Extension of Import Restrictions Imposed on Archaeological Material From Cambodia, 54309-54313 [E8-22034]
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(ii) The transaction is marked to
market daily and subject to daily
margin-maintenance requirements, and
the member bank is at least as overcollateralized in the transaction as the
affiliate’s clearing bank was overcollateralized in comparable
transactions with the affiliate in the U.S.
tri-party repurchase agreement market
on September 12, 2008;
(iii) The aggregate risk profile of the
securities financing transactions under
this exemption is no greater than the
aggregate risk profile of the securities
financing transactions of the affiliate in
the U.S. tri-party repurchase agreement
market on September 12, 2008;
(iv) The member bank’s top-tier
holding company guarantees the
obligations of the affiliate under the
securities financing transactions (or
provides other security to the bank that
is acceptable to the Board); and
(v) The member bank has not been
specifically informed by the Board, after
consultation with the member bank’s
appropriate Federal banking agency,
that the member bank may not use this
exemption.
(2) For purposes of this exemption:
(i) Securities financing transaction
means:
(A) A purchase by a member bank
from an affiliate of a security or other
asset, subject to an agreement by the
affiliate to repurchase the asset from the
member bank;
(B) A borrowing of a security by a
member bank from an affiliate on a
collateralized basis; or
(C) A secured extension of credit by
a member bank to an affiliate.
(ii) U.S. tri-party repurchase
agreement market means the U.S.
market for securities financing
transactions in which the counterparties
use custodial arrangements provided by
JPMorgan Chase Bank or Bank of New
York or another financial institution
approved by the Board.
By order of the Board of Governors of the
Federal Reserve System, September 14, 2008.
Jennifer J. Johnson,
Secretary of the Board.
[FR Doc. E8–21792 Filed 9–18–08; 8:45 am]
ACTION:
Correcting Amendments.
SUMMARY: This document contains a
correction to §§ 1231.3 and 1231.4 of the
interim final regulation concerning
Golden Parachute Payments and
Indemnification Payments published in
the Federal Register on Tuesday,
September 16, 2008. These sections
should read ‘‘Reserved.’’
DATES:
Effective Date: September 19,
2008.
FOR FURTHER INFORMATION CONTACT:
Alfred M. Pollard, General Counsel
(OFHEO), telephone (202) 414–3788 or
Christopher Curtis, General Counsel
(FHFB), telephone (202) 408–2802 (not
toll-free numbers), Federal Housing
Finance Agency, Fourth Floor, 1700 G
Street, NW., Washington, DC 20552. The
telephone number for the
Telecommunications Device for the Deaf
is (800) 877–8339.
Need for Correction
As published on September 16, 2008,
the interim final regulation contained
clerical errors, which these amendments
correct.
List of Subjects in 12 CFR Part 1231
Golden Parachutes, GovernmentSponsored Enterprises, Indemnification.
Accordingly, part 1231 of Title 12
CFR Chapter XII is corrected by making
the following correcting amendments:
■
PART 1231—GOLDEN PARACHUTE
PAYMENTS AND INDEMNIFICATION
PAYMENTS
1. The authority citation for part 1231
continues to read as follows:
■
Authority: 12 U.S.C. 4518(e).
§ 1231.3
[Reserved]
2. Section 1231.3 is removed and
reserved.
■
§ 1231.4
[Reserved]
3. Section 1231.4 is removed and
reserved.
■
BILLING CODE 6210–01–P
12 CFR Part 1231
Dated: September 15, 2008.
James B. Lockhart, III,
Director, Federal Housing Finance Agency.
[FR Doc. E8–21903 Filed 9–16–08; 11:15 am]
RIN 2590–AA08
BILLING CODE 8070–01–P
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FEDERAL HOUSING FINANCE
AGENCY
Golden Parachute Payments and
Indemnification Payments
AGENCY:
Federal Housing Finance
Agency.
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54309
DEPARTMENT OF HOMELAND
SECURITY
U.S. Customs and Border Protection
DEPARTMENT OF THE TREASURY
19 CFR Part 12
[Docket No. USCBP–2008–0076; CBP Dec.
08–40]
RIN 1505–AB99
Extension of Import Restrictions
Imposed on Archaeological Material
From Cambodia
U.S. Customs and Border
Protection, Department of Homeland
Security; Department of the Treasury.
ACTION: Final rule.
AGENCIES:
SUMMARY: This document amends
Customs and Border Protection (CBP)
regulations to reflect both continuing
and new import restrictions on certain
archaeological material from Cambodia.
Import restrictions that were previously
imposed by CBP Decision 03–28 on
certain stone, metal, and ceramic
archaeological materials that are due to
expire on September 19, 2008, are
extended. The Assistant Secretary for
Educational and Cultural Affairs, United
States Department of State, has made
the requisite determination for the
extension of import restrictions that
previously existed and for amending the
agreement so that it applies also to
archaeological material of the Bronze
and Iron Ages. Accordingly, these
import restrictions will remain in effect
until September 19, 2013, and title 19 of
the CBP regulations is being amended to
reflect this amended bilateral
agreement. These restrictions are being
extended pursuant to determinations of
the United States Department of State
made under the terms of the 1970
Convention on Cultural Property
Implementation Act in accordance with
the United Nations Educational,
Scientific and Cultural Organization
(UNESCO) Convention on the Means of
Prohibiting and Preventing the Illicit
Import, Export and Transfer of
Ownership of Cultural Property. This
document also contains the amended
Designated List of Archaeological
Material that describes the articles to
which the restrictions apply, including
the new categories of objects (glass and
bone) and the additional subcategories
of stone and metal objects from the
Bronze and Iron Age.
DATES: Effective Date: This final rule is
effective on September 19, 2008.
FOR FURTHER INFORMATION CONTACT: For
legal aspects, George F. McCray, Esq.,
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Chief, Intellectual Property Rights and
Restricted Merchandise Branch, (202)
572–8710. For operational aspects,
Michael Craig, Chief, Other Government
Agencies Branch, (202) 863–6558.
SUPPLEMENTARY INFORMATION:
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Background
Pursuant to the provisions of the 1970
United Nations Educational, Scientific
and Cultural Organization (UNESCO)
Convention, codified into U.S. law as
the Convention on Cultural Property
Implementation Act (Pub. L. 97–446, 19
U.S.C. 2601 et seq.), the United States
entered into a bilateral agreement with
Cambodia on September 19, 2003,
concerning the imposition of import
restrictions on Khmer archaeological
material from the 6th century through
the 16th century A.D. in Cambodia. On
September 22, 2003, CBP published CBP
Decision 03–28 in the Federal Register
(68 FR 55000), which amended 19 CFR
12.104g(a) to reflect the imposition of
these restrictions, which subsumed the
emergency import restrictions of 1999,
and included a list designating the types
of archaeological material covered by
the restrictions.
Import restrictions listed in 19 CFR
12.104g(a) are ‘‘effective for no more
than five years beginning on the date on
which the agreement enters into force
with respect to the United States. This
period can be extended for additional
periods not to exceed five years if it is
determined that the factors which
justified the initial agreement still
pertain and no cause for suspension of
the agreement exists’’ (19 CFR
12.104g(a)).
