets listing the nondramatic
voluntary license agreements.
performances of musical compositions
(a) Determination of royalty rate. (1)
on PBS and NPR programs. Any local
For performance of such work in a
PBS and NPR station that shall be
feature presentation of PBS:
required by the provisions of any
2008–2012 ..........................
$227.58 voluntary license agreement with
(2) For performance of such a work as ASCAP, BMI or SESAC covering the
license period January 1, 2008, to
background or theme music in a PBS
December 31, 2012, to provide a music
program:
use report shall, upon request of a
2008–2012 ..........................
$57.66
copyright owner who believes a musical
(3) For performance of such a work in composition of such owner has been
a feature presentation of a station of
performed under the terms of this
PBS:
schedule, permit such copyright owner
2008–2012 ..........................
$19.45 to examine the report.
(d) Terms of use. The fees provided in
(4) For performance of such a work as
this schedule for the performance of a
background or theme music in a
musical work in a program shall cover
program of a station of PBS:
performances of such work in such
2008–2012 ..........................
$4.10 program for a period of four years
following the first performance.
(5) For the performance of such a
work in a feature presentation of NPR:
§ 381.5 Performance of musical
2008–2012 ..........................
$23.07 compositions by public broadcasting
entities licensed to colleges and
(6) For the performance of such a
universities.
work as background or theme music in
(a) Scope. This section applies to the
an NPR program:
performance of copyrighted published
2008–2012 ..........................
$5.59
nondramatic musical compositions by
(7) For the performance of such a
noncommercial radio stations which are
work in a feature presentation of a
licensed to accredited colleges,
station of NPR:
accredited universities, or other
2008–2012 ..........................
$1.63 accredited nonprofit educational
institutions and which are not affiliated
(8) For the performance of such a
with National Public Radio. For
work as background or theme music in
purposes of this section, accreditation of
a program of a station of NPR:
institutions providing post-secondary
2008–2012 ..........................
$.58 education shall be determined by a
regional or national accrediting agency
(9) For purposes of this schedule the
rate for the performance of theme music recognized by the Council for Higher
Education Accreditation or the United
in an entire series shall be double the
States Department of Education; and
single program theme rate.
cprice-sewell on PRODPC61 with PROPOSALS
activities with respect to such works set
forth in 17 U.S.C. 118(c).
VerDate Aug<31>2005
14:58 Apr 16, 2007
Jkt 211001
PO 00000
Frm 00015
Fmt 4702
Sfmt 4702
accreditation of institutions providing
elementary or secondary education shall
be as recognized by the applicable state
licensing authority.
(b) Voluntary license agreements.
Notwithstanding the schedule of rates
and terms established in this section,
the rates and terms of any license
agreements entered into by copyright
owners and colleges, universities, and
other nonprofit educational institutions
concerning the performance of
copyrighted musical compositions,
including performances by
noncommercial radio stations, shall
apply in lieu of the rates and terms of
this section.
(c) Royalty rate. A public broadcasting
entity within the scope of this section
may perform published nondramatic
musical compositions subject to the
following schedule of royalty rates:
(1) For all such compositions in the
repertory of ASCAP, $277 annually in
2007, as adjusted pursuant to § 381.10.
(2) For all such compositions in the
repertory of BMI, $277 annually in
2007, as adjusted pursuant to § 381.10.
(3) For all such compositions in the
repertory of SESAC, $116 annually in
2008, as adjusted pursuant to § 381.10.
(4) For the performance of any other
such compositions: $1.
(d) Payment of royalty rate. The
public broadcasting entity shall pay the
required royalty rate to ASCAP, BMI
and SESAC not later than January 31 of
each year.
(e) Records of use. A public
broadcasting entity subject to this
section shall furnish to ASCAP, BMI
and SESAC, upon request, a music-use
report during one week of each calendar
year. ASCAP, BMI and SESAC shall not
in any one calendar year request more
than 10 stations to furnish such reports.
§ 381.6 Performance of musical
compositions by other public broadcasting
entities.
(a) Scope. This section applies to the
performance of copyrighted published
nondramatic musical compositions by
radio stations not licensed to colleges,
universities, or other nonprofit
educational institutions and which are
not affiliated with NPR. In the event that
a station owned by a public
broadcasting entity broadcasts
programming by means of an in-band,
on-channel (‘‘IBOC’’) digital radio signal
and such programming is different than
the station’s analog broadcast
programming, then any such
programming shall be deemed to be
provided by a separate station requiring
a separate royalty payment.
(b) Voluntary license agreements.
Notwithstanding the schedule of rates
E:\FR\FM\17APP1.SGM
17APP1
19141
Federal Register / Vol. 72, No. 73 / Tuesday, April 17, 2007 / Proposed Rules
and terms established in this section,
the rates and terms of any license
agreements entered into by copyright
owners and noncommercial radio
stations within the scope of this section
concerning the performance of
copyrighted musical compositions,
including performances by
noncommercial radio stations, shall
apply in lieu of the rates and terms of
this section.
(c) Royalty rate. A public broadcasting
entity within the scope of this section
Population count
Level
Level
Level
Level
Level
Level
Level
Level
1
2
3
4
5
6
7
8
..........................................
..........................................
..........................................
..........................................
..........................................
..........................................
..........................................
..........................................
2008
0–249,999 .....................................
250,000–499,999 ..........................
500,000–999,999 ..........................
1,000,000–1,499,999 ....................
1,500,000–1,999,999 ....................
2,000,000–2,499,999 ....................
2,500,000–2,999,999 ....................
3,000,000 and above ....................
may perform published nondramatic
musical compositions subject to the
following schedule of royalty rates:
(1) For all such compositions in the
repertory of ASCAP, the royalty rates
shall be as follows:
2009
$550
1,000
1,500
2,000
2,500
3,000
3,500
5,000
2010
$567
1,030
1,545
2,060
2,575
3,090
3,605
5,150
$583
1,061
1,591
2,122
2,652
3,183
3,713
5,305
2011
$601
1,093
1,639
2,185
2,732
3,278
3,825
5,464
2012
$619
1,126
1,688
2,251
2,814
3,377
3,939
5,628
(2) For all such compositions in the
repertory of BMI, the royalty rates shall
be as follows:
Population count
Level
Level
Level
Level
Level
Level
Level
Level
1
2
3
4
5
6
7
8
..........................................
..........................................
..........................................
..........................................
..........................................
..........................................
..........................................
..........................................
2008
0–249,999 .....................................
250,000–499,999 ..........................
500,000–999,999 ..........................
1,000,000–1,499,999 ....................
1,500,000–1,999,999 ....................
2,000,000–2,499,999 ....................
2,500,000–2,999,999 ....................
3,000,000 and above ....................
2009
$550
1,000
1,500
2,000
2,500
3,000
3,500
5,000
2010
$567
1,030
1,545
2,060
2,575
3,090
3,605
5,150
$583
1,061
1,591
2,122
2,652
3,183
3,713
5,305
2011
$601
1,093
1,639
2,185
2,732
3,278
3,825
5,464
2012
$619
1,126
1,688
2,251
2,814
3,377
3,939
5,628
(3) For all such compositions in the
repertory of SESAC, the royalty rates
shall be as follows:
Population count
cprice-sewell on PRODPC61 with PROPOSALS
Level
Level
Level
Level
Level
Level
Level
Level
1
2
3
4
5
6
7
8
..........................................
..........................................
..........................................
..........................................
..........................................
..........................................
..........................................
..........................................
0–249,999 .....................................
250,000–499,999 ..........................
500,000–999,999 ..........................
1,000,000–1,499,999 ....................
1,500,000–1,999,999 ....................
2,000,000–2,499,999 ....................
2,500,000–2,999,999 ....................
3,000,000 and above ....................
(4) For the performance of any other
such compositions, in 2008 through
2012, $1.
