Notice of Intent To Repatriate Cultural Items: American Museum of Natural History, New York, NY, 22249-22251 [2021-08768]
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Federal Register / Vol. 86, No. 79 / Tuesday, April 27, 2021 / Notices
Caliente, and Whitewater. Intragroup
identity is reflected in an extant historic
marker mounted on a large boulder in
Covington Park. Dedicated in 1963, the
marker reads, ‘‘John Morongo born 1850
was outstanding member of the
Morongo Class for whom Morongo
Basin was named. His parents
established Big Morongo Oasis. The
father belonged to Serrano Tribe, and
mother to the Cahuilla Tribe.’’ A recent
Cultural Resources Assessment by M.
Lerch and G. Smith (1984) notes that
native consultation was conducted with
two Serrano tribal elders, Katherine
Howard and Dorothy Ramon, who were
living at the Morongo Reservation.
According to M. Lerch (1984) and R.
Benedict (1924), the Morongo Valley
was originally inhabited by the Eastern
Serrano groups, the Maringa and the
Muhiatnim. Place names associated
with the Morongo Valley include
Serrano names such as Maringa, Turka,
and Mukumpat.
At an unknown date, human remains
representing, at minimum, two
individuals were removed from the
Asistencia (SBCM–714; CA–SBR–2307)
in San Bernardino County, CA. The
human remains are represented by
fragments of long bones, vertebrae, ribs,
carpals/tarsals, maxilla, teeth, and
various cremated bones. The age and
sex of the individuals are unknown. No
known individuals were identified. The
three associated funerary objects are one
bullet shell, one lot of bird claws, and
one lot of shell.
The Asistencia (or Estancia) was a
mission outpost constructed in the San
Bernardino Rancho in 1820, near the
native village of Guachama. After the
establishment of San Gabriel Mission in
1771, mission records report contact
with Guachama village. The records also
record that Carlos Garcia, a Spaniard
and mayordomo of the Rancho, was
directed to construct the Estancia a mile
from its current location. In 1830, the
Estancia was relocated to its present site
on Barton Road. There, Majordomo Juan
Alvarado built a new 14-room complex
of adobe and timber. Four years later, in
1834, this complex was abandoned.
During the 1840s, some of the buildings
were used by Jose del Carmen Lugo as
part of his land grant. Following its sale
to the Mormons, it was occupied by
Bishop Nathan C. Tenney in the 1850s,
and by Ben Barton in the 1860s. By
1925, the Estancia was once again ruins,
and in 1926, the County of San
Bernardino and the Historical Society of
San Bernardino, under the direction of
Horace P. Hinckley, removed the
remnants of the complex and began
construction on a new six-room
structure. It was perhaps during this
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time that human remains were found.
The new structure was simply a
romanticized reconstruction and would
not have had a cemetery associated with
it. It was completed in 1937, as a joint
state (SERA) and federal (WPA) relief
project. The County of San Bernardino
stewarded and performed ongoing
maintenance on the property until 2018,
when ownership was transferred to the
Redlands Conservancy.
A preponderance of the evidence
supports a determination that these two
individuals are Native American. There
is little evidence that can establish a
time-period for these human remains,
though the archeological context
suggests a pre-mission date. The
Asistencia where the human remains
were found operated from 1830 to 1834.
Ethnohistoric evidence indicates that
the area around the Guachama was
occupied by the Serrano, though many
Indian Tribes lived and travelled
through the area, and a diverse native
population in this region would have
attracted a missionary presence.
Determinations Made by the San
Bernardino County Museum
Personnel of the San Bernardino
County Museum have determined that:
• Pursuant to 25 U.S.C. 3001(9), the
human remains described in this notice
represent the physical remains of three
individuals of Native American
ancestry.
• Pursuant to 25 U.S.C. 3001(3)(A),
the 20 objects described in this notice
are reasonably believed to have been
placed with or near individual human
remains at the time of death or later as
part of the death rite or ceremony.
