Mandatory Deposit of Published Electronic Works Available Only Online, 3863-3870 [2010-1202]
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Federal Register / Vol. 75, No. 15 / Monday, January 25, 2010 / Rules and Regulations
visitor experience. Importantly, in 2003,
NARA completed a two year renovation
of the Rotunda and constructed
additional exhibit space at the same
time. Since the rededication of the
Rotunda six years ago, visitors are no
longer forced to shuffle past the
documents at a regimented pace as the
commenter states. Rather, visitors are
permitted to enter the Rotunda in small
groups to view the documents in any
order they wish for as long as they wish.
This system permits individuals and
families to study the documents and
discuss their meaning while also
permitting visitors with limited time to
satisfy their curiosity with a quick
glance.
For the past five years, the staff has
monitored the NAE’s informal visitor
comment log as well as letters received
from visitors requesting and demanding
that NARA eliminate all photography.
Comments such as these vastly
outnumber those requesting permission
for flash photography usage. The
requests from visitors to eliminate
photography usually ask us to do so for
three reasons: the ultraviolet light is
detrimental to the documents; visitors
using cameras do not bother to look at
or read the documents; and those taking
photographs keep other visitors from
viewing the exhibits as they use
excessive amounts of time lining up and
blocking people from intruding into
their camera shot.
The National Archives serves roughly
a million visitors every year. During
peak tourist season, the NAE can
accommodate up to 4,500 each day.
Over the past five years, the agency has
monitored visitor traffic flow in the
Rotunda of the NAE on a continual basis
in an effort to improve the visitor
experience. It has long been noted that
visitors with cameras disrupt and
dramatically slow down the flow of
visitors and frustrate many of the eager
visitors who are forced to wait to view
our country’s founding documents. By
eliminating all filming, photographing
and videotaping by the public in the
exhibit areas, NARA expects to
eliminate delays, and provide its
visitors with a more rewarding
experience. For those visitors who wish
to take home an image of the
documents, the National Archives Shop
has facsimiles of various sizes and price
ranges available for purchase. NARA
also provides visitors with the ability to
access and print digital images of the
documents from the Boeing Learning
Center free of charge. Finally, NARA has
posted high quality images of
documents on display at the NAE on its
Web site https://www.archives.gov;
visitors can download or print these
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images from their personal computers at
no cost.
One final comment dealing with
enforcement of the proposed rule
suggested that any visitor with a
photographic device on their person
would be turned away and that
overzealous security guards might
subject visitors to harassment or bodily
harm. NARA can assure this commenter
that those hypothetical behaviors and
policies will not happen. Visitors with
photographic devices will be allowed to
enter the building with their cameras,
cell phones, and other photographic
equipment. However, they will be met
by appropriate signage and security
personnel throughout the NAE to
explain the ‘‘no photography’’ rule. In
the event that a visitor makes the
mistake of displaying or attempting to
use a photographic device, they would
first be warned that such behavior is not
allowed. If, after they have received a
warning, they continue to ignore the ‘‘no
photography’’ rule they will be politely
escorted from the building.
List of Subjects in 36 CFR Part 1280
Archives and records, Federal
buildings and facilities.
For the reasons set forth in the
preamble, NARA amends part 1280 of
title 36, Code of Federal Regulations, as
follows:
■
PART 1280—USE OF NARA
FACILITIES
1. The authority citation for part 1280
continues to read as follows:
■
Authority: 44 U.S.C. 2102 notes, 2104(a),
2112, 2903
2. Amend § 1280.46 by:
a. Adding ‘‘and’’ to the end of
paragraph (b)(1);
■ b. Removing ‘‘; and’’ from the end of
paragraph (b)(2) and adding a period in
its place; and
■ c. Redesignating paragraph (b)(3) as
paragraph (c) and revising it to read as
follows:
■
■
§ 1280.46 What are the rules for filming,
photographing, or videotaping on NARA
property for personal use?
*
*
*
*
*
(c) You may not film, photograph, or
videotape in any of the exhibit areas of
the National Archives Building in
Washington, DC, including the Rotunda
where the Declaration of Independence,
the Constitution, and the Bill of Rights
are displayed.
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Dated: January 14, 2010.
David S. Ferriero,
Archivist of the United States.
[FR Doc. 2010–1331 Filed 1–22–10; 8:45 am]
BILLING CODE 7515–01–P
LIBRARY OF CONGRESS
Copyright Office
37 CFR Part 202
[Docket No. RM 2009–3]
Mandatory Deposit of Published
Electronic Works Available Only
Online
AGENCY: Copyright Office, Library of
Congress.
ACTION: Interim Rule.
SUMMARY: The Copyright Office of the
Library of Congress is adopting an
interim regulation governing mandatory
deposit of electronic works published in
the United States and available only
online. The regulation establishes that
online–only works are exempt from
mandatory deposit until a demand for
deposit of copies or phonorecords of
such works is issued by the Copyright
Office. It also states that categories of
online–only works subject to demand
will first be identified in the regulations,
and names electronic serials as the first
such category for which demands will
issue. In addition, the regulation sets
forth the process for issuing and
responding to a demand for deposit,
amends the definition of a ‘‘complete
copy’’ of a work for purposes of
mandatory deposit of online–only
works, and establishes new best edition
criteria for electronic serials available
only online.
EFFECTIVE DATE: February 24, 2010.
FOR FURTHER INFORMATION CONTACT:
Tanya M. Sandros, Deputy General
Counsel, or Christopher Weston,
Attorney Advisor, Copyright GC/I&R,
P.O. Box 70400, Washington, DC 20024.
Telephone: (202) 707–8380. Telefax:
(202)–707–8366.
SUPPLEMENTARY INFORMATION: The
fundamental goal of this rulemaking
proceeding is to establish a qualified
exemption from the mandatory deposit
requirement of 17 U.S.C. 407 for works
available only online. In July 2009, the
Copyright Office published a Notice of
Proposed Rulemaking in the Federal
Register, 74 FR 34286 (July 15, 2009),
seeking public comment on proposed
amendments to its mandatory deposit
regulations at 37 CFR 202.19 and
202.24, and Appendix B of Chapter 37.
The notice proposed an exemption from
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mandatory deposit for all published
online–only works until the Library
identifies a particular category of such
works as being subject to a deposit
demand by the Copyright Office. Once
a category of online–only works is
identifed, the Copyright Office may
issue demands upon the publisher that
a single electronic copy be deposited
within three months. The Office
identified ‘‘electronic serials,’’ a term
that the notice also proposed to define,
as the initial category subject to the
qualified exemption. The notice also
proposed a demand issuance and
response procedure, a definition of the
term ‘‘complete copy’’ specific to
online–only works, and a new best
edition statement for electronic serials.
Finally, the Notice sought public
comment on the practical and legal
concerns associated with the adoption
of a requirement for publishers of
online–only works to notify the Library
upon the publication of a new online–
only work in the United States.
The Office received seven initial
comments and, after an extension of the
reply deadline, three reply comments.
The initial comments were from Bose
McKinney & Evans LLP, the American
Society of Media Photographers
(ASMP), the Association of American
Publishers, Inc. (AAP), the American
Library Association with the
Association of Research Libraries (ALA–
ARL), the Software & Information
Industry Association (SIIA), the
Professional Photographers of America
(PPA), and the Newspaper Association
of America (NAA). Reply comments
were received from Patrice Lyons, an
attorney; West, a publisher of works for
the legal industry; and the ALA–ARL.
All comments are available for viewing
at https://www.copyright.gov/docs/
online–only/.
Of the comments that directly
addressed issues presented by the
notice, most were generally favorable
toward the Office’s proposal. However,
the commenters did raise questions
regarding the method of deposit,
definitions of certain terms, user access
to deposited works, and the proposed
publisher notification requirement,
among others.
The Copyright Office, in consultation
with the Library of Congress, has
thoroughly considered these comments,
and determined that the amendments
will be adopted as an interim rule
largely as proposed, with some changes
as described in the Discussion section
below. In addition, the Office and the
Library have determined that it is
unnecessary at this interim phase of the
rulemaking process to impose a
requirement for publishers of online–
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only works to notify the Library upon
publication of a new work, although the
Office may again consider the question
when expanding the categories of
online–only works subject to a
mandatory deposit demand.
The rule is interim, and not final,
because the Office anticipates that the
experience of issuing and responding to
demands for online–only works will
raise additional issues that should be
considered before the regulation
becomes final, e.g., the technical details
of how an online–only work should be
transmitted to the Copyright Office.
Thus, the Office will provide an
opportunity for additional comment
later in 2010 in order to consider
amendments to address problems or
issues yet to be identified.
I. Background
Under section 407 of the Copyright
Act of 1976, Title 17 of the United
States Code, the owner of copyright, or
of the exclusive right of publication, in
a work published in the United States
is required to deposit two complete
copies (or, in the case of sound
recordings, two phonorecords) of the
best edition of the work with the
Copyright Office for the use or
disposition of the Library of Congress.
The deposit is to be made within three
months after such publication. Failure
to make the required deposit does not
affect copyright in the work, but it may
subject the copyright owner to fines and
other monetary liability if the owner
fails to comply after a demand for
deposit is made by the Register of
Copyrights. These general provisions,
however, are subject to limitations.
Section 407 provides that the Register of
Copyrights ‘‘may by regulation exempt
any categories of material from the
deposit requirements of this section, or
require deposit of only one copy or
phonorecord with respect to any
categories.’’ 17 U.S.C. 407(c).
Accordingly, in 1978 the Copyright
Office, with the approval of the
Librarian of Congress, established
regulations governing mandatory
deposit, which are set forth in Chapter
II, Part 202 of Title 37 of the Code of
Federal Regulations. Section 202.19
establishes the standards governing
mandatory deposit of copies and
phonorecords published in the United
States for the Library of Congress, and
section 202.21 allows for a deposit of
identifying material in lieu of copies or
phonorecords in certain cases, for both
mandatory deposit and registration
deposit. In addition, the Library of
Congress’s Best Edition Statement in
Appendix B of Part 202 specifies the
required deposit in instances where
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‘‘two or more editions of the same
version of a work have been published.’’
At that time, the Copyright Office also
adopted a regulation exempting
machine–readable literary works from
mandatory deposit. Copies of machine–
readable works were not widely
marketed to the public and the Library
had no interest in collecting these
works, so it decided not to require their
deposit. However, in 1989, in response
to the increased use of databases and
computer programs distributed in CD–
ROM and other formats and an
increased demand by Library users for
these works, the Copyright Office
amended the machine–readable copies
exemption so that machine–readable
works published in physical form were
subject to mandatory deposit, and only
‘‘automated databases available only
online in the United States’’ were
exempted. 54 FR 42295 (Oct. 16, 1989).
The Copyright Office identified the
exempted category of works as such to
refer to all online–only publications
since, for all practical purposes, the
only works being published online in
1989 were automated databases, e.g.,
Westlaw and Nexis. As other categories
of works, such as articles and serial
titles, began to be published only
online, the Copyright Office included
them in the exempted category because
the Library in the early 1990s had
neither the intention nor the technology
to collect such works, and it also
continued to use the term ‘‘automated
databases available only on–line in the
United States’’ as a matter of
convenience. Hence, Copyright Office
practice to date has been to interpret
‘‘automated databases available only
online in the United States’’ broadly as
encompassing all electronic works
published only online.
