Notice of Intent To Repatriate Cultural Items: Logan Museum of Anthropology, Beloit College, Beloit, WI, 17479-17480 [2015-07396]

Download as PDF mstockstill on DSK4VPTVN1PROD with NOTICES Federal Register / Vol. 80, No. 62 / Wednesday, April 1, 2015 / Notices Between 1952 and 1953, human remains representing, at minimum, two individuals were removed from Castle A in Yavapai County, AZ, by the National Park Service. No known individuals were identified. No associated funerary objects are present. In 1960, human remains representing, at minimum, eight individuals were removed from Swallet Cave in Yavapai County, AZ, during a salvage project by the National Park Service. No known individuals were identified. The one associated funerary object is a Tuzigoot red ceramic bowl. In 1986, human remains representing, at minimum, one individual were removed from Montezuma Castle in Yavapai County, AZ, by National Park Service archeologists. No known individuals were identified. The nine associated funerary objects are four pieces of matting, one piece of textile, two sherds, one flake tool, and one length of cordage. The sites from which the human remains and associated funerary objects were removed are located in the Verde Valley of Arizona. Most are multi-room masonry-walled pueblos or cliff dwellings and all are classified as southern Sinagua. With one exception, Swallet Cave, all are dated to A.D. 1125–1425. Swallet Cave, one of the pueblos on the inside cliff wall of Montezuma Well, a natural limestone sink hole with a lake fed by underground springs, is dated to A.D. 1125–1300. The Ak Chin Indian Community of Maricopa (Ak Chin) Reservation, Arizona; Gila River Indian Community of the Gila River Indian Reservation, Arizona; Salt River Pima-Maricopa Indian Community of the Salt River Reservation; and Tohono O’odham Nation of Arizona comprise one cultural group known as the O’odham. Archeological artifacts found at the sites, including plain woven textiles, coiled basketry, and twill matting, are similar to items made and used by historic O’odham people. The Fort McDowell Yavapai Nation, Arizona and the Yavapai-Prescott Indian Tribe (previously listed as the YavapaiPrescott Tribe of the Yavapai Reservation, Arizona) trace their ancestry to Yavapai bands once living in the Verde Valley. Continuity between the people of the Verde Valley during A.D. 1125–1425 and the Fort McDowell Yavapai and Yavapai-Prescott tribes is demonstrated by geographic, linguistic, folkloric, oral tradition, and historical evidence. For example, there are specific Yavapai ancestral names for Montezuma Well, and living tribal VerDate Sep<11>2014 18:37 Mar 31, 2015 Jkt 235001 members curate oral traditions about ancestral people living at the sites. The Hopi Tribe of Arizona considers all of Arizona to be within traditional Hopi lands or within areas where Hopi clans migrated in the past. Evidence demonstrating continuity between the people of the Verde Valley during A.D. 1125–1425 and the Hopi Tribe includes archeological, anthropological, linguistic, folkloric, and oral traditions. Ceramic vessels made only on the Hopi mesas are found at the sites and are similar to items made by historic and modern Hopi people. Additionally, plain woven and painted textiles, coiled basketry, and woven matting are similar to items made and used by modern Hopi people. Living Hopi clan members also have ancestral names and traditional stories about specific events and people at each site. The Zuni Tribe of the Zuni Reservation, New Mexico considers the Verde Valley to be within the migration path of ancestral Zuni people. Archeological evidence, including similarities in ceramic designs, textiles, and woven basketry, demonstrates continuity between the people of the Verde Valley during A.D. 1125–1425 and the people of Zuni. Determinations Made by Montezuma Castle National Monument Officials of Montezuma Castle National Monument have determined that: • Pursuant to 25 U.S.C. 3001(9), the human remains described in this notice represent the physical remains of 128 individuals of Native American ancestry. • Pursuant to 25 U.S.C. 3001(3)(A), the 83 objects described in this notice are reasonably believed to have been placed with or near individual human remains at the time of death or later as part of the death rite or ceremony. • Pursuant to 25 U.S.C. 3001(2), there is a relationship of shared group identity that can be reasonably traced between the Native American human remains and associated funerary objects and The Tribes. Additional Requestors and Disposition Lineal descendants or representatives of any Indian tribe or Native Hawaiian organization not identified in this notice that wish to request transfer of control of these human remains and associated funerary objects should submit a written request with information