• Pursuant to 25 U.S.C. 3001(2), there
is a relationship of shared group
identity that can be reasonably traced
between the Native American human
remains and associated funerary objects
and the Agua Caliente Band of Cahuilla
Indians of the Agua Caliente Indian
Reservation, California; Augustine Band
of Cahuilla Indians, California
[previously listed as Augustine Band of
Cahuilla Mission Indians of the
Augustine Reservation]; Cabazon Band
of Mission Indians, California; Cahuilla
Band of Indians [previously listed as
Cahuilla Band of Mission Indians of the
Cahuilla Reservation, California]; Los
Coyotes Band of Cahuilla and Cupeno
Indians, California [previously listed as
Los Coyotes Band of Cahuilla & Cupeno
Indians of the Los Coyotes Reservation];
Morongo Band of Mission Indians,
California [previously listed as Morongo
Band of Cahuilla Mission Indians of the
Morongo Reservation]; Ramona Band of
Cahuilla, California [previously listed as
Ramona Band or Village of Cahuilla
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22249
Mission Indians of California]; San
Manuel Band of Mission Indians,
California [previously listed as San
Manual Band of Serrano Mission
Indians of the San Manual Reservation];
Santa Rosa Band of Cahuilla Indians,
California [previously listed as Santa
Rosa Band of Cahuilla Mission Indians
of the Santa Rosa Reservation]; and the
Torres Martinez Desert Cahuilla Indians,
California [previously listed as TorresMartinez Band of Cahuilla Mission
Indians of California] (hereafter referred
to as ‘‘The Affiliated Tribes’’).
Additional Requestors and Disposition
Lineal descendants or representatives
of any Indian Tribe or Native Hawaiian
organization not identified in this notice
that wish to request transfer of control
of these human remains and associated
funerary objects should submit a written
request with information in support of
the request to Tamara Serrao-Leiva, San
Bernardino County Museum, 2024
Orange Tree Lane, Redlands, CA 92373,
telephone (909) 798–8623, email
tserrao-leiva@sbcm.sbcounty.gov, by
May 27, 2021. After that date, if no
additional requestors have come
forward, transfer of control of the
human remains and associated funerary
objects to The Affiliated Tribes may
proceed.
The San Bernardino County Museum
is responsible for notifying The
Consulted and Invited Tribes and
Groups that this notice has been
published.
Dated: April 19, 2021.
Melanie O’Brien,
Manager, National NAGPRA Program.
[FR Doc. 2021–08775 Filed 4–26–21; 8:45 am]
BILLING CODE 4312–52–P
DEPARTMENT OF THE INTERIOR
National Park Service
[NPS–WASO–NAGPRA–NPS0031768;
PPWOCRADN0–PCU00RP14.R50000]
Notice of Intent To Repatriate Cultural
Items: American Museum of Natural
History, New York, NY
National Park Service, Interior.
Notice.
AGENCY:
ACTION:
The American Museum of
Natural History (AMNH), in
consultation with the appropriate
Indian Tribes or Native Hawaiian
organizations, has determined that the
cultural items listed in this notice meet
the definition of objects of cultural
patrimony. Lineal descendants or
representatives of any Indian Tribe or
Native Hawaiian organization not
SUMMARY:
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22250
Federal Register / Vol. 86, No. 79 / Tuesday, April 27, 2021 / Notices
jbell on DSKJLSW7X2PROD with NOTICES
identified in this notice that wish to
claim these cultural items should
submit a written request to the
American Museum of Natural History. If
no additional claimants come forward,
transfer of control of the cultural items
to the lineal descendants, Indian Tribes,
or Native Hawaiian organizations stated
in this notice may proceed.
DATES: Lineal descendants or
representatives of any Indian Tribe or
Native Hawaiian organization not
identified in this notice that wish to
claim these cultural items should
submit a written request with
information in support of the claim to
the American Museum of Natural
History at the address in this notice by
May 27, 2021.