Much has changed in the twenty years
that have passed since the adoption of
the regulation used to exclude
electronic works published in the
United States and available only online
from mandatory deposit. In that time,
the Internet has grown to become a
fundamental tool for the publication
and dissemination of millions of works
of authorship. To cite just one pertinent
example, the Library has determined
that there are now more than five
thousand scholarly electronic serials
available exclusively online, with no
print counterparts. In some cases the
Library has purchased subscriptions to
these periodicals, but such
subscriptions are typically ‘‘access
only,’’ and rarely allow the Library to
acquire a ‘‘best edition’’ copy for its
collections. However, the current
inability of the Library to acquire
online–only works through mandatory
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deposit places the long–term
preservation of the works at risk.
Thus, to fulfill its mission to sustain
and preserve a universal collection of
knowledge, and to inform Congress, the
Library is currently developing
technological systems that will allow it
to ingest electronic works, including
those available exclusively online, and
maintain them in formats suitable for
long–term preservation. In addition, the
Copyright Office is amending the
mandatory deposit regulations to enable
the on–demand mandatory deposit of
electronic works published in the
United States and available only online
(i.e., not published in physical form).
To date, mandatory deposit of works
in physical formats has been one of the
most important methods for building
the Library’s collections and making it
the world’s largest repository of
knowledge and creativity. With the
adoption of this amendment, mandatory
deposit will apply in a measured and
balanced way to works offered only in
the digital environment as well.
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II. Discussion
In its July 15 notice, the Copyright
Office proposed that the current
§ 202.19(c)(5) exemption be amended so
that all electronic works published in
the United States and available only
online enjoy a qualified exemption from
mandatory deposit, which means that
any work in this class would be exempt
until the Copyright Office issues a
demand for its deposit. This revised
exemption would apply to all published
electronic works available only online.
The exemption would apply to serials,
monographs, sound recordings,
automated databases, cartography, and
all other categories of electronic works.
Furthermore, because the revised
exemption would apply exclusively to
published online–only works, there
would be no need to retain the current
list of machine–readable works in
physical formats to which the
exemption did not apply. Finally, the
notice emphasized that the revised
exemption would not apply to those
works published in both physical and
online formats. These works, because
they are not published ‘‘only’’ online,
were never exempted from mandatory
deposit by § 202.19(c)(5).1 The interim
1 Note that the Library’s current Best Edition
Statement for ‘‘Works Existing in More Than One
Medium’’ does not currently list electronic formats.
See, e.g., 37 CFR 202.20(b)(1) ‘‘For purposes of this
section, if a work is first published in both hard
copy, i.e., in a physically tangible format, and also
in an electronic format, the current Library of
Congress Best Edition Statement requirements
pertaining to the hard copy format apply.’’)
Nevertheless, the Library of Congress retains the
authority to determine what constitutes ‘‘best
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regulation promulgated by this notice is
consistent with all of the above aspects
of the notice of proposed rulemaking.
The rule establishing a qualified
mandatory deposit exemption for
online–only works seeks to balance the
current needs of the Library of Congress
against the imposition of a mandatory
requirement on all copyright owners of
works published exclusively online to
deposit one complete copy of the best
edition. By exempting published
electronic works available only online
until a demand is made, the qualified
exemption addresses the practical
difficulties of acquiring works
published in non–physical formats,
ensures that the Library will only
receive those works that it needs for its
collections, and reduces the burden on
copyright owners, who will only have to
deposit those works demanded by the
Copyright Office.
Commenters were generally
supportive of the Office’s goal of a
qualified exemption for online–only
works, with one stating that it appeared
to be ‘‘sensible and non–controversial.’’
AAP Comment at 2. However, they also
raised a number of questions concerning
the scope of the term ‘‘electronic
serials,’’ the process for responding to
deposit demands, the inclusion of
metadata and formatting codes in
deposit copies, user access to deposit
copies of online–only works, and the
nature of publication on the Internet.
Commenters also responded to the
Office’s request for reactions to the
concept of requiring publishers of
online–only works to provide notice to
the Library upon publication of a new
work as a mechanism for identification
of the works that exist in this format.
These issues, along with the related
changes incorporated into the interim
rule, are discussed in the sections that
follow.
Category–by–Category Demands,
Beginning with Electronic Serials
As explained in the July 15 notice, the
initial category of online–only works
that will be subject to demand deposit
is ‘‘electronic serials.’’ (‘‘This class
includes periodicals; newspapers;
annuals; and the journals, proceedings,
transactions, etc. of societies.’’)
In its comments, West supported the
decision to begin with electronic serials
because they ‘‘appear to be analogous to
print serials which are printed in
separate, successive discrete editions.’’
West comment at 2. This is, in fact, the
edition’’ and it may decide at a future time that,
when a particular work is published in both print
and electronic editions, the electronic edition is the
‘‘best edition’’ for purposes of mandatory deposit.
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same rationale applied by the Library.
While serials encompass everything
from scholarly journals to daily
newspapers to semiweekly newsletters,
the Library’s demands for electronic
serials initially will be restricted to
journals that publish no more often than
weekly, and have the same, or similar,
appearance, formatting, and regular
issue schedule as print journals.
However, West did request that the
electronic serials definition be revised
so that it cannot be read to cover
databases or blogs. In response, the
Office notes that the definition in the
interim rule has been revised to say that
an electronic serial must be ‘‘issued or
intended to be issued on an established
schedule, in successive parts bearing
numerical or chronological
designations, without subsequent
alterations.’’ This limitation, the Office
believes, does in fact exclude works like
databases and blogs that are constantly
updated with no demarcations between
particular, discrete issues of the
publication.
SIIA also commented on the
definition of electronic serials. It opined
that the use of ‘‘etc.’’ in the last sentence
of the definition of electronic serials
may cause it to be read too broadly. See
SIIA comment at 6–7. The Office
disagrees. The Office notes that ‘‘etc.’’
only extends the list of publications
issued by societies, and not the larger
list of electronic serials. However, there
is no harm in replacing it with ‘‘and
other publications,’’ which is how the
interim rule now reads.
Commenters also requested additional
definitions to clarify the category of
electronic serials or questioned the use
of other terms in the context of this rule.
Specifically, Patrice Lyons commented
that the exempted category ‘‘electronic
works,’’ (of which ‘‘electronic serials’’ is
a subset), is problematic because it
implies a lack of the ‘‘fixation in a
tangible medium of expression’’
required for copyright protection. Lyons
comment at 1–2. She suggests instead
the term ‘‘digital object.’’ Id., at 2.2 The
Office does not agree that introducing
new terminology is necessary. The
interim regulation must be understood
2 The Copyright Act states that ‘‘a work is ‘fixed’
in a tangible medium of expression when its
embodiment in a copy or phonorecord, by or under
the authority of the author, is sufficiently
permanent or stable to permit it to be perceived,
reproduced, or otherwise communicated for a
period of more than transitory duration. A work
consisting of sounds, images, or both, that are being
transmitted, is ‘‘fixed’’ for purposes of this title if a
fixation of the work is being made simultaneously
with its transmission.’’ 17 U.S.C. 101. A fixed work
may be perceived, reproduced, or otherwise
communicated ‘‘either directly or with the aid of a
machine or device.’’ 17 U.S.C. 102(a).
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in the context of the overall body of
copyright regulations, where works
embodied in digital files are described
as ‘‘electronic’’ in contrast to works fixed
in materials that are ‘‘physically
tangible.’’ See 37 CFR 202.20(b)(1). In
this context, ‘‘electronic’’ clearly does
not mean ‘‘unfixed.’’ While online–only
digital files may not be visible or
perceptible to touch they are still fixed
in a tangible medium of expression by
virtue of their embodiment on a
computer’s hard drive, on a server, or on
any other device that allows them to be
communicated.3 However, the Office
agrees that the term ‘‘electronic works’’
presents some ambiguity as to fixation
in tangible medium, in that it suggests
that the nature of the work itself is
electronic, as opposed to the intended
meaning that the work is merely fixed
and published in an electronic format.
Thus, the interim rule defines the term
in the mandatory deposit context as
‘‘works fixed and published solely in an
electronic format.’’
ASMP commented that ‘‘electronic,’’
along with the words ‘‘digital’’ and
‘‘online’’ must be ‘‘clearly defined’’ in the
regulation. ASMP comment at 3. While
the Copyright Office agrees that
definitions of terms are useful in some
cases, it believes that definitions also
have the potential to unintentionally
obfuscate or limit common
understandings. The three terms ASMP
cites appear throughout Title 17 and the
Office’s regulations without definition,
and this state of affairs has not caused
confusion or controversy. The Copyright
Office is concerned that defining them
solely for the purpose of the present
interim rule would have unintended
consequences. Furthermore, the terms
‘‘electronic’’ and ‘‘digital’’ appear in the
statute and the current regulations
exclusively as modifiers (e.g.,
‘‘electronic transmission,’’ ‘‘digital
networks’’), making their definition as
stand–alone terms potentially
confusing. Moreover, there is no need to
define the term ‘‘digital’’ because it in
fact does not appear in the present
interim rule at all.
Best Edition Statement
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Regarding the proposed Best Edition
Statement for electronic serials, the
Office received one approving comment
(from SIIA) and no criticisms. See SIIA
3 The proposition that electronic works are
sufficiently ‘‘fixed’’ on the computers where they
originate so as to be copyrightable has been ratified,
albeit tacitly, by numerous courts. See, e.g. London–
Sire Records, Inc. v. Doe 1, 542 F. Supp. 2d 153,
170–71 (D. Mass, 2008); A&M v. Napster, 239 F.3d
1004, 1014 (9th Cir., 2001); Marobie–Fl., Inc. v.
National Ass’n of Fire Equip. Distribs., 983 F. Supp.
1167, 1177–78 (N.D. Ill, E. Div., 1997).
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comment at 7. However, in order to
correct a minor technical error, the
reference to ‘‘OpenXML’’ in section
IX.A.1.c.ii of Appendix B has been
changed to ‘‘Office OpenXML.’’ As
stated in the July 15 notice, best edition
criteria for other categories of electronic
works published in the United States
and available only online will follow as
new categories become subject to
demand deposit.
The Copyright Act states that the ‘‘best
edition’’ of a work ‘‘is the edition,
published in the United States at any
time before the date of deposit, that the
Library of Congress determines to be
most suitable for its purposes.’’ 17
U.S.C. 101. In other words, an edition of
a work, no matter its quality, is not the
‘‘best edition’’ unless it has been
published. Thus, if the published format
of a demanded electronic serial does not
meet any of the best edition criteria, the
publisher is still obligated to send a
copy of the serial in whatever form it is
published. Furthermore, the Copyright
Office may not require that a rights–
holder deposit an edition of the work
that has not been published.
Demand Deposit Process
The process by which the Copyright
Office will demand electronic serials is
similar to that used to demand other
published works under 17 U.S.C.
407(d). Once a category of works is
identified as being subject to demand
under the qualified exemption of
§ 202.19(c)(5), the Copyright Office may
make a demand on the owner of
copyright or of the exclusive right of
publication for a single complete copy
of a work in that category, for any such
work published on or after the date that
this proposed regulation goes into effect.