in support of the request to Dorothy FireCloud, Superintendent, Montezuma Castle National Monument, PO Box 219, Camp Verde, AZ 86322, telephone (928) 567– 5276, email dorothy_firecloud@nps.gov, PO 00000 Frm 00094 Fmt 4703 Sfmt 4703 17479 by May 1, 2015. After that date, if no additional requestors have come forward, transfer of control of the human remains and associated funerary objects to The Tribes may proceed. Montezuma Castle National Monument is responsible for notifying The Tribes that this notice has been published. Dated: February 17, 2015. Melanie O’Brien, Acting Manager, National NAGPRA Program. [FR Doc. 2015–07394 Filed 3–31–15; 8:45 am] BILLING CODE 4312–50–P DEPARTMENT OF THE INTERIOR National Park Service [NPS–WASO–NAGPRA–17697; PPWOCRADN0–PCU00RP14.R50000] Notice of Intent To Repatriate Cultural Items: Logan Museum of Anthropology, Beloit College, Beloit, WI National Park Service, Interior. Notice. AGENCY: ACTION: The Logan Museum of Anthropology, in consultation with the appropriate Indian tribes or Native Hawaiian organizations, has determined that the cultural item listed in this notice meets the definition of sacred object and object of cultural patrimony. Lineal descendants or representatives of any Indian tribe or Native Hawaiian organization not identified in this notice that wish to claim this cultural item should submit a written request to the Logan Museum of Anthropology. If no additional claimants come forward, transfer of control of the cultural item to the lineal descendants, Indian tribes, or Native Hawaiian organizations stated in this notice may proceed. DATES: Lineal descendants or representatives of any Indian tribe or Native Hawaiian organization not identified in this notice that wish to claim this cultural item should submit a written request with information in support of the claim to the Logan Museum of Anthropology at the address in this notice by May 1, 2015. ADDRESSES: William Green, Director, Logan Museum of Anthropology, Beloit College, 700 College St., Beloit, WI 53511, telephone (608) 363–2119, email greenb@beloit.edu. SUPPLEMENTARY INFORMATION: Notice is here given in accordance with the Native American Graves Protection and Repatriation Act (NAGPRA), 25 U.S.C. 3005, of the intent to repatriate a cultural item under the control of the SUMMARY: E:\FR\FM\01APN1.SGM 01APN1 17480 Federal Register / Vol. 80, No. 62 / Wednesday, April 1, 2015 / Notices mstockstill on DSK4VPTVN1PROD with NOTICES Logan Museum of Anthropology that meets the definition of sacred object and object of cultural patrimony under 25 U.S.C. 3001. This notice is published as part of the National Park Service’s administrative responsibilities under NAGPRA, 25 U.S.C. 3003(d)(3). The determinations in this notice are the sole responsibility of the museum, institution, or Federal agency that has control of the Native American cultural item. The National Park Service is not responsible for the determinations in this notice. History and Description of the Cultural Item In 2006, the estate of Rita Gaples donated a mask (catalog number RG 321) to the Logan Museum of Anthropology. Associated records indicate Ms. Gaples acquired the mask from Shango Galleries in Dallas, TX in 2005. The prior owner was Ronald Slowinski. It is not known when, how, or from whom Mr. Slowinski acquired the mask. Shango Gallery records identify the mask as a Jemez Apa’ Kachina mask and indicate a date of manufacture of ca. 1930, though the records contain no rationale for this date. The mask is cylindrical in shape, with a flat base and two protruding ears. The mask is made of leather, stitched with cotton thread. On each ear, a rectangular piece of abalone shell is attached to the front surface by a leather thong through a perforation in the ear. Two sticks are secured with leather lacing to the top of the mask. The overall dimensions of the mask with the sticks are 16 inches in height and 19 inches in width. The front of the mask has perforations for the eyes and the mouth; the mouth is surrounded on the inside by pin-hole size perforations. The front of the mask is painted green, thinning or fading at the top. The eyes are surrounded by black side-facing triangles and the mouth by a small, circular rim of black paint. One red and one yellow band, both bordered in black, extend along the base of the mask and continue along the side and back toward the face, just below the eyes. The base of the mask shows wear from material that was probably attached as a collar. Four sets of leather ties are attached along the base and two long leather ties are attached from the inside. Stitching, covered by paint, extends vertically through the center of the back of the mask. The back of the mask is painted white, superimposed by images of three corn plants painted in black. The stem of each plant