Amended Bilateral Agreement
Consistent with expressed interest in
an extension of the agreement from the
Royal Government of Cambodia and
with the findings and recommendations
of the Cultural Property Advisory
Committee, the Assistant Secretary for
Educational and Cultural Affairs, United
States Department of State, made the
requisite determinations on June 13,
2008, that the cultural heritage of
Cambodia continues to be in jeopardy
from the pillage of the archaeological
materials described further below in the
list of designated materials, and that,
therefore, the import restrictions on
certain stone archaeological materials
from Cambodia that were previously
imposed by emergency import
restrictions under Treasury Decision
(T.D.) 99–88 (64 FR 67479, December 2,
1999) and then extended by CBP
Decision 03–28 (68 FR 55000,
September 22, 2003) to include certain
stone, metal, and ceramic archaeological
materials, are extended for an additional
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five year period until September 19,
2013, and include additional
subcategories of objects and new
categories of glass and bone objects from
the Bronze and Iron Age. Accordingly,
the title of the bilateral agreement was
amended to read: ‘‘Memorandum of
Understanding between the Government
of the United States of America and the
Government of the Kingdom of
Cambodia Concerning the Imposition of
Import Restrictions on Archaeological
Material from Cambodia from the
Bronze Age through the Khmer Era.’’
By exchange of diplomatic notes the
agreement was extended and amended
on August 26, 2008. Accordingly, CBP
is amending 19 CFR 12.104g(a) to reflect
the extension of the import restrictions
on the currently protected cultural
property as well as the new categories
and subcategories from the Bronze Age
(c. 1500 B.C.–500 B.C.) and the Iron Age
(c. 500 B.C.–550 A.D.) in the amended
bilateral agreement.
Amended Designated List
The Designated List of articles that are
protected pursuant to the bilateral
agreement, as amended, on
Archaeological Material from Cambodia
from the Bronze Age (c. 1500 B.C.)
through the sixteenth century (16th c.
A.D.) has been revised. We note that
subcategories of objects from the Bronze
and Iron Ages have been added, as well
as new categories, such as glass and
bone, pursuant to 19 U.S.C. 2606.
List of Archaeological Material From
Cambodia From the Bronze Age (c. 1500
B.C.) Through the 16th Century A.D.
Restricted archaeological material
from Cambodia includes the categories
listed below. The following list is
representative only.
I. Stone
This category consists largely of
materials made of sandstone, including
many color shades (grey to greenish to
black, pink to red and violet, and some
yellowish tones) and varying
granulosity. Due to oxidation and iron
content, the stone surface can become
hard and take on a different color than
the stone core. These surface colors
range from yellowish to brownish to
different shades of grey. This dense
surface can be polished. Some statues
and reliefs are coated with a kind of
clear shellac or lacquer of different
colors (black, red, gold, yellow, brown).
The surface of sandstone pieces can also
however be quite rough. Chipped
surfaces can be white in color. In the
absence of any systematic technical
analysis of ancient Khmer stonework,
no exact description of other stone types
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can be provided. It is clear however that
other types of stone were also used
(some volcanic rock, rhyolite, and
schist, etc.), but these are nonetheless
exceptional. Some quartz objects are
also known. Precious and semi-precious
stones were also used as applied decor
or in jewelry settings.
Different types of stone degradation
can be noted. Eroded surfaces result
from sanding (loss of surface grains),
contour scaling (detachment of surface
plaques along contour lines), flaking,
and exfoliation. The stone can also split
along sedimentation layers. Chipping or
fragmentation of sculpted stone is also
common.
Stone objects included here come
under several periods: Bronze Age (c.
1500 B.C.–500 B.C.), Iron Age (c. 500
B.C.–550 A.D.), pre-Angkorian (6th–9th
c.), Angkorian (9th–14th c.), and postAngkorian (14th–16th c.). Many stone
objects can be firmly assigned to one of
these periods; some, notably
architectural elements and statues, can
be further assigned a specific style and
a more precise date within the given
period.
A. Sculpture
1. Architectural Elements
Stone was used for religious
architecture in the pre-Angkorian and
Angkorian periods. The majority of
ancient Khmer temples were built
almost entirely in stone. Even for those
temples built primarily in brick,
numerous decorative elements in stone
were also employed. Only small
portions of early post-Angkorian
edifices were built in stone. The
architectural elements that follow are
therefore characteristic of pre-Angkorian
and Angkorian times. The state of the
material varies greatly, some objects
being well preserved, others severely
eroded or fragmented. The sculpture of
some pieces remains unfinished.
a. Pediments. Pediments are large
decorative stone fixtures placed above
temple doorways. They are triangular in
shape and composed of two or more
separate blocks that are fitted together
and sculpted with decorative motifs.
The ensemble can range from
approximately 1–3 meters in width and
1–3 meters in height. Motifs include
floral scrolls, medallions, human
figures, and animals. A whole scene
from a well-known story can also be
represented.
b. Lintels. Lintels are rectangular
monoliths placed directly above temple
entrance gates or doorways, below the
pediments described above. They are
decorated with motifs similar to those of
pediments. They can reach up to nearly
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one meter in height and one and one
half meters in width.
c. False doors. Three of the four
doorways of a temple sanctuary are
frequently ‘‘false doors’’; that is, though
they are sculpted to look like doors,
they do not open. They bear graphic and
floral motifs, sometimes integrating
human and animal figures. These doors
can reach up to more than two meters
in height and more than one meter in
width. They can be monolithic or
composed of separate blocks fitted
together.
d. Columnettes. Columnettes are
decorative columns placed on either
side of a temple door entrance. They can
be sculpted in deep relief out of a
temple doorway and therefore remain
attached to the doorway on their back
side. The earliest columnettes are round
and sculpted with bands which
themselves are sculpted with decorative
motifs. Later in the Angkorian period,
the columnettes are octagonal in shape
and bear more complex and abundant
sculpted decor on the concentric bands.
This decor includes graphic designs
(pearls, diamond shapes, flowers, etc.)
repeated at regular intervals along the
length of the column. The base of the
column is square and is also sculpted
with diverse motifs and figures. The
columnettes can reach around 25 cm. in
diameter and more than two meters in
height.
e. Pilasters. Pilasters are decorative
rectangular supports projecting partially
from the wall on either side of a temple
doorway. They are treated
architecturally as columns with base,
shaft, and capital. Motifs include floral
scrolls and graphic designs of pearls,
diamond shapes, etc., as well as human
or animal figures. They range in width
from approximately 20–30 cm. and can
reach a height of more than two meters.
f. Antefixes. Antefixes are decorative
elements placed around the exterior of
each level of temple tower. They are
small free-standing sculptures and can
take multiple forms, including but not
limited to graphic designs, animal
figures, human figures in niches, and
miniature models of temples.
g. Balustrade finials. Long balustrades
in the form of mythical serpents are
found in many Angkorian temples.
Often, these line either side of the
entrance causeways to temples. The
ends of the balustrade take the form of
the serpent’s multiple cobra-like heads.
h. Wall reliefs. Much of the surface
area of most temples is sculpted with
decorative reliefs. This decor includes
graphic designs and floral motifs as well
as human or animal figures. The figures
can range in size from just a few
centimeters to more than one meter in
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height. They can be integrated into the
decor or set off in niches. Narrative
scenes can also be represented.
i. Other decorative items. Other
decorative items include wall spikes,
roof tile finials, sculpted steps, and
other architectural decorations.