(d) Payment of royalty rate. The
public broadcasting entity shall pay the
required royalty rate to ASCAP, BMI
and SESAC not later than January 31 of
each year. Each annual payment shall be
accompanied by a signed declaration
stating the Population Count of the
public broadcasting entity and the
source for such Population Count. An
exact copy of such declaration shall be
furnished to each of ASCAP, BMI and
SESAC. Upon prior written notice
thereof from ASCAP, BMI or SESAC, a
public broadcasting entity shall make its
books and records relating to its
VerDate Aug<31>2005
14:58 Apr 16, 2007
2008
Jkt 211001
2009
$120
200
300
400
500
600
700
1,000
$124
206
309
412
515
618
721
1,030
Population Count available for
inspection.
(e) Records of use. A public
broadcasting entity subject to this
section shall furnish to ASCAP, BMI
and SESAC, upon request, a music-use
report during one week of each calendar
year. ASCAP, BMI and SESAC each
shall not in any one calendar year
request more than 10 stations to furnish
such reports.
(f) Definitions. As used in paragraphs
(c) and (d) of this section, the following
terms and their variant forms mean the
following:
(1) Population Count. The
combination of:
(i) The number of persons estimated
to reside within a station’s Predicted 60
PO 00000
Frm 00016
Fmt 4702
Sfmt 4702
2010
$127
212
318
424
530
637
743
1,061
2011
$131
219
328
437
546
656
765
1,093
2012
$135
225
338
450
563
675
788
1,126
dBu Contour, based on the most recent
available census data; and
(ii) The nonduplicative number of
persons estimated to reside in the
Predicted 60 dBu Contour of any
Translator Station or Booster Station
that extends a public broadcasting
entity’s signal beyond the contours of a
station’s Predicted 60 dBu Contour.
(iii) In determining Population Count,
a station or a Translator Station or a
Booster Station may use and report the
total population data, from a research
company generally recognized in the
broadcasting industry, for the radio
market within which the station’s
community license is located.
(2) Predicted 60 dBu Contour shall be
calculated as set forth in 47 CFR 73.313.
E:\FR\FM\17APP1.SGM
17APP1
19142
Federal Register / Vol. 72, No. 73 / Tuesday, April 17, 2007 / Proposed Rules
31 for uses during the last six months
of the preceding calendar year.
(d) Records of use. (1) Maintenance of
cue sheets. PBS and its stations, NPR, or
§ 381.7 Recording rights, rates and terms.
other public broadcasting entities shall
(a) Scope. This section establishes
maintain and make available for
rates and terms for the recording of
examination pursuant to paragraph (e)
nondramatic performances and displays
of this section copies of their standard
of musical works, other than
cue sheets or summaries of same listing
compositions subject to voluntary
the recording of the musical works of
license agreements, on and for the radio
such copyright owners.
and television programs of public
(2) Content of cue sheets or
broadcasting entities, whether or not in
summaries. Such cue sheets or
synchronization or timed relationship
summaries shall include:
with the visual or aural content, and for
(i) The title, composer and author to
the making, reproduction, and
the extent such information is
distribution of copies and phonorecords
reasonably obtainable.
of public broadcasting programs
(ii) The type of use and manner of
containing such nondramatic
performance thereof in each case.
performances and displays of musical
(iii) For Concert Feature music, the
works solely for the purpose of
actual recorded time period on the
transmission by public broadcasting
program, plus all distribution and
entities. The rates and terms established
broadcast information available to the
in this schedule include the making of
public broadcasting entity.
the reproductions described in 17 U.S.C.
118(c)(3).
(e) Filing of use reports with the
(b) Royalty rate. (1)(i) For uses
Copyright Royalty Judges. Deposit of cue
(3) For purposes of this schedule, a
described in paragraph (a) of this
sheets or summaries. PBS and its
‘‘Concert Feature’’ shall be deemed to be
section of a musical work in a PBSstations, NPR, or other television public
the nondramatic presentation in a
distributed program, the royalty fees
broadcasting entity shall deposit with
program of all or part of a symphony,
shall be calculated by multiplying the
the Copyright Royalty Judges one
concerto, or other serious work
following per-composition rates by the
electronic copy in Portable Document
number of different compositions in that originally written for concert
Format (PDF) on compact disk (an
performance, or the nondramatic
PBS-distributed program:
optical data storage medium such as a
presentation in a program of portions of
CD-ROM, CD-R or CD-RW) or floppy
2008–2012 a serious work originally written for
diskette of their standard music cue
(A) Feature .........................
$149.94
opera performance.
sheets or summaries of same listing the
(B) Concert feature (per
(4) For such uses other than in an
recording pursuant to this schedule of
minute) ...........................
44.59
the musical works of copyright owners.
(C) Background ..................
74.97 NPR-produced radio program:
2008–2012 Such cue sheets or summaries shall be
(D) Theme:
(i) Feature ..........................
$.79 deposited not later than July 31 of each
(1) Single program or
first series program
74.97 (ii) Feature (concert) (per
calendar year for recordings during the
half hour) .......................
1.65 first six months of the calendar year and
(2) Other series pro.40 not later than January 31 of each
gram .........................
30.39 (iii) Background .................
calendar year for recordings during the
(ii) For such uses other than in a PBS(5) The schedule of fees covers use for
second six months of the preceding
distributed television program, the
a period of three years following the
calendar year. PBS and NPR shall
royalty fee shall be calculated by
first use. Succeeding use periods will
maintain at their offices copies of all
multiplying the following perrequire the following additional
standard music cue sheets from which
composition rates by the number of
payment: additional one-year period—
such music use reports are prepared.
different compositions in that program:
25 percent of the initial three-year fee;
Such music cue sheets shall be
2008–2012 second three-year period—50 percent of
furnished to the Copyright Royalty
(A) Feature .........................
$9.43 the initial three-year fee; each three-year
Judges upon their request and also shall
(B) Concert feature (per
fee thereafter—25 percent of the initial
be available during regular business
minute) ...........................
2.48 three-year fee; provided that a 100
hours at the offices of PBS or NPR for
(C) Background ..................
4.10 percent additional payment prior to the
examination by a copyright owner who
(D) Theme:
expiration of the first three-year period
believes a musical composition of such
(1) Single program or
will cover use during all subsequent use
owner has been recorded pursuant to
first series of properiods without limitation. Such
this schedule.
gram .........................
4.10 succeeding uses which are subsequent
(2) Other series proto December 31, 2012, shall be subject
§ 381.8 Terms and rates of royalty
gram .........................
1.63 to the royalty rates established in this
payments for the use of published pictorial,
graphic, and sculptural works.
schedule.
(iii) In the event the work is first
(c) Payment of royalty rates. The
(a) Scope. This section establishes
recorded other than in a PBS-distributed
required royalty rates shall be paid to
rates and terms for the use of published
program, and such program is
each known copyright owner not later
pictorial, graphic, and sculptural works
subsequently distributed by PBS, an
than July 31 of each calendar year for
by public broadcasting entities for the
additional royalty payment shall be
uses during the first six months of that
activities described in 17 U.S.C. 118.
made equal to the difference between
calendar year, and not later than January The rates and terms established in this
the rate specified in this section for
cprice-sewell on PRODPC61 with PROPOSALS
(3) Translator Station and Booster
Station shall have the same meanings as
set forth in 47 CFR 74.1201.
VerDate Aug<31>2005
15:22 Apr 16, 2007
Jkt 211001
other than a PBS-distributed program
and the rate specified in this section for
a PBS-distributed program.
(2) For uses licensed herein of a
musical work in a NPR program, the
royalty fees shall be calculated by
multiplying the following percomposition rates by the number of
different compositions in any NPR
program distributed by NPR. For
purposes of this schedule ‘‘National
Public Radio’’ programs include all
programs produced in whole or in part
by NPR, or by any NPR station or
organization under contract with NPR.
2008–2012
(i) Feature ..........................
$12.35
(ii) Concert feature (per
minute) ...........................