ADDRESSES: Nell Murphy, American
Museum of Natural History, Central
Park West at 79th Street, New York, NY
10024, telephone (212) 769–5837, email
nmurphy@amnh.org.
SUPPLEMENTARY INFORMATION: Notice is
here given in accordance with the
Native American Graves Protection and
Repatriation Act (NAGPRA), 25 U.S.C.
3005, of the intent to repatriate cultural
items under the control of the American
Museum of Natural History, New York,
NY, that meet the definition of objects
of cultural patrimony under 25 U.S.C.
3001.
This notice is published as part of the
National Park Service’s administrative
responsibilities under NAGPRA, 25
U.S.C. 3003(d)(3). The determinations in
this notice are the sole responsibility of
the museum, institution, or Federal
agency that has control of the Native
American cultural items. The National
Park Service is not responsible for the
determinations in this notice.
History and Description of the Cultural
Item(s)
In 1911, Rudolf Rasmessen, a Tucsonbased curio dealer, gifted two Vikita
ceremonial items—a bull roarer and a
set of cocoon rattles—to the AMNH. The
bull roarer is constructed of two flat
pieces of saguaro cactus ribs connected
by a heavy cord, and it exhibits the
remnants of a black paint stripe on top
and fainter black markings on the body.
The rattle consists of two long strands
of the inner casings of silkworm moth
cocoons filled with pebbles.
In 1911, Carl Lumholtz, a Norwegian
naturalist, sold 107 Vikita ceremonial
items to the AMNH. Between 1909 and
1910, Lumholtz was commissioned by
private individuals to explore
northwestern Sonora, Mexico and
southwestern Arizona, and he sold the
items he collected during these
expeditions to the AMNH. The 107
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items include 20 masks (14 Singer
Masks, five Clown or Nawichu Masks,
one boy’s mask), one Clown’s Plume,
one Clown’s medicine plume, two pairs
of sandals, two Clown saguaro sticks,
four Clown quivers, three Clown bows,
15 Clown arrows, two Clown knives,
five Clown belts, three Clown tobacco
pouches, two Clown bracelets, two
bells, one stick with bird figure, one
Vı´kita drinking gourd, eight strings of
shells, two ceremonial sticks, one Vı´kita
corn offering, 13 bullroarers, one cloud
symbol and 18 rattles (one gourd rattle
and 17 Cocoon Rattles).
According to Lumholtz, a man named
Simon served as one of his informants
when he visited Santa Rosa, Arizona.
Simon eventually sold Lumholtz his
own complete Clown or nawichu outfit.
This outfit includes the following 16
items: One Clown mask; one belt; one
quiver; four Clown’s arrows; one
Clown’s knife; two strings of shells; one
set of ankle rattles; two bells; one pair
of sandals; one Clown’s bow; and one
saguaro stick. Additionally, Lumholtz
recorded that he purchased one Clown
mask from a medicine man in Kav Vaxia
(Badger’s Well) and one Clown mask
from a medicine man named Tia Yimika
Kass (spelling unclear). Simon’s outfit
and the two Clown masks that Lumholtz
acquired from the medicine men are
part of the 107 Vikita items described
below.
Five of the 20 masks that the AMNH
purchased from Lumholtz are Clown or
Nawichu masks, which resemble hoods
and feature large plumes, primarily from
turkeys, hawks, and black sea birds. The
canvas faces are pierced to reveal two
eye holes and are decorated with
painted chevron motifs representing
clouds. A pair of long horns constructed
from cat’s claw and capped with downy
feathers extend from the top of each
headdress. Horsehair braids fall down
the sides of each Clown mask, and a
long textile train descends the back.