2. Free-Standing Sculpture
The pre-Angkorian and Angkorian
periods are characterized by extensive
production of statuary in stone. Some
stone statuary was also produced during
the post-Angkorian period. This statuary
is relatively diverse, including human
figures ranging from less than one half
meter to nearly three meters in height,
as well as animal figures. Some figures,
representations of Indian gods, have
multiple arms and heads. Figures can be
represented alone or in groups of two or
three. When male and female figures are
presented together as an ensemble, the
female figures are disproportionately
smaller than their male counterparts.
Some are part-human, part-animal.
Figures can be standing, sitting, or
riding animal mounts. Many figures are
represented wearing crowns or special
headdresses and holding attributes such
as a baton or a conch shell. Clothing and
sometimes jewelry are sculpted into the
body. Though statues are generally
monolithic, later post-Angkorian statues
of Buddha can have separate arms
sculpted in wood and attached to the
stone body. Many statues were once
lacquered in black, dark brown, red, or
gold colors and retain lacquer traces.
Some yellow lacquer is also found.
a. Human and hybrid (part-human,
part-animal) figures. Examples include
statues of the eight-armed god and the
four-armed god, representations of
Buddha in various attitudes or stances,
and female and male figures or deities,
including parts (heads, hands, crowns,
or decorative elements) of statuary and
groups of figures.
b. Animal figures. Examples include
bulls, elephants, lions, and small
mammals such as squirrels.
c. Votive objects. A number of more
abstract sculptures were also the object
of religious representation from preAngkorian to post-Angkorian times.
Examples include ritual phallic symbols
and sculpted footprints of Buddha.
d. Pedestals. Pedestals for statues can
be square, rectangular, or round. They
vary greatly in size and can be decorated
with graphic and floral decor, as well as
animal or human figures. They are
usually made of numerous components
fitted together, including a base and a
top section into which the statue is set.
e. Foundation deposit stones. Sacred
deposits were placed under statues, as
well as under temple foundations and in
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temple roof vaults, from pre-Angkorian
to post-Angkorian times. Marks on these
stones indicate sacred configurations,
which could contain deposits such as
gold or precious stones.
3. Stelae
a. Sculpted stelae. Free-standing
stelae, sculpted with shallow or deep
reliefs, served as objects of worship and
sometimes as boundary stones from preAngkorian to post-Angkorian times.
Examples include stelae with relief
images of gods and goddesses, Buddhas,
figures in niches, and other symbols.
b. Inscriptions. Texts recording
temple foundations or other information
were inscribed on stone stelae from preAngkorian to post-Angkorian times.
Such texts can also be found on temple
doorjambs, pillars, and walls. The stelae
are found in a number of different
shapes and sizes and can also bear
decorative reliefs, for example a bull
seated on a lotus flower.
4. Sculpture in Brick
Brick was used mainly in preAngkorian and some relatively early
Angkorian religious architecture. Yet,
typically, while the bodies of buildings
were in brick, some of the decorative
elements listed above-pediments,
lintels, etc.-were in stone. The brick, of
light orange color, was usually sculpted
with a preliminary relief, which was
then covered over with white stucco,
itself sculpted along brick contours.
Some brick reliefs seem however to
have been fully sculpted and not meant
to be covered in stucco. Brick temple
reliefs include graphic design, as well as
floral or animal decor. Human and
animal figures can also be represented.
B. Jewelry
In the Bronze and Iron Ages, beads
were made from semi-precious stones
such as agate and carnelian. Agate beads
are banded stone, black to light brown
to white in their bands. These are
usually carved into tubular shapes.
Carnelian beads are reddish orange and
glassy. These are usually ball-shaped.
Bronze and Iron Age stone bracelets
have triangular or rectangular crosssections.
C. Chipped and Ground Tools
During the Bronze and Iron Ages,
chipped and ground tools such as adzes,
whetstones, and arrowheads were made
of metamorphic rock.
II. Metal
This category consists mainly of
bronze objects. No singular alloy is
characteristic of Cambodian bronzes,
which contain varying degrees of
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copper, zinc, lead, and iron. Surface
colors can range from dark to light
brown to goldish; a green patina is
found on many objects. Some bronzes
are also gilt. Some artwork in silver and
gold also survives but is much less
common.
Most objects were cast with the ‘‘lost
wax’’ technique, by which a mold of the
object is built around a full or hollow
wax model; the wax is then melted out
with hot metal, which then hardens in
the mold. Because the mold must be
destroyed to obtain the metal object,
each casting is unique. Decor can be
chiseled into the finished metal surface.
As early as the Bronze and Iron Ages,
objects demonstrate a very high degree
of technical skill. The ‘‘repousse’’
technique, by which metal is beaten into
shape in a concave mold, was also used.
Most of the objects presented here can
be assigned to one of the periods
defined for stone objects above: Bronze
Age (c. 1500 B.C.–500 B.C.), Iron Age (c.
500 B.C.–550 A.D.), pre-Angkorian (6th–
9th c.), Angkorian (9th–14th c.), and
post-Angkorian (14th–16th c.). Some
pieces, in particular statuary and ritual
or domestic accessories with motifs akin
to architectural decor in stone, can also
be assigned to specific styles and
corresponding time periods within the
larger historical periods.
A. Statues and Statuettes
Khmer metal statuary is comparable
to Khmer stone statuary in both
thematic and stylistic treatment. (See
general description of free-standing
sculpture above.) Statues can be
represented alone or in groups ranging
from human figures on animal mounts
to triads, to more complex ensembles
including architectural structures and
decor. Though some colossal statues are
known in both pre-Angkorian and
Angkorian times, metal statues are,
generally, relatively smaller in scale
than their stone counterparts. Colossal
statues can reach more than two meters
in height; fragments demonstrate that
one reclining figure measured some six
meters in length. Such colossal pieces
are nonetheless rare.
Statuettes as small around as 15 cm.
are common; larger statues more
typically reach around one meter in
height. Small-scale statues are generally
composed of a single cast; separate
pieces however can be placed together,
for example on a single pedestal, to form
an ensemble. Larger works can be
composed of multiple pieces fitted
together with joints which can be
concealed by chiseled decor. Only some
small statuettes are solid. Others are
composed of two plaques, one for the
front of the piece and the other for the
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back; the plaques are filled with a resinor tar-based substance and soldered
together. Larger pieces are hollow. It
should be noted that the Bayon period
(late 12th-early 13th c.) has left more
bronze statuary than any other period.
Post-Angkorian bronze statues and
statuettes, like their stone counterparts,
take on certain characteristics of
Siamese sculpture but can nonetheless
usually be identified as Khmer due to
certain types of decor and bodily form
which maintain or develop on a specific
Angkorian tradition.
1. Human and Hybrid (Part-human,
Part-animal) Figures. Examples include
standing male figures, Buddhas, fourarmed male figures, female figures,
gods, and goddesses, all in various
attitudes and dress, including fragments
of sculpture such as hands, arms, and
heads.
2. Animal Figures. Animal
representations in bronze resemble
those in stone in both thematic and
stylistic treatment. Statues and
statuettes include primarily bulls, lions,
and elephants with one or three trunks.
Other animals, such as horses, are also
represented but are less common. The
only colossal animal images known date
to the late 12th–early 13th c. Other
animal figures, such as the mythical
multiheaded serpent and mythical birds
and monkeys, are also frequently found
as decor of ritual or domestic objects.
3. Pedestals. Pedestals in bronze often
appear to be simplified and reduced
versions of their stone counterparts. One
innovation of sculpting the base in
openwork is to be noted.