The owner of copyright or of the
exclusive right of publication will have
three months from the date of receipt of
the notice in which to make the deposit,
in keeping with the time period allotted
by statute for deposit of the best edition
of a published work not subject to an
exemption. See 17 U.S.C. 407(a). The
regulation also includes a provision
allowing special relief to accommodate,
for example, situations where a
publisher may need more time to make
the deposit or wishes to arrange for
alternative means of making a deposit.
Special relief, however, is granted at the
discretion of the Library.
The mandatory deposit provision in
the copyright law grants the Copyright
Office authority to reduce the required
number of deposit copies from two to
one. See 17 U.S.C. 407(c)(1). Pursuant to
this authority, the interim rule states
that only a single copy or phonorecord
of a demanded work is required. The
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Office has determined that transmitting
duplicate electronic files presents a risk
of slowing down the electronic ingest
system of the Library, particularly in the
case of a work consisting of a single
large file or of many small files.
Nevertheless, the Library may allow two
on–site users to simultaneously access
the single copy of an online–only work.
This achieves, in an efficient and
flexible manner, the statute’s goal of
providing two copies of a published
work to the Library of Congress. As the
only commenter to opine on the single
copy requirement, the SIIA indicated its
agreement with it. See SIIA comment at
7.
On the other hand, commenters did
raise questions and express concerns
about the method, form, version,
frequency, and format of depositing
copies of online–only works with the
Copyright Office in response to a
demand. The Office believes, at least for
the purposes of this interim rule that
these issues will require a flexible
approach and are not currently suited to
resolution via this rulemaking. The
present interim rule is an early step in
the Library’s program of acquiring
online–only works, and the Library
requires more information and
experience with electronic publications
before considering specific regulations
to govern the demand deposit process.
That said, rights–holders should note
that the Best Edition Statement for
electronic serials contains detailed
technical standards for the preferred
deposit formats, and should be
consulted in the event an online–only
work exists in more than one version.
Regarding the possibility raised by SIIA
and NAA of a rights–holder providing a
direct feed to the Copyright Office, this
is one option that may be explored once
the demand deposit system is
operational and adjustments are made.
However, the Copyright Office is
unprepared at this time to implement a
regulation allowing rights–holders to
meet their mandatory deposit
obligations by providing a website link
to the Office so that the Office may
download an electronic serial itself. The
Library recognizes that this approach
represents an attractive alternative to
publishers of works made available
online, but it needs to examine the issue
in more depth before considering
including a link–and–download option
in the regulations. Thus, for the
immediate future, such an arrangement
should be a matter of special relief.
The question of frequency of deposits
was also raised by SIIA in the context
of publishers who might want to delay
depositing issues of their serials for
business reasons. See SIIA comment at
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4. Unless a publisher decides to deposit
its online–only serials via group
registration,4 it must deposit the work
with the Library within three months of
receipt of the demand notice, and it is
expected that each issue of a demanded
serial will be deposited with the
Copyright Office thereafter as is the
current practice, without the need for
additional demand notices. The
mandatory deposit requirement does not
vary by business model, and the
Library’s need for timely deposits of
serials does not change depending upon
the format in which a serial is
published.
Standards regarding the specific
method of transmission of online–only
works will be developed by the
appropriate divisions of the Library and
the Copyright Office, in consultation
with rights–holders as warranted. These
standards will be posted on the
Copyright Office website
(www.copyright.gov) and depositors
will be able to contact the Office by
telephone with any questions.
Complete Copy
The interim rule clarifies that a
‘‘complete copy’’ of a published
electronic work available only online
includes the associated metadata and
formatting codes that make up the unit
of publication. Section 407 of Title 17
requires the deposit of a complete copy
of the best edition of a work published
in the United States. Section
202.19(b)(2) of the Copyright Office
regulations defines a ‘‘complete copy’’ of
a work for purposes of mandatory
deposit as one that ‘‘includes all
elements comprising the unit of
publication of the best edition of the
work, including elements that, if
considered separately, would not be
copyrightable subject matter or would
otherwise be exempt from mandatory
deposit requirements under paragraph
(c) of this section.’’ Published electronic
works often contain elements such as
metadata and formatting codes that,
while they are not perceptible to the
naked eye or ear, are part of the unit of
publication. These elements are also
critical for continued access to and
preservation of a work once it is
deposited.
Neither NAA, ASMP, nor SIIA
opposed including metadata and
formatting codes in the definition of
‘‘complete copy.’’ See NAA comment at
20, ASMP comment at 2–3, SIIA
comment at 7. However, AAP expressed
concern that these elements may be
4 The regulations for group registration of serial
titles are at 37 CFR 202.3(b)(6)(v) and 37 CFR
202.20(c)(xvii).
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difficult to assemble and transmit to the
Copyright Office as part of a single
work, particularly for interactive works
where elements exist on multiple
servers for short periods of time and are
regulated with digital management
technology. AAP comment at 3. Patrice
Lyons also noted the problem of
dispersed elements of a work, and
suggested adding ‘‘information
management system used to structure
and identify’’ to the definition of
‘‘complete copy.’’ Lyons comment at 3.
As has been stressed in this notice,
the Library and Copyright Office will be
focusing their initial demands on the
subset of electronic serials that are
analogous to print journals. This means
that the works will be self–contained
documents with no ability for the user
to affect the content. The Office
recognizes that future demands for
online–only newspapers, web sites, and
other categories may require
adjustments to what constitutes a
‘‘complete copy.’’ This is one of the
reasons that, as the Library expands its
collection of online–only works to other
categories, the Office will seek public
comment before adding a new category
to § 202.19(c)(5) as being subject to
demand.
On the related question of what
constitutes an online–only work, the
NAA argues that, without a definition of
‘‘online–only,’’ the term creates
uncertainty as to whether a newspaper’s
website is sufficiently different from the
print version so as to constitute a
separate, online–only work. NAA
comment at 7. In response, the Office
notes that the interim regulation does
exclude works published in both
physical and online editions from the
definition of ‘‘online–only’’ in the last
sentence of section 202.19(c)(5) (‘‘This
exemption does not apply to works that
are published in both online, electronic
formats and in physical formats, which
remain subject to the appropriate
mandatory deposit requirements.’’) In
addition, the NAA itself points to the
Library’s Best Edition Statement
guidance that if two editions of a work
have ‘‘variations in copyrightable
content, then each edition is a separate
work.’’ 37 CFR Ch.II, Part 202, App. B.
In other words simply publishing the
same content in both print and
electronic formats does not create two
separate copyrightable works. This
guidance can, the Office believes, be
profitably applied to print and online
versions of a newspaper, but recognizes
the possibility of the need to revisit this
issue at a later date. The Library,
however, will not initially be
demanding online–only newspapers, or
the online–only content of newspapers
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published both electronically and in
print.
Access to Deposit Copies
As the AAP points out, online–only
works may be regulated with digital
management technology. The Copyright
Office acknowledges that many
publishers rely on such technology to
prevent unauthorized access to or use of
their works. However, copies of works
submitted to the Copyright Office under
this interim rule must be accessible to
the Office, the Library, and the Library’s
users. Thus, the following provision has
been added to the regulation’s demand
deposit conditions in § 202.24: ‘‘Copies
or phonorecords deposited in response
to a demand must be able to be accessed
and reviewed by the Copyright Office,
Library of Congress, and the Library’s
authorized users on an ongoing basis.’’
In addition, the Best Edition Statement
for electronic serials has been revised so
that the final criterion now reads,
‘‘Technological measures that control
access to or use of the work should be
removed.’’
In its July 15th notice, the Office
stated that ‘‘the Library will . . . establish
policies and practices to insure the
security and integrity of its electronic
collections, and to provide appropriate,
limited access as allowed by law.’’ AAP,
West, and SIIA asked for more detailed
information regarding user access
restrictions, specifically regarding
downloading, distribution, and
interlibrary loan functionality. See AAP
comment at 2–3, West comment at 2–3,
SIIA comment at 6. The Library and the
Copyright Office recognize that
electronic works, because of their ease
of reproduction and distribution,
present special security concerns. For
this reason, access to these works will
be available only to authorized users at
the Library of Congress (including its
Packard Campus for Audio–Visual
Conservation in Culpeper, VA and its
National Library Service for the Blind
and Physically Handicapped at the
Taylor Street Annex in Washington, DC)
and Capitol Hill facilities in accordance
with the policies listed below.
• Access to electronic works received
through mandatory deposit will be as
similar as possible to the access
provided to analog works.
• Access to electronic works received
through mandatory deposit will be
limited, at any one time, to two Library
of Congress authorized users.
• Library of Congress authorized
users will access the electronic works
via a secure server over a secure
network that serves Capitol Hill
facilities and remote Library of Congress
locations. The term ‘‘Library of Congress
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authorized users’’ includes Library staff,
contractors, and registered researchers,
and Members, staff and officers of the
U.S. House of Representatives and the
U.S. Senate. The Library will not make
the copyrighted works available to the
public over the Internet without rights
holders’ permissions.
• Authorized users may print from
electronic works to the extent allowed
by the fair use provisions of the
copyright law (17 U.S.C. 107 and
108(f)), as is the case with traditional
publications. However, users may not
reproduce or distribute (i.e., download
or email) copies of deposited electronic
works until the Library has explored the
advisability of permitting these options
and the security and feasibility of the
implementing technologies. As part of
this process, the Library will seek
comment from the public, including
copyright owners and publishers, before
adopting additional policies governing
electronic copying or distribution by
electronic transmission.
Notice of Publication
The interim rule does not include a
requirement that rights–holders notify
the Library of Congress upon the
publication of a new electronic serial, or
any online–only work, in the United
States. The Copyright Office requested
comments on whether such a
requirement would be necessary,
prudent, or consistent with the Office’s
authority as granted by 17 U.S.C. 407.
All commenters who addressed this
question did so in the context of
whether it would be necessary or
prudent. These commenters opposed
the requirement on the grounds that it
would be too burdensome to rights–
holders, particularly those who publish
new works on a frequent basis. Some
also asserted that the Library alone
should bear the responsibility of
researching electronic serials,
particularly given the numbers of small
publishers who would likely remain
ignorant of the rule. AAP objected that
there was not enough detail about how
the requirement would be administered
for it to address the issue. AAP
comment at 3. ASMP suggested that
registration applications could contain a
field indicating whether a work is
online–only, and that the Library could
generate a list from these applications of
works to demand. ASMP comment at 2.
The Copyright Office believes that the
question of a notice requirement need
not be addressed in the present
rulemaking. As indicated in the July
15th notice, there currently exists an
adequate level of bibliographic control
over electronic serials. However, as the
Copyright Office and the Library gain
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experience with electronic serials, and
other categories of online–only work are
removed from the exemption and
become subject to demand, the issue of
the most efficient and comprehensive
way to make the Library aware of what
online–only works are available will
likely be raised again.
On the subject of publication, Patrice
Lyons also queried whether works
available only online are truly
‘‘published’’ within the meaning of the
Copyright Act. Section 101 of title 17
defines ‘‘publication’’ as: ‘‘The
distribution of copies or phonorecords
of a work to the public by sale or other
transfer of ownership, or by rental,
lease, or lending. The offering to
distribute copies or phonorecords to a
group of persons for purposes of further
distribution, public performance, or
public display, constitutes publication.
