Notice of Intent To Repatriate Cultural Items: Logan Museum of Anthropology, Beloit College, Beloit, WI, 17479-17480 [2015-07396]
Download as PDF
mstockstill on DSK4VPTVN1PROD with NOTICES
Federal Register / Vol. 80, No. 62 / Wednesday, April 1, 2015 / Notices
Between 1952 and 1953, human
remains representing, at minimum, two
individuals were removed from Castle A
in Yavapai County, AZ, by the National
Park Service. No known individuals
were identified. No associated funerary
objects are present.
In 1960, human remains representing,
at minimum, eight individuals were
removed from Swallet Cave in Yavapai
County, AZ, during a salvage project by
the National Park Service. No known
individuals were identified. The one
associated funerary object is a Tuzigoot
red ceramic bowl.
In 1986, human remains representing,
at minimum, one individual were
removed from Montezuma Castle in
Yavapai County, AZ, by National Park
Service archeologists. No known
individuals were identified. The nine
associated funerary objects are four
pieces of matting, one piece of textile,
two sherds, one flake tool, and one
length of cordage.
The sites from which the human
remains and associated funerary objects
were removed are located in the Verde
Valley of Arizona. Most are multi-room
masonry-walled pueblos or cliff
dwellings and all are classified as
southern Sinagua. With one exception,
Swallet Cave, all are dated to A.D.
1125–1425. Swallet Cave, one of the
pueblos on the inside cliff wall of
Montezuma Well, a natural limestone
sink hole with a lake fed by
underground springs, is dated to A.D.
1125–1300.
The Ak Chin Indian Community of
Maricopa (Ak Chin) Reservation,
Arizona; Gila River Indian Community
of the Gila River Indian Reservation,
Arizona; Salt River Pima-Maricopa
Indian Community of the Salt River
Reservation; and Tohono O’odham
Nation of Arizona comprise one cultural
group known as the O’odham.
Archeological artifacts found at the
sites, including plain woven textiles,
coiled basketry, and twill matting, are
similar to items made and used by
historic O’odham people.
The Fort McDowell Yavapai Nation,
Arizona and the Yavapai-Prescott Indian
Tribe (previously listed as the YavapaiPrescott Tribe of the Yavapai
Reservation, Arizona) trace their
ancestry to Yavapai bands once living in
the Verde Valley. Continuity between
the people of the Verde Valley during
A.D. 1125–1425 and the Fort McDowell
Yavapai and Yavapai-Prescott tribes is
demonstrated by geographic, linguistic,
folkloric, oral tradition, and historical
evidence. For example, there are
specific Yavapai ancestral names for
Montezuma Well, and living tribal
VerDate Sep<11>2014
18:37 Mar 31, 2015
Jkt 235001
members curate oral traditions about
ancestral people living at the sites.
The Hopi Tribe of Arizona considers
all of Arizona to be within traditional
Hopi lands or within areas where Hopi
clans migrated in the past. Evidence
demonstrating continuity between the
people of the Verde Valley during A.D.
1125–1425 and the Hopi Tribe includes
archeological, anthropological,
linguistic, folkloric, and oral traditions.
Ceramic vessels made only on the Hopi
mesas are found at the sites and are
similar to items made by historic and
modern Hopi people. Additionally,
plain woven and painted textiles, coiled
basketry, and woven matting are similar
to items made and used by modern Hopi
people. Living Hopi clan members also
have ancestral names and traditional
stories about specific events and people
at each site.
The Zuni Tribe of the Zuni
Reservation, New Mexico considers the
Verde Valley to be within the migration
path of ancestral Zuni people.
Archeological evidence, including
similarities in ceramic designs, textiles,
and woven basketry, demonstrates
continuity between the people of the
Verde Valley during A.D. 1125–1425
and the people of Zuni.
Determinations Made by Montezuma
Castle National Monument
Officials of Montezuma Castle
National Monument have determined
that:
• Pursuant to 25 U.S.C. 3001(9), the
human remains described in this notice
represent the physical remains of 128
individuals of Native American
ancestry.
• Pursuant to 25 U.S.C. 3001(3)(A),
the 83 objects described in this notice
are reasonably believed to have been
placed with or near individual human
remains at the time of death or later as
part of the death rite or ceremony.