B. Other Ritual and Domestic Objects
1. Special Objects Used in Ritual.
Special ritual objects include bells,
conch shells, and musical instruments
such as tambourines, etc.
2. Containers. Ritual and domestic
containers include such items as
perfume holders, oil lamps or bowls,
and boxes with decorative or sculptural
features.
3. Decorative Elements from Ritual or
Domestic Objects. In addition to the
decorative accessory items noted below,
there exist insignia finials for banner
poles which often take the form of small
human or animal figures.
4. Jewelry. Jewelry, including but not
limited to rings, bracelets, arm bands,
necklaces, and belts, could have been
worn not only by people but also by
statues. Bronze and Iron Age bracelets
may be decorated with scrolls, spirals,
and the heads of buffalo/cows. Different
types of rings can be noted: Ringstamps, rings with ornamental settings,
rings with settings in the form of a bull
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or other animal, and rings with settings
for stones.
5. Musical Instruments. Diverse
percussion instruments, including
varying sizes of bells, drums, gongs, and
cymbals, were made in bronze. These
may carry geometric designs and/or
images of humans and animals.
6. Animal Fittings. In addition to bells
to be suspended around the necks of
animals, common to both the Angkorian
and the post-Angkorian periods, various
kinds of decorative animal harness
accessories are known in postAngkorian times.
C. Architectural Elements
Metal architectural elements include
ceiling or wall plaques sculpted with
flowers or other motifs, floral plaques,
and panels.
D. Weapons and Tools
Metal weapons and tools include
arrow heads, daggers, spear tips,
swords, helmets, axes, adzes, chisels,
spoons, and sickles.
III. Ceramics
Bronze and Iron Age ceramics are
primarily earthenwares with varying
colors and surface treatments. Later
ceramics include both glazed and
unglazed stonewares. Stonewares, and
particularly glazed wares, are
characteristic of the Angkorian period
(9th–14th c.). Khmer ceramics
production primarily concerned
functional vessels (vases, pots, etc.) but
also included sculpture of figurines and
architectural or other decorative
elements. Angkorian period vessels
were generally turned on a wheel and
fired in kilns. Vessels range in size from
around five to at least 70 cm. in height.
Glaze colors are fairly limited and
include creamy white, pale green (color
of Chinese tea), straw-yellow, reddishbrown, brown, olive, and black. Light
colors are generally glossy, while darker
colors can be glossy or matte. Some twocolored wares, primarily combining pale
green and brown, are also known.
Decoration is relatively subtle, limited
to incisions of graphic designs (crisscrosses, striations, waves, etc.), some
sculpted decor such as lotus petal
shapes, and molding (ridges, grooves,
etc.); some applied work is also seen.
Most decoration is found on shoulders
and necks, as on lids; footed vessels are
typically beveled at the base. Many
wasters (imperfect pieces) are found and
are also subject to illicit trade.
A. Sculpture
Ceramic sculpture known to have
been produced in Cambodia proper
largely concerns architectural elements.
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yshivers on PROD1PC62 with RULES
Though some figurines are known and
are of notable refinement, statuary and
reliefs in ceramics seem to be more
characteristic of provincial production.
1. Architectural Elements. Some preAngkorian, Angkorian, and postAngkorian period buildings, primarily
but not exclusively royal or upper-class
habitation, were roofed with ceramic
tiles. The tiles include undecorated flat
tiles and convex and concave pieces
fitted together; a sculpted tile was
placed as a decor at the end of each row
of tiles. These pieces were produced in
molds and can be unglazed or glazed.
The unglazed pieces are orange in color;
the glazed pieces are creamy white to
pale green. Spikes placed at the crest of
roof vaults can also be made in
ceramics. These spikes were fit into a
cylinder, also made of ceramics, which
was itself fitted into the roof vault.
Architectural ceramics sometimes have
human heads and anthropomorphic or
zoomorphic features.
2. Figurines and Ritual Objects.
Figurines, statuettes, or plaques can
include human, hybrid (part-human,
part-animal), and animal figures. These
are typically small in size (around 10
cm.). Ritual objects found in Cambodia
proper are limited primarily to pieces in
the shape of a conch shell, used for
pouring sacral water or as blowing
horns.
B. Vessels
1. Lidded Containers. Examples
include round lidded boxes with
incised or sculpted decoration, bulbous
vases with lids, and jars with conical
multi-tiered lids. Lids themselves
include conical shapes and convex lids
with knobs.
2. Lenticular Pots. Pots of depressed
globular form are commonly referred to
as lenticular pots. The mouth of the
vessel is closed with a stopper.
3. Animal-shaped Pots. The depressed
globular form can take animal shapes,
with applied animal head, tail, or other
body parts that can serve as handles.
The animal-shaped pot is also found in
other forms. Animal-shaped pots often
contain remains of white lime, a
substance used in betel nut chewing.
Shapes include bulls, elephants, birds,
horses, and other four-legged creatures.
4. Human-shaped Pots.
Anthropomorphic vessels often have
some applied and incised decoration
representing human appendages,
features, or clothing. The vessels are
usually gourd-shaped bottles.
5. Bottles. This category includes a
number of different kinds of vessels
with raised mouths.
6. Vases. A number of different types
of vases are grouped together under this
VerDate Aug<31>2005
15:21 Sep 18, 2008
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general heading. Some are flat based
and bulbous or conical. Others have
pedestal feet. Some are characterized by
their elongated necks. The ‘‘baluster
vases,’’ for which Khmer ceramics are
particularly known, have pedestal feet,
conical bodies, relatively long necks,
and flared mouths.
7. Spouted Pots. These are vessels,
usually in the ‘‘baluster vase’’ form, that
have short pouring spouts attached to
the shoulder. Some spouted pots also
have ring handles on the opposite
shoulder.
8. Large Jars. Large barrel-shaped jars
or vats have flat bases, wide mouths,
short necks, and flattened everted rims.
They are always iron glazed.
9. Bowls. Bowls with broad, flat bases
and flaring walls that are either straight
or slightly concave, ending in plain
everted or incurving rims, usually have
green or yellowish glaze, although some
brown-glazed bowls are known. Some
are decorated with incised lines just
below the rim. Most have deep flanges
above the base; some are plain. Small
hemispherical cups on button bases bear
brown glaze. Another form is the bowl
on a pedestal foot.
IV. Glass
Bronze and Iron Age glass beads are
usually very small (1–2 mm across) and
come in a range of colors from blue,
green, red and white. Other artifacts
made of glass include spiral earrings
and triangular bangle bracelets. The
bracelets are light to dark green or bluegreen and translucent.
V. Bone
Bone (and sometimes ivory or horn)
beads, bangles, pendants, and combs are
found at Bronze and Iron Age sites.
More information on import
restrictions can be obtained from the
International Cultural Property
Protection Web site (https://
exchanges.state.gov/culprop). The
restrictions on the importation of these
archaeological materials from Cambodia
are to continue in effect for an
additional 5 years. Importation of such
materials continues to be restricted
unless the conditions set forth in 19
U.S.C. 2606 and 19 CFR 12.104c are
met.
Inapplicability of Notice and Delayed
Effective Date
This amendment involves a foreign
affairs function of the United States and
is, therefore, being made without notice
or public procedure (5 U.S.C. 553(a)(1)).
For the same reason, a delayed effective
date is not required under 5 U.S.C.
553(d)(3).