A public performance or display of a
work does not of itself constitute
publication.’’ It defines ‘‘copies’’ as
‘‘material objects, other than
phonorecords, in which a work is fixed
by any method now known or later
developed, and from which the work
can be perceived, reproduced, or
otherwise communicated, either directly
or with the aid of a machine or device.
The term ‘copies’ includes the material
object, other than a phonorecord, in
which the work is first fixed.’’ 17 U.S.C.
101.5 These definitions led Ms. Lyons to
challenge the assumption that a
publication takes place when ‘‘a work
represented in digital form is made
available, publicly and/or privately in
an internet environment, but no
physical copy changes hands.’’ Lyons
comment at 2. Ms. Lyons also expressed
concern that treating online–only works
as publications might ‘‘have
implications on other sections of the
U.S. Copyright Law, in particular, what
rights are implicated when a
copyrighted work is made available in
an Internet environment, but no
physical object, i.e., copy, changes
hands.’’ Id. As an alternative, she
suggested that the public performance
right may ‘‘play an important role in this
context.’’ Id.
As a threshold matter, it appears
well–settled electronic files are ‘‘fixed’’
in the sense that they reside on server
5 ‘‘Phonorecords’’ are similarly defined as
‘‘material objects in which sounds, other than those
accompanying a motion picture or other
audiovisual work, are fixed by any method now
known or later developed, and from which the
sounds can be perceived, reproduced, or otherwise
communicated, either directly or with the aid of a
machine or device. The term ‘phonorecords’
includes the material object in which the sounds
are first fixed.’’ 17 U.S.C. 101. For convenience, this
notice uses ‘‘copies’’ to refer to both copies and
phonorecords.
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hard drives which are, as discussed
above, material objects, and thus the
files meet the ‘‘copies’’ requirement of
publication and distribution. To the
extent that Ms. Lyons is questioning
whether publication can take place by
means of electronic transmission, that
issue has also been settled. In New York
Times Co. v. Tasini, 533 U.S. 483 (2001),
the Supreme Court concluded that
online databases that made copies of
articles available electronically
‘‘reproduce and distribute’’ copies of
those articles. Cases involving peer–to–
peer file–sharing on the Internet have
also recognized that online transmission
constitutes distribution. See Metro–
Goldwyn–Mayer v. Grokster, 545 U.S.
913 (2005) (noting that ‘‘peer–to–peer
networks are employed to store and
distribute electronic files‘‘ and that
peer–to–peer software ‘‘enabled users to
reproduce and distribute the
copyrighted works in violation of the
Copyright Act.’’); London–Sire Records,
Inc. v. Doe 1, 542 F. Supp. 2d 153, 170–
172 (D. Mass, 2008) (stating that ‘‘an
electronic file transfer is plainly within
the sort of transaction that § 106(3) [the
distribution right] was intended to
reach.’’). Because ‘‘[u]nder the definition
in section 101, a work is ‘published’ if
one or more copies or phonorecords
embodying it are distributed to the
public,’’ H.R. Rep. No. 96–1976, at 138
(1976), it follows that the electronic
transmission of copies of a work to the
public, as addressed in the distribution
context in Tasini and Grokster,
constitutes publication of that work.
Comments Outside of the Scope of the
Rulemaking
A number of commenters raised
issues related to but outside of the scope
of mandatory deposit for online–only
works. Specifically, comments from
BME, NAA, ASMP, and PPA regarding
copyright registration cannot properly
be addressed in a mandatory deposit
rulemaking. Comments seeking a
permanent exemption for mandatory
deposit for photographs and databases
are more appropriately raised when and
if the Copyright Office proposes making
those categories subject to demand. See
PPA comment at 3; West comment at 4–
5. Similarly, ASMP’s request for a
reevaluation of the best edition
requirement regarding works published
in both print and electronic formats goes
beyond the immediate questions raised
in the notice. See ASMP comment at 2.
Indeed, the notice specifically stated
that the proposed regulation would not
apply ‘‘to those works published in both
physical and online formats.’’ 74 FR, at
34287. ASMP also proposed that the
regulation set standards for the medium,
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Copyright, Registration of claims to
copyright.
annuals, and the journals, proceedings,
transactions, and other publications of
societies.
(c) * * *
(5) Electronic works published in the
United States and available only online.
This exemption includes electronic
serials available only online only until
such time as a demand is issued by the
Copyright Office under the regulations
set forth in § 202.24 of these regulations.
This exemption does not apply to works
that are published in both online,
electronic formats and in physical
formats, which remain subject to the
appropriate mandatory deposit
requirements.
*
*
*
*
*
■ 3. Add a new § 202.24, as follows:
Interim Regulation
§ 202.24 Deposit of published electronic
works available only online.
security devices, and metadata for a
copy of a deposited online–only work to
be provided by the Library to a litigant.
See id. at 3. This topic is out–of–scope
as well.
Finally, SIIA and West comment that
fines for noncompliance with a demand
should be imposed on a per–serial,
rather than a per–work basis, is actually
a question of statutory change beyond
the purview of this or any rulemaking.
While section 407 does grant the
Register of Copyrights the discretion
whether to impose a fine at all, it does
not grant her the discretion to determine
on what basis a fine may be imposed.
List of Subjects in 37 CFR Part 202
In consideration of the foregoing, the
Copyright Office amends part 202 of 37
CFR as follows:
■
PART 202 – PREREGISTRATION AND
REGISTRATION OF CLAIMS TO
COPYRIGHT
1. The authority citation for part 202
continues to read as follows:
■
Authority: 17 U.S.C. 702.
2. Amend § 202.19 as follows:
a. By adding a new sentence at the
end of the undesignated paragraph
following paragraph (b)(2)(ii);
■ b. By adding a new paragraph (b)(4);
and
■ c. By revising paragraph (c)(5).
The additions and revisions to
§ 202.19 read as follows:
■
■
§ 202.19 Deposit of published copies or
phonorecords for the Library of
Congress.
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*
*
*
*
*
(b) * * *
(2) * * * In the case of an electronic
work published in the United States and
available only online, a copy is
‘‘complete’’ if it includes all elements
constituting the work in its published
form, i.e., the complete work as
published, including metadata and
formatting codes otherwise exempt from
mandatory deposit.
*
*
*
*
*
(4) For purposes of § 202.19(c)(5) of
this regulation, an electronic serial is an
electronic work published in the United
States and available only online, issued
or intended to be issued on an
established schedule in successive parts
bearing numerical or chronological
designations, without subsequent
alterations, and intended to be
continued indefinitely. This class
includes periodicals, newspapers,
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(a) Pursuant to authority under 17
U.S.C. 407(d), the Register of Copyrights
may make written demand to deposit
one complete copy or a phonorecord of
an electronic work published in the
United States and available only online
upon the owner of copyright or of the
exclusive right of publication in the
work, under the following conditions:
(1) Demands may be made only for
works in those categories identified in
§ 202.19(c)(5) of these regulations as
being subject to demand.
(2) Demands may be made only for
works published on or after February
24, 2010.
(3) The owner of copyright or of the
exclusive right of publication must
deposit the demanded work within
three months of the date the demand
notice is received.
(4) Copies or phonorecords deposited
in response to a demand must be able
to be accessed and reviewed by the
Copyright Office, Library of Congress,
and the Library’s authorized users on an
ongoing basis.
(b) Technical standards. Technical
standards for the transmission of copies
of online–only works to the Copyright
Office in response to a demand will be
available on the Copyright Office
website (www.copyright.gov).
(c) Definitions. (1) ‘‘Best edition’’ has
the meaning set forth in § 202.19(b)(1) of
these regulations.
(2) ‘‘Complete copy’’ has the meaning
set forth in § 202.19(b)(2) of these
regulations.
(3) ‘‘Electronic works’’ are works fixed
and published solely in an electronic
format.
(d) Special relief. (1) In the case of any
demand made under paragraph (a) of
this section, the Register of Copyrights
may, after consultation with other
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3869
appropriate officials of the Library of
Congress and upon such conditions as
the Register may determine after such
consultation,
(i) Extend the time period provided in
section 407(d) of Title 17;
(ii) Permit the deposit of incomplete
copies or phonorecords; or
(iii) Permit the deposit of copies or
phonorecords other than those normally
comprising the best edition.
(2) Any decision as to whether to
grant such special relief, and the
conditions under which special relief is
to be granted, shall be made by the
Register of Copyrights after consultation
with other appropriate officials of the
Library of Congress, and shall be based
upon the acquisition policies of the
Library of Congress then in force.
(3) Requests for special relief under
this section shall be made in writing to
the Copyright Acquisitions Division,
shall be signed by or on behalf of the
owner of copyright or of the exclusive
right of publication in the work, and
shall set forth specific reasons why the
request should be granted.
*
*
*
*
*
■ 4. Amend Part 202, Appendix B as
follows:
■ a. By redesignating section IX as
section X; and
■ b. By adding a new section IX.
The revision to Part 202, Appendix B
reads as follows:
Appendix B to Part 202 – ‘‘Best Edition’’
of Published Copyrighted Works for the
Collections of the Library of Congress
*
*
*
*
*
IX. Electronic Works Published in the
United States and Available Only Online
For all deposits, UTF–8 encoding is
preferred to ASCII encoding and other non
UTF–8 encodings for non–Latin character
sets in all categories below.
A. Electronic Serials
1. Content Format
a. Level 1: Serials–specific structured/
markup format:
(i) Content compliant with the NLM
Journal Archiving (XML) Document Type
Definition (DTD), with presentation
stylesheet(s), rather than without.
(ii) Other widely used serials or journal
XML DTDs/schemas, with presentation
stylesheet(s), rather than without.
(iii) Proprietary XML format for serials or
journals (with documentation), with DTD/
schema and presentation stylesheet(s), rather
than without.
b. Level 2: Page–oriented rendition:
(i) PDF/A (Portable Document Format/
Archival; compliant with ISO 19005).
(ii) PDF (Portable Document Format, with
searchable text, rather than without).
c. Level 3: Other formats:
(i) XHTML/HTML, as made available
online, with presentation stylesheets(s),
rather than without.
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(ii) XML (widely used, publicly
documented XML–based word–processing
formats, e.g., ODF/OpenDocument Format,
Office OpenXML), with presentation
stylesheets(s), if appropriate, rather than
without.
(iii) Plain text.
(iv) Other formats (e.g., proprietary word
processing or page layout formats).
2. Metadata Elements:
If it has already been gathered and is
available, descriptive data (metadata) as
described below should accompany the
deposited material.
a. Title level metadata: serial or journal
title, ISSN, publisher, frequency, place of
publication.
b. Article level metadata, as relevant/
applicable: volume(s), number(s), issue
dates(s), article title(s), article author(s),
article identifier (DOI, etc.).
c. With other descriptive metadata (e.g.,
subject heading(s), descriptor(s), abstract(s)),
rather than without.
3. Technological measures that control
access to or use of the work should be
removed.
Dated: January 13, 2010.
Marybeth Peters,
Register of Copyrights.
Approved by:
James H. Billington,
Librarian of Congress.