forms a toothed rake. The top of the mask is unpainted leather, and the stitching that attaches the top to the cylinder is not VerDate Sep<11>2014 18:37 Mar 31, 2015 Jkt 235001 painted over, indicating the top was attached to the mask after the cylinder was built and painted. The top has pencil marks on the edges, which indicate where the pattern was drawn before the piece was cut. A letter ‘‘R’’ and the letters ‘‘RC’’ are painted in red on the interior of the top. The paint overall is matte in finish, flaky, and abrades easily. Brush marks are visible except in the green portion of the face, which appears to have been sprayed on. The corn images appear to have been painted over a previous layer of paint. Some of the previous layer is visible and apparently was also painted with corn stalks. The ears appear to have many layers of paint as evident by flaking red paint and green paint underneath. Both long sticks fastened to the top of the mask with leather ties are carved at one end into three segments; each segment is painted yellow, red, or brown. A small remnant of feather down is present on the leather. Also on top of the mask is an open appendage with a finial made of corn husk wrapped with cotton thread embedded with remnants of green pigment. The mask is incomplete in several respects, as it lacks the collar, top band, painted top, and feathers of Jemez Apa’ masks. However, masks were repeatedly renewed, and the ‘‘missing’’ or unfinished features of this mask may indicate it was collected while undergoing or awaiting renovation. Consultation with the Pueblo of Jemez included a visit from Jemez representatives in 2010. Consultation and published sources demonstrate that the mask is culturally affiliated with the Pueblo of Jemez. Jemez Kachina masks play an active role in the religious life of the community. They are used in religious practice and are owned and cared for by religious societies rather than individuals. They are considered sacred and living persons—friends and family members—rather than objects. These masks cannot be alienated, appropriated, or conveyed by any individual regardless of whether or not the individual is a member of the Pueblo of Jemez. Determinations Made by the Logan Museum of Anthropology Officials of the Logan Museum of Anthropology have determined that: • Pursuant to 25 U.S.C. 3001(3)(C), the 1 cultural item described above is a specific ceremonial object needed by traditional Native American religious leaders for the practice of traditional Native American religions by their present-day adherents. • Pursuant to 25 U.S.C. 3001(3)(D), the 1 cultural item described above has PO 00000 Frm 00095 Fmt 4703 Sfmt 4703 ongoing historical, traditional, or cultural importance central to the Native American group or culture itself, rather than property owned by an individual. • Pursuant to 25 U.S.C. 3001(2), there is a relationship of shared group identity that can be reasonably traced between the sacred object and object of cultural patrimony and the Pueblo of Jemez, New Mexico. Additional Requestors and Disposition Lineal descendants or representatives of any Indian tribe or Native Hawaiian organization not identified in this notice that wish to claim this cultural item should submit a written request with information in support of the claim to William Green, Director, Logan Museum of Anthropology, Beloit College, 700 College St., Beloit, WI 53511, telephone (608) 363–2119, email greenb@ beloit.edu, by May 1, 2015. After that date, if no additional claimants have come forward, transfer of control of the sacred object and object of cultural patrimony to the Pueblo of Jemez, New Mexico, may proceed. The Logan Museum of Anthropology is responsible for notifying the Pueblo of Jemez, New Mexico, that this notice has been published. Dated: February 13, 2015. Melanie O’Brien, Acting Manager, National NAGPRA Program. [FR Doc. 2015–07396 Filed 3–31–15; 8:45 am] BILLING CODE 4312–50–P DEPARTMENT OF THE INTERIOR National Park Service [NPS–WASO–NAGPRA–17621; PPWOCRADN0–PCU00RP14.R50000] Notice of Intent To Repatriate Cultural Items: U.S. Department of the Interior, National Park Service, Gulf Islands National Seashore, Gulf Breeze, FL National Park Service, Interior. Notice. AGENCY: ACTION: The U.S. Department of the Interior, National Park Service, Gulf Islands National Seashore, in consultation with the appropriate Indian tribes or Native Hawaiian organizations, has determined that the cultural items listed in this notice meet the definition of unassociated funerary objects. Lineal descendants or representatives of any Indian tribe or Native Hawaiian organization not identified in this notice that wish to claim these cultural items should submit a written request to Gulf Islands National Seashore. If no additional SUMMARY: E:\FR\FM\01APN1.SGM 01APN1