PO 00000
Frm 00023
Fmt 4700
Sfmt 4700
54313
Regulatory Flexibility Act
Because no notice of proposed
rulemaking is required, the provisions
of the Regulatory Flexibility Act (5
U.S.C. 601 et seq.) do not apply.
Executive Order 12866
Because this rule involves a foreign
affairs function of the United States, it
is not subject to Executive Order 12866.
Signing Authority
This regulation is being issued in
accordance with 19 CFR 0.1(a)(1).
List of Subjects in 19 CFR Part 12
Cultural property, Customs duties and
inspection, Imports, Prohibited
merchandise.
Amendment to CBP Regulations
For the reasons set forth above, part 12
of Title 19 of the Code of Federal
Regulations (19 CFR part 12), is
amended as set forth below:
■
PART 12—SPECIAL CLASSES OF
MERCHANDISE
1. The general authority citation for
part 12 and the specific authority
citation for
■
§ 12.104g
continue to read as follows:
Authority: 5 U.S.C. 301; 19 U.S.C. 66, 1202
(General Note 3(i), Harmonized Tariff
Schedule of the United States (HTSUS)),
1624;
*
*
*
*
*
Sections 12.104 through 12.104i also
issued under 19 U.S.C. 2612;
*
*
*
*
*
§ 12.104g
[Amended]
2. In § 12.104g(a), the table of the list
of agreements imposing import
restrictions on described articles of
cultural property of State Parties is
amended:
■ a. In the entry for Cambodia, in the
column headed ‘‘Decision No.’’ by
adding ‘‘extended by CBP Dec. 08–40’’
after ‘‘CBP Dec. 03–28’’, and
■ b. In the entry for Cambodia, in the
column headed ‘‘Cultural Property’’ by
removing the reference to ‘‘Khmer
Archaeological Material from the 6th
century through the 16th century A.D.’’
and adding in its place ‘‘Archaeological
Material from Cambodia from the
Bronze Age through the Khmer Era.’’
■
Approved: September 16, 2008.
Jayson P. Ahern,
Acting Commissioner, U.S. Customs and
Border Protection.
Timothy E. Skud,
Deputy Assistant Secretary of the Treasury.
[FR Doc. E8–22034 Filed 9–18–08; 8:45 am]
BILLING CODE 9111–14–P
E:\FR\FM\19SER1.SGM
19SER1
Agencies
[Federal Register Volume 73, Number 183 (Friday, September 19, 2008)]
[Rules and Regulations]
[Pages 54309-54313]
From the Federal Register Online via the Government Printing Office [www.gpo.gov]
[FR Doc No: E8-22034]
=======================================================================
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DEPARTMENT OF HOMELAND SECURITY
U.S. Customs and Border Protection
DEPARTMENT OF THE TREASURY
19 CFR Part 12
[Docket No. USCBP-2008-0076; CBP Dec. 08-40]
RIN 1505-AB99
Extension of Import Restrictions Imposed on Archaeological
Material From Cambodia
AGENCIES: U.S. Customs and Border Protection, Department of Homeland
Security; Department of the Treasury.
ACTION: Final rule.
-----------------------------------------------------------------------
SUMMARY: This document amends Customs and Border Protection (CBP)
regulations to reflect both continuing and new import restrictions on
certain archaeological material from Cambodia. Import restrictions that
were previously imposed by CBP Decision 03-28 on certain stone, metal,
and ceramic archaeological materials that are due to expire on
September 19, 2008, are extended. The Assistant Secretary for
Educational and Cultural Affairs, United States Department of State,
has made the requisite determination for the extension of import
restrictions that previously existed and for amending the agreement so
that it applies also to archaeological material of the Bronze and Iron
Ages. Accordingly, these import restrictions will remain in effect
until September 19, 2013, and title 19 of the CBP regulations is being
amended to reflect this amended bilateral agreement. These restrictions
are being extended pursuant to determinations of the United States
Department of State made under the terms of the 1970 Convention on
Cultural Property Implementation Act in accordance with the United
Nations Educational, Scientific and Cultural Organization (UNESCO)
Convention on the Means of Prohibiting and Preventing the Illicit
Import, Export and Transfer of Ownership of Cultural Property. This
document also contains the amended Designated List of Archaeological
Material that describes the articles to which the restrictions apply,
including the new categories of objects (glass and bone) and the
additional subcategories of stone and metal objects from the Bronze and
Iron Age.
DATES: Effective Date: This final rule is effective on September 19,
2008.
FOR FURTHER INFORMATION CONTACT: For legal aspects, George F. McCray,
Esq.,
[[Page 54310]]
Chief, Intellectual Property Rights and Restricted Merchandise Branch,
(202) 572-8710. For operational aspects, Michael Craig, Chief, Other
Government Agencies Branch, (202) 863-6558.
SUPPLEMENTARY INFORMATION:
Background
Pursuant to the provisions of the 1970 United Nations Educational,
Scientific and Cultural Organization (UNESCO) Convention, codified into
U.S. law as the Convention on Cultural Property Implementation Act
(Pub. L. 97-446, 19 U.S.C. 2601 et seq.), the United States entered
into a bilateral agreement with Cambodia on September 19, 2003,
concerning the imposition of import restrictions on Khmer
archaeological material from the 6th century through the 16th century
A.D. in Cambodia. On September 22, 2003, CBP published CBP Decision 03-
28 in the Federal Register (68 FR 55000), which amended 19 CFR
12.104g(a) to reflect the imposition of these restrictions, which
subsumed the emergency import restrictions of 1999, and included a list
designating the types of archaeological material covered by the
restrictions.
Import restrictions listed in 19 CFR 12.104g(a) are ``effective for
no more than five years beginning on the date on which the agreement
enters into force with respect to the United States. This period can be
extended for additional periods not to exceed five years if it is
determined that the factors which justified the initial agreement still
pertain and no cause for suspension of the agreement exists'' (19 CFR
12.104g(a)).
Amended Bilateral Agreement
Consistent with expressed interest in an extension of the agreement
from the Royal Government of Cambodia and with the findings and
recommendations of the Cultural Property Advisory Committee, the
Assistant Secretary for Educational and Cultural Affairs, United States
Department of State, made the requisite determinations on June 13,
2008, that the cultural heritage of Cambodia continues to be in
jeopardy from the pillage of the archaeological materials described
further below in the list of designated materials, and that, therefore,
the import restrictions on certain stone archaeological materials from
Cambodia that were previously imposed by emergency import restrictions
under Treasury Decision (T.D.) 99-88 (64 FR 67479, December 2, 1999)
and then extended by CBP Decision 03-28 (68 FR 55000, September 22,
2003) to include certain stone, metal, and ceramic archaeological
materials, are extended for an additional five year period until
September 19, 2013, and include additional subcategories of objects and
new categories of glass and bone objects from the Bronze and Iron Age.
Accordingly, the title of the bilateral agreement was amended to read:
``Memorandum of Understanding between the Government of the United
States of America and the Government of the Kingdom of Cambodia
Concerning the Imposition of Import Restrictions on Archaeological
Material from Cambodia from the Bronze Age through the Khmer Era.''
By exchange of diplomatic notes the agreement was extended and
amended on August 26, 2008. Accordingly, CBP is amending 19 CFR
12.104g(a) to reflect the extension of the import restrictions on the
currently protected cultural property as well as the new categories and
subcategories from the Bronze Age (c. 1500 B.C.-500 B.C.) and the Iron
Age (c. 500 B.C.-550 A.D.) in the amended bilateral agreement.