Fourteen masks are Singer masks, and
are made of painted gourds. The top
portions of the masks are decorated with
red ochre, followed by a central black
band made of a mixture of mesquite sap
and iron oxide, and a lower, white
section consisting of chalk. Eight Singer
masks feature yarn tassels, and one
Singer mask has a ribbon tassel. Seven
Singer masks include a row of blue
triangles painted just below the central
black band. One of the 20 masks is
described in Museum records as a boy’s
feast mask. It is made of fringed canvas
and is worn like a hood. A rectangle
painted on the canvas frames a face
made of two eye holes, hide ears, and
a gourd nose. The mask also features a
top knot of matted wool with a heavy
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clay paint coating. The one Clown’s
plume consists of a circle of turkey
feathers. The one Clown’s medicine
plume is constructed of two turkey tail
feathers bound together at the quills.
The two pairs of sandals have leather
soles and hide thongs. The two Clown
saguaro sticks are made of saguaro ribs
crossed with short pieces of
greasewood. The three Clown bows are
made from gnarled mesquite root and
string; one of the bows exhibits traces of
pigment. The first of the four Clown
quivers is made of canvas with a fringe
down the back and is adorned with a
bundle of feathers. The second quiver is
made of canvas and is adorned with two
triangular pieces of canvas that are
painted with a red zigzag design. The
third quiver, which belonged to Simon,
is covered with animal fur, and is
adorned with three strips of cloth. The
fourth quiver is constructed entirely
from the body of a wild cat. The 15
Clown arrows are carved from saguaro
cactus ribs. They are painted and
adorned with turkey feathers. The two
Clown knives are carved from wood to
resemble a machete. The two Clown
bracelets are made from animal hide;
one is tied together with red string and
the other has traces of fur. The five
Clown belts are constructed of canvas
which bear traces of red pigment and
are festooned with rattles of empty
metal gun cartridges worn at the back.
The fifth Clown belt is distinguished
from the other four by a strip of red
cloth onto which is sewn a strip of
metal diamonds. The first of the three
Clown tobacco pouches is constructed
of hide and decorated with black paint
in a design that resembles ribs. The
second tobacco pouch is made of canvas
with a fringed front flap painted with
four rows of red triangles and finished
with a row of rattles of empty metal gun
cartridges. The third tobacco pouch is
made of hide with black cloth up the
side seams. The eight strings of shells
are made with seashells. The two
ceremonial or prayer sticks are carved
from a desert bush. They are painted
blue and adorned with turkey feathers.
The one Vikita corn offering consists of
a stick painted red with white dots
representing corn. The one gourd has a
hole from which to drink liquid. The
two metal bells are held together with
string. The one bird figure consists of a
swallow figurine carved from yucca root
and painted blue. A small hole on its
belly fits snugly on a long stick made
from desert willow. The 13 bullroarers
are constructed of two flat pieces of
saguaro cactus ribs connected by a
heavy cord and painted with geometric
designs. The one cloud symbol is
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Federal Register / Vol. 86, No. 79 / Tuesday, April 27, 2021 / Notices
constructed of twigs in the shape of an
isosceles triangle with two handles on
the side. One of the 19 rattles is a gourd
filled with small pebbles and perforated
with a notched wooden handle.
Eighteen of the 19 rattles are worn
around the ankles. They are made of the
inner casings of silkworm moth cocoons
that have been filled with pebbles and
then stitched onto a piece of leather or
dark cloth.
Based on the Museum’s records and
consultation with representatives of the
Tohono O’odham Nation of Arizona,
these 109 ceremonial items which were
collected in Arizona and catalogued as
Papago, are culturally affiliated with the
Tohono O’odham Nation of Arizona.
Evidence from museum records,
scholarly publications, and information
provided during consultation indicates
that these 109 items were used during
the Vı´kita Ceremony, also called the
‘‘Great Harvest Festival’’ and
‘‘Prayerstick Festival,’’ which is
regarded as one of the great ritual
dramas of the Tohono O’odham people
and historically, has been performed
every four years. These Vikita
ceremonial items have ongoing
historical, traditional, and cultural
importance to the Tohono O’odham
Nation of Arizona, and no individual
had the right to alienate them.
Determinations Made by the American
Museum of Natural History
Officials of the American Museum of
Natural History have determined that:
• Pursuant to 25 U.S.C. 3001(3)(D),
the 109 cultural items described above
have ongoing historical, traditional, or
cultural importance central to the
Native American group or culture itself,
rather than property owned by an
individual.