Agencies

[Federal Register Volume 80, Number 62 (Wednesday, April 1, 2015)]
[Notices]
[Pages 17479-17480]
From the Federal Register Online via the Government Printing Office [www.gpo.gov]
[FR Doc No: 2015-07396]


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DEPARTMENT OF THE INTERIOR

National Park Service

[NPS-WASO-NAGPRA-17697; PPWOCRADN0-PCU00RP14.R50000]


Notice of Intent To Repatriate Cultural Items: Logan Museum of 
Anthropology, Beloit College, Beloit, WI

AGENCY: National Park Service, Interior.

ACTION: Notice.

-----------------------------------------------------------------------

SUMMARY: The Logan Museum of Anthropology, in consultation with the 
appropriate Indian tribes or Native Hawaiian organizations, has 
determined that the cultural item listed in this notice meets the 
definition of sacred object and object of cultural patrimony. Lineal 
descendants or representatives of any Indian tribe or Native Hawaiian 
organization not identified in this notice that wish to claim this 
cultural item should submit a written request to the Logan Museum of 
Anthropology. If no additional claimants come forward, transfer of 
control of the cultural item to the lineal descendants, Indian tribes, 
or Native Hawaiian organizations stated in this notice may proceed.

DATES: Lineal descendants or representatives of any Indian tribe or 
Native Hawaiian organization not identified in this notice that wish to 
claim this cultural item should submit a written request with 
information in support of the claim to the Logan Museum of Anthropology 
at the address in this notice by May 1, 2015.

ADDRESSES: William Green, Director, Logan Museum of Anthropology, 
Beloit College, 700 College St., Beloit, WI 53511, telephone (608) 363-
2119, email greenb@beloit.edu.

SUPPLEMENTARY INFORMATION: Notice is here given in accordance with the 
Native American Graves Protection and Repatriation Act (NAGPRA), 25 
U.S.C. 3005, of the intent to repatriate a cultural item under the 
control of the

[[Page 17480]]

Logan Museum of Anthropology that meets the definition of sacred object 
and object of cultural patrimony under 25 U.S.C. 3001.
    This notice is published as part of the National Park Service's 
administrative responsibilities under NAGPRA, 25 U.S.C. 3003(d)(3). The 
determinations in this notice are the sole responsibility of the 
museum, institution, or Federal agency that has control of the Native 
American cultural item. The National Park Service is not responsible 
for the determinations in this notice.