• Pursuant to 25 U.S.C. 3001(2), there
is a relationship of shared group
identity that can be reasonably traced
between the Native American human
remains and associated funerary objects
and The Tribes.
Additional Requestors and Disposition
Lineal descendants or representatives
of any Indian tribe or Native Hawaiian
organization not identified in this notice
that wish to request transfer of control
of these human remains and associated
funerary objects should submit a written
request with information in support of
the request to Dorothy FireCloud,
Superintendent, Montezuma Castle
National Monument, PO Box 219, Camp
Verde, AZ 86322, telephone (928) 567–
5276, email dorothy_firecloud@nps.gov,
PO 00000
Frm 00094
Fmt 4703
Sfmt 4703
17479
by May 1, 2015. After that date, if no
additional requestors have come
forward, transfer of control of the
human remains and associated funerary
objects to The Tribes may proceed.
Montezuma Castle National
Monument is responsible for notifying
The Tribes that this notice has been
published.
Dated: February 17, 2015.
Melanie O’Brien,
Acting Manager, National NAGPRA Program.
[FR Doc. 2015–07394 Filed 3–31–15; 8:45 am]
BILLING CODE 4312–50–P
DEPARTMENT OF THE INTERIOR
National Park Service
[NPS–WASO–NAGPRA–17697;
PPWOCRADN0–PCU00RP14.R50000]
Notice of Intent To Repatriate Cultural
Items: Logan Museum of
Anthropology, Beloit College, Beloit,
WI
National Park Service, Interior.
Notice.
AGENCY:
ACTION:
The Logan Museum of
Anthropology, in consultation with the
appropriate Indian tribes or Native
Hawaiian organizations, has determined
that the cultural item listed in this
notice meets the definition of sacred
object and object of cultural patrimony.
Lineal descendants or representatives of
any Indian tribe or Native Hawaiian
organization not identified in this notice
that wish to claim this cultural item
should submit a written request to the
Logan Museum of Anthropology. If no
additional claimants come forward,
transfer of control of the cultural item to
the lineal descendants, Indian tribes, or
Native Hawaiian organizations stated in
this notice may proceed.
DATES: Lineal descendants or
representatives of any Indian tribe or
Native Hawaiian organization not
identified in this notice that wish to
claim this cultural item should submit
a written request with information in
support of the claim to the Logan
Museum of Anthropology at the address
in this notice by May 1, 2015.
ADDRESSES: William Green, Director,
Logan Museum of Anthropology, Beloit
College, 700 College St., Beloit, WI
53511, telephone (608) 363–2119, email
greenb@beloit.edu.
SUPPLEMENTARY INFORMATION: Notice is
here given in accordance with the
Native American Graves Protection and
Repatriation Act (NAGPRA), 25 U.S.C.
3005, of the intent to repatriate a
cultural item under the control of the
SUMMARY:
E:\FR\FM\01APN1.SGM
01APN1
17480
Federal Register / Vol. 80, No. 62 / Wednesday, April 1, 2015 / Notices
mstockstill on DSK4VPTVN1PROD with NOTICES
Logan Museum of Anthropology that
meets the definition of sacred object and
object of cultural patrimony under 25
U.S.C. 3001.
This notice is published as part of the
National Park Service’s administrative
responsibilities under NAGPRA, 25
U.S.C. 3003(d)(3). The determinations in
this notice are the sole responsibility of
the museum, institution, or Federal
agency that has control of the Native
American cultural item. The National
Park Service is not responsible for the
determinations in this notice.
History and Description of the Cultural
Item
In 2006, the estate of Rita Gaples
donated a mask (catalog number RG
321) to the Logan Museum of
Anthropology. Associated records
indicate Ms. Gaples acquired the mask
from Shango Galleries in Dallas, TX in
2005. The prior owner was Ronald
Slowinski. It is not known when, how,
or from whom Mr. Slowinski acquired
the mask. Shango Gallery records
identify the mask as a Jemez Apa’
Kachina mask and indicate a date of
manufacture of ca. 1930, though the
records contain no rationale for this
date.