• Pursuant to 25 U.S.C. 3001(2), there
is a relationship of shared group
identity that can be reasonably traced
between the objects of cultural
patrimony and the Tohono O’odham
Nation of Arizona.
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Additional Requestors and Disposition
Lineal descendants or representatives
of any Indian Tribe or Native Hawaiian
organization not identified in this notice
that wish to claim these cultural items
should submit a written request with
information in support of the claim to
Nell Murphy, American Museum of
Natural History, Central Park West at
79th Street, New York, NY 10024,
telephone (212) 769–5837, email
nmurphy@amnh.org, by May 27, 2021.
After that date, if no additional
claimants have come forward, transfer
of control of the objects of cultural
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Jkt 253001
patrimony to the Tohono O’odham
Nation of Arizona may proceed.
The American Museum of Natural
History is responsible for notifying the
Tohono O’odham Nation of Arizona that
this notice has been published.
Dated: April 19, 2021.
Melanie O’Brien,
Manager, National NAGPRA Program.
[FR Doc. 2021–08768 Filed 4–26–21; 8:45 am]
BILLING CODE 4312–52–P
DEPARTMENT OF THE INTERIOR
National Park Service
[NPS–WASO–NAGPRA–NPS0031781;
PPWOCRADN0–PCU00RP14.R50000]
Notice of Intent To Repatriate Cultural
Items: The Trustees of Reservations,
Boston, MA
National Park Service, Interior.
Notice.
AGENCY:
ACTION:
The Trustees of Reservations
in consultation with the appropriate
Indian Tribes or Native Hawaiian
organizations, has determined that the
cultural items listed in this notice meet
the definition of objects of cultural
patrimony. Lineal descendants or
representatives of any Indian Tribe or
Native Hawaiian organization not
identified in this notice that wish to
claim these cultural items should
submit a written request to The Trustees
of Reservations. If no additional
claimants come forward, transfer of
control of the cultural items to the lineal
descendants, Indian Tribes, or Native
Hawaiian organizations stated in this
notice may proceed.
DATES: Lineal descendants or
representatives of any Indian Tribe or
Native Hawaiian organization not
identified in this notice that wish to
claim these cultural items should
submit a written request with
information in support of the claim to
The Trustees of Reservations at the
address in this notice by May 27, 2021.
ADDRESSES: Mark Wilson, Curator, The
Trustees of Reservations, 1 Sergeant
Street, P.O. Box 792, Stockbridge, MA
01262, telephone (413) 298–3239 Ext.
3018, email mwilson@thetrustees.org.
SUPPLEMENTARY INFORMATION: Notice is
here given in accordance with the
Native American Graves Protection and
Repatriation Act (NAGPRA), 25 U.S.C.
3005, of the intent to repatriate cultural
items under the control of The Trustees
of Reservations, Boston, MA, that meet
the definition of objects of cultural
patrimony under 25 U.S.C. 3001.
SUMMARY:
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22251
This notice is published as part of the
National Park Service’s administrative
responsibilities under NAGPRA, 25
U.S.C. 3003(d)(3). The determinations in
this notice are the sole responsibility of
the museum, institution, or Federal
agency that has control of the Native
American cultural items. The National
Park Service is not responsible for the
determinations in this notice.