History and Description of the Cultural Item

    In 2006, the estate of Rita Gaples donated a mask (catalog number 
RG 321) to the Logan Museum of Anthropology. Associated records 
indicate Ms. Gaples acquired the mask from Shango Galleries in Dallas, 
TX in 2005. The prior owner was Ronald Slowinski. It is not known when, 
how, or from whom Mr. Slowinski acquired the mask. Shango Gallery 
records identify the mask as a Jemez Apa' Kachina mask and indicate a 
date of manufacture of ca. 1930, though the records contain no 
rationale for this date.
    The mask is cylindrical in shape, with a flat base and two 
protruding ears. The mask is made of leather, stitched with cotton 
thread. On each ear, a rectangular piece of abalone shell is attached 
to the front surface by a leather thong through a perforation in the 
ear. Two sticks are secured with leather lacing to the top of the mask. 
The overall dimensions of the mask with the sticks are 16 inches in 
height and 19 inches in width. The front of the mask has perforations 
for the eyes and the mouth; the mouth is surrounded on the inside by 
pin-hole size perforations. The front of the mask is painted green, 
thinning or fading at the top. The eyes are surrounded by black side-
facing triangles and the mouth by a small, circular rim of black paint. 
One red and one yellow band, both bordered in black, extend along the 
base of the mask and continue along the side and back toward the face, 
just below the eyes. The base of the mask shows wear from material that 
was probably attached as a collar. Four sets of leather ties are 
attached along the base and two long leather ties are attached from the 
inside. Stitching, covered by paint, extends vertically through the 
center of the back of the mask. The back of the mask is painted white, 
superimposed by images of three corn plants painted in black. The stem 
of each plant forms a toothed rake. The top of the mask is unpainted 
leather, and the stitching that attaches the top to the cylinder is not 
painted over, indicating the top was attached to the mask after the 
cylinder was built and painted. The top has pencil marks on the edges, 
which indicate where the pattern was drawn before the piece was cut. A 
letter ``R'' and the letters ``RC'' are painted in red on the interior 
of the top. The paint overall is matte in finish, flaky, and abrades 
easily. Brush marks are visible except in the green portion of the 
face, which appears to have been sprayed on. The corn images appear to 
have been painted over a previous layer of paint. Some of the previous 
layer is visible and apparently was also painted with corn stalks. The 
ears appear to have many layers of paint as evident by flaking red 
paint and green paint underneath.
    Both long sticks fastened to the top of the mask with leather ties 
are carved at one end into three segments; each segment is painted 
yellow, red, or brown. A small remnant of feather down is present on 
the leather. Also on top of the mask is an open appendage with a finial 
made of corn husk wrapped with cotton thread embedded with remnants of 
green pigment.
    The mask is incomplete in several respects, as it lacks the collar, 
top band, painted top, and feathers of Jemez Apa' masks. However, masks 
were repeatedly renewed, and the ``missing'' or unfinished features of 
this mask may indicate it was collected while undergoing or awaiting 
renovation.
    Consultation with the Pueblo of Jemez included a visit from Jemez 
representatives in 2010. Consultation and published sources demonstrate 
that the mask is culturally affiliated with the Pueblo of Jemez. Jemez 
Kachina masks play an active role in the religious life of the 
community. They are used in religious practice and are owned and cared 
for by religious societies rather than individuals. They are considered 
sacred and living persons--friends and family members--rather than 
objects. These masks cannot be alienated, appropriated, or conveyed by 
any individual regardless of whether or not the individual is a member 
of the Pueblo of Jemez.

Determinations Made by the Logan Museum of Anthropology

    Officials of the Logan Museum of Anthropology have determined that:
     Pursuant to 25 U.S.C. 3001(3)(C), the 1 cultural item 
described above is a specific ceremonial object needed by traditional 
Native American religious leaders for the practice of traditional 
Native American religions by their present-day adherents.
     Pursuant to 25 U.S.C. 3001(3)(D), the 1 cultural item 
described above has ongoing historical, traditional, or cultural 
importance central to the Native American group or culture itself, 
rather than property owned by an individual.
     Pursuant to 25 U.S.C. 3001(2), there is a relationship of 
shared group identity that can be reasonably traced between the sacred 
object and object of cultural patrimony and the Pueblo of Jemez, New 
Mexico.

Additional Requestors and Disposition

    Lineal descendants or representatives of any Indian tribe or Native 
Hawaiian organization not identified in this notice that wish to claim 
this cultural item should submit a written request with information in 
support of the claim to William Green, Director, Logan Museum of 
Anthropology, Beloit College, 700 College St., Beloit, WI 53511, 
telephone (608) 363-2119, email greenb@beloit.edu, by May 1, 2015. 
After that date, if no additional claimants have come forward, transfer 
of control of the sacred object and object of cultural patrimony to the 
Pueblo of Jemez, New Mexico, may proceed.
    The Logan Museum of Anthropology is responsible for notifying the 
Pueblo of Jemez, New Mexico, that this notice has been published.

    Dated: February 13, 2015.
Melanie O'Brien,
Acting Manager, National NAGPRA Program.
[FR Doc. 2015-07396 Filed 3-31-15; 8:45 am]
 BILLING CODE 4312-50-P
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