18.13
(iii) Background .................
6.19
(iv) Theme:
(A) Single program or
first series program
6.19
(B) Other series program .........................
2.47
PO 00000
Frm 00017
Fmt 4702
Sfmt 4702
E:\FR\FM\17APP1.SGM
17APP1
Federal Register / Vol. 72, No. 73 / Tuesday, April 17, 2007 / Proposed Rules
substantially full-screen display
appearing on the screen for more than
three seconds. Any display less than
full-screen or substantially full-screen,
or full-screen for three seconds or less,
is deemed to be a ‘‘background or
montage display’’.
(4) ‘‘Thematic use’’ is the utilization
of the works of one or more artists
where the works constitute the central
theme of the program or convey a story
line.
(5) ‘‘Display of an art reproduction
copyrighted separately from the work of
fine art from which the work was
reproduced’’ means a transparency or
other reproduction of an underlying
work of fine art.
(c) Payment of royalty rate. PBS or
other public broadcasting entity shall
pay the required royalty fees to each
copyright owner not later than July 31
of each calendar year for uses during the
first six months of that calendar year,
and not later than January 31 for uses
during the last six months of the
preceding calendar year.
(d) Records of use. (1) PBS and its
stations or other public broadcasting
entity shall maintain and furnish either
(ii) For such uses in other than PBSto copyright owners, or to the offices of
distributed programs:
generally recognized organizations
2008–2012 representing the copyright owners of
(A) For featured display of
pictorial, graphic and sculptural works,
a work .............................
$45.14 copies of their standard lists containing
(B) For background and
the pictorial, graphic, and sculptural
montage display .............
23.13 works displayed on their programs.
(C) For use of a work for
Such notice shall include the name of
program identification
the copyright owner, if known, the
or for thematic use ........
92.27 specific source from which the work
(D) For the display of an
was taken, a description of the work
art reproduction copyused, the title of the program on which
righted separately from
the work was used, and the date of the
the work of fine art from
original broadcast of the program.
which the work was re(2) Such listings shall be furnished
produced irrespective of
not later than July 31 of each calendar
whether the reproduced
year for displays during the first six
work of fine art is copymonths of the calendar year, and not
righted so as to be sublater than January 31 of each calendar
ject also to payment of a
year for displays during the second six
display fee under the
months of the preceding calendar year.
terms of this schedule ...
23.14
(e) Filing of use reports with the
Copyright Royalty Judges. (1) PBS and
(2) For the purposes of the schedule
its stations or other public broadcasting
in paragraph (b)(1) of this section the
rate for the thematic use of a work in an entity shall deposit with the Copyright
Royalty Judges one electronic copy in
entire series shall be double the single
Portable Document Format (PDF) on
program theme rate. In the event the
compact disk (an optical data storage
work is first used other than in a PBSmedium such as a CD-ROM, CD-R or
distributed program, and such program
CD-RW) or floppy diskette of their
is subsequently distributed by PBS, an
standard lists containing the pictorial,
additional royalty payment shall be
graphic, and sculptural works displayed
made equal to the difference between
on their programs. Such notice shall
the rate specified in this section for
include the name of the copyright
other than a PBS-distributed program
and the rate specified in this section for owner, if known, the specific source
from which the work was taken, a
a PBS-distributed program.
(3) ‘‘Featured display’’ for purposes of description of the work used, the title of
the program on which the work was
this schedule means a full-screen or
cprice-sewell on PRODPC61 with PROPOSALS
schedule include the making of the
reproductions described in 17 U.S.C.
118(c).
(b) Royalty rate. (1) The following
schedule of rates shall apply to the use
of works within the scope of this
section:
(i) For such uses in a PBS-distributed
program:
2008–2012
(A) For featured display of
a work .............................
$69.70
(B) For background and
montage display .............
33.99
(C) For use of a work for
program identification
or for thematic use ........
137.40
(D) For the display of an
art reproduction copyrighted separately from
the work of fine art from
which the work was reproduced irrespective of
whether the reproduced
work of fine art is copyrighted so as to be subject also to payment of a
display fee under the
terms of the schedule ....
45.14
VerDate Aug<31>2005
14:58 Apr 16, 2007
Jkt 211001
PO 00000
Frm 00018
Fmt 4702
Sfmt 4702
19143
used, and the date of the original
broadcast of the program.
(2) Such listings shall be furnished
not later than July 31 of each calendar
year for displays during the first six
months of the calendar year, and not
later than January 31 of each calendar
year for displays during the second six
months of the preceding calendar year.
(f) Terms of use. (1) The rates of this
schedule are for unlimited use for a
period of three years from the date of
the first use of the work under this
schedule. Succeeding use periods will
require the following additional
payment: Additional one-year period—
25 percent of the initial three-year fee;
second three-year period—50 percent of
the initial three-year fee; each three-year
period thereafter—25 percent of the
initial three-year fee; provided that a
100 percent additional payment prior to
the expiration of the first three-year
period will cover use during all
subsequent use periods without
limitation. Such succeeding uses which
are subsequent to December 31, 2012,
shall be subject to the rates established
in this schedule.
(2) Pursuant to the provisions of 17
U.S.C. 118(e), nothing in this schedule
shall be construed to permit, beyond the
limits of fair use as provided in 17
U.S.C. 107, the production of a
transmission program drawn to any
substantial extent from a published
compilation of pictorial, graphic, or
sculptural works.
§ 381.9
Unknown copyright owners.
If PBS and its stations, NPR and its
stations, or other public broadcasting
entity is not aware of the identity of, or
unable to locate, a copyright owner who
is entitled to receive a royalty payment
under this part, they shall retain the
required fee in a segregated trust
account for a period of three years from
the date of the required payment. No
claim to such royalty fees shall be valid
after the expiration of the three-year
period. Public broadcasting entities may
establish a joint trust fund for the
purposes of this section. Public
broadcasting entities shall make
available to the Copyright Royalty
Judges, upon request, information
concerning fees deposited in trust
funds.
§ 381.10
Cost of living adjustment.
(a) On December 1, 2007, the
Copyright Royalty Judges shall publish
in the Federal Register a notice of the
change in the cost of living as
determined by the Consumer Price
Index (all consumers, all items) during
the period from the most recent Index
published prior to December 1, 2006, to
E:\FR\FM\17APP1.SGM
17APP1
19144
Federal Register / Vol. 72, No. 73 / Tuesday, April 17, 2007 / Proposed Rules
the most recent Index published prior to
December 1, 2007. On each December 1
thereafter the Copyright Royalty Judges
shall publish a notice of the change in
the cost of living during the period from
the most recent index published prior to
the previous notice, to the most recent
Index published prior to December 1, of
that year.
(b) On the same date of the notices
published pursuant to paragraph (a) of
this section, the Copyright Royalty
Judges shall publish in the Federal
Register a revised schedule of rates for
§ 381.5 which shall adjust those royalty
amounts established in dollar amounts
according to the change in the cost of
living determined as provided in
paragraph (a) of this section. Such
royalty rates shall be fixed at the nearest
dollar.
(c) The adjusted schedule for rates for
§ 381.5 shall become effective thirty
days after publication in the Federal
Register.
§ 381.11 Notice of restrictions on use of
reproductions of transmission programs.
Any public broadcasting entity which,
pursuant to 17 U.S.C. 118, supplies a
reproduction of a transmission program
to governmental bodies or nonprofit
institutions shall include with each
copy of the reproduction a warning
notice stating in substance that the
reproductions may be used for a period
of not more than seven days from the
specified date of transmission, that the
reproductions must be destroyed by the
user before or at the end of such period,
and that a failure to fully comply with
these terms shall subject the body or
institution to the remedies for
infringement of copyright.
Dated: April 10, 2007.
James Scott Sledge,
Chief Copyright Royalty Judge.