History and Description of the Cultural
Items
In the 1930s, the six cultural items
listed in this notice were removed from
the Stockbridge Munsee Community in
Wisconsin. Miss Mabel Choate, working
through an agent, purchased these
objects, along with one communion set
(which was returned to the Stockbridge
Munsee Community, Wisconsin in
2005) and a two-volume Bible (which
was returned to the Stockbridge Munsee
Community, Wisconsin in 1989) for
display at the Mission House Museum
in Stockbridge, MA. In 1948, Miss
Choate donated the Mission House and
all its contents, including these objects,
to The Trustees of Reservations. The six
objects of cultural patrimony consist of
five of Sachem John Quinney’s
heirlooms and one of Sachem Austin
Quinney’s heirlooms, and are one
tobacco pipe stem of horn and wood
inlaid with mother-of-pearl, (Sachem
John Quinney 1800–1850 (MH.P.16/
8538)); one ebony sword/cane with
ivory handle, (Sachem John Quinney
1850 (MH.P.16/8541)); one pair of
buckskin leggings adorned with cotton
fringe and brass buttons, (Sachem John
Quinney 1830–1850 (MH.P.16/8530 &
8531)); one magnifying glass, (Sachem
John Quinney 1800–1825 (MH.P.316));
one bell, possibly 18th century (Sachem
John Quinney (MH.P.16/8535)); and one
pipe bowl embossed 1810 (Sachem
Austin Quinney (MH.P.16/8537)).
In the 1730s, the Stockbridge
Mohicans, now the Stockbridge Munsee
Community, Wisconsin, accepted the
Reverend John Sergeant as a Christian
missionary in Stockbridge, MA. Except
for the bell (which might date to the
18th century), these objects date to the
19th century, and they all have an
association with the Stockbridge
Mohicans after their removal from
Stockbridge, MA, which began in 1785.
The affiliation of the cultural items with
Sachem John Quinney, Sachem Austin
Quinney, and the Stockbridge Munsee
Community is established through
records held in the archives of the
Mission House, a property of The
Trustees of Reservations. Consultation
with representatives of the Stockbridge
Munsee Community confirm that these
heirlooms of Sachem John Quinney and
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Agencies
[Federal Register Volume 86, Number 79 (Tuesday, April 27, 2021)]
[Notices]
[Pages 22249-22251]
From the Federal Register Online via the Government Publishing Office [www.gpo.gov]
[FR Doc No: 2021-08768]
-----------------------------------------------------------------------
DEPARTMENT OF THE INTERIOR
National Park Service
[NPS-WASO-NAGPRA-NPS0031768; PPWOCRADN0-PCU00RP14.R50000]
Notice of Intent To Repatriate Cultural Items: American Museum of
Natural History, New York, NY
AGENCY: National Park Service, Interior.
ACTION: Notice.
-----------------------------------------------------------------------
SUMMARY: The American Museum of Natural History (AMNH), in consultation
with the appropriate Indian Tribes or Native Hawaiian organizations,
has determined that the cultural items listed in this notice meet the
definition of objects of cultural patrimony. Lineal descendants or
representatives of any Indian Tribe or Native Hawaiian organization not
[[Page 22250]]
identified in this notice that wish to claim these cultural items
should submit a written request to the American Museum of Natural
History. If no additional claimants come forward, transfer of control
of the cultural items to the lineal descendants, Indian Tribes, or
Native Hawaiian organizations stated in this notice may proceed.
DATES: Lineal descendants or representatives of any Indian Tribe or
Native Hawaiian organization not identified in this notice that wish to
claim these cultural items should submit a written request with
information in support of the claim to the American Museum of Natural
History at the address in this notice by May 27, 2021.
ADDRESSES: Nell Murphy, American Museum of Natural History, Central
Park West at 79th Street, New York, NY 10024, telephone (212) 769-5837,
email [email protected].
SUPPLEMENTARY INFORMATION: Notice is here given in accordance with the
Native American Graves Protection and Repatriation Act (NAGPRA), 25
U.S.C. 3005, of the intent to repatriate cultural items under the
control of the American Museum of Natural History, New York, NY, that
meet the definition of objects of cultural patrimony under 25 U.S.C.
3001.
This notice is published as part of the National Park Service's
administrative responsibilities under NAGPRA, 25 U.S.C. 3003(d)(3). The
determinations in this notice are the sole responsibility of the
museum, institution, or Federal agency that has control of the Native
American cultural items. The National Park Service is not responsible
for the determinations in this notice.