Amended Designated List
The Designated List of articles that are protected pursuant to the
bilateral agreement, as amended, on Archaeological Material from
Cambodia from the Bronze Age (c. 1500 B.C.) through the sixteenth
century (16th c. A.D.) has been revised. We note that subcategories of
objects from the Bronze and Iron Ages have been added, as well as new
categories, such as glass and bone, pursuant to 19 U.S.C. 2606.
List of Archaeological Material From Cambodia From the Bronze Age (c.
1500 B.C.) Through the 16th Century A.D.
Restricted archaeological material from Cambodia includes the
categories listed below. The following list is representative only.
I. Stone
This category consists largely of materials made of sandstone,
including many color shades (grey to greenish to black, pink to red and
violet, and some yellowish tones) and varying granulosity. Due to
oxidation and iron content, the stone surface can become hard and take
on a different color than the stone core. These surface colors range
from yellowish to brownish to different shades of grey. This dense
surface can be polished. Some statues and reliefs are coated with a
kind of clear shellac or lacquer of different colors (black, red, gold,
yellow, brown). The surface of sandstone pieces can also however be
quite rough. Chipped surfaces can be white in color. In the absence of
any systematic technical analysis of ancient Khmer stonework, no exact
description of other stone types can be provided. It is clear however
that other types of stone were also used (some volcanic rock, rhyolite,
and schist, etc.), but these are nonetheless exceptional. Some quartz
objects are also known. Precious and semi-precious stones were also
used as applied decor or in jewelry settings.
Different types of stone degradation can be noted. Eroded surfaces
result from sanding (loss of surface grains), contour scaling
(detachment of surface plaques along contour lines), flaking, and
exfoliation. The stone can also split along sedimentation layers.
Chipping or fragmentation of sculpted stone is also common.
Stone objects included here come under several periods: Bronze Age
(c. 1500 B.C.-500 B.C.), Iron Age (c. 500 B.C.-550 A.D.), pre-Angkorian
(6th-9th c.), Angkorian (9th-14th c.), and post-Angkorian (14th-16th
c.). Many stone objects can be firmly assigned to one of these periods;
some, notably architectural elements and statues, can be further
assigned a specific style and a more precise date within the given
period.
A. Sculpture
1. Architectural Elements
Stone was used for religious architecture in the pre-Angkorian and
Angkorian periods. The majority of ancient Khmer temples were built
almost entirely in stone. Even for those temples built primarily in
brick, numerous decorative elements in stone were also employed. Only
small portions of early post-Angkorian edifices were built in stone.
The architectural elements that follow are therefore characteristic of
pre-Angkorian and Angkorian times. The state of the material varies
greatly, some objects being well preserved, others severely eroded or
fragmented. The sculpture of some pieces remains unfinished.
a. Pediments. Pediments are large decorative stone fixtures placed
above temple doorways. They are triangular in shape and composed of two
or more separate blocks that are fitted together and sculpted with
decorative motifs. The ensemble can range from approximately 1-3 meters
in width and 1-3 meters in height. Motifs include floral scrolls,
medallions, human figures, and animals. A whole scene from a well-known
story can also be represented.
b. Lintels. Lintels are rectangular monoliths placed directly above
temple entrance gates or doorways, below the pediments described above.
They are decorated with motifs similar to those of pediments. They can
reach up to nearly
[[Page 54311]]
one meter in height and one and one half meters in width.
c. False doors. Three of the four doorways of a temple sanctuary
are frequently ``false doors''; that is, though they are sculpted to
look like doors, they do not open. They bear graphic and floral motifs,
sometimes integrating human and animal figures. These doors can reach
up to more than two meters in height and more than one meter in width.
They can be monolithic or composed of separate blocks fitted together.
d. Columnettes. Columnettes are decorative columns placed on either
side of a temple door entrance. They can be sculpted in deep relief out
of a temple doorway and therefore remain attached to the doorway on
their back side. The earliest columnettes are round and sculpted with
bands which themselves are sculpted with decorative motifs. Later in
the Angkorian period, the columnettes are octagonal in shape and bear
more complex and abundant sculpted decor on the concentric bands. This
decor includes graphic designs (pearls, diamond shapes, flowers, etc.)
repeated at regular intervals along the length of the column. The base
of the column is square and is also sculpted with diverse motifs and
figures. The columnettes can reach around 25 cm. in diameter and more
than two meters in height.
e. Pilasters. Pilasters are decorative rectangular supports
projecting partially from the wall on either side of a temple doorway.
They are treated architecturally as columns with base, shaft, and
capital. Motifs include floral scrolls and graphic designs of pearls,
diamond shapes, etc., as well as human or animal figures. They range in
width from approximately 20-30 cm. and can reach a height of more than
two meters.
f. Antefixes. Antefixes are decorative elements placed around the
exterior of each level of temple tower. They are small free-standing
sculptures and can take multiple forms, including but not limited to
graphic designs, animal figures, human figures in niches, and miniature
models of temples.
g. Balustrade finials. Long balustrades in the form of mythical
serpents are found in many Angkorian temples. Often, these line either
side of the entrance causeways to temples. The ends of the balustrade
take the form of the serpent's multiple cobra-like heads.
h. Wall reliefs. Much of the surface area of most temples is
sculpted with decorative reliefs. This decor includes graphic designs
and floral motifs as well as human or animal figures. The figures can
range in size from just a few centimeters to more than one meter in
height. They can be integrated into the decor or set off in niches.
Narrative scenes can also be represented.
i. Other decorative items. Other decorative items include wall
spikes, roof tile finials, sculpted steps, and other architectural
decorations.
2. Free-Standing Sculpture
The pre-Angkorian and Angkorian periods are characterized by
extensive production of statuary in stone. Some stone statuary was also
produced during the post-Angkorian period. This statuary is relatively
diverse, including human figures ranging from less than one half meter
to nearly three meters in height, as well as animal figures. Some
figures, representations of Indian gods, have multiple arms and heads.
Figures can be represented alone or in groups of two or three. When
male and female figures are presented together as an ensemble, the
female figures are disproportionately smaller than their male
counterparts. Some are part-human, part-animal. Figures can be
standing, sitting, or riding animal mounts. Many figures are
represented wearing crowns or special headdresses and holding
attributes such as a baton or a conch shell. Clothing and sometimes
jewelry are sculpted into the body. Though statues are generally
monolithic, later post-Angkorian statues of Buddha can have separate
arms sculpted in wood and attached to the stone body. Many statues were
once lacquered in black, dark brown, red, or gold colors and retain
lacquer traces. Some yellow lacquer is also found.
a. Human and hybrid (part-human, part-animal) figures. Examples
include statues of the eight-armed god and the four-armed god,
representations of Buddha in various attitudes or stances, and female
and male figures or deities, including parts (heads, hands, crowns, or
decorative elements) of statuary and groups of figures.
b. Animal figures. Examples include bulls, elephants, lions, and
small mammals such as squirrels.
c. Votive objects. A number of more abstract sculptures were also
the object of religious representation from pre-Angkorian to post-
Angkorian times. Examples include ritual phallic symbols and sculpted
footprints of Buddha.
d. Pedestals. Pedestals for statues can be square, rectangular, or
round. They vary greatly in size and can be decorated with graphic and
floral decor, as well as animal or human figures. They are usually made
of numerous components fitted together, including a base and a top
section into which the statue is set.
e. Foundation deposit stones. Sacred deposits were placed under
statues, as well as under temple foundations and in temple roof vaults,
from pre-Angkorian to post-Angkorian times. Marks on these stones
indicate sacred configurations, which could contain deposits such as
gold or precious stones.