[FR Doc. E7–7067 Filed 4–16–07; 8:45 am]
BILLING CODE 1410–72–P
ENVIRONMENTAL PROTECTION
AGENCY
40 CFR Part 52
cprice-sewell on PRODPC61 with PROPOSALS
[EPA–R09–OAR–2007–0165; FRL–8300–3]
Approval and Promulgation of
Implementation Plans; Revisions to the
Nevada State Implementation Plan;
Stationary Source Permits
Environmental Protection
Agency (EPA).
ACTION: Proposed rule.
AGENCY:
SUMMARY: EPA is proposing, under the
Clean Air Act, approval of certain
VerDate Aug<31>2005
14:58 Apr 16, 2007
Jkt 211001
revisions to the applicable state
implementation plan for the State of
Nevada and full disapproval of certain
other revisions. These revisions involve
State rules governing applications for,
and issuance of, permits for stationary
sources, but not including review and
permitting of major sources and major
modifications under parts C and D of
title I of the Clean Air Act. These
revisions involve submittal of certain
new or amended State rules and
requests by the State for rescission of
certain existing rules from the state
implementation plan. The rescission
requests for which we propose approval
are contingent upon receipt of public
notice and hearing documentation from
the State. EPA is proposing this action
under the Clean Air Act obligation to
take action on State submittals of
revisions to state implementation plans.
The intended effect is to update the
rules governing permitting in the
applicable state implementation plan
and to rescind unnecessary provisions
from the applicable plan. EPA is taking
comments on this proposal and plans to
follow with a final action.
DATES: Any comments must arrive by
June 18, 2007.
ADDRESSES: Submit comments,
identified by docket number EPA–R09–
OAR–2007–0165, by one of the
following methods:
1. Federal eRulemaking Portal:
www.regulations.gov. Follow the on-line
instructions.
2. E-mail: R9airpermits@epa.gov.
3. Mail or deliver: Gerardo Rios (Air3), U.S. Environmental Protection
Agency Region IX, 75 Hawthorne Street,
San Francisco, CA 94105–3901.
Instructions: All comments will be
included in the public docket without
change and may be made available
online at https://www.regulations.gov,
including any personal information
provided, unless the comment includes
Confidential Business Information (CBI)
or other information whose disclosure is
restricted by statute. Information that
you consider CBI or otherwise protected
should be clearly identified as such and
should not be submitted through
www.regulations.gov or e-mail.
www.regulations.gov is an ‘‘anonymous
access’’ system, and EPA will not know
your identity or contact information
unless you provide it in the body of
your comment. If you send e-mail
directly to EPA, your e-mail address
will be automatically captured and
included as part of the public comment.
If EPA cannot read your comment due
to technical difficulties and cannot
contact you for clarification, EPA may
not be able to consider your comment.
PO 00000
Frm 00019
Fmt 4702
Sfmt 4702
Docket: The index to the docket for
this action is available electronically at
www.regulations.gov and in hard copy
at EPA Region IX, 75 Hawthorne Street,
San Francisco, California. While all
documents in the docket are listed in
the index, some information may be
publicly available only at the hard copy
location (e.g., copyrighted material), and
some may not be publicly available in
either location (e.g., CBI). To inspect the
hard copy materials, please schedule an
appointment during normal business
hours with the contact listed in the FOR
FURTHER INFORMATION CONTACT section.
FOR FURTHER INFORMATION CONTACT:
Laura Yannayon, EPA Region IX, (415)
972–3534, yannayon.laura@epa.gov.
SUPPLEMENTARY INFORMATION:
Throughout this document, the terms
‘‘we,’’ ‘‘us’’ and ‘‘our’’ refer to EPA.
Table of Contents
I. The State’s Submittal
A. Which rules did the state submit or
rescind?
B. What is the regulatory history of the
Nevada SIP?
C. What is the purpose of this proposed
rule?
II. EPA’s Evaluation and Action
A. How is EPA evaluating the rules?
B. Do the rules meet the evaluation
criteria?
C. Public comment and proposed action.
III. Statutory and Executive Order Reviews
I. The State’s Submittal
A. Which rules did the state submit or
rescind?
On February 16, 2005, the State of
Nevada’s Department of Conservation
and Natural Resources, Division of
Environmental Protection (NDEP)
submitted a large revision to the
applicable State Implementation Plan
(SIP). The February 16, 2005 SIP
revision submittal includes statutory
provisions, new or amended rules as
well as requests for rescission of certain
statutory provisions and rules approved
by EPA into the applicable SIP. The
rules and rescission requests submitted
by NDEP on February 16, 2005 relate to
definitions, administrative
requirements, prohibitory rules, and
permitting-related requirements and
procedures. The February 16, 2005 SIP
submittal also includes documentation
of public notice and hearing for all of
the new or amended rules through the
hearing on November 30, 2004 held by
the Nevada State Environmental
Commission.
On January 12, 2006, NDEP resubmitted most of the earlier submittal
as modified to reflect new or amended
rules adopted by the State
Environmental Commission on October
E:\FR\FM\17APP1.SGM
17APP1
Agencies
[Federal Register Volume 72, Number 73 (Tuesday, April 17, 2007)]
[Proposed Rules]
[Pages 19138-19144]
From the Federal Register Online via the Government Printing Office [www.gpo.gov]
[FR Doc No: E7-7067]
=======================================================================
-----------------------------------------------------------------------
LIBRARY OF CONGRESS
Copyright Royalty Board
37 CFR Part 381
[Docket No. 2006-2 CRB NCBRA]
Noncommercial Educational Broadcasting Statutory License
AGENCY: Copyright Royalty Board, Library of Congress.
ACTION: Notice of proposed rulemaking.
-----------------------------------------------------------------------
SUMMARY: The Copyright Royalty Judges are publishing for comment
certain royalty rates, proposed by the parties in the proceeding to
determine the rates and terms for the noncommercial educational
broadcasting statutory license contained in the Copyright Act.
DATES: Comments and objections, if any, are due on or before May 17,
2007.
ADDRESSES: An original, five paper copies, and one electronic copy in
Portable Document Format (PDF) on compact disk (an optical data storage
medium such as a CD-ROM, CD-R or CD-RW) or floppy diskette of a comment
or objection must be delivered to the Copyright Royalty Board in one of
the following ways: If hand delivered by a private party, the comment
or objection should be brought to the Copyright Office Public
Information Office in the James Madison Memorial Building, Room LM-401,
101 Independence Avenue, SE., Monday through Friday, between 8:30 a.m.
and 5 p.m., and the envelope must be addressed as follows: Copyright
Royalty Board, Library of Congress, James Madison Memorial Building,
101 Independence Avenue, SE., Washington, DC 20559-6000. If delivered
by a commercial courier (excluding overnight delivery services such as
Federal Express, United Parcel Service and similar overnight delivery
services), the comment or objection must be delivered to the
Congressional Courier Acceptance Site (CCAS) located at 2nd and D
Street, NE., Monday through Friday, between 8:30 a.m. and 4 p.m., and
the envelope must be addressed as follows: Copyright Royalty Board,
Library of Congress, James Madison Memorial Building, 101 Independence
Avenue, SE., Washington, DC 20559-6000. If a comment or objection is
sent by mail (including overnight delivery using United States Postal
Service Express Mail), the envelope must be addressed to: Copyright
Royalty Board, P.O. Box 70977, Southwest Station, Washington, DC 20024-
0977. Comments and objections may not be delivered by means of
overnight delivery services such as Federal Express, United Parcel
Service, etc., due to delays in processing receipt of such deliveries.
FOR FURTHER INFORMATION CONTACT: Gina Giuffreda, Attorney-Advisor.
Telephone (202) 707-7658. Telefax (202) 252-3423.