History and Description of the Cultural Item(s)
In 1911, Rudolf Rasmessen, a Tucson-based curio dealer, gifted two
Vikita ceremonial items--a bull roarer and a set of cocoon rattles--to
the AMNH. The bull roarer is constructed of two flat pieces of saguaro
cactus ribs connected by a heavy cord, and it exhibits the remnants of
a black paint stripe on top and fainter black markings on the body. The
rattle consists of two long strands of the inner casings of silkworm
moth cocoons filled with pebbles.
In 1911, Carl Lumholtz, a Norwegian naturalist, sold 107 Vikita
ceremonial items to the AMNH. Between 1909 and 1910, Lumholtz was
commissioned by private individuals to explore northwestern Sonora,
Mexico and southwestern Arizona, and he sold the items he collected
during these expeditions to the AMNH. The 107 items include 20 masks
(14 Singer Masks, five Clown or Nawichu Masks, one boy's mask), one
Clown's Plume, one Clown's medicine plume, two pairs of sandals, two
Clown saguaro sticks, four Clown quivers, three Clown bows, 15 Clown
arrows, two Clown knives, five Clown belts, three Clown tobacco
pouches, two Clown bracelets, two bells, one stick with bird figure,
one V[iacute]kita drinking gourd, eight strings of shells, two
ceremonial sticks, one V[iacute]kita corn offering, 13 bullroarers, one
cloud symbol and 18 rattles (one gourd rattle and 17 Cocoon Rattles).
According to Lumholtz, a man named Simon served as one of his
informants when he visited Santa Rosa, Arizona. Simon eventually sold
Lumholtz his own complete Clown or nawichu outfit. This outfit includes
the following 16 items: One Clown mask; one belt; one quiver; four
Clown's arrows; one Clown's knife; two strings of shells; one set of
ankle rattles; two bells; one pair of sandals; one Clown's bow; and one
saguaro stick. Additionally, Lumholtz recorded that he purchased one
Clown mask from a medicine man in Kav Vaxia (Badger's Well) and one
Clown mask from a medicine man named Tia Yimika Kass (spelling
unclear). Simon's outfit and the two Clown masks that Lumholtz acquired
from the medicine men are part of the 107 Vikita items described below.
Five of the 20 masks that the AMNH purchased from Lumholtz are
Clown or Nawichu masks, which resemble hoods and feature large plumes,
primarily from turkeys, hawks, and black sea birds. The canvas faces
are pierced to reveal two eye holes and are decorated with painted
chevron motifs representing clouds. A pair of long horns constructed
from cat's claw and capped with downy feathers extend from the top of
each headdress. Horsehair braids fall down the sides of each Clown
mask, and a long textile train descends the back. Fourteen masks are
Singer masks, and are made of painted gourds. The top portions of the
masks are decorated with red ochre, followed by a central black band
made of a mixture of mesquite sap and iron oxide, and a lower, white
section consisting of chalk. Eight Singer masks feature yarn tassels,
and one Singer mask has a ribbon tassel. Seven Singer masks include a
row of blue triangles painted just below the central black band. One of
the 20 masks is described in Museum records as a boy's feast mask. It
is made of fringed canvas and is worn like a hood. A rectangle painted
on the canvas frames a face made of two eye holes, hide ears, and a
gourd nose. The mask also features a top knot of matted wool with a
heavy clay paint coating. The one Clown's plume consists of a circle of
turkey feathers. The one Clown's medicine plume is constructed of two
turkey tail feathers bound together at the quills. The two pairs of
sandals have leather soles and hide thongs. The two Clown saguaro
sticks are made of saguaro ribs crossed with short pieces of
greasewood. The three Clown bows are made from gnarled mesquite root
and string; one of the bows exhibits traces of pigment. The first of
the four Clown quivers is made of canvas with a fringe down the back
and is adorned with a bundle of feathers. The second quiver is made of
canvas and is adorned with two triangular pieces of canvas that are
painted with a red zigzag design. The third quiver, which belonged to
Simon, is covered with animal fur, and is adorned with three strips of
cloth. The fourth quiver is constructed entirely from the body of a
wild cat. The 15 Clown arrows are carved from saguaro cactus ribs. They