3. Stelae
a. Sculpted stelae. Free-standing stelae, sculpted with shallow or
deep reliefs, served as objects of worship and sometimes as boundary
stones from pre-Angkorian to post-Angkorian times. Examples include
stelae with relief images of gods and goddesses, Buddhas, figures in
niches, and other symbols.
b. Inscriptions. Texts recording temple foundations or other
information were inscribed on stone stelae from pre-Angkorian to post-
Angkorian times. Such texts can also be found on temple doorjambs,
pillars, and walls. The stelae are found in a number of different
shapes and sizes and can also bear decorative reliefs, for example a
bull seated on a lotus flower.
4. Sculpture in Brick
Brick was used mainly in pre-Angkorian and some relatively early
Angkorian religious architecture. Yet, typically, while the bodies of
buildings were in brick, some of the decorative elements listed above-
pediments, lintels, etc.-were in stone. The brick, of light orange
color, was usually sculpted with a preliminary relief, which was then
covered over with white stucco, itself sculpted along brick contours.
Some brick reliefs seem however to have been fully sculpted and not
meant to be covered in stucco. Brick temple reliefs include graphic
design, as well as floral or animal decor. Human and animal figures can
also be represented.
B. Jewelry
In the Bronze and Iron Ages, beads were made from semi-precious
stones such as agate and carnelian. Agate beads are banded stone, black
to light brown to white in their bands. These are usually carved into
tubular shapes. Carnelian beads are reddish orange and glassy. These
are usually ball-shaped. Bronze and Iron Age stone bracelets have
triangular or rectangular cross-sections.
C. Chipped and Ground Tools
During the Bronze and Iron Ages, chipped and ground tools such as
adzes, whetstones, and arrowheads were made of metamorphic rock.
II. Metal
This category consists mainly of bronze objects. No singular alloy
is characteristic of Cambodian bronzes, which contain varying degrees
of
[[Page 54312]]
copper, zinc, lead, and iron. Surface colors can range from dark to
light brown to goldish; a green patina is found on many objects. Some
bronzes are also gilt. Some artwork in silver and gold also survives
but is much less common.
Most objects were cast with the ``lost wax'' technique, by which a
mold of the object is built around a full or hollow wax model; the wax
is then melted out with hot metal, which then hardens in the mold.
Because the mold must be destroyed to obtain the metal object, each
casting is unique. Decor can be chiseled into the finished metal
surface. As early as the Bronze and Iron Ages, objects demonstrate a
very high degree of technical skill. The ``repousse'' technique, by
which metal is beaten into shape in a concave mold, was also used.
Most of the objects presented here can be assigned to one of the
periods defined for stone objects above: Bronze Age (c. 1500 B.C.-500
B.C.), Iron Age (c. 500 B.C.-550 A.D.), pre-Angkorian (6th-9th c.),
Angkorian (9th-14th c.), and post-Angkorian (14th-16th c.). Some
pieces, in particular statuary and ritual or domestic accessories with
motifs akin to architectural decor in stone, can also be assigned to
specific styles and corresponding time periods within the larger
historical periods.
A. Statues and Statuettes
Khmer metal statuary is comparable to Khmer stone statuary in both
thematic and stylistic treatment. (See general description of free-
standing sculpture above.) Statues can be represented alone or in
groups ranging from human figures on animal mounts to triads, to more
complex ensembles including architectural structures and decor. Though
some colossal statues are known in both pre-Angkorian and Angkorian
times, metal statues are, generally, relatively smaller in scale than
their stone counterparts. Colossal statues can reach more than two
meters in height; fragments demonstrate that one reclining figure
measured some six meters in length. Such colossal pieces are
nonetheless rare.
Statuettes as small around as 15 cm. are common; larger statues
more typically reach around one meter in height. Small-scale statues
are generally composed of a single cast; separate pieces however can be
placed together, for example on a single pedestal, to form an ensemble.
Larger works can be composed of multiple pieces fitted together with
joints which can be concealed by chiseled decor. Only some small
statuettes are solid. Others are composed of two plaques, one for the
front of the piece and the other for the back; the plaques are filled
with a resin-or tar-based substance and soldered together. Larger
pieces are hollow. It should be noted that the Bayon period (late 12th-
early 13th c.) has left more bronze statuary than any other period.
Post-Angkorian bronze statues and statuettes, like their stone
counterparts, take on certain characteristics of Siamese sculpture but
can nonetheless usually be identified as Khmer due to certain types of
decor and bodily form which maintain or develop on a specific Angkorian
tradition.
1. Human and Hybrid (Part-human, Part-animal) Figures. Examples
include standing male figures, Buddhas, four-armed male figures, female
figures, gods, and goddesses, all in various attitudes and dress,
including fragments of sculpture such as hands, arms, and heads.
2. Animal Figures. Animal representations in bronze resemble those
in stone in both thematic and stylistic treatment. Statues and
statuettes include primarily bulls, lions, and elephants with one or
three trunks. Other animals, such as horses, are also represented but
are less common. The only colossal animal images known date to the late
12th-early 13th c. Other animal figures, such as the mythical
multiheaded serpent and mythical birds and monkeys, are also frequently
found as decor of ritual or domestic objects.
3. Pedestals. Pedestals in bronze often appear to be simplified and
reduced versions of their stone counterparts. One innovation of
sculpting the base in openwork is to be noted.
B. Other Ritual and Domestic Objects
1. Special Objects Used in Ritual. Special ritual objects include
bells, conch shells, and musical instruments such as tambourines, etc.
2. Containers. Ritual and domestic containers include such items as
perfume holders, oil lamps or bowls, and boxes with decorative or
sculptural features.
3. Decorative Elements from Ritual or Domestic Objects. In addition
to the decorative accessory items noted below, there exist insignia
finials for banner poles which often take the form of small human or
animal figures.
4. Jewelry. Jewelry, including but not limited to rings, bracelets,
arm bands, necklaces, and belts, could have been worn not only by
people but also by statues. Bronze and Iron Age bracelets may be
decorated with scrolls, spirals, and the heads of buffalo/cows.
Different types of rings can be noted: Ring-stamps, rings with
ornamental settings, rings with settings in the form of a bull or other
animal, and rings with settings for stones.
5. Musical Instruments. Diverse percussion instruments, including
varying sizes of bells, drums, gongs, and cymbals, were made in bronze.
These may carry geometric designs and/or images of humans and animals.
6. Animal Fittings. In addition to bells to be suspended around the
necks of animals, common to both the Angkorian and the post-Angkorian
periods, various kinds of decorative animal harness accessories are
known in post-Angkorian times.
C. Architectural Elements
Metal architectural elements include ceiling or wall plaques
sculpted with flowers or other motifs, floral plaques, and panels.
D. Weapons and Tools
Metal weapons and tools include arrow heads, daggers, spear tips,
swords, helmets, axes, adzes, chisels, spoons, and sickles.