SUPPLEMENTARY INFORMATION:
Background
Section 118 of the Copyright Act, title 17 of the United States
Code, establishes a statutory license for the use of certain
copyrighted works in connection with noncommercial television and radio
broadcasting. The terms and rates for this statutory license have been
adjusted periodically by the Librarian of Congress and appear in 37 CFR
Part 253. However, the Copyright Royalty and Distribution Reform Act of
2004, Pub. L. No. 108-419, transferred jurisdiction over these rates
and terms to the Copyright Royalty Judges. 17 U.S.C. 801(b)(1). This is
a window year for the establishment of new rates and terms for the
2008-2012 license period.
On January 9, 2006, pursuant to 17 U.S.C. 803(b)(1)(A)(i)(V), the
Copyright Royalty Judges published a notice in the Federal Register
announcing commencement of proceedings under 17 U.S.C. 118 and
requesting interested parties to submit their petitions to participate.
71 FR 1453 (January 9, 2006). Petitions to participate were received
from: the American Council on Education (``ACE''); the National Music
Publishers Association, Inc. (``NMPA''); the Harry Fox Agency
(``HFA''); the National Religious Broadcasters Noncommercial Music
License Committee (``NRBNMLC''); Royalty Logic, Inc.; the American
Society of Composers, Authors and Publishers (``ASCAP''); Broadcast
Music, Inc. (``BMI''); SESAC, Inc.; National Public Radio (``NPR'');
the Corporation for Public Broadcasting (``CPB''); the Public
Broadcasting Service (``PBS''); and the Church Music Publishers
Association, Inc. The Judges set the timetable for the three-month
negotiation period, see 17 U.S.C. 803(b)(3), and directed the
[[Page 19139]]
participants to submit their written direct statements no later than
January 30, 2007. Instead of written direct statements, the parties
submitted notification of settlements and proposed rates and terms for
the Copyright Royalty Judges to adopt.
There are two ways that copyright owners and public broadcasting
entities \1\ may negotiate rates and terms under the section 118
statutory license. First, copyright owners may negotiate rates and
terms with specific public broadcasting entities for the use of all of
the copyright owners' works covered by the license. Section 118(b)(2)
provides that such license agreements ``shall be given effect in lieu
of any determination by the * * * Copyright Royalty Judges,'' provided
that copies of the agreements are submitted to the Copyright Royalty
Board ``within 30 days of execution.'' 17 U.S.C. 118(b)(2). The
Copyright Royalty Judges received notification of several agreements in
this category for which no further action is required.
---------------------------------------------------------------------------
\1\ A ``public broadcasting entity'' is defined as a
``noncommercial educational broadcast station as defined in section
397 of title 47 and any nonprofit institution or organization
engaged in the activities described in paragraph (2) of subsection
(c)'' of section 118.
---------------------------------------------------------------------------
Second, copyright owners and public broadcasting entities may
negotiate rates and terms for categories of copyrighted works and uses,
that would be binding on all owners and entities, and submit them to
the Copyright Royalty Judges for approval. Section 801(b)(7)(A)
provides that in such event:
(i) the Copyright Royalty Judges shall provide to those that
would be bound by the terms, rates, or other determination set by
any agreement in a proceeding to determine royalty rates an
opportunity to comment on the agreement and shall provide to
participants in the proceeding under section 803(b)(2) that would be
bound by the terms, rates, or other determination set by the
agreement to comment on the agreement and object to its adoption as
a basis for statutory terms and rates; and
(ii) the Copyright Royalty Judges may decline to adopt the
agreement as a basis for statutory terms and rates for participants
that are not parties to the agreement, if any participant described
in clause (i) objects to the agreement and the Copyright Royalty
Judges conclude, based on the record before them if one exists, that
the agreement does not provide a reasonable basis for setting
statutory terms or rates.
17 U.S.C. 801(b)(7)(A). The Copyright Royalty Judges received seven
proposals within this category: (1) A joint proposal of BMI and the
NRBNMLC; (2) a joint proposal of ASCAP and ACE; (3) a joint proposal of
SESAC and ACE; (4) a joint proposal of HFA, NMPA and the NRBNMLC; (5) a
joint proposal of SESAC and the NRBNMLC; (6) a joint proposal of ASCAP
and the NRBNMLC; and (7) a joint proposal of BMI and ACE. After
reviewing the proposals, the Copyright Royalty Judges determined that
they were insufficient on their face.\2\ By Order dated February 22,
2007, the Judges directed the parties to amend their proposals. On
March 15, 2007, ACE, ASCAP, BMI, HFA, NMPA, NPR, NRBNMLC, PBS and SESAC
submitted a joint proposal for section 118 rates and terms. It is this
proposal that the Judges are publishing today for comment.\3\
---------------------------------------------------------------------------
\2\ The reason for the insufficiency was the parties' incorrect
assumption that the Copyright Royalty Judges would be amending part
253 of title 37 of the Code of Federal Regulations-the Copyright
Office's rules-rather than our own rules. As a result, the parties
only proposed amendments rather than a complete text of regulations.
\3\ Part 381, which we propose today, will be part of a new
Subchapter E which will contain the rates and terms for the various
statutory licenses. This new subchapter will be established upon the
publication of the final determination of the rates and terms for
the section 112 and 114 statutory licenses, Docket No. 2005-1 CRB
DTRA, and will contain Part 380.
---------------------------------------------------------------------------
As part of this notice of proposed rulemaking (``NPRM''), the
Copyright Royalty Judges are modifying three aspects of the joint
proposal. First, the proposed regulations for terms governing the
recording of nondramatic performances and displays of musical works and
the terms for the use of published pictorial, graphic and sculptural
works require the deposit with the Copyright Office of cue sheets (for
musical works) and standard lists (for pictorial, graphic and
sculptural works) in hard copy format. We are changing these provisions
to require submission of cue sheets and standard lists in electronic
disk format only (due to space limitations) and requiring that they be
submitted to the offices of the Copyright Royalty Board rather than the
Copyright Office.
Second, the joint proposal requires public broadcasting entities to
make information concerning fees deposited in trust funds for unknown
copyright owners available upon request to the Copyright Office. We are
changing the provision to make the information available to the
Copyright Royalty Judges instead of the Copyright Office.
Third, the parties have included a provision in their proposal
governing the rates and terms applicable to certain public broadcasting
entities that states that such rates and terms are experimental,
without precedential effect, and may not be introduced or relied upon
in any governmental, administrative or judicial proceeding. The
Copyright Royalty Judges decline to include such a provision within our
regulations. Our task, as set forth in section 118 and chapter 8 of the
Copyright Act, is to adopt rates and terms for the noncommercial
broadcasting license. It is not our task to offer evaluations,
limitations or characterizations of the rates and terms, or make
statements about their use or value in proceedings other than this one.
As discussed above, the public may comment and object to any or all
of the proposed regulations contained in this NPRM. Those who do
comment and object, however, must be prepared to participate in further
proceedings in this docket to establish rates and terms for the section
118 license.
List of Subjects in 37 CFR Part 381
Copyright, Music, Radio, Television, Rates.
Proposed Regulations
For the reasons set forth in the preamble, the Copyright Royalty
Judges propose to add Part 381 to Chapter III of title 37 of the Code
of Federal Regulations to read as follows:
PART 381--USE OF CERTAIN COPYRIGHTED WORKS IN CONNECTION WITH
NONCOMMERCIAL EDUCATIONAL BROADCASTING
Sec.
381.1 General.
381.2 Definition of public broadcasting entity.
381.3 [Reserved]
381.4 Performance of musical compositions by PBS, NPR and other
public broadcasting entities engaged in the activities set forth in
17 U.S.C. 118(c).
381.5 Performance of musical compositions by public broadcasting
entities licensed to colleges and universities.
381.6 Performance of musical compositions by other public
broadcasting entities.
381.7 Recording rights, rates and terms.
381.8 Terms and rates of royalty payments for the use of published
pictorial, graphic and sculptural works.
381.9 Unknown copyright owners.
381.10 Cost of living adjustment.
381.11 Notice of restrictions on use of reproductions of
transmission programs.
Authority: 17 U.S.C. 118, 801(b)(1) and 803.