The mask is cylindrical in shape, with
a flat base and two protruding ears. The
mask is made of leather, stitched with
cotton thread. On each ear, a rectangular
piece of abalone shell is attached to the
front surface by a leather thong through
a perforation in the ear. Two sticks are
secured with leather lacing to the top of
the mask. The overall dimensions of the
mask with the sticks are 16 inches in
height and 19 inches in width. The front
of the mask has perforations for the eyes
and the mouth; the mouth is surrounded
on the inside by pin-hole size
perforations. The front of the mask is
painted green, thinning or fading at the
top. The eyes are surrounded by black
side-facing triangles and the mouth by
a small, circular rim of black paint. One
red and one yellow band, both bordered
in black, extend along the base of the
mask and continue along the side and
back toward the face, just below the
eyes. The base of the mask shows wear
from material that was probably
attached as a collar. Four sets of leather
ties are attached along the base and two
long leather ties are attached from the
inside. Stitching, covered by paint,
extends vertically through the center of
the back of the mask. The back of the
mask is painted white, superimposed by
images of three corn plants painted in
black. The stem of each plant forms a
toothed rake. The top of the mask is
unpainted leather, and the stitching that
attaches the top to the cylinder is not
VerDate Sep<11>2014
18:37 Mar 31, 2015
Jkt 235001
painted over, indicating the top was
attached to the mask after the cylinder
was built and painted. The top has
pencil marks on the edges, which
indicate where the pattern was drawn
before the piece was cut. A letter ‘‘R’’
and the letters ‘‘RC’’ are painted in red
on the interior of the top. The paint
overall is matte in finish, flaky, and
abrades easily. Brush marks are visible
except in the green portion of the face,
which appears to have been sprayed on.
The corn images appear to have been
painted over a previous layer of paint.
Some of the previous layer is visible and
apparently was also painted with corn
stalks. The ears appear to have many
layers of paint as evident by flaking red
paint and green paint underneath.
Both long sticks fastened to the top of
the mask with leather ties are carved at
one end into three segments; each
segment is painted yellow, red, or
brown. A small remnant of feather down
is present on the leather. Also on top of
the mask is an open appendage with a
finial made of corn husk wrapped with
cotton thread embedded with remnants
of green pigment.
The mask is incomplete in several
respects, as it lacks the collar, top band,
painted top, and feathers of Jemez Apa’
masks. However, masks were repeatedly
renewed, and the ‘‘missing’’ or
unfinished features of this mask may
indicate it was collected while
undergoing or awaiting renovation.
Consultation with the Pueblo of Jemez
included a visit from Jemez
representatives in 2010. Consultation
and published sources demonstrate that
the mask is culturally affiliated with the
Pueblo of Jemez. Jemez Kachina masks
play an active role in the religious life
of the community. They are used in
religious practice and are owned and
cared for by religious societies rather
than individuals. They are considered
sacred and living persons—friends and
family members—rather than objects.
These masks cannot be alienated,
appropriated, or conveyed by any
individual regardless of whether or not
the individual is a member of the
Pueblo of Jemez.
Determinations Made by the Logan
Museum of Anthropology
Officials of the Logan Museum of
Anthropology have determined that:
• Pursuant to 25 U.S.C. 3001(3)(C),
the 1 cultural item described above is a
specific ceremonial object needed by
traditional Native American religious
leaders for the practice of traditional
Native American religions by their
present-day adherents.
• Pursuant to 25 U.S.C. 3001(3)(D),
the 1 cultural item described above has
PO 00000
Frm 00095
Fmt 4703
Sfmt 4703
ongoing historical, traditional, or
cultural importance central to the
Native American group or culture itself,
rather than property owned by an
individual.
• Pursuant to 25 U.S.C. 3001(2), there
is a relationship of shared group
identity that can be reasonably traced
between the sacred object and object of
cultural patrimony and the Pueblo of
Jemez, New Mexico.
Additional Requestors and Disposition
Lineal descendants or representatives
of any Indian tribe or Native Hawaiian
organization not identified in this notice
that wish to claim this cultural item
should submit a written request with
information in support of the claim to
William Green, Director, Logan Museum
of Anthropology, Beloit College, 700
College St., Beloit, WI 53511, telephone
(608) 363–2119, email greenb@
beloit.edu, by May 1, 2015. After that
date, if no additional claimants have
come forward, transfer of control of the
sacred object and object of cultural
patrimony to the Pueblo of Jemez, New
Mexico, may proceed.
The Logan Museum of Anthropology
is responsible for notifying the Pueblo of
Jemez, New Mexico, that this notice has
been published.