[FR Doc. 2010–1202 Filed 1–22–10; 8:45 am]
BILLING CODE 1410–30–S
ENVIRONMENTAL PROTECTION
AGENCY
40 CFR Part 52
[EPA–R04–OAR–2008–0797–200824(c);
FRL–9099–9]
Approval and Promulgation of
Implementation Plans; South Carolina;
Approval of Section 110(a)(1)
Maintenance Plan for the 1997 8-Hour
Ozone Standard for Cherokee County;
Correcting Amendment
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AGENCY: Environmental Protection
Agency (EPA).
ACTION: Final rule; Correcting
amendment.
SUMMARY: On June 1, 2009, EPA
published a direct final rule approving
the Clean Air Act (CAA) Section
110(a)(1) Maintenance Plan for the 1997
8-hour ozone standard for Cherokee
County as a revision to the South
Carolina State Implementation Plan
(SIP). In EPA’s direct final rule, there
was an inadvertent error in the format
of the Cherokee County entry in table (e)
which contains South Carolina’s NonRegulatory Provision in the Code of
Federal Regulations. This action
corrects that formatting error.
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DATES: This action is effective January
25, 2010.
ADDRESSES: Copies of the
documentation used in the action being
corrected are available for inspection
during normal business hours at the
following location: U.S. Environmental
Protection Agency, Region 4, 61 Forsyth
Street, SW., Atlanta, Georgia 30303–
8960. The Regional Office’s official
hours of business are Monday through
Friday, 8:30 to 4:30, excluding Federal
holidays.
FOR FURTHER INFORMATION CONTACT: Zuri
Farngalo, Regulatory Development
Section, Air Planning Branch, Air,
Pesticides and Toxics Management
Division, U.S. Environmental Protection
Agency, Region 4, 61 Forsyth Street,
SW., Atlanta, Georgia 30303–8960. Mr.
Farngalo’s telephone number is 404–
562–9152. He can also be reached via
electronic mail at
farngalo.zuri@epa.gov.
SUPPLEMENTARY INFORMATION: EPA is
making a correction to the Cherokee
County CAA 110(a)(1) Maintenance
Plan entry that appears in table (e), of
the South Carolina Non-Regulatory
provisions section at 40 CFR 52.2120(e).
This revision to South Carolina’s SIP
was published in the Federal Register
on June 1, 2009 (74 FR 26099), effective
August 1, 2009. However, when the
direct final rule approving this SIP
revision was published, table (e) did not
include the correct table format. EPA is
correcting this inadvertent error by
inserting the correctly formatted table
(e) into South Carolina’s Identification
of Plan section of the Code of Federal
Regulations at 40 CFR 52.2120(e).
EPA has determined that today’s
action falls under the ‘‘good cause’’
exemption in section 553(b)(3)(B) of the
Administrative Procedure Act (APA)
which, upon finding ‘‘good cause,’’
authorizes agencies to dispense with
public participation where public notice
and comment procedures are
impracticable, unnecessary, or contrary
to the public interest. Public notice and
comment for this action are unnecessary
because today’s action to correct a
formatting error in the Code of Federal
Regulations has no substantive impact
on EPA’s June 1, 2009, approval of this
regulation. The incorrectly formatted
text in table (e) in EPA’s final rule
published on June 1, 2009, makes no
substantive difference to EPA’s analysis
as set out in that rule. In addition, EPA
can identify no particular reason why
the public would be interested in being
notified of the correction of this
revision, or in having the opportunity to
comment on the formatting correction
prior to this action being finalized, since
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this formatting correction action does
not change the meaning of the
regulation at issue or otherwise change
EPA’s analysis of South Carolina’s
submittal (74 FR 26099). EPA also finds
that there is good cause under APA
section 553(d)(3) for this formatting
correction to become effective on the
date of publication of this action.
Section 553(d)(3) of the APA allows an
effective date less than 30 days after
publication ‘‘as otherwise provided by
the agency for good cause found and
published with the rule.’’ 5 U.S.C.
553(d)(3). The purpose of the 30-day
waiting period prescribed in APA
section 553(d)(3) is to give affected
parties a reasonable time to adjust their
behavior and prepare before the final
rule takes effect. Today’s rule, however,
does not create any new regulatory
requirements such that affected parties
would need time to prepare before the
rule takes effect. Rather, today’s rule
merely corrects an inadvertent error of
omission in the regulatory text of a prior
rule by adding a correctly formatted
table (e) for the South Carolina
regulation which EPA approved on June
1, 2009. For these reasons, EPA finds
good cause under APA section 553(d)(3)
for this correction to become effective
on the date of publication of this action.
Statutory and Executive Order Reviews
Under the CAA, the Administrator is
required to approve a SIP submission
that complies with the provisions of the
Act and applicable Federal regulations
42 U.S.C. 7410(k); 40 CFR 52.02(a).
Thus, in reviewing SIP submissions,
EPA’s role is to approve state choices,
provided that they meet the criteria of
the CAA. Accordingly, this action
merely approves state law as meeting
Federal requirements and does not
impose additional requirements beyond
those imposed by state law. For that
reason, this action:
• Is not a ‘‘significant regulatory
action’’ subject to review by the Office
of Management and Budget under
Executive Order 12866 (58 FR 51735,
October 4, 1993);
• Does not impose an information
collection burden under the provisions
of the Paperwork Reduction Act (44
U.S.C. 3501 et seq.);
• Is certified as not having a
significant economic impact on a
substantial number of small entities
under the Regulatory Flexibility Act (5
U.S.C. 601 et seq.);
• Does not contain any unfunded
mandate or significantly or uniquely
affect small governments, as described
in the Unfunded Mandates Reform Act
of 1995 (Pub. L. 104–4);
E:\FR\FM\25JAR1.SGM
25JAR1
Agencies
[Federal Register Volume 75, Number 15 (Monday, January 25, 2010)]
[Rules and Regulations]
[Pages 3863-3870]
From the Federal Register Online via the Government Printing Office [www.gpo.gov]
[FR Doc No: 2010-1202]
=======================================================================
-----------------------------------------------------------------------
LIBRARY OF CONGRESS
Copyright Office
37 CFR Part 202
[Docket No. RM 2009-3]
Mandatory Deposit of Published Electronic Works Available Only
Online
AGENCY: Copyright Office, Library of Congress.
ACTION: Interim Rule.
-----------------------------------------------------------------------
SUMMARY: The Copyright Office of the Library of Congress is adopting an
interim regulation governing mandatory deposit of electronic works
published in the United States and available only online. The
regulation establishes that online-only works are exempt from mandatory
deposit until a demand for deposit of copies or phonorecords of such
works is issued by the Copyright Office. It also states that categories
of online-only works subject to demand will first be identified in the
regulations, and names electronic serials as the first such category
for which demands will issue. In addition, the regulation sets forth
the process for issuing and responding to a demand for deposit, amends
the definition of a ``complete copy'' of a work for purposes of
mandatory deposit of online-only works, and establishes new best
edition criteria for electronic serials available only online.
EFFECTIVE DATE: February 24, 2010.
FOR FURTHER INFORMATION CONTACT: Tanya M. Sandros, Deputy General
Counsel, or Christopher Weston, Attorney Advisor, Copyright GC/I&R,
P.O. Box 70400, Washington, DC 20024. Telephone: (202) 707-8380.
Telefax: (202)-707-8366.
SUPPLEMENTARY INFORMATION: The fundamental goal of this rulemaking
proceeding is to establish a qualified exemption from the mandatory
deposit requirement of 17 U.S.C. 407 for works available only online.
In July 2009, the Copyright Office published a Notice of Proposed
Rulemaking in the Federal Register, 74 FR 34286 (July 15, 2009),
seeking public comment on proposed amendments to its mandatory deposit
regulations at 37 CFR 202.19 and 202.24, and Appendix B of Chapter 37.
The notice proposed an exemption from
[[Page 3864]]
mandatory deposit for all published online-only works until the Library
identifies a particular category of such works as being subject to a
deposit demand by the Copyright Office. Once a category of online-only
works is identifed, the Copyright Office may issue demands upon the
publisher that a single electronic copy be deposited within three
months. The Office identified ``electronic serials,'' a term that the
notice also proposed to define, as the initial category subject to the
qualified exemption. The notice also proposed a demand issuance and
response procedure, a definition of the term ``complete copy'' specific
to online-only works, and a new best edition statement for electronic
serials. Finally, the Notice sought public comment on the practical and
legal concerns associated with the adoption of a requirement for
publishers of online-only works to notify the Library upon the
publication of a new online-only work in the United States.
The Office received seven initial comments and, after an extension
of the reply deadline, three reply comments. The initial comments were
from Bose McKinney & Evans LLP, the American Society of Media
Photographers (ASMP), the Association of American Publishers, Inc.
(AAP), the American Library Association with the Association of
Research Libraries (ALA-ARL), the Software & Information Industry
Association (SIIA), the Professional Photographers of America (PPA),
and the Newspaper Association of America (NAA). Reply comments were
received from Patrice Lyons, an attorney; West, a publisher of works
for the legal industry; and the ALA-ARL. All comments are available for
viewing at https://www.copyright.gov/docs/online-only/.
Of the comments that directly addressed issues presented by the
notice, most were generally favorable toward the Office's proposal.
However, the commenters did raise questions regarding the method of
deposit, definitions of certain terms, user access to deposited works,
and the proposed publisher notification requirement, among others.
The Copyright Office, in consultation with the Library of Congress,
has thoroughly considered these comments, and determined that the
amendments will be adopted as an interim rule largely as proposed, with
some changes as described in the Discussion section below. In addition,
the Office and the Library have determined that it is unnecessary at
this interim phase of the rulemaking process to impose a requirement
for publishers of online-only works to notify the Library upon
publication of a new work, although the Office may again consider the
question when expanding the categories of online-only works subject to
a mandatory deposit demand.
The rule is interim, and not final, because the Office anticipates
that the experience of issuing and responding to demands for online-
only works will raise additional issues that should be considered
before the regulation becomes final, e.g., the technical details of how
an online-only work should be transmitted to the Copyright Office.
Thus, the Office will provide an opportunity for additional comment
later in 2010 in order to consider amendments to address problems or
issues yet to be identified.
I. Background
Under section 407 of the Copyright Act of 1976, Title 17 of the
United States Code, the owner of copyright, or of the exclusive right
of publication, in a work published in the United States is required to
deposit two complete copies (or, in the case of sound recordings, two
phonorecords) of the best edition of the work with the Copyright Office
for the use or disposition of the Library of Congress. The deposit is
to be made within three months after such publication. Failure to make
the required deposit does not affect copyright in the work, but it may
subject the copyright owner to fines and other monetary liability if
the owner fails to comply after a demand for deposit is made by the
Register of Copyrights. These general provisions, however, are subject
to limitations. Section 407 provides that the Register of Copyrights
``may by regulation exempt any categories of material from the deposit
requirements of this section, or require deposit of only one copy or
phonorecord with respect to any categories.'' 17 U.S.C. 407(c).
Accordingly, in 1978 the Copyright Office, with the approval of the
Librarian of Congress, established regulations governing mandatory
deposit, which are set forth in Chapter II, Part 202 of Title 37 of the
Code of Federal Regulations. Section 202.19 establishes the standards
governing mandatory deposit of copies and phonorecords published in the
United States for the Library of Congress, and section 202.21 allows
for a deposit of identifying material in lieu of copies or phonorecords
in certain cases, for both mandatory deposit and registration deposit.