Sec. 381.1 General.
This part establishes terms and rates of royalty payments for
certain activities using published nondramatic musical works and
published pictorial, graphic and sculptural works during a period
beginning on January 1, 2008, and ending on December 31, 2012. Upon
compliance with 17 U.S.C. 118, and the terms and rates of this part, a
public broadcasting entity may engage in the
[[Page 19140]]
activities with respect to such works set forth in 17 U.S.C. 118(c).
Sec. 381.2 Definition of public broadcasting entity.
As used in this part, the term public broadcasting entity means a
noncommercial educational broadcast station as defined in section 397
of title 47 and any nonprofit institution organization engaged in the
activities described in 17 U.S.C. 118(c).
Sec. 381.3 [Reserved]
Sec. 381.4 Performance of musical compositions by PBS, NPR and other
public broadcasting entities engaged in the activities set forth in 17
U.S.C. 118(c).
The following schedule of rates and terms shall apply to the
performance by PBS, NPR and other public broadcasting entities engaged
in activities set forth in 17 U.S.C. 118(c) of copyrighted published
nondramatic musical compositions, except for public broadcasting
entities covered by Sec. Sec. 381.5 and 381.6, and except for
compositions which are the subject of voluntary license agreements.
(a) Determination of royalty rate. (1) For performance of such work
in a feature presentation of PBS:
2008-2012................................................... $227.58
(2) For performance of such a work as background or theme music in
a PBS program:
2008-2012................................................... $57.66
(3) For performance of such a work in a feature presentation of a
station of PBS:
2008-2012................................................... $19.45
(4) For performance of such a work as background or theme music in
a program of a station of PBS:
2008-2012................................................... $4.10
(5) For the performance of such a work in a feature presentation of
NPR:
2008-2012................................................... $23.07
(6) For the performance of such a work as background or theme music
in an NPR program:
2008-2012................................................... $5.59
(7) For the performance of such a work in a feature presentation of
a station of NPR:
2008-2012................................................... $1.63
(8) For the performance of such a work as background or theme music
in a program of a station of NPR:
2008-2012................................................... $.58
(9) For purposes of this schedule the rate for the performance of
theme music in an entire series shall be double the single program
theme rate.
(10) In the event the work is first performed in a program of a
station of PBS or NPR, and such program is subsequently distributed by
PBS or NPR, an additional royalty payment shall be made equal to the
difference between the rate specified in this section for a program of
a station of PBS or NPR, respectively, and the rate specified in this
section for a PBS or NPR program, respectively.
(b) Payment of royalty rate. The required royalty rate shall be
paid to each known copyright owner not later than July 31 of each
calendar year for uses during the first six months of that calendar
year, and not later than January 31 for uses during the last six months
of the preceding calendar year.
(c) Records of use. PBS and NPR shall, upon the request of a
copyright owner of a published musical work who believes a musical
composition of such owner has been performed under the terms of this
schedule, permit such copyright owner a reasonable opportunity to
examine their standard cue sheets listing the nondramatic performances
of musical compositions on PBS and NPR programs. Any local PBS and NPR
station that shall be required by the provisions of any voluntary
license agreement with ASCAP, BMI or SESAC covering the license period
January 1, 2008, to December 31, 2012, to provide a music use report
shall, upon request of a copyright owner who believes a musical
composition of such owner has been performed under the terms of this
schedule, permit such copyright owner to examine the report.
(d) Terms of use. The fees provided in this schedule for the
performance of a musical work in a program shall cover performances of
such work in such program for a period of four years following the
first performance.
Sec. 381.5 Performance of musical compositions by public broadcasting
entities licensed to colleges and universities.
(a) Scope. This section applies to the performance of copyrighted
published nondramatic musical compositions by noncommercial radio
stations which are licensed to accredited colleges, accredited
universities, or other accredited nonprofit educational institutions
and which are not affiliated with National Public Radio. For purposes
of this section, accreditation of institutions providing post-secondary
education shall be determined by a regional or national accrediting
agency recognized by the Council for Higher Education Accreditation or
the United States Department of Education; and accreditation of
institutions providing elementary or secondary education shall be as
recognized by the applicable state licensing authority.
(b) Voluntary license agreements. Notwithstanding the schedule of
rates and terms established in this section, the rates and terms of any
license agreements entered into by copyright owners and colleges,
universities, and other nonprofit educational institutions concerning
the performance of copyrighted musical compositions, including
performances by noncommercial radio stations, shall apply in lieu of
the rates and terms of this section.
(c) Royalty rate. A public broadcasting entity within the scope of
this section may perform published nondramatic musical compositions
subject to the following schedule of royalty rates:
(1) For all such compositions in the repertory of ASCAP, $277
annually in 2007, as adjusted pursuant to Sec. 381.10.
(2) For all such compositions in the repertory of BMI, $277
annually in 2007, as adjusted pursuant to Sec. 381.10.
(3) For all such compositions in the repertory of SESAC, $116
annually in 2008, as adjusted pursuant to Sec. 381.10.
(4) For the performance of any other such compositions: $1.
(d) Payment of royalty rate. The public broadcasting entity shall
pay the required royalty rate to ASCAP, BMI and SESAC not later than
January 31 of each year.
(e) Records of use. A public broadcasting entity subject to this
section shall furnish to ASCAP, BMI and SESAC, upon request, a music-
use report during one week of each calendar year. ASCAP, BMI and SESAC
shall not in any one calendar year request more than 10 stations to
furnish such reports.
Sec. 381.6 Performance of musical compositions by other public
broadcasting entities.
(a) Scope. This section applies to the performance of copyrighted
published nondramatic musical compositions by radio stations not
licensed to colleges, universities, or other nonprofit educational
institutions and which are not affiliated with NPR. In the event that a
station owned by a public broadcasting entity broadcasts programming by
means of an in-band, on-channel (``IBOC'') digital radio signal and
such programming is different than the station's analog broadcast
programming, then any such programming shall be deemed to be provided
by a separate station requiring a separate royalty payment.
(b) Voluntary license agreements. Notwithstanding the schedule of
rates
[[Page 19141]]
and terms established in this section, the rates and terms of any
license agreements entered into by copyright owners and noncommercial
radio stations within the scope of this section concerning the
performance of copyrighted musical compositions, including performances
by noncommercial radio stations, shall apply in lieu of the rates and
terms of this section.
(c) Royalty rate. A public broadcasting entity within the scope of
this section may perform published nondramatic musical compositions
subject to the following schedule of royalty rates:
(1) For all such compositions in the repertory of ASCAP, the
royalty rates shall be as follows:
----------------------------------------------------------------------------------------------------------------
Population count 2008 2009 2010 2011 2012
----------------------------------------------------------------------------------------------------------------
Level 1...................... 0-249,999....... $550 $567 $583 $601 $619
Level 2...................... 250,000-499,999. 1,000 1,030 1,061 1,093 1,126
Level 3...................... 500,000-999,999. 1,500 1,545 1,591 1,639 1,688
Level 4...................... 1,000,000-1,499, 2,000 2,060 2,122 2,185 2,251
999.
Level 5...................... 1,500,000-1,999, 2,500 2,575 2,652 2,732 2,814
999.
Level 6...................... 2,000,000-2,499, 3,000 3,090 3,183 3,278 3,377
999.
Level 7...................... 2,500,000-2,999, 3,500 3,605 3,713 3,825 3,939
999.
Level 8...................... 3,000,000 and 5,000 5,150 5,305 5,464 5,628
above.
----------------------------------------------------------------------------------------------------------------
(2) For all such compositions in the repertory of BMI, the royalty
rates shall be as follows:
----------------------------------------------------------------------------------------------------------------
Population count 2008 2009 2010 2011 2012
----------------------------------------------------------------------------------------------------------------
Level 1...................... 0-249,999....... $550 $567 $583 $601 $619
Level 2...................... 250,000-499,999. 1,000 1,030 1,061 1,093 1,126
Level 3...................... 500,000-999,999. 1,500 1,545 1,591 1,639 1,688
Level 4...................... 1,000,000-1,499, 2,000 2,060 2,122 2,185 2,251
999.