Dated: February 13, 2015.
Melanie O’Brien,
Acting Manager, National NAGPRA Program.
[FR Doc. 2015–07396 Filed 3–31–15; 8:45 am]
BILLING CODE 4312–50–P
DEPARTMENT OF THE INTERIOR
National Park Service
[NPS–WASO–NAGPRA–17621;
PPWOCRADN0–PCU00RP14.R50000]
Notice of Intent To Repatriate Cultural
Items: U.S. Department of the Interior,
National Park Service, Gulf Islands
National Seashore, Gulf Breeze, FL
National Park Service, Interior.
Notice.
AGENCY:
ACTION:
The U.S. Department of the
Interior, National Park Service, Gulf
Islands National Seashore, in
consultation with the appropriate
Indian tribes or Native Hawaiian
organizations, has determined that the
cultural items listed in this notice meet
the definition of unassociated funerary
objects. Lineal descendants or
representatives of any Indian tribe or
Native Hawaiian organization not
identified in this notice that wish to
claim these cultural items should
submit a written request to Gulf Islands
National Seashore. If no additional
SUMMARY:
E:\FR\FM\01APN1.SGM
01APN1
Agencies
[Federal Register Volume 80, Number 62 (Wednesday, April 1, 2015)]
[Notices]
[Pages 17479-17480]
From the Federal Register Online via the Government Printing Office [www.gpo.gov]
[FR Doc No: 2015-07396]
-----------------------------------------------------------------------
DEPARTMENT OF THE INTERIOR
National Park Service
[NPS-WASO-NAGPRA-17697; PPWOCRADN0-PCU00RP14.R50000]
Notice of Intent To Repatriate Cultural Items: Logan Museum of
Anthropology, Beloit College, Beloit, WI
AGENCY: National Park Service, Interior.
ACTION: Notice.
-----------------------------------------------------------------------
SUMMARY: The Logan Museum of Anthropology, in consultation with the
appropriate Indian tribes or Native Hawaiian organizations, has
determined that the cultural item listed in this notice meets the
definition of sacred object and object of cultural patrimony. Lineal
descendants or representatives of any Indian tribe or Native Hawaiian
organization not identified in this notice that wish to claim this
cultural item should submit a written request to the Logan Museum of
Anthropology. If no additional claimants come forward, transfer of
control of the cultural item to the lineal descendants, Indian tribes,
or Native Hawaiian organizations stated in this notice may proceed.
DATES: Lineal descendants or representatives of any Indian tribe or
Native Hawaiian organization not identified in this notice that wish to
claim this cultural item should submit a written request with
information in support of the claim to the Logan Museum of Anthropology
at the address in this notice by May 1, 2015.
ADDRESSES: William Green, Director, Logan Museum of Anthropology,
Beloit College, 700 College St., Beloit, WI 53511, telephone (608) 363-
2119, email greenb@beloit.edu.
SUPPLEMENTARY INFORMATION: Notice is here given in accordance with the
Native American Graves Protection and Repatriation Act (NAGPRA), 25
U.S.C. 3005, of the intent to repatriate a cultural item under the
control of the
[[Page 17480]]
Logan Museum of Anthropology that meets the definition of sacred object
and object of cultural patrimony under 25 U.S.C. 3001.
This notice is published as part of the National Park Service's
administrative responsibilities under NAGPRA, 25 U.S.C. 3003(d)(3). The
determinations in this notice are the sole responsibility of the
museum, institution, or Federal agency that has control of the Native
American cultural item. The National Park Service is not responsible
for the determinations in this notice.
History and Description of the Cultural Item
In 2006, the estate of Rita Gaples donated a mask (catalog number
RG 321) to the Logan Museum of Anthropology. Associated records
indicate Ms. Gaples acquired the mask from Shango Galleries in Dallas,
TX in 2005. The prior owner was Ronald Slowinski. It is not known when,
how, or from whom Mr. Slowinski acquired the mask. Shango Gallery
records identify the mask as a Jemez Apa' Kachina mask and indicate a
date of manufacture of ca. 1930, though the records contain no
rationale for this date.
The mask is cylindrical in shape, with a flat base and two
protruding ears. The mask is made of leather, stitched with cotton
thread. On each ear, a rectangular piece of abalone shell is attached
to the front surface by a leather thong through a perforation in the
ear. Two sticks are secured with leather lacing to the top of the mask.