are painted and adorned with turkey feathers. The two Clown knives are
carved from wood to resemble a machete. The two Clown bracelets are
made from animal hide; one is tied together with red string and the
other has traces of fur. The five Clown belts are constructed of canvas
which bear traces of red pigment and are festooned with rattles of
empty metal gun cartridges worn at the back. The fifth Clown belt is
distinguished from the other four by a strip of red cloth onto which is
sewn a strip of metal diamonds. The first of the three Clown tobacco
pouches is constructed of hide and decorated with black paint in a
design that resembles ribs. The second tobacco pouch is made of canvas
with a fringed front flap painted with four rows of red triangles and
finished with a row of rattles of empty metal gun cartridges. The third
tobacco pouch is made of hide with black cloth up the side seams. The
eight strings of shells are made with seashells. The two ceremonial or
prayer sticks are carved from a desert bush. They are painted blue and
adorned with turkey feathers. The one Vikita corn offering consists of
a stick painted red with white dots representing corn. The one gourd
has a hole from which to drink liquid. The two metal bells are held
together with string. The one bird figure consists of a swallow
figurine carved from yucca root and painted blue. A small hole on its
belly fits snugly on a long stick made from desert willow. The 13
bullroarers are constructed of two flat pieces of saguaro cactus ribs
connected by a heavy cord and painted with geometric designs. The one
cloud symbol is
[[Page 22251]]
constructed of twigs in the shape of an isosceles triangle with two
handles on the side. One of the 19 rattles is a gourd filled with small
pebbles and perforated with a notched wooden handle. Eighteen of the 19
rattles are worn around the ankles. They are made of the inner casings
of silkworm moth cocoons that have been filled with pebbles and then
stitched onto a piece of leather or dark cloth.
Based on the Museum's records and consultation with representatives
of the Tohono O'odham Nation of Arizona, these 109 ceremonial items
which were collected in Arizona and catalogued as Papago, are
culturally affiliated with the Tohono O'odham Nation of Arizona.
Evidence from museum records, scholarly publications, and information
provided during consultation indicates that these 109 items were used
during the V[iacute]kita Ceremony, also called the ``Great Harvest
Festival'' and ``Prayerstick Festival,'' which is regarded as one of
the great ritual dramas of the Tohono O'odham people and historically,
has been performed every four years. These Vikita ceremonial items have
ongoing historical, traditional, and cultural importance to the Tohono
O'odham Nation of Arizona, and no individual had the right to alienate
them.
Determinations Made by the American Museum of Natural History
Officials of the American Museum of Natural History have determined
that:
Pursuant to 25 U.S.C. 3001(3)(D), the 109 cultural items
described above have ongoing historical, traditional, or cultural
importance central to the Native American group or culture itself,
rather than property owned by an individual.
Pursuant to 25 U.S.C. 3001(2), there is a relationship of
shared group identity that can be reasonably traced between the objects
of cultural patrimony and the Tohono O'odham Nation of Arizona.
Additional Requestors and Disposition
Lineal descendants or representatives of any Indian Tribe or Native
Hawaiian organization not identified in this notice that wish to claim
these cultural items should submit a written request with information
in support of the claim to Nell Murphy, American Museum of Natural
History, Central Park West at 79th Street, New York, NY 10024,
telephone (212) 769-5837, email [email protected], by May 27, 2021.
After that date, if no additional claimants have come forward, transfer
of control of the objects of cultural patrimony to the Tohono O'odham
Nation of Arizona may proceed.
The American Museum of Natural History is responsible for notifying
the Tohono O'odham Nation of Arizona that this notice has been
published.
Dated: April 19, 2021.
Melanie O'Brien,
Manager, National NAGPRA Program.
[FR Doc. 2021-08768 Filed 4-26-21; 8:45 am]
BILLING CODE 4312-52-P