Level 5...................... 1,500,000-1,999, 2,500 2,575 2,652 2,732 2,814
999.
Level 6...................... 2,000,000-2,499, 3,000 3,090 3,183 3,278 3,377
999.
Level 7...................... 2,500,000-2,999, 3,500 3,605 3,713 3,825 3,939
999.
Level 8...................... 3,000,000 and 5,000 5,150 5,305 5,464 5,628
above.
----------------------------------------------------------------------------------------------------------------
(3) For all such compositions in the repertory of SESAC, the
royalty rates shall be as follows:
----------------------------------------------------------------------------------------------------------------
Population count 2008 2009 2010 2011 2012
----------------------------------------------------------------------------------------------------------------
Level 1...................... 0-249,999....... $120 $124 $127 $131 $135
Level 2...................... 250,000-499,999. 200 206 212 219 225
Level 3...................... 500,000-999,999. 300 309 318 328 338
Level 4...................... 1,000,000-1,499, 400 412 424 437 450
999.
Level 5...................... 1,500,000-1,999, 500 515 530 546 563
999.
Level 6...................... 2,000,000-2,499, 600 618 637 656 675
999.
Level 7...................... 2,500,000-2,999, 700 721 743 765 788
999.
Level 8...................... 3,000,000 and 1,000 1,030 1,061 1,093 1,126
above.
----------------------------------------------------------------------------------------------------------------
(4) For the performance of any other such compositions, in 2008
through 2012, $1.
(d) Payment of royalty rate. The public broadcasting entity shall
pay the required royalty rate to ASCAP, BMI and SESAC not later than
January 31 of each year. Each annual payment shall be accompanied by a
signed declaration stating the Population Count of the public
broadcasting entity and the source for such Population Count. An exact
copy of such declaration shall be furnished to each of ASCAP, BMI and
SESAC. Upon prior written notice thereof from ASCAP, BMI or SESAC, a
public broadcasting entity shall make its books and records relating to
its Population Count available for inspection.
(e) Records of use. A public broadcasting entity subject to this
section shall furnish to ASCAP, BMI and SESAC, upon request, a music-
use report during one week of each calendar year. ASCAP, BMI and SESAC
each shall not in any one calendar year request more than 10 stations
to furnish such reports.
(f) Definitions. As used in paragraphs (c) and (d) of this section,
the following terms and their variant forms mean the following:
(1) Population Count. The combination of:
(i) The number of persons estimated to reside within a station's
Predicted 60 dBu Contour, based on the most recent available census
data; and
(ii) The nonduplicative number of persons estimated to reside in
the Predicted 60 dBu Contour of any Translator Station or Booster
Station that extends a public broadcasting entity's signal beyond the
contours of a station's Predicted 60 dBu Contour.
(iii) In determining Population Count, a station or a Translator
Station or a Booster Station may use and report the total population
data, from a research company generally recognized in the broadcasting
industry, for the radio market within which the station's community
license is located.
(2) Predicted 60 dBu Contour shall be calculated as set forth in 47
CFR 73.313.
[[Page 19142]]
(3) Translator Station and Booster Station shall have the same
meanings as set forth in 47 CFR 74.1201.
Sec. 381.7 Recording rights, rates and terms.
(a) Scope. This section establishes rates and terms for the
recording of nondramatic performances and displays of musical works,
other than compositions subject to voluntary license agreements, on and
for the radio and television programs of public broadcasting entities,
whether or not in synchronization or timed relationship with the visual
or aural content, and for the making, reproduction, and distribution of
copies and phonorecords of public broadcasting programs containing such
nondramatic performances and displays of musical works solely for the
purpose of transmission by public broadcasting entities. The rates and
terms established in this schedule include the making of the
reproductions described in 17 U.S.C. 118(c)(3).
(b) Royalty rate. (1)(i) For uses described in paragraph (a) of
this section of a musical work in a PBS-distributed program, the
royalty fees shall be calculated by multiplying the following per-
composition rates by the number of different compositions in that PBS-
distributed program:
2008-2012
(A) Feature................................................. $149.94
(B) Concert feature (per minute)............................ 44.59
(C) Background.............................................. 74.97
(D) Theme:
(1) Single program or first series program.............. 74.97
(2) Other series program................................ 30.39
(ii) For such uses other than in a PBS-distributed television
program, the royalty fee shall be calculated by multiplying the
following per-composition rates by the number of different compositions
in that program:
2008-2012
(A) Feature................................................. $9.43
(B) Concert feature (per minute)............................ 2.48
(C) Background.............................................. 4.10
(D) Theme:
(1) Single program or first series of program........... 4.10
(2) Other series program................................ 1.63
(iii) In the event the work is first recorded other than in a PBS-
distributed program, and such program is subsequently distributed by
PBS, an additional royalty payment shall be made equal to the
difference between the rate specified in this section for other than a
PBS-distributed program and the rate specified in this section for a
PBS-distributed program.
(2) For uses licensed herein of a musical work in a NPR program,
the royalty fees shall be calculated by multiplying the following per-
composition rates by the number of different compositions in any NPR
program distributed by NPR. For purposes of this schedule ``National
Public Radio'' programs include all programs produced in whole or in
part by NPR, or by any NPR station or organization under contract with
NPR.
2008-2012
(i) Feature................................................. $12.35
(ii) Concert feature (per minute)........................... 18.13
(iii) Background............................................ 6.19
(iv) Theme:
(A) Single program or first series program.............. 6.19
(B) Other series program................................ 2.47
(3) For purposes of this schedule, a ``Concert Feature'' shall be
deemed to be the nondramatic presentation in a program of all or part
of a symphony, concerto, or other serious work originally written for
concert performance, or the nondramatic presentation in a program of
portions of a serious work originally written for opera performance.
(4) For such uses other than in an NPR-produced radio program:
2008-2012
(i) Feature................................................. $.79
(ii) Feature (concert) (per half hour)...................... 1.65
(iii) Background............................................ .40
(5) The schedule of fees covers use for a period of three years
following the first use. Succeeding use periods will require the
following additional payment: additional one-year period--25 percent of
the initial three-year fee; second three-year period--50 percent of the
initial three-year fee; each three-year fee thereafter--25 percent of
the initial three-year fee; provided that a 100 percent additional
payment prior to the expiration of the first three-year period will
cover use during all subsequent use periods without limitation. Such
succeeding uses which are subsequent to December 31, 2012, shall be
subject to the royalty rates established in this schedule.
(c) Payment of royalty rates. The required royalty rates shall be
paid to each known copyright owner not later than July 31 of each
calendar year for uses during the first six months of that calendar
year, and not later than January 31 for uses during the last six months
of the preceding calendar year.
(d) Records of use. (1) Maintenance of cue sheets. PBS and its
stations, NPR, or other public broadcasting entities shall maintain and
make available for examination pursuant to paragraph (e) of this
section copies of their standard cue sheets or summaries of same
listing the recording of the musical works of such copyright owners.
(2) Content of cue sheets or summaries. Such cue sheets or
summaries shall include:
(i) The title, composer and author to the extent such information
is reasonably obtainable.
(ii) The type of use and manner of performance thereof in each
case.
(iii) For Concert Feature music, the actual recorded time period on
the program, plus all distribution and broadcast information available
to the public broadcasting entity.
(e) Filing of use reports with the Copyright Royalty Judges.