III. Ceramics
Bronze and Iron Age ceramics are primarily earthenwares with
varying colors and surface treatments. Later ceramics include both
glazed and unglazed stonewares. Stonewares, and particularly glazed
wares, are characteristic of the Angkorian period (9th-14th c.). Khmer
ceramics production primarily concerned functional vessels (vases,
pots, etc.) but also included sculpture of figurines and architectural
or other decorative elements. Angkorian period vessels were generally
turned on a wheel and fired in kilns. Vessels range in size from around
five to at least 70 cm. in height. Glaze colors are fairly limited and
include creamy white, pale green (color of Chinese tea), straw-yellow,
reddish-brown, brown, olive, and black. Light colors are generally
glossy, while darker colors can be glossy or matte. Some two-colored
wares, primarily combining pale green and brown, are also known.
Decoration is relatively subtle, limited to incisions of graphic
designs (criss-crosses, striations, waves, etc.), some sculpted decor
such as lotus petal shapes, and molding (ridges, grooves, etc.); some
applied work is also seen. Most decoration is found on shoulders and
necks, as on lids; footed vessels are typically beveled at the base.
Many wasters (imperfect pieces) are found and are also subject to
illicit trade.
A. Sculpture
Ceramic sculpture known to have been produced in Cambodia proper
largely concerns architectural elements.
[[Page 54313]]
Though some figurines are known and are of notable refinement, statuary
and reliefs in ceramics seem to be more characteristic of provincial
production.
1. Architectural Elements. Some pre-Angkorian, Angkorian, and post-
Angkorian period buildings, primarily but not exclusively royal or
upper-class habitation, were roofed with ceramic tiles. The tiles
include undecorated flat tiles and convex and concave pieces fitted
together; a sculpted tile was placed as a decor at the end of each row
of tiles. These pieces were produced in molds and can be unglazed or
glazed. The unglazed pieces are orange in color; the glazed pieces are
creamy white to pale green. Spikes placed at the crest of roof vaults
can also be made in ceramics. These spikes were fit into a cylinder,
also made of ceramics, which was itself fitted into the roof vault.
Architectural ceramics sometimes have human heads and anthropomorphic
or zoomorphic features.
2. Figurines and Ritual Objects. Figurines, statuettes, or plaques
can include human, hybrid (part-human, part-animal), and animal
figures. These are typically small in size (around 10 cm.). Ritual
objects found in Cambodia proper are limited primarily to pieces in the
shape of a conch shell, used for pouring sacral water or as blowing
horns.
B. Vessels
1. Lidded Containers. Examples include round lidded boxes with
incised or sculpted decoration, bulbous vases with lids, and jars with
conical multi-tiered lids. Lids themselves include conical shapes and
convex lids with knobs.
2. Lenticular Pots. Pots of depressed globular form are commonly
referred to as lenticular pots. The mouth of the vessel is closed with
a stopper.
3. Animal-shaped Pots. The depressed globular form can take animal
shapes, with applied animal head, tail, or other body parts that can
serve as handles. The animal-shaped pot is also found in other forms.
Animal-shaped pots often contain remains of white lime, a substance
used in betel nut chewing. Shapes include bulls, elephants, birds,
horses, and other four-legged creatures.
4. Human-shaped Pots. Anthropomorphic vessels often have some
applied and incised decoration representing human appendages, features,
or clothing. The vessels are usually gourd-shaped bottles.
5. Bottles. This category includes a number of different kinds of
vessels with raised mouths.
6. Vases. A number of different types of vases are grouped together
under this general heading. Some are flat based and bulbous or conical.
Others have pedestal feet. Some are characterized by their elongated
necks. The ``baluster vases,'' for which Khmer ceramics are
particularly known, have pedestal feet, conical bodies, relatively long
necks, and flared mouths.
7. Spouted Pots. These are vessels, usually in the ``baluster
vase'' form, that have short pouring spouts attached to the shoulder.
Some spouted pots also have ring handles on the opposite shoulder.
8. Large Jars. Large barrel-shaped jars or vats have flat bases,
wide mouths, short necks, and flattened everted rims. They are always
iron glazed.
9. Bowls. Bowls with broad, flat bases and flaring walls that are
either straight or slightly concave, ending in plain everted or
incurving rims, usually have green or yellowish glaze, although some
brown-glazed bowls are known. Some are decorated with incised lines
just below the rim. Most have deep flanges above the base; some are
plain. Small hemispherical cups on button bases bear brown glaze.
Another form is the bowl on a pedestal foot.
IV. Glass
Bronze and Iron Age glass beads are usually very small (1-2 mm
across) and come in a range of colors from blue, green, red and white.
Other artifacts made of glass include spiral earrings and triangular
bangle bracelets. The bracelets are light to dark green or blue-green
and translucent.
V. Bone
Bone (and sometimes ivory or horn) beads, bangles, pendants, and
combs are found at Bronze and Iron Age sites.
More information on import restrictions can be obtained from the
International Cultural Property Protection Web site (https://
exchanges.state.gov/culprop). The restrictions on the importation of
these archaeological materials from Cambodia are to continue in effect
for an additional 5 years. Importation of such materials continues to
be restricted unless the conditions set forth in 19 U.S.C. 2606 and 19
CFR 12.104c are met.
Inapplicability of Notice and Delayed Effective Date
This amendment involves a foreign affairs function of the United
States and is, therefore, being made without notice or public procedure
(5 U.S.C. 553(a)(1)). For the same reason, a delayed effective date is
not required under 5 U.S.C. 553(d)(3).
Regulatory Flexibility Act
Because no notice of proposed rulemaking is required, the
provisions of the Regulatory Flexibility Act (5 U.S.C. 601 et seq.) do
not apply.
Executive Order 12866
Because this rule involves a foreign affairs function of the United
States, it is not subject to Executive Order 12866.
Signing Authority
This regulation is being issued in accordance with 19 CFR
0.1(a)(1).
List of Subjects in 19 CFR Part 12
Cultural property, Customs duties and inspection, Imports,
Prohibited merchandise.
Amendment to CBP Regulations
0
For the reasons set forth above, part 12 of Title 19 of the Code of
Federal Regulations (19 CFR part 12), is amended as set forth below:
PART 12--SPECIAL CLASSES OF MERCHANDISE
0
1. The general authority citation for part 12 and the specific
authority citation for
Sec. 12.104g continue to read as follows:
Authority: 5 U.S.C. 301; 19 U.S.C. 66, 1202 (General Note 3(i),
Harmonized Tariff Schedule of the United States (HTSUS)), 1624;
* * * * *
Sections 12.104 through 12.104i also issued under 19 U.S.C. 2612;
* * * * *
Sec. 12.104g [Amended]
0
2. In Sec. 12.104g(a), the table of the list of agreements imposing
import restrictions on described articles of cultural property of State
Parties is amended:
0
a. In the entry for Cambodia, in the column headed ``Decision No.'' by
adding ``extended by CBP Dec. 08-40'' after ``CBP Dec. 03-28'', and
0
b. In the entry for Cambodia, in the column headed ``Cultural
Property'' by removing the reference to ``Khmer Archaeological Material
from the 6th century through the 16th century A.D.'' and adding in its
place ``Archaeological Material from Cambodia from the Bronze Age
through the Khmer Era.''
Approved: September 16, 2008.
Jayson P. Ahern,
Acting Commissioner, U.S. Customs and Border Protection.
Timothy E. Skud,
Deputy Assistant Secretary of the Treasury.
[FR Doc. E8-22034 Filed 9-18-08; 8:45 am]
BILLING CODE 9111-14-P