In addition, the Library of Congress's Best Edition Statement in
Appendix B of Part 202 specifies the required deposit in instances
where ``two or more editions of the same version of a work have been
published.''
At that time, the Copyright Office also adopted a regulation
exempting machine-readable literary works from mandatory deposit.
Copies of machine-readable works were not widely marketed to the public
and the Library had no interest in collecting these works, so it
decided not to require their deposit. However, in 1989, in response to
the increased use of databases and computer programs distributed in CD-
ROM and other formats and an increased demand by Library users for
these works, the Copyright Office amended the machine-readable copies
exemption so that machine-readable works published in physical form
were subject to mandatory deposit, and only ``automated databases
available only online in the United States'' were exempted. 54 FR 42295
(Oct. 16, 1989).
The Copyright Office identified the exempted category of works as
such to refer to all online-only publications since, for all practical
purposes, the only works being published online in 1989 were automated
databases, e.g., Westlaw and Nexis. As other categories of works, such
as articles and serial titles, began to be published only online, the
Copyright Office included them in the exempted category because the
Library in the early 1990s had neither the intention nor the technology
to collect such works, and it also continued to use the term
``automated databases available only on-line in the United States'' as
a matter of convenience. Hence, Copyright Office practice to date has
been to interpret ``automated databases available only online in the
United States'' broadly as encompassing all electronic works published
only online.
Much has changed in the twenty years that have passed since the
adoption of the regulation used to exclude electronic works published
in the United States and available only online from mandatory deposit.
In that time, the Internet has grown to become a fundamental tool for
the publication and dissemination of millions of works of authorship.
To cite just one pertinent example, the Library has determined that
there are now more than five thousand scholarly electronic serials
available exclusively online, with no print counterparts. In some cases
the Library has purchased subscriptions to these periodicals, but such
subscriptions are typically ``access only,'' and rarely allow the
Library to acquire a ``best edition'' copy for its collections.
However, the current inability of the Library to acquire online-only
works through mandatory
[[Page 3865]]
deposit places the long-term preservation of the works at risk.
Thus, to fulfill its mission to sustain and preserve a universal
collection of knowledge, and to inform Congress, the Library is
currently developing technological systems that will allow it to ingest
electronic works, including those available exclusively online, and
maintain them in formats suitable for long-term preservation. In
addition, the Copyright Office is amending the mandatory deposit
regulations to enable the on-demand mandatory deposit of electronic
works published in the United States and available only online (i.e.,
not published in physical form).
To date, mandatory deposit of works in physical formats has been
one of the most important methods for building the Library's
collections and making it the world's largest repository of knowledge
and creativity. With the adoption of this amendment, mandatory deposit
will apply in a measured and balanced way to works offered only in the
digital environment as well.
II. Discussion
In its July 15 notice, the Copyright Office proposed that the
current Sec. 202.19(c)(5) exemption be amended so that all electronic
works published in the United States and available only online enjoy a
qualified exemption from mandatory deposit, which means that any work
in this class would be exempt until the Copyright Office issues a
demand for its deposit. This revised exemption would apply to all
published electronic works available only online. The exemption would
apply to serials, monographs, sound recordings, automated databases,
cartography, and all other categories of electronic works. Furthermore,
because the revised exemption would apply exclusively to published
online-only works, there would be no need to retain the current list of
machine-readable works in physical formats to which the exemption did
not apply. Finally, the notice emphasized that the revised exemption
would not apply to those works published in both physical and online
formats. These works, because they are not published ``only'' online,
were never exempted from mandatory deposit by Sec. 202.19(c)(5).\1\
The interim regulation promulgated by this notice is consistent with
all of the above aspects of the notice of proposed rulemaking.
---------------------------------------------------------------------------
\1\ Note that the Library's current Best Edition Statement for
``Works Existing in More Than One Medium'' does not currently list
electronic formats. See, e.g., 37 CFR 202.20(b)(1) ``For purposes of
this section, if a work is first published in both hard copy, i.e.,
in a physically tangible format, and also in an electronic format,
the current Library of Congress Best Edition Statement requirements
pertaining to the hard copy format apply.'') Nevertheless, the
Library of Congress retains the authority to determine what
constitutes ``best edition'' and it may decide at a future time
that, when a particular work is published in both print and
electronic editions, the electronic edition is the ``best edition''
for purposes of mandatory deposit.
---------------------------------------------------------------------------
The rule establishing a qualified mandatory deposit exemption for
online-only works seeks to balance the current needs of the Library of
Congress against the imposition of a mandatory requirement on all
copyright owners of works published exclusively online to deposit one
complete copy of the best edition. By exempting published electronic
works available only online until a demand is made, the qualified
exemption addresses the practical difficulties of acquiring works
published in non-physical formats, ensures that the Library will only
receive those works that it needs for its collections, and reduces the
burden on copyright owners, who will only have to deposit those works
demanded by the Copyright Office.
Commenters were generally supportive of the Office's goal of a
qualified exemption for online-only works, with one stating that it
appeared to be ``sensible and non-controversial.'' AAP Comment at 2.
However, they also raised a number of questions concerning the scope of
the term ``electronic serials,'' the process for responding to deposit
demands, the inclusion of metadata and formatting codes in deposit
copies, user access to deposit copies of online-only works, and the
nature of publication on the Internet. Commenters also responded to the
Office's request for reactions to the concept of requiring publishers
of online-only works to provide notice to the Library upon publication
of a new work as a mechanism for identification of the works that exist
in this format. These issues, along with the related changes
incorporated into the interim rule, are discussed in the sections that
follow.
Category-by-Category Demands, Beginning with Electronic Serials
As explained in the July 15 notice, the initial category of online-
only works that will be subject to demand deposit is ``electronic
serials.'' (``This class includes periodicals; newspapers; annuals; and
the journals, proceedings, transactions, etc. of societies.'')
In its comments, West supported the decision to begin with
electronic serials because they ``appear to be analogous to print
serials which are printed in separate, successive discrete editions.''
West comment at 2. This is, in fact, the same rationale applied by the
Library. While serials encompass everything from scholarly journals to
daily newspapers to semiweekly newsletters, the Library's demands for
electronic serials initially will be restricted to journals that
publish no more often than weekly, and have the same, or similar,
appearance, formatting, and regular issue schedule as print journals.
However, West did request that the electronic serials definition be
revised so that it cannot be read to cover databases or blogs. In
response, the Office notes that the definition in the interim rule has
been revised to say that an electronic serial must be ``issued or
intended to be issued on an established schedule, in successive parts
bearing numerical or chronological designations, without subsequent
alterations.'' This limitation, the Office believes, does in fact
exclude works like databases and blogs that are constantly updated with
no demarcations between particular, discrete issues of the publication.
SIIA also commented on the definition of electronic serials. It
opined that the use of ``etc.'' in the last sentence of the definition
of electronic serials may cause it to be read too broadly. See SIIA
comment at 6-7. The Office disagrees. The Office notes that ``etc.''
only extends the list of publications issued by societies, and not the
larger list of electronic serials. However, there is no harm in
replacing it with ``and other publications,'' which is how the interim
rule now reads.
Commenters also requested additional definitions to clarify the
category of electronic serials or questioned the use of other terms in
the context of this rule. Specifically, Patrice Lyons commented that
the exempted category ``electronic works,'' (of which ``electronic
serials'' is a subset), is problematic because it implies a lack of the
``fixation in a tangible medium of expression'' required for copyright
protection. Lyons comment at 1-2. She suggests instead the term
``digital object.'' Id., at 2.\2\ The Office does not agree that
introducing new terminology is necessary. The interim regulation must
be understood
[[Page 3866]]
in the context of the overall body of copyright regulations, where
works embodied in digital files are described as ``electronic'' in
contrast to works fixed in materials that are ``physically tangible.''
See 37 CFR 202.20(b)(1). In this context, ``electronic'' clearly does
not mean ``unfixed.'' While online-only digital files may not be
visible or perceptible to touch they are still fixed in a tangible
medium of expression by virtue of their embodiment on a computer's hard
drive, on a server, or on any other device that allows them to be
communicated.\3\ However, the Office agrees that the term ``electronic
works'' presents some ambiguity as to fixation in tangible medium, in
that it suggests that the nature of the work itself is electronic, as
opposed to the intended meaning that the work is merely fixed and
published in an electronic format. Thus, the interim rule defines the
term in the mandatory deposit context as ``works fixed and published
solely in an electronic format.''
---------------------------------------------------------------------------
\2\ The Copyright Act states that ``a work is `fixed' in a
tangible medium of expression when its embodiment in a copy or
phonorecord, by or under the authority of the author, is
sufficiently permanent or stable to permit it to be perceived,
reproduced, or otherwise communicated for a period of more than
transitory duration. A work consisting of sounds, images, or both,
that are being transmitted, is ``fixed'' for purposes of this title
if a fixation of the work is being made simultaneously with its
transmission.'' 17 U.S.C. 101. A fixed work may be perceived,
reproduced, or otherwise communicated ``either directly or with the
aid of a machine or device.'' 17 U.S.C. 102(a).
\3\ The proposition that electronic works are sufficiently
``fixed'' on the computers where they originate so as to be
copyrightable has been ratified, albeit tacitly, by numerous courts.
See, e.g. London-Sire Records, Inc. v. Doe 1, 542 F. Supp. 2d 153,
170-71 (D. Mass, 2008); A&M v. Napster, 239 F.3d 1004, 1014 (9th
Cir., 2001); Marobie-Fl., Inc. v. National Ass'n of Fire Equip.
Distribs., 983 F. Supp. 1167, 1177-78 (N.D. Ill, E. Div., 1997).
---------------------------------------------------------------------------
ASMP commented that ``electronic,'' along with the words
``digital'' and ``online'' must be ``clearly defined'' in the
regulation. ASMP comment at 3. While the Copyright Office agrees that
definitions of terms are useful in some cases, it believes that
definitions also have the potential to unintentionally obfuscate or
limit common understandings. The three terms ASMP cites appear
throughout Title 17 and the Office's regulations without definition,
and this state of affairs has not caused confusion or controversy. The
Copyright Office is concerned that defining them solely for the purpose
of the present interim rule would have unintended consequences.
Furthermore, the terms ``electronic'' and ``digital'' appear in the
statute and the current regulations exclusively as modifiers (e.g.,
``electronic transmission,'' ``digital networks''), making their
definition as stand-alone terms potentially confusing. Moreover, there
is no need to define the term ``digital'' because it in fact does not
appear in the present interim rule at all.
Best Edition Statement
Regarding the proposed Best Edition Statement for electronic
serials, the Office received one approving comment (from SIIA) and no
criticisms. See SIIA comment at 7. However, in order to correct a minor
technical error, the reference to ``OpenXML'' in section IX.A.1.c.ii of
Appendix B has been changed to ``Office OpenXML.'' As stated in the
July 15 notice, best edition criteria for other categories of
electronic works published in the United States and available only
online will follow as new categories become subject to demand deposit.