The overall dimensions of the mask with the sticks are 16 inches in
height and 19 inches in width. The front of the mask has perforations
for the eyes and the mouth; the mouth is surrounded on the inside by
pin-hole size perforations. The front of the mask is painted green,
thinning or fading at the top. The eyes are surrounded by black side-
facing triangles and the mouth by a small, circular rim of black paint.
One red and one yellow band, both bordered in black, extend along the
base of the mask and continue along the side and back toward the face,
just below the eyes. The base of the mask shows wear from material that
was probably attached as a collar. Four sets of leather ties are
attached along the base and two long leather ties are attached from the
inside. Stitching, covered by paint, extends vertically through the
center of the back of the mask. The back of the mask is painted white,
superimposed by images of three corn plants painted in black. The stem
of each plant forms a toothed rake. The top of the mask is unpainted
leather, and the stitching that attaches the top to the cylinder is not
painted over, indicating the top was attached to the mask after the
cylinder was built and painted. The top has pencil marks on the edges,
which indicate where the pattern was drawn before the piece was cut. A
letter ``R'' and the letters ``RC'' are painted in red on the interior
of the top. The paint overall is matte in finish, flaky, and abrades
easily. Brush marks are visible except in the green portion of the
face, which appears to have been sprayed on. The corn images appear to
have been painted over a previous layer of paint. Some of the previous
layer is visible and apparently was also painted with corn stalks. The
ears appear to have many layers of paint as evident by flaking red
paint and green paint underneath.
Both long sticks fastened to the top of the mask with leather ties
are carved at one end into three segments; each segment is painted
yellow, red, or brown. A small remnant of feather down is present on
the leather. Also on top of the mask is an open appendage with a finial
made of corn husk wrapped with cotton thread embedded with remnants of
green pigment.
The mask is incomplete in several respects, as it lacks the collar,
top band, painted top, and feathers of Jemez Apa' masks. However, masks
were repeatedly renewed, and the ``missing'' or unfinished features of
this mask may indicate it was collected while undergoing or awaiting
renovation.
Consultation with the Pueblo of Jemez included a visit from Jemez
representatives in 2010. Consultation and published sources demonstrate
that the mask is culturally affiliated with the Pueblo of Jemez. Jemez
Kachina masks play an active role in the religious life of the
community. They are used in religious practice and are owned and cared
for by religious societies rather than individuals. They are considered
sacred and living persons--friends and family members--rather than
objects. These masks cannot be alienated, appropriated, or conveyed by
any individual regardless of whether or not the individual is a member
of the Pueblo of Jemez.
Determinations Made by the Logan Museum of Anthropology
Officials of the Logan Museum of Anthropology have determined that:
Pursuant to 25 U.S.C. 3001(3)(C), the 1 cultural item
described above is a specific ceremonial object needed by traditional
Native American religious leaders for the practice of traditional
Native American religions by their present-day adherents.
Pursuant to 25 U.S.C. 3001(3)(D), the 1 cultural item
described above has ongoing historical, traditional, or cultural
importance central to the Native American group or culture itself,
rather than property owned by an individual.
Pursuant to 25 U.S.C. 3001(2), there is a relationship of
shared group identity that can be reasonably traced between the sacred
object and object of cultural patrimony and the Pueblo of Jemez, New
Mexico.
Additional Requestors and Disposition
Lineal descendants or representatives of any Indian tribe or Native
Hawaiian organization not identified in this notice that wish to claim
this cultural item should submit a written request with information in
support of the claim to William Green, Director, Logan Museum of
Anthropology, Beloit College, 700 College St., Beloit, WI 53511,
telephone (608) 363-2119, email greenb@beloit.edu, by May 1, 2015.
After that date, if no additional claimants have come forward, transfer
of control of the sacred object and object of cultural patrimony to the
Pueblo of Jemez, New Mexico, may proceed.
The Logan Museum of Anthropology is responsible for notifying the
Pueblo of Jemez, New Mexico, that this notice has been published.
Dated: February 13, 2015.
Melanie O'Brien,
Acting Manager, National NAGPRA Program.
[FR Doc. 2015-07396 Filed 3-31-15; 8:45 am]
BILLING CODE 4312-50-P