Deposit of cue sheets or summaries. PBS and its stations, NPR, or other
television public broadcasting entity shall deposit with the Copyright
Royalty Judges one electronic copy in Portable Document Format (PDF) on
compact disk (an optical data storage medium such as a CD-ROM, CD-R or
CD-RW) or floppy diskette of their standard music cue sheets or
summaries of same listing the recording pursuant to this schedule of
the musical works of copyright owners. Such cue sheets or summaries
shall be deposited not later than July 31 of each calendar year for
recordings during the first six months of the calendar year and not
later than January 31 of each calendar year for recordings during the
second six months of the preceding calendar year. PBS and NPR shall
maintain at their offices copies of all standard music cue sheets from
which such music use reports are prepared. Such music cue sheets shall
be furnished to the Copyright Royalty Judges upon their request and
also shall be available during regular business hours at the offices of
PBS or NPR for examination by a copyright owner who believes a musical
composition of such owner has been recorded pursuant to this schedule.
Sec. 381.8 Terms and rates of royalty payments for the use of
published pictorial, graphic, and sculptural works.
(a) Scope. This section establishes rates and terms for the use of
published pictorial, graphic, and sculptural works by public
broadcasting entities for the activities described in 17 U.S.C. 118.
The rates and terms established in this
[[Page 19143]]
schedule include the making of the reproductions described in 17 U.S.C.
118(c).
(b) Royalty rate. (1) The following schedule of rates shall apply
to the use of works within the scope of this section:
(i) For such uses in a PBS-distributed program:
2008-2012
(A) For featured display of a work.......................... $69.70
(B) For background and montage display...................... 33.99
(C) For use of a work for program identification or for 137.40
thematic use...............................................
(D) For the display of an art reproduction copyrighted 45.14
separately from the work of fine art from which the work
was reproduced irrespective of whether the reproduced work
of fine art is copyrighted so as to be subject also to
payment of a display fee under the terms of the schedule...
(ii) For such uses in other than PBS-distributed programs:
2008-2012
(A) For featured display of a work.......................... $45.14
(B) For background and montage display...................... 23.13
(C) For use of a work for program identification or for 92.27
thematic use...............................................
(D) For the display of an art reproduction copyrighted 23.14
separately from the work of fine art from which the work
was reproduced irrespective of whether the reproduced work
of fine art is copyrighted so as to be subject also to
payment of a display fee under the terms of this schedule..
(2) For the purposes of the schedule in paragraph (b)(1) of this
section the rate for the thematic use of a work in an entire series
shall be double the single program theme rate. In the event the work is
first used other than in a PBS-distributed program, and such program is
subsequently distributed by PBS, an additional royalty payment shall be
made equal to the difference between the rate specified in this section
for other than a PBS-distributed program and the rate specified in this
section for a PBS-distributed program.
(3) ``Featured display'' for purposes of this schedule means a
full-screen or substantially full-screen display appearing on the
screen for more than three seconds. Any display less than full-screen
or substantially full-screen, or full-screen for three seconds or less,
is deemed to be a ``background or montage display''.
(4) ``Thematic use'' is the utilization of the works of one or more
artists where the works constitute the central theme of the program or
convey a story line.
(5) ``Display of an art reproduction copyrighted separately from
the work of fine art from which the work was reproduced'' means a
transparency or other reproduction of an underlying work of fine art.
(c) Payment of royalty rate. PBS or other public broadcasting
entity shall pay the required royalty fees to each copyright owner not
later than July 31 of each calendar year for uses during the first six
months of that calendar year, and not later than January 31 for uses
during the last six months of the preceding calendar year.
(d) Records of use. (1) PBS and its stations or other public
broadcasting entity shall maintain and furnish either to copyright
owners, or to the offices of generally recognized organizations
representing the copyright owners of pictorial, graphic and sculptural
works, copies of their standard lists containing the pictorial,
graphic, and sculptural works displayed on their programs. Such notice
shall include the name of the copyright owner, if known, the specific
source from which the work was taken, a description of the work used,
the title of the program on which the work was used, and the date of
the original broadcast of the program.
(2) Such listings shall be furnished not later than July 31 of each
calendar year for displays during the first six months of the calendar
year, and not later than January 31 of each calendar year for displays
during the second six months of the preceding calendar year.
(e) Filing of use reports with the Copyright Royalty Judges. (1)
PBS and its stations or other public broadcasting entity shall deposit
with the Copyright Royalty Judges one electronic copy in Portable
Document Format (PDF) on compact disk (an optical data storage medium
such as a CD-ROM, CD-R or CD-RW) or floppy diskette of their standard
lists containing the pictorial, graphic, and sculptural works displayed
on their programs. Such notice shall include the name of the copyright
owner, if known, the specific source from which the work was taken, a
description of the work used, the title of the program on which the
work was used, and the date of the original broadcast of the program.
(2) Such listings shall be furnished not later than July 31 of each
calendar year for displays during the first six months of the calendar
year, and not later than January 31 of each calendar year for displays
during the second six months of the preceding calendar year.
(f) Terms of use. (1) The rates of this schedule are for unlimited
use for a period of three years from the date of the first use of the
work under this schedule. Succeeding use periods will require the
following additional payment: Additional one-year period--25 percent of
the initial three-year fee; second three-year period--50 percent of the
initial three-year fee; each three-year period thereafter--25 percent
of the initial three-year fee; provided that a 100 percent additional
payment prior to the expiration of the first three-year period will
cover use during all subsequent use periods without limitation. Such
succeeding uses which are subsequent to December 31, 2012, shall be
subject to the rates established in this schedule.
(2) Pursuant to the provisions of 17 U.S.C. 118(e), nothing in this
schedule shall be construed to permit, beyond the limits of fair use as
provided in 17 U.S.C. 107, the production of a transmission program
drawn to any substantial extent from a published compilation of
pictorial, graphic, or sculptural works.
Sec. 381.9 Unknown copyright owners.
If PBS and its stations, NPR and its stations, or other public
broadcasting entity is not aware of the identity of, or unable to
locate, a copyright owner who is entitled to receive a royalty payment
under this part, they shall retain the required fee in a segregated
trust account for a period of three years from the date of the required
payment. No claim to such royalty fees shall be valid after the
expiration of the three-year period. Public broadcasting entities may
establish a joint trust fund for the purposes of this section. Public
broadcasting entities shall make available to the Copyright Royalty
Judges, upon request, information concerning fees deposited in trust
funds.
Sec. 381.10 Cost of living adjustment.
(a) On December 1, 2007, the Copyright Royalty Judges shall publish
in the Federal Register a notice of the change in the cost of living as
determined by the Consumer Price Index (all consumers, all items)
during the period from the most recent Index published prior to
December 1, 2006, to
[[Page 19144]]
the most recent Index published prior to December 1, 2007. On each
December 1 thereafter the Copyright Royalty Judges shall publish a
notice of the change in the cost of living during the period from the
most recent index published prior to the previous notice, to the most
recent Index published prior to December 1, of that year.
(b) On the same date of the notices published pursuant to paragraph
(a) of this section, the Copyright Royalty Judges shall publish in the
Federal Register a revised schedule of rates for Sec. 381.5 which
shall adjust those royalty amounts established in dollar amounts
according to the change in the cost of living determined as provided in
paragraph (a) of this section. Such royalty rates shall be fixed at the
nearest dollar.
(c) The adjusted schedule for rates for Sec. 381.5 shall become
effective thirty days after publication in the Federal Register.
Sec. 381.11 Notice of restrictions on use of reproductions of
transmission programs.
Any public broadcasting entity which, pursuant to 17 U.S.C. 118,
supplies a reproduction of a transmission program to governmental
bodies or nonprofit institutions shall include with each copy of the
reproduction a warning notice stating in substance that the
reproductions may be used for a period of not more than seven days from
the specified date of transmission, that the reproductions must be
destroyed by the user before or at the end of such period, and that a
failure to fully comply with these terms shall subject the body or
institution to the remedies for infringement of copyright.
Dated: April 10, 2007.
James Scott Sledge,
Chief Copyright Royalty Judge.
[FR Doc. E7-7067 Filed 4-16-07; 8:45 am]
BILLING CODE 1410-72-P