The Copyright Act states that the ``best edition'' of a work ``is
the edition, published in the United States at any time before the date
of deposit, that the Library of Congress determines to be most suitable
for its purposes.'' 17 U.S.C. 101. In other words, an edition of a
work, no matter its quality, is not the ``best edition'' unless it has
been published. Thus, if the published format of a demanded electronic
serial does not meet any of the best edition criteria, the publisher is
still obligated to send a copy of the serial in whatever form it is
published. Furthermore, the Copyright Office may not require that a
rights-holder deposit an edition of the work that has not been
published.
Demand Deposit Process
The process by which the Copyright Office will demand electronic
serials is similar to that used to demand other published works under
17 U.S.C. 407(d). Once a category of works is identified as being
subject to demand under the qualified exemption of Sec. 202.19(c)(5),
the Copyright Office may make a demand on the owner of copyright or of
the exclusive right of publication for a single complete copy of a work
in that category, for any such work published on or after the date that
this proposed regulation goes into effect.
The owner of copyright or of the exclusive right of publication
will have three months from the date of receipt of the notice in which
to make the deposit, in keeping with the time period allotted by
statute for deposit of the best edition of a published work not subject
to an exemption. See 17 U.S.C. 407(a). The regulation also includes a
provision allowing special relief to accommodate, for example,
situations where a publisher may need more time to make the deposit or
wishes to arrange for alternative means of making a deposit. Special
relief, however, is granted at the discretion of the Library.
The mandatory deposit provision in the copyright law grants the
Copyright Office authority to reduce the required number of deposit
copies from two to one. See 17 U.S.C. 407(c)(1). Pursuant to this
authority, the interim rule states that only a single copy or
phonorecord of a demanded work is required. The Office has determined
that transmitting duplicate electronic files presents a risk of slowing
down the electronic ingest system of the Library, particularly in the
case of a work consisting of a single large file or of many small
files. Nevertheless, the Library may allow two on-site users to
simultaneously access the single copy of an online-only work. This
achieves, in an efficient and flexible manner, the statute's goal of
providing two copies of a published work to the Library of Congress. As
the only commenter to opine on the single copy requirement, the SIIA
indicated its agreement with it. See SIIA comment at 7.
On the other hand, commenters did raise questions and express
concerns about the method, form, version, frequency, and format of
depositing copies of online-only works with the Copyright Office in
response to a demand. The Office believes, at least for the purposes of
this interim rule that these issues will require a flexible approach
and are not currently suited to resolution via this rulemaking. The
present interim rule is an early step in the Library's program of
acquiring online-only works, and the Library requires more information
and experience with electronic publications before considering specific
regulations to govern the demand deposit process.
That said, rights-holders should note that the Best Edition
Statement for electronic serials contains detailed technical standards
for the preferred deposit formats, and should be consulted in the event
an online-only work exists in more than one version. Regarding the
possibility raised by SIIA and NAA of a rights-holder providing a
direct feed to the Copyright Office, this is one option that may be
explored once the demand deposit system is operational and adjustments
are made. However, the Copyright Office is unprepared at this time to
implement a regulation allowing rights-holders to meet their mandatory
deposit obligations by providing a website link to the Office so that
the Office may download an electronic serial itself. The Library
recognizes that this approach represents an attractive alternative to
publishers of works made available online, but it needs to examine the
issue in more depth before considering including a link-and-download
option in the regulations. Thus, for the immediate future, such an
arrangement should be a matter of special relief.
The question of frequency of deposits was also raised by SIIA in
the context of publishers who might want to delay depositing issues of
their serials for business reasons. See SIIA comment at
[[Page 3867]]
4. Unless a publisher decides to deposit its online-only serials via
group registration,\4\ it must deposit the work with the Library within
three months of receipt of the demand notice, and it is expected that
each issue of a demanded serial will be deposited with the Copyright
Office thereafter as is the current practice, without the need for
additional demand notices. The mandatory deposit requirement does not
vary by business model, and the Library's need for timely deposits of
serials does not change depending upon the format in which a serial is
published.
---------------------------------------------------------------------------
\4\ The regulations for group registration of serial titles are
at 37 CFR 202.3(b)(6)(v) and 37 CFR 202.20(c)(xvii).
---------------------------------------------------------------------------
Standards regarding the specific method of transmission of online-
only works will be developed by the appropriate divisions of the
Library and the Copyright Office, in consultation with rights-holders
as warranted. These standards will be posted on the Copyright Office
website (www.copyright.gov) and depositors will be able to contact the
Office by telephone with any questions.
Complete Copy
The interim rule clarifies that a ``complete copy'' of a published
electronic work available only online includes the associated metadata
and formatting codes that make up the unit of publication. Section 407
of Title 17 requires the deposit of a complete copy of the best edition
of a work published in the United States. Section 202.19(b)(2) of the
Copyright Office regulations defines a ``complete copy'' of a work for
purposes of mandatory deposit as one that ``includes all elements
comprising the unit of publication of the best edition of the work,
including elements that, if considered separately, would not be
copyrightable subject matter or would otherwise be exempt from
mandatory deposit requirements under paragraph (c) of this section.''
Published electronic works often contain elements such as metadata and
formatting codes that, while they are not perceptible to the naked eye
or ear, are part of the unit of publication. These elements are also
critical for continued access to and preservation of a work once it is
deposited.
Neither NAA, ASMP, nor SIIA opposed including metadata and
formatting codes in the definition of ``complete copy.'' See NAA
comment at 20, ASMP comment at 2-3, SIIA comment at 7. However, AAP
expressed concern that these elements may be difficult to assemble and
transmit to the Copyright Office as part of a single work, particularly
for interactive works where elements exist on multiple servers for
short periods of time and are regulated with digital management
technology. AAP comment at 3. Patrice Lyons also noted the problem of
dispersed elements of a work, and suggested adding ``information
management system used to structure and identify'' to the definition of
``complete copy.'' Lyons comment at 3.
As has been stressed in this notice, the Library and Copyright
Office will be focusing their initial demands on the subset of
electronic serials that are analogous to print journals. This means
that the works will be self-contained documents with no ability for the
user to affect the content. The Office recognizes that future demands
for online-only newspapers, web sites, and other categories may require
adjustments to what constitutes a ``complete copy.'' This is one of the
reasons that, as the Library expands its collection of online-only
works to other categories, the Office will seek public comment before
adding a new category to Sec. 202.19(c)(5) as being subject to demand.
On the related question of what constitutes an online-only work,
the NAA argues that, without a definition of ``online-only,'' the term
creates uncertainty as to whether a newspaper's website is sufficiently
different from the print version so as to constitute a separate,
online-only work. NAA comment at 7. In response, the Office notes that
the interim regulation does exclude works published in both physical
and online editions from the definition of ``online-only'' in the last
sentence of section 202.19(c)(5) (``This exemption does not apply to
works that are published in both online, electronic formats and in
physical formats, which remain subject to the appropriate mandatory
deposit requirements.'') In addition, the NAA itself points to the
Library's Best Edition Statement guidance that if two editions of a
work have ``variations in copyrightable content, then each edition is a
separate work.'' 37 CFR Ch.II, Part 202, App. B. In other words simply
publishing the same content in both print and electronic formats does
not create two separate copyrightable works. This guidance can, the
Office believes, be profitably applied to print and online versions of
a newspaper, but recognizes the possibility of the need to revisit this
issue at a later date. The Library, however, will not initially be
demanding online-only newspapers, or the online-only content of
newspapers published both electronically and in print.
Access to Deposit Copies
As the AAP points out, online-only works may be regulated with
digital management technology. The Copyright Office acknowledges that
many publishers rely on such technology to prevent unauthorized access
to or use of their works. However, copies of works submitted to the
Copyright Office under this interim rule must be accessible to the
Office, the Library, and the Library's users. Thus, the following
provision has been added to the regulation's demand deposit conditions
in Sec. 202.24: ``Copies or phonorecords deposited in response to a
demand must be able to be accessed and reviewed by the Copyright
Office, Library of Congress, and the Library's authorized users on an
ongoing basis.'' In addition, the Best Edition Statement for electronic
serials has been revised so that the final criterion now reads,
``Technological measures that control access to or use of the work
should be removed.''
In its July 15th notice, the Office stated that ``the Library will
. . . establish policies and practices to insure the security and
integrity of its electronic collections, and to provide appropriate,
limited access as allowed by law.'' AAP, West, and SIIA asked for more
detailed information regarding user access restrictions, specifically
regarding downloading, distribution, and interlibrary loan
functionality. See AAP comment at 2-3, West comment at 2-3, SIIA
comment at 6. The Library and the Copyright Office recognize that
electronic works, because of their ease of reproduction and
distribution, present special security concerns. For this reason,
access to these works will be available only to authorized users at the
Library of Congress (including its Packard Campus for Audio-Visual
Conservation in Culpeper, VA and its National Library Service for the
Blind and Physically Handicapped at the Taylor Street Annex in
Washington, DC) and Capitol Hill facilities in accordance with the
policies listed below.
Access to electronic works received through mandatory
deposit will be as similar as possible to the access provided to analog
works.
Access to electronic works received through mandatory
deposit will be limited, at any one time, to two Library of Congress
authorized users.
Library of Congress authorized users will access the
electronic works via a secure server over a secure network that serves
Capitol Hill facilities and remote Library of Congress locations. The
term ``Library of Congress
[[Page 3868]]
authorized users'' includes Library staff, contractors, and registered
researchers, and Members, staff and officers of the U.S. House of
Representatives and the U.S. Senate. The Library will not make the
copyrighted works available to the public over the Internet without
rights holders' permissions.
Authorized users may print from electronic works to the
extent allowed by the fair use provisions of the copyright law (17
U.S.C. 107 and 108(f)), as is the case with traditional publications.
However, users may not reproduce or distribute (i.e., download or
email) copies of deposited electronic works until the Library has
explored the advisability of permitting these options and the security
and feasibility of the implementing technologies. As part of this
process, the Library will seek comment from the public, including
copyright owners and publishers, before adopting additional policies
governing electronic copying or distribution by electronic
transmission.
Notice of Publication
The interim rule does not include a requirement that rights-holders
notify the Library of Congress upon the publication of a new electronic
serial, or any online-only work, in the United States. The Copyright
Office requested comments on whether such a requirement would be
necessary, prudent, or consistent with the Office's authority as
granted by 17 U.S.C. 407. All commenters who addressed this question
did so in the context of whether it would be necessary or prudent.
These commenters opposed the requirement on the grounds that it would
be too burdensome to rights-holders, particularly those who publish new
works on a frequent basis. Some also asserted that the Library alone
should bear the responsibility of researching electronic serials,
particularly given the numbers of small publishers who would likely
remain ignorant of the rule. AAP objected that there was not enough
detail about how the requirement would be administered for it to
address the issue. AAP comment at 3. ASMP suggested that registration
applications could contain a field indicating whether a work is online-
only, and that the Library could generate a list from these
applications of works to demand. ASMP comment at 2.
The Copyright Office believes that the question of a notice
requirement need not be addressed in the present rulemaking. As
indicated in the July 15th notice, there currently exists an adequate
level of bibliographic control over electronic serials. However, as the
Copyright Office and the Library gain experience with electronic
serials, and other categories of online-only work are removed from the
exemption and become subject to demand, the issue of the most efficient
and comprehensive way to make the Library aware of what online-only
works are available will likely be raised again.
On the subject of publication, Patrice Lyons also queried whether
works available only online are truly ``published'' within the meaning
of the Copyright Act. Section 101 of title 17 defines ``publication''
as: ``The distribution of copies or phonorecords of a work to the
public by sale or other transfer of ownership, or by rental, lease, or
lending. The offering to distribute copies or phonorecords to a group
of persons for purposes of further distribution, public performance, or
public display, constitutes publication. A public performance or
display of a work does not of itself constitute publication.'' It
defines ``copies'' as ``material objects, other than phonorecords, in
which a work is fixed by any method now known or later developed, and
from which the work can be perceived, reproduced, or otherwise
communicated, either directly or with the aid of a machine or device.
The term `copies' includes the material object, other than a
phonorecord, in which the work is first fixed.'' 17 U.S.C. 101.\5\
These definitions led Ms. Lyons to challenge the assumption that a
publication takes place when ``a work represented in digital form is
made available, publicly and/or privately in an internet environment,
but no physical copy changes hands.'' Lyons comment at 2. Ms. Lyons
also expressed concern that treating online-only works as publications
might ``have implications on other sections of the U.S. Copyright Law,
in particular, what rights are implicated when a copyrighted work is
made available in an Internet environment, but no physical object,
i.e., copy, changes hands.'' Id. As an alternative, she suggested that
the public performance right may ``play an important role in this
context.'' Id.
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\5\ ``Phonorecords'' are similarly defined as ``material objects
in which sounds, other than those accompanying a motion picture or
other audiovisual work, are fixed by any method now known or later
developed, and from which the sounds can be perceived, reproduced,
or otherwise communicated, either directly or with the aid of a
machine or device. The term `phonorecords' includes the material
object in which the sounds are first fixed.'' 17 U.S.C. 101. For
convenience, this notice uses ``copies'' to refer to both copies and
phonorecords.
---------------------------------------------------------------------------
As a threshold matter, it appears well-settled electronic files are
``fixed'' in the sense that they reside on server hard drives which
are, as discussed above, material objects, and thus the files meet the
``copies'' requirement of publication and distribution. To the extent
that Ms. Lyons is questioning whether publication can take place by
means of electronic transmission, that issue has also been settled. In
New York Times Co. v. Tasini, 533 U.S. 483 (2001), the Supreme Court
concluded that online databases that made copies of articles available
electronically ``reproduce and distribute'' copies of those articles.
Cases involving peer-to-peer file-sharing on the Internet have also
recognized that online transmission constitutes distribution. See
Metro-Goldwyn-Mayer v. Grokster, 545 U.S. 913 (2005) (noting that
``peer-to-peer networks are employed to store and distribute electronic
files`` and that peer-to-peer software ``enabled users to reproduce and
distribute the copyrighted works in violation of the Copyright Act.'');
London-Sire Records, Inc. v. Doe 1, 542 F. Supp. 2d 153, 170-172 (D.
Mass, 2008) (stating that ``an electronic file transfer is plainly
within the sort of transaction that Sec. 106(3) [the distribution
right] was intended to reach.''). Because ``[u]nder the definition in
section 101, a work is `published' if one or more copies or
phonorecords embodying it are distributed to the public,'' H.R. Rep.
No. 96-1976, at 138 (1976), it follows that the electronic transmission
of copies of a work to the public, as addressed in the distribution
context in Tasini and Grokster, constitutes publication of that work.
Comments Outside of the Scope of the Rulemaking
A number of commenters raised issues related to but outside of the
scope of mandatory deposit for online-only works. Specifically,
comments from BME, NAA, ASMP, and PPA regarding copyright registration
cannot properly be addressed in a mandatory deposit rulemaking.
Comments seeking a permanent exemption for mandatory deposit for
photographs and databases are more appropriately raised when and if the
Copyright Office proposes making those categories subject to demand.
See PPA comment at 3; West comment at 4-5. Similarly, ASMP's request
for a reevaluation of the best edition requirement regarding works
published in both print and electronic formats goes beyond the
immediate questions raised in the notice. See ASMP comment at 2.
Indeed, the notice specifically stated that the proposed regulation
would not apply ``to those works published in both physical and online
formats.'' 74 FR, at 34287. ASMP also proposed that the regulation set
standards for the medium,
[[Page 3869]]
security devices, and metadata for a copy of a deposited online-only
work to be provided by the Library to a litigant. See id. at 3. This
topic is out-of-scope as well.
Finally, SIIA and West comment that fines for noncompliance with a
demand should be imposed on a per-serial, rather than a per-work basis,
is actually a question of statutory change beyond the purview of this
or any rulemaking. While section 407 does grant the Register of
Copyrights the discretion whether to impose a fine at all, it does not
grant her the discretion to determine on what basis a fine may be
imposed.
List of Subjects in 37 CFR Part 202
Copyright, Registration of claims to copyright.
Interim Regulation
0
In consideration of the foregoing, the Copyright Office amends part 202
of 37 CFR as follows:
PART 202 - PREREGISTRATION AND REGISTRATION OF CLAIMS TO COPYRIGHT
0
1. The authority citation for part 202 continues to read as follows:
Authority: 17 U.S.C. 702.
0
2. Amend Sec. 202.19 as follows:
0
a. By adding a new sentence at the end of the undesignated paragraph
following paragraph (b)(2)(ii);
0
b. By adding a new paragraph (b)(4); and
0
c. By revising paragraph (c)(5).
The additions and revisions to Sec. 202.19 read as follows:
Sec. 202.19 Deposit of published copies or phonorecords for the
Library of Congress.
* * * * *
(b) * * *
(2) * * * In the case of an electronic work published in the United
States and available only online, a copy is ``complete'' if it includes
all elements constituting the work in its published form, i.e., the
complete work as published, including metadata and formatting codes
otherwise exempt from mandatory deposit.
* * * * *
(4) For purposes of Sec. 202.19(c)(5) of this regulation, an
electronic serial is an electronic work published in the United States
and available only online, issued or intended to be issued on an
established schedule in successive parts bearing numerical or
chronological designations, without subsequent alterations, and
intended to be continued indefinitely. This class includes periodicals,
newspapers, annuals, and the journals, proceedings, transactions, and
other publications of societies.
(c) * * *
(5) Electronic works published in the United States and available
only online. This exemption includes electronic serials available only
online only until such time as a demand is issued by the Copyright
Office under the regulations set forth in Sec. 202.24 of these
regulations. This exemption does not apply to works that are published
in both online, electronic formats and in physical formats, which
remain subject to the appropriate mandatory deposit requirements.
* * * * *
0
3. Add a new Sec. 202.24, as follows:
Sec. 202.24 Deposit of published electronic works available only
online.
(a) Pursuant to authority under 17 U.S.C. 407(d), the Register of
Copyrights may make written demand to deposit one complete copy or a
phonorecord of an electronic work published in the United States and
available only online upon the owner of copyright or of the exclusive
right of publication in the work, under the following conditions:
(1) Demands may be made only for works in those categories
identified in Sec. 202.19(c)(5) of these regulations as being subject
to demand.
(2) Demands may be made only for works published on or after
February 24, 2010.
(3) The owner of copyright or of the exclusive right of publication
must deposit the demanded work within three months of the date the
demand notice is received.
(4) Copies or phonorecords deposited in response to a demand must
be able to be accessed and reviewed by the Copyright Office, Library of
Congress, and the Library's authorized users on an ongoing basis.
(b) Technical standards. Technical standards for the transmission
of copies of online-only works to the Copyright Office in response to a
demand will be available on the Copyright Office website
(www.copyright.gov).
(c) Definitions. (1) ``Best edition'' has the meaning set forth in
Sec. 202.19(b)(1) of these regulations.
(2) ``Complete copy'' has the meaning set forth in Sec.
202.19(b)(2) of these regulations.
(3) ``Electronic works'' are works fixed and published solely in an
electronic format.
(d) Special relief. (1) In the case of any demand made under
paragraph (a) of this section, the Register of Copyrights may, after
consultation with other appropriate officials of the Library of
Congress and upon such conditions as the Register may determine after
such consultation,
(i) Extend the time period provided in section 407(d) of Title 17;
(ii) Permit the deposit of incomplete copies or phonorecords; or
(iii) Permit the deposit of copies or phonorecords other than those
normally comprising the best edition.
(2) Any decision as to whether to grant such special relief, and
the conditions under which special relief is to be granted, shall be
made by the Register of Copyrights after consultation with other
appropriate officials of the Library of Congress, and shall be based
upon the acquisition policies of the Library of Congress then in force.
(3) Requests for special relief under this section shall be made in
writing to the Copyright Acquisitions Division, shall be signed by or
on behalf of the owner of copyright or of the exclusive right of
publication in the work, and shall set forth specific reasons why the
request should be granted.
* * * * *
0
4. Amend Part 202, Appendix B as follows:
0
a. By redesignating section IX as section X; and
0
b. By adding a new section IX.
The revision to Part 202, Appendix B reads as follows:
Appendix B to Part 202 - ``Best Edition'' of Published Copyrighted
Works for the Collections of the Library of Congress
* * * * *
IX. Electronic Works Published in the United States and
Available Only Online
For all deposits, UTF-8 encoding is preferred to ASCII encoding
and other non UTF-8 encodings for non-Latin character sets in all
categories below.
A. Electronic Serials
1. Content Format
a. Level 1: Serials-specific structured/markup format:
(i) Content compliant with the NLM Journal Archiving (XML)
Document Type Definition (DTD), with presentation stylesheet(s),
rather than without.
(ii) Other widely used serials or journal XML DTDs/schemas, with
presentation stylesheet(s), rather than without.
(iii) Proprietary XML format for serials or journals (with
documentation), with DTD/schema and presentation stylesheet(s),
rather than without.
b. Level 2: Page-oriented rendition:
(i) PDF/A (Portable Document Format/Archival; compliant with ISO
19005).
(ii) PDF (Portable Document Format, with searchable text, rather
than without).
c. Level 3: Other formats:
(i) XHTML/HTML, as made available online, with presentation
stylesheets(s), rather than without.
[[Page 3870]]
(ii) XML (widely used, publicly documented XML-based word-
processing formats, e.g., ODF/OpenDocument Format, Office OpenXML),
with presentation stylesheets(s), if appropriate, rather than
without.
(iii) Plain text.
(iv) Other formats (e.g., proprietary word processing or page
layout formats).
2. Metadata Elements:
If it has already been gathered and is available, descriptive
data (metadata) as described below should accompany the deposited
material.
a. Title level metadata: serial or journal title, ISSN,
publisher, frequency, place of publication.
b. Article level metadata, as relevant/applicable: volume(s),
number(s), issue dates(s), article title(s), article author(s),
article identifier (DOI, etc.).
c. With other descriptive metadata (e.g., subject heading(s),
descriptor(s), abstract(s)), rather than without.
3. Technological measures that control access to or use of the
work should be removed.
Dated: January 13, 2010.
Marybeth Peters,
Register of Copyrights.
Approved by:
James H. Billington,
Librarian of Congress.
[FR Doc. 2010-1202 Filed 1-22-10; 8:45 am]
BILLING CODE 1410-30-S